Chords for GUY CLARK Texas 1947 / Let him Roll (1975)

Tempo:
167.85 bpm
Chords used:

Ab

Db

Gb

C

F

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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GUY CLARK Texas 1947  /   Let him Roll  (1975) chords
Start Jamming...
[Abm]
[Bb] [F] Being [Cm] six years old, I [Ab] had seen some trains before, [Gb] so it's [Ab] hard to figure out what I'm at the depot for.
Trains are big and black and smoking, steam's [Fm] screaming at the wheels.
Bigger than anything is, at least that's the way she feels.
[C] Trains are big and black and smoking, louder than July 4.
[Bb] But everybody's acting [D] like this [Em] might be [F] something more than just picking up the mail.
[Ab] Are the [Fm] soldiers from the war?
[Gm] This something that even old man [C] Wyman never [E] seen [F]
before.
[Gm] And it's a late afternoon on a hot Texas day, and something strange is going [C] on, and we is all in [F] the way.
[Bb] [F] Now there's 50 or 60 people [Fm] just sitting on the cars, and the old men left their [C] dominoes and come [E] down [F] from the bars.
And everybody's checking, old Jack Kittrell check his watch, and us kids put [Bb] our ears [C] to the rails to hear [F] them pop.
[C] So we already know that when they finally said train time, [Bb] and you'd have thought that Jesus Christ [C] himself was [Em] rolling [F] down the line.
Cause things got real quiet, mama jerked me back, [Bb] but not [F] before I got the chance [C] to lay a nickel [F] on the track.
Look out, here she comes, she's coming, [Bb] look out, there she goes, she's [C] gone.
Screaming straight through Texas [Bb] like a mad dog [F] cyclone.
Big [C] and red and silver, she don't make no smoke.
[Bb] She's a fast rolling stream, lying [C]
from the shoulder [F] to the boat.
I said look out, here she comes, she's coming, [Bb] look out, there she goes, she's [C] gone.
Screaming straight through Texas like [Gm] a mad dog [F] cyclone.
[C]
[Bbm] [C]
[F] Lord, she never even stopped, but she left 50 or 60 people [Fm] still sitting on the cars, [Bb] wondering what it's coming to.
I've [C] got this [F] far, but me I got a nickel [Fm] smashed flatter than a dime, [Gm] by a mad dog [C] runaway red silver [F] streamline train.
Look out, here she comes, she's coming, [Bb]
look out, there she goes, she's [C] gone.
Screaming straight through Texas [Gm] like a mad dog [F]
cyclone.
[C] Big and red and silver, she don't make no smoke.
She's a [Bb] fast rolling [C] streamline from [F] shoulder to boat.
I said look out, here she comes, she's [Bb] coming, look out, there she goes, she's gone.
[C] Screaming straight through Texas like a [Gm] mad [F] dog cyclone.
Look out, here she comes, she's coming, [Bb] look out, there she goes, she's gone.
[C] Screaming straight through Texas [Bb] like a mad [F] dog cyclone.
Look out, here she comes, she's coming, [Bb] look out, there she goes, she's [C] gone.
Now [Bb] [F]
[Ab]
[Db]
[Ebm]
[Ab]
[Db]
[Ab] [C] [Db]
[Ab]
[Gb] [Ab]
[Db]
[Ab] [Db]
he's a wino, tried and [Ab] true, [Gb]
done about everything there is to do.
[Ab] He worked on freighters, he worked in bars, [Gb] he worked on [Db] farms, he worked on cars.
There was white port that put that look in his eye, [Gb] that grown men get when they need to cry.
[Ab] We sat down on a curb to rest, [Ebm] his head just fell [Db] down on his chest.
He says every single day it gets [Gb] just a little bit harder to handle.
And yet,
[Db] [Ab] he lost the thread and his mind got [Gb] cluttered and the words just [Db] rolled off down the gutter.
He was an elevator man in a cheap [Ab] hotel.
[Gb] In exchange for the rent on a one room [Ab] cell, these old years beyond his [Eb] time.
No [Gb]
thanks to the [Db] world and the white port wine.
So he says, son, he always called me son, he said [Gb] [Eb] life for you had [Gb] just begun.
[Ab] And then he told me the story that I had heard before, how [Gb] he fell in love [Db] with a Dallas whore.
Well he could cut through the years to the very night, [Gb] but it [Db] ended [Gb] in a whorehouse fight.
[Ab] And she turned his last proposal down [Gb] in favor of [Db] being a girl of about ten.
Now it's been seventeen years right in line, [Gb] he ain't been straight none of the [Eb] time.
[Ab] It's too many days of fighting the weather, [Gb] too many [Db] nights of not being together.
So he died.
[Gb]
[Ab]
[Db]
[Ab] [Db]
[Ab] [Ebm]
[Ab]
[Db]
[Ab] [Db]
[Ab] And when they went [Db] through his personal [Ab] effects, [Gb] in among the stubs from the welfare [Ab] checks was a crumbling picture of a girl and a door.
[Gb] And a dress and [Db] Dallas and nothing more.
The welfare people provided the [Ab] priest.
[Gb] A couple from the mission down the street [Abm] sang Amazing Grace.
No one [Gb] cried except some lady in black [Db] way off to the side.
We all left and she's standing there [Gb] in a black veil covering her silver [Abm] hair.
An old one eyed John said her name was Alice.
[Gb]
She used to [Db] be a whore in Dallas.
[C] So let [Db] him roll.
[Ebm] [Bbm] Lord [Ebm] let him [Eb] roll.
[Ab] Daddy's gone to Dallas, [Db] rest his soul.
[Ab]
Just let [Db] him roll.
[Gb] Lord let him roll.
[Ab] They always said that heaven [Ebm] was just a [Db] Dallas whore.
Let him roll.
[Gb] Lord let him roll.
[Ab] Daddy's gone to Dallas, [Db] rest his soul.
[Gb]
[Ab]
[Db] [Ab]
[Db]
[Ab] [Ebm]
[Ab]
[Db] [Ab]
[Db]
[Fm] [Gb] [Ab] [Ebm]
[N]
Key:  
Ab
134211114
Db
12341114
Gb
134211112
C
3211
F
134211111
Ab
134211114
Db
12341114
Gb
134211112
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Chords
NotesBeta

