Chords for Henri SELMER Paris presents "Tribute to Sonny Rollins"
Tempo:
146.25 bpm
Chords used:
D
G
C
A
Eb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Eb]
[D]
[Cm]
[G] Hello.
Hello.
Yes, Tony.
Yes.
I am Brigitte Selmer.
Okay.
The great-granddaughter [D] of Henri Selmer.
Oh, Brigitte, beautiful.
And as a gift of the Selmer family, I'm very happy to offer you this tenor saxophone.
Oh, isn't this nice?
It's especially made for you in our factory.
Thank you so much.
Merci [C] beaucoup.
[D] Oh, very nice.
[G] [Am] Thank you [D] so much.
[C] [A]
[Abm] [C] [E]
[A] [Ab]
[A] [C] [E] [Bb]
[F] [Cm]
[C] [A] [C]
[B]
[Cm] [Am]
[Bb] [Ab] Thank you.
Very good.
[D] How does it sound?
[G] Nice sound.
Very nice [Em] sound.
Yeah, [G] I wasn't sure I could [C] play, but it [G] sounds okay.
If you mind, it's [D] just from years of playing, [Abm] [C] it's bent down a little bit.
[Gb] That's just from [G] playing.
So that's why I needed a new one.
But this is very beautiful.
Thank you so much.
Merci beaucoup.
[D] The one I'm playing.
Yeah.
[Gm] I bought it [A] at a place [Dm] on 48th Street [G]
in New York City.
And it was used, but it had such a beautiful sound and was very light.
And this one is [E] light.
I like this because [G] it's light.
It's not heavy.
I don't want a heavy [D] instrument.
But the [G] other one will be jealous, don't [D] you think?
Well, [G] that's a good point.
Oh, [E] boy, I'll have to try [A] to speak.
[G] Boy, I didn't think about that.
Now [A] [D] I have a problem.
[Gm]
Yes.
[A] The other one will be jealous, [Ab] yes.
This [C] is her little sister.
I'll [G] tell her this is her little sister.
Well, the other one wanted me to [E] call her [C] a feminine name.
So [D] I [Am] have to call this one a [Em] feminine name.
[Gm]
I [Cm] never sleep in [G] a hotel [F] room [D] without my instrument being in the room, the same room.
Yeah, [Eb] [D] always.
Yes, because [Eb] if not, I can feel her saying,
Sonny, Sonny.
Then I go out and bring her [A] in the [D] same room.
And it's better.
I like to have her close to me.
Well, I think, yes, [Eb] yes, because I'm afraid something will [D] happen.
Somebody will come in the other room and take her or something.
[Db]
[D] The inspiration of music comes, we [G] don't know when it comes.
It just comes [B] when it comes.
[D] Well, sometimes with people, but I'm by myself when [Eb] I get inspiration for music.
[B] Sometimes it's when I'm [Eb] walking down the street and I hear a song comes into my mind and I write it down.
[C]
[B] [C]
[Db] [Bb] [N]
OK, well, I think that's it for me tonight because I've got a very important show.
Thank you so much.
[Gb]
Thank you so [Ab] much.
Very nice [A] to see you.
Thanks [D] again.
Good.
And congratulations [Eb] for your wonderful family.
Have a good concert.
Au revoir, monsieur.
Thank [D] you.
A tout de l'heure.
[N]
[D]
[Cm]
[G] Hello.
Hello.
Yes, Tony.
Yes.
I am Brigitte Selmer.
Okay.
The great-granddaughter [D] of Henri Selmer.
Oh, Brigitte, beautiful.
And as a gift of the Selmer family, I'm very happy to offer you this tenor saxophone.
Oh, isn't this nice?
It's especially made for you in our factory.
Thank you so much.
Merci [C] beaucoup.
[D] Oh, very nice.
[G] [Am] Thank you [D] so much.
[C] [A]
[Abm] [C] [E]
[A] [Ab]
[A] [C] [E] [Bb]
[F] [Cm]
[C] [A] [C]
[B]
[Cm] [Am]
[Bb] [Ab] Thank you.
Very good.
[D] How does it sound?
[G] Nice sound.
Very nice [Em] sound.
Yeah, [G] I wasn't sure I could [C] play, but it [G] sounds okay.
If you mind, it's [D] just from years of playing, [Abm] [C] it's bent down a little bit.
[Gb] That's just from [G] playing.
So that's why I needed a new one.
But this is very beautiful.
Thank you so much.
Merci beaucoup.
[D] The one I'm playing.
Yeah.
[Gm] I bought it [A] at a place [Dm] on 48th Street [G]
in New York City.
