Chords for GUITAR LESSON -TONY RICE - SONG FOR A WINTER'S NIGHT #acousticguitar #tonyrice
Tempo:
211.9 bpm
Chords used:
D
A
E
Eb
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A]
[D]
[E]
[A]
[D]
[E]
[A]
[Ab]
This [Gb] time around we're [Eb] going to cover [Db] dynamics in the flat picking style of Tony Rice.
A [D] good example [E] of that is his [D] arrangement of Song for a Winter's Night.
[E] What we'll look into is how you can make the pick sound [Gb] almost like fingerstyle guitar.
[Eb] Now we've [D] heard the intro at 105 BPM.
I'll [Eb] play it at 50 BPM for you to memorise and then we'll get to [C] the performance notes.
[Gb]
[A] [A]
[G] [A] [D]
[Gb]
[E]
[A]
[D]
[E]
[A]
First things first is the setup.
So let's look at the pickup bar.
You've got these four 16th notes a beat long leading into bar 1.
[C] But what's important to note is that this hammer-on is the first note of the first bar
and it's hammered on [D] from this open G note that's [Eb] still ringing [A] from the pickup bar.
[G]
[F] So next we'll look at the main [D] cross picking pattern with a typical [E] sequence of down [C] up down up.
This is a great one to isolate and practice also.
[A]
[Eb] You're skipping a lot of strings here.
It's tricky because it's actually a very common [A] fingerstyle pattern.
[D]
[A]
Through that pattern we can see an F and [D] C major triad with a steady [C] root note of G played on the downbeat to create the [Bb] pulse.
[Ab] [Bb]
[Eb]
This is a common [D] theme throughout Tony's style and can be heard in [C] various live [Bb] performances.
[Eb]
[Bb] [Eb]
[F] [Bb]
[F]
In the third bar we have [Db] the 5th chord turnaround with the D major [D] chord.
And there's a couple of things to note in this bar.
[E] First off is [Eb] the first hammer [B]-on note which is accented on the downbeat.
[E]
[A]
And this [Eb] is a big part of the Tony Rice method to accent certain notes here and there
and [D] this is often played out [Db] on the [Fm] downbeat.
[Eb] And in this case [D] highlights the start of a new bar and a different direction.
With [Dbm] the D major chord brings the [C] F sharp note.
This [D] is played [Db] in contrast [C] to the previous [D] F natural note or mixolydian sound.
And this sets up the [Db] resolve back to the G in [E] the next bar.
The other thing to note here is the downward sweep pattern on these notes
which gives the turnaround a kind [D] of up and [A] down rollercoaster effect.
And these notes are slightly pushed on the beat to emphasise that effect even more.
[E]
It's all about tension and resolve.
[A]
[E]
[A]
[G] Just remember to use your [D] ear.
There's a lot of emphasised [E] notes in there.
It's [B] not all just one line.
And that's what this lesson is all [Eb] about.
Dynamics.
As usual, like, comment, subscribe [C] and [Eb] remember
Slow it down, clean it up and speed [A] it up.
[D]
[Am] [A]
[C]
[Am]
[E] [A]
[D]
[E]
[A]
[D]
[E]
[A]
[Ab]
This [Gb] time around we're [Eb] going to cover [Db] dynamics in the flat picking style of Tony Rice.
A [D] good example [E] of that is his [D] arrangement of Song for a Winter's Night.
[E] What we'll look into is how you can make the pick sound [Gb] almost like fingerstyle guitar.
[Eb] Now we've [D] heard the intro at 105 BPM.
I'll [Eb] play it at 50 BPM for you to memorise and then we'll get to [C] the performance notes.
[Gb]
[A] [A]
[G] [A] [D]
[Gb]
[E]
[A]
[D]
[E]
[A]
First things first is the setup.
So let's look at the pickup bar.
You've got these four 16th notes a beat long leading into bar 1.
[C] But what's important to note is that this hammer-on is the first note of the first bar
and it's hammered on [D] from this open G note that's [Eb] still ringing [A] from the pickup bar.
[G]
[F] So next we'll look at the main [D] cross picking pattern with a typical [E] sequence of down [C] up down up.
This is a great one to isolate and practice also.
[A]
[Eb] You're skipping a lot of strings here.
It's tricky because it's actually a very common [A] fingerstyle pattern.
[D]
[A]
Through that pattern we can see an F and [D] C major triad with a steady [C] root note of G played on the downbeat to create the [Bb] pulse.
