Chords for Graham Coxon Of Blur Plays The American Acoustasonic Telecaster | Fender
Tempo:
127.7 bpm
Chords used:
B
F#
Bm
E
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B]
[E]
[B]
[E]
[B] [F#]
[B] [F#]
[B]
[F#] [E]
[D] [C#]
[B] [F#] I'm Graham Cox and I'm playing an acoustasonic telecaster.
I find it interesting [B] that you can play what you would normally play on an acoustic guitar.
If I'd have had this, I [Bm] guess, when I was starting to play the [C#] guitar, [B] I borrowed my
sister's acoustic guitar when I was 13 and I had to be very determined because it was
the most horrible thing to play.
[C#] You know, it was bloody fingers and [B] everything.
[E] [F#] It's the sort of comfort of it [Fm] and being able to [B] have sounds [F#] right there that you would
get very quick at just [B] dialing in at any point during what you're [F#m] doing.
If you needed [B] a [Bm] thinner sound that's more strummy, or like me, I [B] go between the two.
I go between electric, strumming and fingerstyle [Bm] in a gig.
[B] So it's very handy to be able to just sort of find the right setting there.
It's [F#] also interesting to blend between the two, between the [Bm] acoustic and the electric.
[B]
But I like the slight overdrive you get when you just click it over there.
And that's a good place for it to be because actually you could just hit [Bm] the guitar and
whack it into electric mode in one motion.
You're playing and [G] then suddenly you have to go into an overdriven section.
And you can do it just in one go.
You just hit all the strings, whack that back and step on a pedal.
I mean, that's going to be my move with it.
[C] [D]
[A] [D]
[E] [A]
I'm [N] going into a Bassbreaker 15 via the Pelt fuzz pedal.
There's a marine-led reverb unit here too.
It is going for a totally sort of, in a totally postmodern direction, really aesthetically.
With the indented sort of laser-etched fender in there.
But then when you actually pick it up and feel how light it is, it's quite an amazing
I mean, shocking is a good word.
I mean, you can have equal amounts of negative shock and positive shock, I think.
Because it's a confusing situation when you pick this up.
But it's extremely comfortable and it's really beautiful.
And everything that might be dangerous to guitar players, like
Because they're kind of, could be quite a clumsy, foolish bunch, has been taken care of.
So it's all rounded off and it's very comfortable at the top of the neck here.
And what I like about things like this, which give you different options, is [A] that you can sit there
And then you can find your favourite [G#] position for this and that and the [A#] other.
And you can just instantly go, OK, that's this [A] and that's that.
And it's very quick to just go between [N] sounds.
It's the sort of thing that they thought you'd be playing in [Em] 2001, [C#]
you know.
[G]
[Bm]
I love [E] Telecasters purely [G#] because of their [Bm] simplicity.
And this kind of does the same in the world, in [A] the acoustic world.
Each sound [Gm] is good and [F#] each sound is useful.
[Bm] Thanks for [C#] watching.
I hope this in some way [F#] inspired you.
[D#m] Have fun playing.
[B] [N]
[E]
[B]
[E]
[B] [F#]
[B] [F#]
[B]
[F#] [E]
[D] [C#]
[B] [F#] I'm Graham Cox and I'm playing an acoustasonic telecaster.
I find it interesting [B] that you can play what you would normally play on an acoustic guitar.
If I'd have had this, I [Bm] guess, when I was starting to play the [C#] guitar, [B] I borrowed my
sister's acoustic guitar when I was 13 and I had to be very determined because it was
the most horrible thing to play.
[C#] You know, it was bloody fingers and [B] everything.
[E] [F#] It's the sort of comfort of it [Fm] and being able to [B] have sounds [F#] right there that you would
get very quick at just [B] dialing in at any point during what you're [F#m] doing.
If you needed [B] a [Bm] thinner sound that's more strummy, or like me, I [B] go between the two.
I go between electric, strumming and fingerstyle [Bm] in a gig.
[B] So it's very handy to be able to just sort of find the right setting there.
It's [F#] also interesting to blend between the two, between the [Bm] acoustic and the electric.
[B]
But I like the slight overdrive you get when you just click it over there.
And that's a good place for it to be because actually you could just hit [Bm] the guitar and
whack it into electric mode in one motion.
