Chords for Guitar Solo and Lesson with Frank Gambale sharing some Pentatonic Scale Sweeping and Blues ideas
Tempo:
84.7 bpm
Chords used:
Am
Em
G
A
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, this is Frank Ibali and welcome to Guitar Techniques DVD.
[Em] I'll show you a few little things that may interest you, you might find interesting.
One of the things about guitar you may or may not know is that the notes overlap.
You can see this as an advantage or a disadvantage.
I clearly see it as an advantage.
This E is the same as this one and this one and this one and this one.
So we have [D#] options of ways to play something.
For example, I'll use this example.
It's an A minor [Am] pentatonic.
About 99% of guitar players in the world use this exact same finger position.
But let me show you a few others that are possible too.
Sometimes if you look around you can find something that's really easier to play.
Here's one.
Same notes, different place.
A little [C] harder, but it looks good.
[Am] Here's another one.
[A] [F] [Gm] These are all [Am] subtle variations.
[Em] [F]
Here's another.
[G] [Am]
Here's another.
This is the one I like the most.
[G]
[Am] [Em] [Am]
[D] [Am]
[A] Beautiful thing.
Anyway, so I've learned to [F] sweep these.
I'm pretty well known for my sweeping.
It really comes down to a pretty simple formula of odd and even numbers of notes on the string.
If you're going in one direction, you need an odd number of notes on the string.
If you change direction at any point, it's an even number.
So you'll find that this [Em] shape, [Am]
you notice is one, one, both odd,
[G] and then three, [Am] and then two.
It changes direction.
[Dm] So I can go straight down with my pick.
Up, [G] up, up, in a single [E] motion.
[C] Down, up, up, [A] down.
[F] And then I pick up again.
Even though I'm [A] skipping, it's an alternate move.
[Am] [G] Up, up, up, [Am] down, up, up, down.
Get the idea?
[Bm]
[E] [Bm]
[Em]
[F#m] [A]
[Bm] [G]
[F#m] [F#] [D] [Bm]
[Gm] [D]
[Em] Go to Beadaholique.com for all of your beading supply needs!
[Em] I'll show you a few little things that may interest you, you might find interesting.
One of the things about guitar you may or may not know is that the notes overlap.
You can see this as an advantage or a disadvantage.
I clearly see it as an advantage.
This E is the same as this one and this one and this one and this one.
So we have [D#] options of ways to play something.
For example, I'll use this example.
It's an A minor [Am] pentatonic.
About 99% of guitar players in the world use this exact same finger position.
But let me show you a few others that are possible too.
Sometimes if you look around you can find something that's really easier to play.
Here's one.
Same notes, different place.
A little [C] harder, but it looks good.
[Am] Here's another one.
[A] [F] [Gm] These are all [Am] subtle variations.
[Em] [F]
Here's another.
[G] [Am]
Here's another.
This is the one I like the most.
[G]
[Am] [Em] [Am]
[D] [Am]
[A] Beautiful thing.
Anyway, so I've learned to [F] sweep these.
I'm pretty well known for my sweeping.
It really comes down to a pretty simple formula of odd and even numbers of notes on the string.
If you're going in one direction, you need an odd number of notes on the string.
If you change direction at any point, it's an even number.
So you'll find that this [Em] shape, [Am]
you notice is one, one, both odd,
[G] and then three, [Am] and then two.
It changes direction.
[Dm] So I can go straight down with my pick.
Up, [G] up, up, in a single [E] motion.
[C] Down, up, up, [A] down.
[F] And then I pick up again.
Even though I'm [A] skipping, it's an alternate move.
[Am] [G] Up, up, up, [Am] down, up, up, down.
Get the idea?
[Bm]
[E] [Bm]
[Em]
[F#m] [A]
[Bm] [G]
[F#m] [F#] [D] [Bm]
[Gm] [D]
[Em] Go to Beadaholique.com for all of your beading supply needs!
Key:
Am
Em
G
A
F
Am
Em
G
_ _ _ _ _ _ _ _
_ _ _ _ _ Hi, this is Frank Ibali and welcome to Guitar Techniques DVD.
[Em] I'll show you a few little things that may interest you, you might find interesting.
One of the things about guitar you may or may not know is that the notes overlap.
You can see this as an advantage or a disadvantage.
I clearly see it as an advantage.
This E is the same as this one and this one and this one and this one.
So we have [D#] options of ways to play something.
For example, I'll use this example.
It's an A minor [Am] pentatonic.
_ _ _ About 99% of guitar players in the world use this exact same finger position. _ _ _
But let me show you a few others that are possible too.