[Ab] [Bb]
[Eb]
This is a common [D] theme throughout Tony's style and can be heard in [C] various live [Bb] performances.
[Eb]
[Bb] [Eb]
[F] [Bb]
[F]
In the third bar we have [Db] the 5th chord turnaround with the D major [D] chord.
And there's a couple of things to note in this bar.
[E] First off is [Eb] the first hammer [B]-on note which is accented on the downbeat.
[E]
[A]
And this [Eb] is a big part of the Tony Rice method to accent certain notes here and there
and [D] this is often played out [Db] on the [Fm] downbeat.
[Eb] And in this case [D] highlights the start of a new bar and a different direction.
With [Dbm] the D major chord brings the [C] F sharp note.
This [D] is played [Db] in contrast [C] to the previous [D] F natural note or mixolydian sound.
And this sets up the [Db] resolve back to the G in [E] the next bar.
The other thing to note here is the downward sweep pattern on these notes
which gives the turnaround a kind [D] of up and [A] down rollercoaster effect.
And these notes are slightly pushed on the beat to emphasise that effect even more.
[E]
It's all about tension and resolve.
[A]
[E]
[A]
[G] Just remember to use your [D] ear.
There's a lot of emphasised [E] notes in there.
It's [B] not all just one line.
And that's what this lesson is all [Eb] about.
Dynamics.
As usual, like, comment, subscribe [C] and [Eb] remember
Slow it down, clean it up and speed [A] it up.
[D]
[Am] [A]
[C]
[Am]
[E] [A]
Key:
D
A
E
Eb
C
D
A
E
_ _ [A] _ _ _ _ _ _
_ [D] _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ _ [Ab] _ _
_ _ _ _ _ _ _ _
This [Gb] time around we're [Eb] going to cover _ [Db] dynamics in the flat picking style of Tony Rice.
A [D] good example [E] of that is his [D] arrangement of _ Song for a Winter's Night.
[E] What we'll look into is how you can make the pick sound [Gb] almost _ _ like fingerstyle guitar.
[Eb] Now we've [D] heard the intro at _ 105 BPM. _
I'll [Eb] play it at 50 BPM for you to memorise and then we'll get to [C] the performance notes. _
_ _ _ _ _ _ _ _
[Gb] _ _ _ _ _ _ _ _
_ [A] _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ [G] _ _ [A] _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Gb] _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [A] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ First things first is the setup.
So let's look at the pickup bar.
_ _ You've got these four 16th notes a beat long _ leading into bar 1. _ _
[C] But what's important to note is that this hammer-on is the first note _ of the first bar
_ and it's hammered on [D] from this open G note that's [Eb] still ringing [A] from the pickup bar. _ _
_ _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ _ _ _ [F] So next we'll look at the main [D] cross picking pattern with a typical [E] sequence of down [C] up down up.
_ _ This is a great one to isolate and practice also.
_ [A] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Eb] You're skipping a lot of strings here.
It's tricky because it's actually a very common [A] fingerstyle pattern. _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ Through that pattern we can see an F and [D] C major triad _ _ with a steady [C] root note of G played on the downbeat to create the [Bb] pulse. _ _ _ _ _
_ [Ab] _ _ _ _ _ _ [Bb] _
_ [Eb] _ _ _ _ _ _
This is a common [D] theme throughout Tony's style _ and can be heard in [C] various live [Bb] performances. _ _ _ _ _ _
_ _ _ _ _ _ [Eb] _ _
_ [Bb] _ _ _ _ _ _ [Eb] _
_ [F] _ _ [Bb] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [F] _
_ _ _ _ _ In the third bar we have [Db] the 5th chord turnaround with the D major [D] chord.
And there's a couple of things to note in this bar.
[E] First off is [Eb] the first hammer [B]-on note which is accented _ on the downbeat.
_ _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ And this [Eb] is a big part of the Tony Rice method to accent certain notes here and there
and [D] this is often played out [Db] on the [Fm] downbeat.
_ [Eb] And in this case [D] highlights the start of a new bar and a different direction.
_ With [Dbm] the D major chord brings the _ [C] F sharp note.
_ _ _ This [D] is played [Db] in contrast [C] to _ the previous _ _ [D] F natural note or _ mixolydian sound.
And this sets up the [Db] resolve back to the G in [E] the next bar.
