Chords for Hank B. Marvin & Jeff "Skunk" Baxter Trans-Continental Jam!

Tempo:
122.05 bpm
Chords used:

A

E

Em

G

Am

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Hank B. Marvin & Jeff "Skunk" Baxter Trans-Continental Jam! chords
Start Jamming...
[A] [G]
Perfect.
Perfect.
This was wonderful.
I think we've either created history or
probably maybe this is the end of satellite broadcasting as we know it.
We've probably destroyed our careers, yeah?
Hank Marvin, one of my favorite guitar
players on the planet.
I was just uh
I'm out of taste.
Oh, thank you.
Well why is it that you started playing the guitar?
Were you, I mean, were you
like a little guy and didn't get a chance to play a lot of athletics or you
just wanted to play it when there was some reason why the guitar appealed to you as
opposed to the saxophone or the cor anglais?
Well, I like the music really.
What turned me on to the guitar was actually the sound.
That [E] sound that we
heard on the early American rock records.
That twanging sound, you know,
[Em] [E] the
[A] In Britain and in Europe we weren't hearing that.
We were hearing from British
guitarists and European guitarists really that soft jazzy sound because most of
them wanted to play jazz and when it got down to playing rock and roll they
couldn't cut it because they weren't interested and here was this incredible
twanging guitar sound by guys like Scotty Moore, Buddy Holly, James Burton,
Cliff Gallop.
It was just sensational and I wanted [G] to try to emulate that sound
and I'm still trying.
Sounded pretty good to me.
Can you give me some idea about
what the guitar really is?
To me initially it was something which had a
good image.
It looked good hanging around your neck.
When I was sort of 15, 16 that
was the instrument that looked good.
Secondly, it was portable.
You could
easily carry it around, get it out at a party and start playing and singing.
You
know, with a piano, difficult.
So many different styles.
It's an instrument
which because of its inherent versatility, different gauges of strings,
different sounds to an amplifier, you can almost be what you want to be with the
instrument.
You can be, as you said, aggressive.
Nasty.
You can be
gentle and you can be romantic.
Want to dance?
So I think it means anything you
want it to mean, Jeff, and that's one of the great things about the guitar.
I
think that's why it lasted so long and why it will last in pop [E] music.
You want
to try something [Em] like
I did Apache [G] with Bert the other day and that was kind of
fun.
You want to pick one of your tunes that we can do because I think I know
most of them.
You probably know more than I do.
What haven't we played?
What about FBI?
[A] [Am]
[D]
[E] [Am] [Em]
[A] [Am]
[D] [Em]
[A]
Key:  
A
1231
E
2311
Em
121
G
2131
Am
2311
A
1231
E
2311
Em
121
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[A] _ _ _ _ _ [G] _ _ _
Perfect.
Perfect.
This was wonderful.
I think we've either created history or
probably maybe this is the end of satellite broadcasting as we know it.
We've probably destroyed our careers, yeah?
Hank Marvin, one of my favorite guitar
players on the planet.
I was just uh_
I'm out of taste.
Oh, thank you.
Well why is it that you started playing the guitar?
Were you, I mean, were you
like a little guy and didn't get a chance to play a lot of athletics or you
just wanted to play it when there was some reason why the guitar appealed to you as
opposed to the saxophone or the cor anglais?
_ _ Well, I like the music really.
What turned me on to the guitar was actually the sound.
That [E] sound that we
heard on the early American rock records.
That twanging sound, you know, _ _ _ _ _
_ _ _ [Em] _ _ [E] the_ _
[A] In Britain and in Europe we weren't hearing that.
We were hearing from British
guitarists and European guitarists really that soft jazzy sound because most of
them wanted to play jazz and when it got down to playing rock and roll they
couldn't cut it because they weren't interested and here was this incredible
twanging guitar sound by guys like Scotty Moore, Buddy Holly, James Burton,
Cliff Gallop.
It was just sensational and I wanted [G] to try to emulate that sound
and I'm still trying.
Sounded pretty good to me.
Can you give me some idea about
what the guitar really is?
To me initially it was something which had a
good image.
It looked good hanging around your neck.
When I was sort of 15, 16 that
was the instrument that looked good.
Secondly, it was portable.
You could
easily carry it around, get it out at a party and start playing and singing.
You
know, with a piano, difficult.
So many different styles.
It's an instrument
which because of its inherent _ versatility, different gauges of strings,
different sounds to an amplifier, you can almost be what you want to be with the
instrument.
You can be, as you said, aggressive. _
_ _ Nasty.
You can be
gentle and _ _ you _ _ can be romantic.
Want to dance?
So I think it means anything you
want it to mean, Jeff, and that's one of the great things about the guitar.
I
think that's why it lasted so long and why it will last in pop [E] music.
You want
to try something [Em] like_
I did Apache [G] with Bert the other day and that was kind of
fun.
You want to pick one of your tunes that we can do because I think I know
most of them.
You probably know more than I do.
What haven't we played?
What about FBI?
[A] _ _ _ _ _ _ _ _ _ _ _ _ _ _
[Am] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ [E] _ _ _ [Am] _ _ _ [Em] _
[A] _ _ _ [Am] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ [Em] _ _ _
[A] _ _ _ _ _ _ _ _

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