And it was used, but it had such a beautiful sound and was very light.
And this one is [E] light.
I like this because [G] it's light.
It's not heavy.
I don't want a heavy [D] instrument.
But the [G] other one will be jealous, don't [D] you think?
Well, [G] that's a good point.
Oh, [E] boy, I'll have to try [A] to speak.
[G] Boy, I didn't think about that.
Now [A] [D] I have a problem.
[Gm]
Yes.
[A] The other one will be jealous, [Ab] yes.
This [C] is her little sister.
I'll [G] tell her this is her little sister.
Well, the other one wanted me to [E] call her [C] a feminine name.
So [D] I [Am] have to call this one a [Em] feminine name.
[Gm]
I [Cm] never sleep in [G] a hotel [F] room [D] without my instrument being in the room, the same room.
Yeah, [Eb] [D] always.
Yes, because [Eb] if not, I can feel her saying,
Sonny, Sonny.
Then I go out and bring her [A] in the [D] same room.
And it's better.
I like to have her close to me.
Well, I think, yes, [Eb] yes, because I'm afraid something will [D] happen.
Somebody will come in the other room and take her or something.
[Db]
[D] The inspiration of music comes, we [G] don't know when it comes.
It just comes [B] when it comes.
[D] Well, sometimes with people, but I'm by myself when [Eb] I get inspiration for music.
[B] Sometimes it's when I'm [Eb] walking down the street and I hear a song comes into my mind and I write it down.
[C]
[B] [C]
[Db] [Bb] [N]
OK, well, I think that's it for me tonight because I've got a very important show.
Thank you so much.
[Gb]
Thank you so [Ab] much.
Very nice [A] to see you.
Thanks [D] again.
Good.
And congratulations [Eb] for your wonderful family.
Have a good concert.
Au revoir, monsieur.
Thank [D] you.
A tout de l'heure.
[N]
Key:
D
G
C
A
Eb
D
G
C
_ _ _ _ _ [Eb] _ _ _
_ _ _ _ [D] _ _ _ _
_ [Cm] _ _ _ _ _ _ _
[G] Hello.
Hello.
Yes, Tony.
Yes.
I am Brigitte Selmer.
Okay.
The great-granddaughter [D] of Henri Selmer.
Oh, Brigitte, beautiful.
And as a gift of the Selmer family, I'm very happy to offer you this tenor saxophone.
Oh, isn't this nice?
It's especially made for you _ _ in our factory.
Thank you so much.
_ Merci [C] beaucoup.
_ _ [D] Oh, very nice.
_ [G] _ [Am] Thank you [D] so much.
_ [C] _ _ _ _ _ _ [A] _
_ _ _ [Abm] _ [C] _ _ _ [E] _
_ _ _ [A] _ _ _ [Ab] _ _
[A] _ _ _ [C] _ [E] _ _ [Bb] _ _
_ [F] _ _ _ _ _ [Cm] _ _
_ _ [C] _ _ [A] _ _ [C] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [B] _
_ [Cm] _ _ _ _ [Am] _ _ _
[Bb] _ _ _ [Ab] Thank you. _ _ _
_ _ _ _ _ _ Very good.
[D] How does it sound?
[G] Nice sound.
Very nice [Em] sound.
Yeah, [G] I wasn't sure I could [C] play, but it [G] sounds okay.
If you mind, it's [D] just from years of playing, [Abm] _ [C] it's bent down a little bit.
[Gb] That's just from [G] playing.
_ _ So that's why I needed a new one.
But this is very beautiful. _
_ Thank you so much.
_ Merci beaucoup.
[D] The one I'm playing.
Yeah.
[Gm] I bought it [A] at a place [Dm] on 48th Street [G] _
_ in New York City. _ _ _
And it was used, _ but it had such a beautiful sound and was very light.
And this one is [E] light.
I like this because [G] it's light.
_ It's not heavy.
I don't want a heavy [D] instrument.
But the [G] other one will be jealous, don't [D] you think?
_ Well, [G] _ that's a good point.
Oh, [E] boy, I'll have to try [A] to speak.
_ [G] Boy, I didn't think about that.
Now [A] _ [D] I have a problem.
[Gm] _
Yes.
_ [A] The other one will be jealous, [Ab] yes.
This [C] is her little sister.
I'll [G] tell her this is her little sister.
Well, the other one wanted me to [E] call her _ [C] a feminine name.
So _ [D] I [Am] have to call this one a [Em] feminine name.
[Gm] _
I [Cm] never sleep in [G] a hotel [F] room _ [D] without my instrument being in the room, the same room.