_ _ _ The other thing to note here is the downward sweep pattern on these notes
_ which gives the turnaround a kind [D] of up and [A] down rollercoaster effect. _ _
And these notes are slightly pushed on the beat to emphasise that effect even more. _ _
_ _ [E] _ _ _ _ _ _
_ _ _ It's all about tension and resolve. _ _ _ _ _ _
_ _ [A] _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ [G] Just remember to use your [D] ear.
There's a lot of _ emphasised [E] notes in there.
It's [B] not all just one _ _ line.
_ And that's what this lesson is all [Eb] about.
_ Dynamics. _
As usual, like, _ comment, subscribe _ _ [C] and [Eb] remember
Slow it down, _ clean it up _ _ and speed [A] it up. _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ [Am] _ _ _ [A] _ _ _ _
_ _ _ [C] _ _ _ _ _
_ _ _ _ _ _ [Am] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ _ [Ab] _ _
_ _ _ _ _ _ _ _
This [Gb] time around we're [Eb] going to cover _ [Db] dynamics in the flat picking style of Tony Rice.
A [D] good example [E] of that is his [D] arrangement of _ Song for a Winter's Night.
[E] What we'll look into is how you can make the pick sound [Gb] almost _ _ like fingerstyle guitar.
[Eb] Now we've [D] heard the intro at _ 105 BPM. _
I'll [Eb] play it at 50 BPM for you to memorise and then we'll get to [C] the performance notes. _
_ _ _ _ _ _ _ _
[Gb] _ _ _ _ _ _ _ _
_ [A] _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ [G] _ _ [A] _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Gb] _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [A] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ First things first is the setup.
So let's look at the pickup bar.
_ _ You've got these four 16th notes a beat long _ leading into bar 1. _ _
[C] But what's important to note is that this hammer-on is the first note _ of the first bar
_ and it's hammered on [D] from this open G note that's [Eb] still ringing [A] from the pickup bar. _ _
_ _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ _ _ _ [F] So next we'll look at the main [D] cross picking pattern with a typical [E] sequence of down [C] up down up.
_ _ This is a great one to isolate and practice also.
_ [A] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Eb] You're skipping a lot of strings here.
It's tricky because it's actually a very common [A] fingerstyle pattern. _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ Through that pattern we can see an F and [D] C major triad _ _ with a steady [C] root note of G played on the downbeat to create the [Bb] pulse. _ _ _ _ _
_ [Ab] _ _ _ _ _ _ [Bb] _
_ [Eb] _ _ _ _ _ _
This is a common [D] theme throughout Tony's style _ and can be heard in [C] various live [Bb] performances. _ _ _ _ _ _
_ _ _ _ _ _ [Eb] _ _
_ [Bb] _ _ _ _ _ _ [Eb] _
_ [F] _ _ [Bb] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [F] _
_ _ _ _ _ In the third bar we have [Db] the 5th chord turnaround with the D major [D] chord.
And there's a couple of things to note in this bar.
[E] First off is [Eb] the first hammer [B]-on note which is accented _ on the downbeat.
_ _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ And this [Eb] is a big part of the Tony Rice method to accent certain notes here and there
and [D] this is often played out [Db] on the [Fm] downbeat.
_ [Eb] And in this case [D] highlights the start of a new bar and a different direction.
_ With [Dbm] the D major chord brings the _ [C] F sharp note.
_ _ _ This [D] is played [Db] in contrast [C] to _ the previous _ _ [D] F natural note or _ mixolydian sound.
And this sets up the [Db] resolve back to the G in [E] the next bar.
_ _ _ The other thing to note here is the downward sweep pattern on these notes
_ which gives the turnaround a kind [D] of up and [A] down rollercoaster effect. _ _
And these notes are slightly pushed on the beat to emphasise that effect even more. _ _
_ _ [E] _ _ _ _ _ _
_ _ _ It's all about tension and resolve. _ _ _ _ _ _
_ _ [A] _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ [G] Just remember to use your [D] ear.
There's a lot of _ emphasised [E] notes in there.
It's [B] not all just one _ _ line.
_ And that's what this lesson is all [Eb] about.
_ Dynamics. _
As usual, like, _ comment, subscribe _ _ [C] and [Eb] remember
Slow it down, _ clean it up _ _ and speed [A] it up. _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ [Am] _ _ _ [A] _ _ _ _
_ _ _ [C] _ _ _ _ _
_ _ _ _ _ _ [Am] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _