Chords for Groundation ● The Next Generation ● Concept ● 21.09.2018
Tempo:
83.1 bpm
Chords used:
A
D
Bbm
B
Abm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Bbm] [B] Every album has a [Abm] concept.
Young Tree [Db] is about the individual.
Each [Ebm] one, each one is about the individual's knowledge of the past.
[Bbm] Hebron Gate is about this war, this conflict [Bm] of good and evil.
And so here we are, after a miracle, [Eb] after the mother of [Ab] creation.
Now it's the children, [Ebm] the next generation.
Here we are, that's the album.
I have plenty [Bbm] of time from where you are.
You [B] were hungry.
We created the sounds on the tracks mostly during our rehearsals.
We've been rehearsing quite a bit because we had a very short studio time, so we had
to do a lot of rehearsing beforehand.
Then as we played more and more, we started to become familiar with each other's sounds,
[Fm] each other's approaches, each other's backgrounds.
[Abm] You know, I was [B] quite impressed.
It didn't [Bbm] take us too long.
And it was a very, [B] very cool process.
Everybody found their best ideas [Bb] to put forth, and it was great.
A lot of the work is trying [Em] to take the ideas away and put together just what's important.
[Bm] [A] [D]
[A] [Gbm] [D]
[A] [Em] [Dbm] [A]
We spent a lot of time rehearsing before the [D] session, and it was a pretty democratic process
of people getting to play their own parts and sort of coming [D] together.
[A] Everybody had a lot of freedom [Em] to sit, talk to the other people and have comments.
[Dbm] In rehearsal, when we [Gbm] were putting the things together, [A] sometimes Will would [D] talk, sometimes
Craig would talk, sometimes I would talk, [Gbm] sometimes Isaiah would talk.
Harrison, always as [D] the leader, I think he is interested in seeing what we can bring
to the [E] project.
[A]
[D] [A] [D] This album is going to shock people.
I [G] really feel that to my bone.
[Dbm] The first track, Vanity, [Gbm] is something that [Ab] I've had visions of for years and years and years.
In fact, it's a concept I've had for 15 years, from Hebron, before even those times.
My concept was this intro, and it just started with the saxophone, one [Eb] note.
And from there, all the other 12 notes jump in, [Abm] in different intervals, and it speeds
up as they jump in.
This huge swell of the crunch of all the [Ab] 12 notes possible.
[Cm] [Eb] [Cm]
[Em]
[Cm] You hear this big band, you know?
Trumpets and trombones snapping and [Am] popping and saxophones rolling and hanging.
[Abm] [Fm]
First ever reggae big band song.
Young Tree [Db] is about the individual.
Each [Ebm] one, each one is about the individual's knowledge of the past.
[Bbm] Hebron Gate is about this war, this conflict [Bm] of good and evil.
And so here we are, after a miracle, [Eb] after the mother of [Ab] creation.
Now it's the children, [Ebm] the next generation.
Here we are, that's the album.
I have plenty [Bbm] of time from where you are.
You [B] were hungry.
We created the sounds on the tracks mostly during our rehearsals.
We've been rehearsing quite a bit because we had a very short studio time, so we had
to do a lot of rehearsing beforehand.
Then as we played more and more, we started to become familiar with each other's sounds,
[Fm] each other's approaches, each other's backgrounds.
[Abm] You know, I was [B] quite impressed.
It didn't [Bbm] take us too long.
And it was a very, [B] very cool process.
Everybody found their best ideas [Bb] to put forth, and it was great.
A lot of the work is trying [Em] to take the ideas away and put together just what's important.
[Bm] [A] [D]
[A] [Gbm] [D]
[A] [Em] [Dbm] [A]
We spent a lot of time rehearsing before the [D] session, and it was a pretty democratic process
of people getting to play their own parts and sort of coming [D] together.
[A] Everybody had a lot of freedom [Em] to sit, talk to the other people and have comments.
[Dbm] In rehearsal, when we [Gbm] were putting the things together, [A] sometimes Will would [D] talk, sometimes
Craig would talk, sometimes I would talk, [Gbm] sometimes Isaiah would talk.
Harrison, always as [D] the leader, I think he is interested in seeing what we can bring
to the [E] project.
[A]
[D] [A] [D] This album is going to shock people.
I [G] really feel that to my bone.
[Dbm] The first track, Vanity, [Gbm] is something that [Ab] I've had visions of for years and years and years.
In fact, it's a concept I've had for 15 years, from Hebron, before even those times.
My concept was this intro, and it just started with the saxophone, one [Eb] note.
And from there, all the other 12 notes jump in, [Abm] in different intervals, and it speeds
up as they jump in.
This huge swell of the crunch of all the [Ab] 12 notes possible.
[Cm] [Eb] [Cm]
[Em]
[Cm] You hear this big band, you know?
Trumpets and trombones snapping and [Am] popping and saxophones rolling and hanging.
[Abm] [Fm]
First ever reggae big band song.
Key:
A
D
Bbm
B
Abm
A
D
Bbm
_ _ _ _ _ _ _ _
[Bbm] _ _ _ _ [B] _ _ Every album has a [Abm] concept.
Young Tree [Db] is about the individual.
Each [Ebm] one, each one is about the individual's knowledge of the past.
[Bbm] Hebron Gate is about this war, this conflict [Bm] of good and evil.