To learn Guy Clark - Texas 1947 chords, focus on the sequence of these chords: Bb, C, F, Gb, Db, Ab and Db. Start with a comfortable 83 BPM and as you become proficient, aim for the song's BPM of 168. Considering the song's key of Db Minor, position your capo to suit your vocal and chord preferences.

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_ _ _ _ _ _ [Abm] _ _
_ [Bb] _ _ _ [F] Being [Cm] six years old, I [Ab] had seen some trains before, [Gb] so it's [Ab] hard to figure out what I'm at the depot for.
Trains are big and black and smoking, _ steam's [Fm] screaming at the wheels.
_ _ _ Bigger than anything is, at least that's the way she feels.
[C] Trains are big and black and smoking, _ louder than July 4.
_ [Bb] But _ everybody's acting [D] like this [Em] might be [F] something more than just picking up the mail.
[Ab] Are the [Fm] soldiers from the war?
[Gm] This something that even old man [C] Wyman never [E] seen [F]
before.
[Gm] And it's a late afternoon _ on a hot Texas day, and something strange is going [C] on, and we is all in [F] the way.
_ [Bb] _ _ [F] Now there's 50 or 60 people _ [Fm] just sitting on the cars, and the old men left their _ [C] dominoes and come [E] down [F] from the bars.
_ _ And everybody's checking, old Jack Kittrell check his watch, and us kids put [Bb] our ears [C] to the rails to hear [F] them pop.
[C] So we already know that _ when they finally said train time, [Bb] and you'd have thought that Jesus Christ [C] himself was [Em] rolling [F] down the line.
Cause things got real quiet, _ mama jerked me back, _ [Bb] but not [F] before I got the chance [C] to lay a nickel [F] on the track.
Look out, here she comes, she's coming, [Bb] look out, there she goes, she's [C] gone.
Screaming straight through Texas [Bb] like a mad dog [F] _ cyclone.
Big [C] and red and silver, _ she don't make no smoke.
[Bb] She's a fast rolling stream, lying [C]
from the shoulder [F] to the boat.
I said look out, here she comes, she's coming, [Bb] look out, there she goes, she's [C] gone.
Screaming straight through Texas like [Gm] a mad dog [F] _ cyclone.
[C] _ _ _
_ _ _ _ _ _ _ _
_ [Bbm] _ _ _ _ _ _ [C] _
_ _ [F] _ Lord, she never even stopped, _ _ _ _ _ but she left 50 or 60 people _ [Fm] still sitting on the cars, _ [Bb] wondering what it's coming to.
I've [C] got this [F] far, but me I got a nickel [Fm] smashed flatter than a dime, _ [Gm] by a mad dog [C] runaway red silver [F] streamline train.
Look out, here she comes, she's coming, [Bb]
look out, there she goes, she's [C] gone.
Screaming straight through Texas [Gm] like a mad dog [F] _
cyclone.
[C] Big and red and silver, _ she don't make no smoke.
She's a [Bb] fast rolling _ [C] streamline from [F] shoulder to boat.
I said look out, here she comes, she's [Bb] coming, look out, there she goes, she's gone.
[C] Screaming straight through Texas like a [Gm] mad [F] dog cyclone.
Look out, here she comes, she's coming, [Bb] look out, there she goes, she's gone.
[C] Screaming straight through Texas [Bb] like a mad [F] dog cyclone.
Look out, here she comes, she's coming, [Bb] look out, there she goes, she's [C] gone.
Now _ _ _ [Bb] _ _ _ [F] _ _
