Chords for Greg Koch visits The Music Zoo

Tempo:
97.5 bpm
Chords used:

Gb

G

E

Ab

C

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Greg Koch visits The Music Zoo chords
Start Jamming...
Hey, I'm Tommy.
I own the [Bbm] music zoo here in New York.
[Bb] I'm here with Greg Koch.
You [Em] never know who's going to come in.
[E] Figured we'd talk to them a little bit, play [Gb] a little bit.
You guys can ask questions if you'd like.
But you're not here, so you can't, unless you have secret weird paranormal powers.
I don't know if I should just have you shred for a little bit and then we talk.
[G] I don't know if we can do that.
Here come some strangers [Gb] that are coming in the store.
[C] They're going to walk right through anyway.
They're going to walk right through our minefield.
Say hello to the camera.
This is live.
[Gb] This is going right to the internet as we speak.
Let's go through.
This is rock and [Gm] roll time.
I [G] saw you play [Abm] at the Fender.
It was [B] 2007.
I guess it was at that Eddie Van Halen thing that happened at NAMM.
Oh, [Gb] yeah, yeah, yeah.
You played there, and I was super impressed with you playing.
[Abm] I had a great time that night.
I drank probably.
[F] That's probably why you thought it sounded good, when you think about [Gb] it.
[Gbm]
[A] You're a tritch around the guitar, so you [C] do a lot of cool stuff.
[Ebm] [F]
Then, of course, after seeing that, I think I had come [Ab] back and I did the inter [G]-Google
and [Ab] went up and checked out [G] some stuff.
There was something [Gb] that I saw on YouTube [A] with you shredding and doing a little Zeppelin thing.
[Eb] It's another chicken picking thing.
I was just completely blown away by it.
Oh, I like it.
I'm a big Zeppelin fan.
Is it wrong?
I don't think so.
No, I don't think so.
I guess I wanted to ask influences [N] and stuff like that.
Can we talk about stuff like that?
Absolutely.
I started off being a big Hendrix fanatic.
That's the whole reason I wanted to start playing guitar.
My brother was 14 years older than I was, and I had five sisters.
I was the youngest of seven.
Five girls in between.
I remember with my brother, who was older, [Abm] we had all these old records.
Hendrix, Zeppelin, [Em] Cream.
It was [Eb] all that to start off with.
Then I got into all the blues guys.
Somewhere along [Gb] the way, I started getting into these country [Gb] freaks.
First was Albert Lee, a little bit of Mark Canopler.
From there, I started listening to who they were influenced by.
James Burton, Jimmy [C] Bryant, Festus McCracken, as we talked about earlier.
Absolutely.
He's one of my favorites.
Of course.
Then I really got into Roy [Gb] Buchanan and Danny Gatton.
[Bb] [Eb] All kinds of different.
Then a bunch of jazz guys.
I always wanted to put my own little stew together.
Not really be in any one particular genre, but I suppose if I had to be pigeonholed.
Is that a word?
[G]
Absolutely.
It's kind of a combination of words.
Pigeonholed.
What?
[E] Anyway, I feel like a blues guy that knows mother stuff.
You know what I mean?
I [Gb] totally got it.
If I have to play through changes, I can meander my way through.
If I have to play some chicken pickin' [N] stuff, I've added that to the sangria, if you will.
If I need to rock out like a Peggy Warlord on the night, [B]
I need to do that as well.
I'll do whatever has to be done.
Why?
Because [E] I'm a hundredaire.
You know what I'm saying?
Sometimes, in order to maintain that precious financial situation, I've got to do what needs to be done.
[Ab] [A] I get it.
That's right.
[B] There's prophylactics involved.
Security. Security.
We [Gb] should say that we just devoured a delicious and bountiful repast next door at the Turkish [Eb] restaurant.
Not only can you come here to this guitar emporium of doom,
but you can modify your experience by enjoying a delicious Mediterranean repast next door.
That's right.
Thank you very much.
Part of the New York scene is being able to visit.
For people that don't know, the store is a restaurant.
[E] Every other [G] store other than ours is a restaurant.
[B] There's Italian fare, Turkish, sushi and stuff.
[G] So, when you come and play the guitar, [Ab] you can feast out.
Feast!
Absolutely.
[E] That's what we're looking for.
Feast on [N] the guitar of
We've [E]
got a [B] little box of rock out here.
That sounds pretty wicked.
You know what I'm saying?
Yeah, you can't do it earlier.
More stories.
[E]
[G]
[E] [Ab] [B]
[Em] [G]
[E] [Ab]
[G] [C]
[Ab]
[C] [Em]
[G] [C] [Cm]
[Gb] [G] I really don't know what that was.
[Gb] Me neither.
[F] I [Ab] think it was Turkish influence.
Never mind me being so bald.
You need to bring the Turkish thing back.
Are [Em] you
Key:  
Gb
134211112
G
2131
E
2311
Ab
134211114
C
3211
Gb
134211112
G
2131