And so here we are, after a miracle, [Eb] after the mother of [Ab] creation.
Now it's the children, [Ebm] the next generation.
Here we are, that's the album.
I have plenty [Bbm] of time from where you are.
You [B] were hungry.
We created the sounds on the tracks mostly during our rehearsals.
We've been rehearsing quite a bit because we had a very short studio time, so we had
to do a lot of rehearsing beforehand.
Then as we played more and more, we started to become familiar with each other's sounds,
[Fm] each other's approaches, each other's backgrounds.
[Abm] You know, I was [B] quite impressed.
It didn't [Bbm] take us too long.
And it was a very, [B] very cool process.
Everybody found their best ideas [Bb] to put forth, and it was great.
A lot of the work is trying [Em] to take the ideas away and put together just what's important.
_ _ _ [Bm] _ [A] _ _ [D] _
_ _ [A] _ _ [Gbm] _ _ [D] _ _
[A] _ _ _ [Em] _ _ [Dbm] _ _ [A] _
We spent a lot of time rehearsing before the [D] session, and it was a pretty democratic process
of people getting to play their own parts and sort of coming [D] together.
[A] Everybody had a lot of freedom [Em] to sit, talk to the other people and have comments.
[Dbm] In rehearsal, when we [Gbm] were putting the things together, [A] sometimes Will would [D] talk, sometimes
Craig would talk, sometimes I would talk, [Gbm] sometimes Isaiah would talk.
Harrison, always as [D] the leader, I think he is interested in seeing what we can bring
to the [E] project. _
[A] _ _ _ _ _ _ _ _
[D] _ _ [A] _ _ _ [D] This album is going to shock people.
I [G] really feel that to my bone.
[Dbm] The first track, Vanity, [Gbm] is something that [Ab] I've had visions of for years and years and years.
In fact, it's a concept I've had for 15 years, from Hebron, before even those times.
My concept was this intro, and it just started with the saxophone, one [Eb] note.
_ _ And from there, all the other 12 notes jump in, [Abm] in different intervals, and it speeds
up as they jump in.
This huge swell of the crunch of all the [Ab] 12 notes possible.
_ _ [Cm] _ _ [Eb] _ [Cm] _ _ _
_ [Em] _ _ _ _ _ _ _
[Cm] You hear this big band, you know?
Trumpets and trombones snapping and [Am] popping and saxophones rolling and hanging.
[Abm] _ _ _ [Fm] _
First ever reggae big band song. _ _ _ _ _
_ _ _ _ _ _ _ _
[Bbm] _ _ _ _ [B] _ _ Every album has a [Abm] concept.
Young Tree [Db] is about the individual.
Each [Ebm] one, each one is about the individual's knowledge of the past.
[Bbm] Hebron Gate is about this war, this conflict [Bm] of good and evil.
And so here we are, after a miracle, [Eb] after the mother of [Ab] creation.
Now it's the children, [Ebm] the next generation.
Here we are, that's the album.
I have plenty [Bbm] of time from where you are.
You [B] were hungry.
We created the sounds on the tracks mostly during our rehearsals.
We've been rehearsing quite a bit because we had a very short studio time, so we had
to do a lot of rehearsing beforehand.
Then as we played more and more, we started to become familiar with each other's sounds,
[Fm] each other's approaches, each other's backgrounds.
[Abm] You know, I was [B] quite impressed.
It didn't [Bbm] take us too long.
And it was a very, [B] very cool process.
Everybody found their best ideas [Bb] to put forth, and it was great.
A lot of the work is trying [Em] to take the ideas away and put together just what's important.
_ _ _ [Bm] _ [A] _ _ [D] _
_ _ [A] _ _ [Gbm] _ _ [D] _ _
[A] _ _ _ [Em] _ _ [Dbm] _ _ [A] _
We spent a lot of time rehearsing before the [D] session, and it was a pretty democratic process
of people getting to play their own parts and sort of coming [D] together.
[A] Everybody had a lot of freedom [Em] to sit, talk to the other people and have comments.
[Dbm] In rehearsal, when we [Gbm] were putting the things together, [A] sometimes Will would [D] talk, sometimes
Craig would talk, sometimes I would talk, [Gbm] sometimes Isaiah would talk.
Harrison, always as [D] the leader, I think he is interested in seeing what we can bring
to the [E] project. _
[A] _ _ _ _ _ _ _ _
[D] _ _ [A] _ _ _ [D] This album is going to shock people.
I [G] really feel that to my bone.
[Dbm] The first track, Vanity, [Gbm] is something that [Ab] I've had visions of for years and years and years.
In fact, it's a concept I've had for 15 years, from Hebron, before even those times.
My concept was this intro, and it just started with the saxophone, one [Eb] note.
_ _ And from there, all the other 12 notes jump in, [Abm] in different intervals, and it speeds
up as they jump in.
This huge swell of the crunch of all the [Ab] 12 notes possible.
_ _ [Cm] _ _ [Eb] _ [Cm] _ _ _
_ [Em] _ _ _ _ _ _ _
[Cm] You hear this big band, you know?
Trumpets and trombones snapping and [Am] popping and saxophones rolling and hanging.
[Abm] _ _ _ [Fm] _
First ever reggae big band song. _ _ _ _ _
_ _ _ _ _ _ _ _