_ _ _ _ _ _ [Ab] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Db] _ _
_ _ _ _ _ _ _ [Ebm] _
_ _ _ _ [Ab] _ _ _ _
_ _ _ _ _ _ [Db] _ _
_ _ [Ab] _ _ _ [C] _ [Db] _ _
_ _ _ _ _ [Ab] _ _ _
_ _ _ [Gb] _ _ _ [Ab] _ _
_ _ _ _ _ _ [Db] _ _
_ _ [Ab] _ _ _ _ [Db] _ _
he's a wino, tried and [Ab] true, [Gb]
done about everything there is to do.
[Ab] He worked on freighters, he worked in bars, [Gb] he worked on [Db] farms, he worked on cars. _
_ There was white port that put that look in his eye, [Gb] that grown men get when they need to cry.
_ [Ab] We sat down on a curb to rest, [Ebm] his head just fell [Db] down on his chest.
_ _ _ He says every single day it gets [Gb] just a little bit harder to handle.
And yet, _ _ _
[Db] _ [Ab] he lost the thread and his mind got [Gb] cluttered and the words just [Db] rolled off down the _ gutter.
_ He was an elevator man in a cheap [Ab] hotel.
[Gb] In exchange for the rent on a one room [Ab] cell, these old years beyond his [Eb] time.
No [Gb]
thanks to the [Db] world and the white port wine. _
_ _ So he says, son, he always called me son, he said [Gb] [Eb] life for you had [Gb] just begun.
[Ab] And then he told me the story that I had heard before, how [Gb] he fell in love [Db] with a Dallas whore.
_ _ _ _ Well he could cut through the years to the very night, [Gb] but it [Db] ended [Gb] in a whorehouse fight.
[Ab] And she turned his last proposal down [Gb] in favor of [Db] being a girl of about ten. _
Now it's been seventeen years right in line, [Gb] he ain't been straight none of the [Eb] time.
_ [Ab] It's too many days of fighting the weather, _ _ [Gb] too many [Db] nights of not being together. _ _ _ _ _ _
So he died.
_ _ [Gb] _ _
_ _ _ _ _ _ [Ab] _ _
_ _ _ _ _ _ [Db] _ _
_ _ [Ab] _ _ _ _ [Db] _ _
_ _ _ _ [Ab] _ _ [Ebm] _ _
_ _ _ _ _ _ [Ab] _ _
_ _ _ _ _ _ [Db] _ _
_ _ [Ab] _ _ _ _ [Db] _
[Ab] And when they went [Db] through his personal [Ab] effects, [Gb] in among the stubs from the welfare [Ab] checks was a crumbling picture of a girl and a door.
[Gb] And a dress and [Db] Dallas and nothing more. _ _ _
_ The welfare people provided the [Ab] priest.
_ [Gb] A couple from the mission down the street [Abm] sang Amazing Grace.
No one [Gb] cried except some lady in black [Db] way off to the side.
_ _ We all left and she's standing there [Gb] in a black veil covering her silver [Abm] hair.
An old one eyed John said her name was Alice.
[Gb] _
She used to [Db] be a whore in Dallas. _
[C] So let [Db] him _ roll. _ _
_ _ [Ebm] _ _ [Bbm] Lord [Ebm] let him [Eb] roll.
_ [Ab] _ _ Daddy's gone to Dallas, [Db] rest his soul.
_ [Ab] _
Just let [Db] him roll. _ _
_ _ _ [Gb] _ Lord let him roll.
_ _ [Ab] They always said that heaven _ [Ebm] was just a [Db] Dallas whore.
Let him _ roll. _ _
_ _ [Gb] _ _ Lord let him roll.
_ _ [Ab] _ _ Daddy's gone to Dallas, _ [Db] rest his soul. _ _ _ _
_ _ _ [Gb] _ _ _ _ _
_ _ [Ab] _ _ _ _ _ _
_ _ [Db] _ _ _ _ [Ab] _ _
_ _ [Db] _ _ _ _ _ _
_ [Ab] _ _ [Ebm] _ _ _ _ _
_ _ [Ab] _ _ _ _ _ _
_ _ [Db] _ _ _ _ [Ab] _ _
_ _ [Db] _ _ _ _ _ _
_ [Fm] _ _ [Gb] _ [Ab] _ _ _ [Ebm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _

Facts about this song

This song was penned by Guy Clark.

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