Sometimes if you look around you can find something that's really easier to play.
Here's one. _ _
Same notes, different place.
_ A little _ [C] harder, but it looks good.
[Am] Here's another one. _
_ [A] _ _ [F] _ _ [Gm] These are all [Am] subtle variations.
_ _ _ [Em] _ _ [F] _
_ Here's another.
_ [G] _ _ [Am] _
_ _ _ Here's another.
This is the one I like the most.
[G] _
_ [Am] _ _ _ [Em] _ [Am] _ _ _
_ _ _ _ _ _ _ _
_ [D] _ [Am] _ _ _ _ _ _
_ _ [A] _ Beautiful thing.
Anyway, so I've learned to [F] sweep these.
I'm pretty well known for my sweeping.
_ _ It really comes down to a pretty simple formula of odd and even numbers of notes on the string.
If you're going in one direction, you need an odd number of notes on the string.
If you change direction at any point, it's an even number.
So you'll find that this [Em] shape, _ [Am]
you notice is one, one, both odd,
[G] and then three, [Am] and then two.
It changes direction.
_ [Dm] So I can go straight down with my pick.
Up, [G] up, up, in a single [E] motion.
[C] Down, up, up, [A] down.
[F] And then I pick up again.
Even though I'm [A] skipping, it's an alternate move.
[Am] [G] Up, up, up, [Am] down, up, up, down. _ _
_ _ _ _ _ _ Get the idea?
[Bm] _ _ _ _ _ _ _ _
_ [E] _ [Bm] _ _ _ _ _ _
_ _ _ _ _ _ _ [Em] _
_ _ _ _ _ [F#m] _ _ [A] _
_ [Bm] _ _ _ _ [G] _ _ _
_ [F#m] _ [F#] _ [D] _ _ [Bm] _ _ _
_ [Gm] _ _ _ [D] _ _ _ _
_ [Em] _ _ _ _ Go to Beadaholique.com for all of your beading supply needs! _
_ _ _ _ _ Hi, this is Frank Ibali and welcome to Guitar Techniques DVD.
[Em] I'll show you a few little things that may interest you, you might find interesting.
One of the things about guitar you may or may not know is that the notes overlap.
You can see this as an advantage or a disadvantage.
I clearly see it as an advantage.
This E is the same as this one and this one and this one and this one.
So we have [D#] options of ways to play something.
For example, I'll use this example.
It's an A minor [Am] pentatonic.
_ _ _ About 99% of guitar players in the world use this exact same finger position. _ _ _
But let me show you a few others that are possible too.
Sometimes if you look around you can find something that's really easier to play.
Here's one. _ _
Same notes, different place.
_ A little _ [C] harder, but it looks good.
[Am] Here's another one. _
_ [A] _ _ [F] _ _ [Gm] These are all [Am] subtle variations.
_ _ _ [Em] _ _ [F] _
_ Here's another.
_ [G] _ _ [Am] _
_ _ _ Here's another.
This is the one I like the most.
[G] _
_ [Am] _ _ _ [Em] _ [Am] _ _ _
_ _ _ _ _ _ _ _
_ [D] _ [Am] _ _ _ _ _ _
_ _ [A] _ Beautiful thing.
Anyway, so I've learned to [F] sweep these.
I'm pretty well known for my sweeping.
_ _ It really comes down to a pretty simple formula of odd and even numbers of notes on the string.
If you're going in one direction, you need an odd number of notes on the string.
If you change direction at any point, it's an even number.
So you'll find that this [Em] shape, _ [Am]
you notice is one, one, both odd,
[G] and then three, [Am] and then two.
It changes direction.
_ [Dm] So I can go straight down with my pick.
Up, [G] up, up, in a single [E] motion.
[C] Down, up, up, [A] down.
[F] And then I pick up again.
Even though I'm [A] skipping, it's an alternate move.
[Am] [G] Up, up, up, [Am] down, up, up, down. _ _
_ _ _ _ _ _ Get the idea?
[Bm] _ _ _ _ _ _ _ _
_ [E] _ [Bm] _ _ _ _ _ _
_ _ _ _ _ _ _ [Em] _
_ _ _ _ _ [F#m] _ _ [A] _
_ [Bm] _ _ _ _ [G] _ _ _
_ [F#m] _ [F#] _ [D] _ _ [Bm] _ _ _
_ [Gm] _ _ _ [D] _ _ _ _
_ [Em] _ _ _ _ Go to Beadaholique.com for all of your beading supply needs! _