You're playing and [G] then suddenly you have to go into an overdriven section.
And you can do it just in one go.
You just hit all the strings, whack that back and step on a pedal.
I mean, that's going to be my move with it.
[C] [D]
[A] [D]
[E] [A]
I'm [N] going into a Bassbreaker 15 via the Pelt fuzz pedal.
There's a marine-led reverb unit here too.
It is going for a totally sort of, in a totally postmodern direction, really aesthetically.
With the indented sort of laser-etched fender in there.
But then when you actually pick it up and feel how light it is, it's quite an amazing
I mean, shocking is a good word.
I mean, you can have equal amounts of negative shock and positive shock, I think.
Because it's a confusing situation when you pick this up.
But it's extremely comfortable and it's really beautiful.
And everything that might be dangerous to guitar players, like
Because they're kind of, could be quite a clumsy, foolish bunch, has been taken care of.
So it's all rounded off and it's very comfortable at the top of the neck here.
And what I like about things like this, which give you different options, is [A] that you can sit there
And then you can find your favourite [G#] position for this and that and the [A#] other.
And you can just instantly go, OK, that's this [A] and that's that.
And it's very quick to just go between [N] sounds.
It's the sort of thing that they thought you'd be playing in [Em] 2001, [C#]
you know.
[G]
[Bm]
I love [E] Telecasters purely [G#] because of their [Bm] simplicity.
And this kind of does the same in the world, in [A] the acoustic world.
Each sound [Gm] is good and [F#] each sound is useful.
[Bm] Thanks for [C#] watching.
I hope this in some way [F#] inspired you.
[D#m] Have fun playing.
[B] [N]
Key:
B
F#
Bm
E
C#
B
F#
Bm
[B] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [E] _
[B] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [E] _
_ [B] _ _ _ [F#] _ _ _ _
_ [B] _ _ _ _ _ _ [F#] _
_ _ _ _ [B] _ _ _ _
_ [F#] _ _ _ _ _ [E] _ _
_ _ [D] _ _ [C#] _ _ _ _
[B] [F#] I'm Graham Cox and I'm playing an acoustasonic telecaster.
_ I find it interesting [B] that you can play what you would normally play on an acoustic guitar.
If I'd have had this, I [Bm] guess, when I was starting to play the [C#] guitar, [B] I borrowed my
sister's acoustic guitar when I was 13 and I had to be very determined because it was
the most horrible thing to play.
[C#] You know, it was bloody fingers and [B] everything.
_ _ _ _ [E] [F#] It's the sort of comfort of it [Fm] and being able to [B] have _ sounds [F#] right there that you would
get very quick at just [B] dialing in at any point during what you're [F#m] doing.
If you needed [B] a _ [Bm] thinner sound that's more strummy, or like me, I [B] go between the two.
I go between electric, strumming and fingerstyle [Bm] _ in a gig.
[B] So it's very handy to be able to just sort of find the right setting there.
It's [F#] also interesting to blend between the two, between the [Bm] acoustic and the electric.
_ _ _ _ [B] _ _ _
_ _ _ _ _ _ _
But I like the slight overdrive you get when you just _ _ click it over there.
And that's a good place for it to be because actually you could just hit [Bm] the guitar and
whack it into electric mode in one motion.
You're playing and [G] then suddenly you have to go into an overdriven _ _ section.
And you can do it just in one go.
You just hit all the strings, whack that back and step on a pedal.
I mean, that's going to be my move with it.
[C] _ _ _ [D] _ _ _ _
_ [A] _ _ _ _ [D] _ _ _
[E] _ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ I'm _ [N] going into a Bassbreaker 15 via _ the Pelt fuzz pedal.
There's a marine-led reverb unit here too.
It is going for a totally sort of, in a totally postmodern direction, _ really _ _ aesthetically.
With the indented sort of _ laser-etched fender in there.
But then when you actually pick it up and feel how light it is, it's quite an amazing_
I mean, shocking is a good word.
I mean, you can have equal amounts of negative shock and positive shock, I think.
Because it's a confusing situation when you pick this up.
But it's extremely comfortable and it's really beautiful.
And _ _ everything that might be _ dangerous to guitar players, like_
Because they're kind of, could be quite a clumsy, foolish bunch, has been taken care of.
So it's all rounded off and it's very comfortable at the top of the neck here.