E
2311
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Hey, I'm Tommy.
I own the [Bbm] music zoo here in New York.
[Bb] I'm here with Greg Koch.
You [Em] never know who's going to come in.
[E] Figured we'd talk to them a little bit, play [Gb] a little bit.
You guys can ask questions if you'd like.
But you're not here, so you can't, unless you have secret weird paranormal powers.
I don't know if I should just have you shred for a little bit and then we talk.
[G] I don't know if we can do that.
Here come some strangers [Gb] that are coming in the store.
[C] They're going to walk right through anyway.
They're going to walk right through our minefield.
Say hello to the camera.
This is live.
[Gb] This is going right to the internet as we speak.
Let's go through.
This is rock and [Gm] roll time.
_ _ I [G] saw you play [Abm] at the Fender.
It was [B] 2007.
I guess it was at that Eddie Van Halen thing that happened at NAMM.
Oh, [Gb] yeah, yeah, yeah.
You played there, and I was super impressed with you playing.
[Abm] I had a great time that night.
I drank probably.
[F] That's probably why you thought it sounded good, when you think about [Gb] it.
_ _ _ [Gbm] _
[A] You're a tritch around the guitar, so you [C] do a lot of cool stuff.
[Ebm] _ [F]
Then, of course, after seeing that, I think I had come [Ab] back and I did the inter [G]-Google
and [Ab] went up and checked out [G] some stuff.
There was something _ [Gb] that I saw on YouTube [A] with you shredding and doing a little Zeppelin thing.
[Eb] It's another chicken picking thing.
I was just completely blown away by it.
Oh, I like it.
I'm a big Zeppelin fan.
Is it wrong?
I don't think so.
No, I don't think so.
I guess I wanted to ask influences [N] and stuff like that.
Can we talk about stuff like that?
Absolutely.
I started off being a big Hendrix fanatic.
That's the whole reason I wanted to start playing guitar.
My brother was 14 years older than I was, and I had five sisters.
I was the youngest of seven.
Five girls in between.
I remember with my brother, who was older, [Abm] we had all these old records.
Hendrix, Zeppelin, [Em] Cream.
It was [Eb] all that to start off with.
Then I got into all the blues guys.
Somewhere along [Gb] the way, I started getting into these country [Gb] freaks.
First was Albert Lee, a little bit of Mark Canopler.
_ From there, I started listening to who they were influenced by.
James Burton, _ Jimmy [C] Bryant, Festus McCracken, as we talked about earlier.
Absolutely.
He's one of my favorites.
Of course.
Then I really got into Roy [Gb] Buchanan and Danny Gatton.
_ [Bb] _ [Eb] All kinds of different.
Then a bunch of jazz guys.
I always wanted to put my own little stew together.
Not really be in any one particular genre, but I suppose if I had to be pigeonholed.
Is that a word?
[G]
Absolutely.
It's kind of a combination of words.
Pigeonholed.
What?
_ [E] Anyway, I feel like a blues guy that knows mother stuff.
You know what I mean?
I [Gb] totally got it.
If I have to play through changes, I can meander my way through.
If I have to play some chicken pickin' [N] stuff, I've added that to the sangria, if you will.
If I need to rock out like a Peggy Warlord on the night, [B] _
I need to do that as well.
I'll do whatever has to be done.
Why?
Because [E] I'm a hundredaire.
You know what I'm saying?
Sometimes, _ in order to maintain that precious financial situation, I've got to do what needs to be done. _ _ _
_ [Ab] _ _ [A] I get it.
That's right.
[B] There's prophylactics involved.
Security. Security.
_ We [Gb] should say that we just devoured a delicious and bountiful repast next door at the Turkish [Eb] restaurant.
Not only can you come here to this guitar _ emporium of doom,
but you can modify your experience by enjoying a delicious Mediterranean repast next door.
That's right.
Thank you very much.
Part of the New York scene is being able to visit.
For people that don't know, the store is a restaurant.
[E] Every other [G] store other than ours is a restaurant.
[B] There's Italian fare, Turkish, sushi and stuff.
[G] So, when you come and play the guitar, [Ab] you can feast out.
Feast!
Absolutely.
[E] That's what we're looking for.
Feast on [N] the guitar of_
We've _ [E] _
_ got a [B] little box of rock out here.
That sounds pretty wicked.
You know what I'm saying? _
_ _ _ Yeah, you can't do it earlier. _ _
_ More stories.
_ _ [E] _ _ _
_ _ _ [G] _ _ _ _ _
_ [E] _ _ _ _ _ [Ab] _ [B] _
_ _ [Em] _ _ _ [G] _ _ _
_ [E] _ _ _ _ _ [Ab] _ _
_ _ _ [G] _ _ _ _ [C] _
_ _ _ _ _ _ [Ab] _ _
_ _ [C] _ _ _ _ _ [Em] _
_ [G] _ _ _ [C] _ _ [Cm] _ _
[Gb] _ _ _ [G] _ _ I really don't know what that was.
[Gb] Me neither.
[F] I [Ab] think it was Turkish influence.
Never mind me being so bald.
You need to bring the Turkish thing back.
Are [Em] you