And what I like about things like this, which give you different options, is [A] that you can sit there_
And then you can find your favourite [G#] position for this and that and the [A#] other.
And you can just instantly go, OK, _ that's this [A] and that's that.
And it's very quick _ _ to just go between [N] sounds.
It's the sort of thing that they thought you'd be playing in [Em] _ 2001, [C#]
you know.
_ _ [G] _ _ _ _ _
_ _ [Bm] _ _ _ _ _ _
I love [E] Telecasters purely [G#] because of their [Bm] simplicity.
And this kind of does the same in the world, in [A] the acoustic world.
Each sound [Gm] is good and [F#] each sound is useful. _
[Bm] _ _ Thanks for [C#] watching.
I hope this in some way [F#] inspired you.
[D#m] Have fun playing. _ _ _
[B] _ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [E] _
[B] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [E] _
_ [B] _ _ _ [F#] _ _ _ _
_ [B] _ _ _ _ _ _ [F#] _
_ _ _ _ [B] _ _ _ _
_ [F#] _ _ _ _ _ [E] _ _
_ _ [D] _ _ [C#] _ _ _ _
[B] [F#] I'm Graham Cox and I'm playing an acoustasonic telecaster.
_ I find it interesting [B] that you can play what you would normally play on an acoustic guitar.
If I'd have had this, I [Bm] guess, when I was starting to play the [C#] guitar, [B] I borrowed my
sister's acoustic guitar when I was 13 and I had to be very determined because it was
the most horrible thing to play.
[C#] You know, it was bloody fingers and [B] everything.
_ _ _ _ [E] [F#] It's the sort of comfort of it [Fm] and being able to [B] have _ sounds [F#] right there that you would
get very quick at just [B] dialing in at any point during what you're [F#m] doing.
If you needed [B] a _ [Bm] thinner sound that's more strummy, or like me, I [B] go between the two.
I go between electric, strumming and fingerstyle [Bm] _ in a gig.
[B] So it's very handy to be able to just sort of find the right setting there.
It's [F#] also interesting to blend between the two, between the [Bm] acoustic and the electric.
_ _ _ _ [B] _ _ _
_ _ _ _ _ _ _
But I like the slight overdrive you get when you just _ _ click it over there.
And that's a good place for it to be because actually you could just hit [Bm] the guitar and
whack it into electric mode in one motion.
You're playing and [G] then suddenly you have to go into an overdriven _ _ section.
And you can do it just in one go.
You just hit all the strings, whack that back and step on a pedal.
I mean, that's going to be my move with it.
[C] _ _ _ [D] _ _ _ _
_ [A] _ _ _ _ [D] _ _ _
[E] _ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ I'm _ [N] going into a Bassbreaker 15 via _ the Pelt fuzz pedal.
There's a marine-led reverb unit here too.
It is going for a totally sort of, in a totally postmodern direction, _ really _ _ aesthetically.
With the indented sort of _ laser-etched fender in there.
But then when you actually pick it up and feel how light it is, it's quite an amazing_
I mean, shocking is a good word.
I mean, you can have equal amounts of negative shock and positive shock, I think.
Because it's a confusing situation when you pick this up.
But it's extremely comfortable and it's really beautiful.
And _ _ everything that might be _ dangerous to guitar players, like_
Because they're kind of, could be quite a clumsy, foolish bunch, has been taken care of.
So it's all rounded off and it's very comfortable at the top of the neck here.
And what I like about things like this, which give you different options, is [A] that you can sit there_
And then you can find your favourite [G#] position for this and that and the [A#] other.
And you can just instantly go, OK, _ that's this [A] and that's that.
And it's very quick _ _ to just go between [N] sounds.
It's the sort of thing that they thought you'd be playing in [Em] _ 2001, [C#]
you know.
_ _ [G] _ _ _ _ _
_ _ [Bm] _ _ _ _ _ _
I love [E] Telecasters purely [G#] because of their [Bm] simplicity.
And this kind of does the same in the world, in [A] the acoustic world.
Each sound [Gm] is good and [F#] each sound is useful. _
[Bm] _ _ Thanks for [C#] watching.
I hope this in some way [F#] inspired you.
[D#m] Have fun playing. _ _ _
[B] _ _ _ _ _ _ _ [N] _