Yeah, [Eb] _ _ [D] always. _
Yes, because [Eb] if not, I can feel her _ _ saying,
Sonny, Sonny.
_ Then I go out and bring her [A] in the [D] same room.
And it's better.
I like to have her close to me.
_ Well, I think, yes, [Eb] yes, because I'm afraid something will [D] happen.
_ _ Somebody will come in the other room and take her or something.
_ [Db] _ _ _ _
[D] The inspiration of music comes, we [G] don't know when it comes.
It just comes [B] when it comes.
[D] _ Well, sometimes with people, but I'm by myself when [Eb] I get inspiration for music.
_ _ _ [B] Sometimes it's when I'm [Eb] walking down the street and I hear a song comes into my mind and I _ write it down.
_ [C] _
_ _ _ [B] _ _ [C] _ _ _
_ _ _ [Db] _ [Bb] _ _ _ [N]
OK, well, I think that's it for me tonight because I've got a very important show.
_ Thank you so much.
_ _ [Gb] _ _ _ _
Thank you so [Ab] much.
Very nice [A] to see you.
Thanks [D] again.
Good.
And congratulations [Eb] for your wonderful family.
_ Have a good concert.
Au revoir, monsieur.
_ _ _ Thank [D] you.
A tout de l'heure.
[N] _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ [Cm] _ _ _ _ _ _ _
[G] Hello.
Hello.
Yes, Tony.
Yes.
I am Brigitte Selmer.
Okay.
The great-granddaughter [D] of Henri Selmer.
Oh, Brigitte, beautiful.
And as a gift of the Selmer family, I'm very happy to offer you this tenor saxophone.
Oh, isn't this nice?
It's especially made for you _ _ in our factory.
Thank you so much.
_ Merci [C] beaucoup.
_ _ [D] Oh, very nice.
_ [G] _ [Am] Thank you [D] so much.
_ [C] _ _ _ _ _ _ [A] _
_ _ _ [Abm] _ [C] _ _ _ [E] _
_ _ _ [A] _ _ _ [Ab] _ _
[A] _ _ _ [C] _ [E] _ _ [Bb] _ _
_ [F] _ _ _ _ _ [Cm] _ _
_ _ [C] _ _ [A] _ _ [C] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [B] _
_ [Cm] _ _ _ _ [Am] _ _ _
[Bb] _ _ _ [Ab] Thank you. _ _ _
_ _ _ _ _ _ Very good.
[D] How does it sound?
[G] Nice sound.
Very nice [Em] sound.
Yeah, [G] I wasn't sure I could [C] play, but it [G] sounds okay.
If you mind, it's [D] just from years of playing, [Abm] _ [C] it's bent down a little bit.
[Gb] That's just from [G] playing.
_ _ So that's why I needed a new one.
But this is very beautiful. _
_ Thank you so much.
_ Merci beaucoup.
[D] The one I'm playing.
Yeah.
[Gm] I bought it [A] at a place [Dm] on 48th Street [G] _
_ in New York City. _ _ _
And it was used, _ but it had such a beautiful sound and was very light.
And this one is [E] light.
I like this because [G] it's light.
_ It's not heavy.
I don't want a heavy [D] instrument.
But the [G] other one will be jealous, don't [D] you think?
_ Well, [G] _ that's a good point.
Oh, [E] boy, I'll have to try [A] to speak.
_ [G] Boy, I didn't think about that.
Now [A] _ [D] I have a problem.
[Gm] _
Yes.
_ [A] The other one will be jealous, [Ab] yes.
This [C] is her little sister.
I'll [G] tell her this is her little sister.
Well, the other one wanted me to [E] call her _ [C] a feminine name.
So _ [D] I [Am] have to call this one a [Em] feminine name.
[Gm] _
I [Cm] never sleep in [G] a hotel [F] room _ [D] without my instrument being in the room, the same room.
Yeah, [Eb] _ _ [D] always. _
Yes, because [Eb] if not, I can feel her _ _ saying,
Sonny, Sonny.
_ Then I go out and bring her [A] in the [D] same room.
And it's better.
I like to have her close to me.
_ Well, I think, yes, [Eb] yes, because I'm afraid something will [D] happen.
_ _ Somebody will come in the other room and take her or something.
_ [Db] _ _ _ _
[D] The inspiration of music comes, we [G] don't know when it comes.
It just comes [B] when it comes.
[D] _ Well, sometimes with people, but I'm by myself when [Eb] I get inspiration for music.
_ _ _ [B] Sometimes it's when I'm [Eb] walking down the street and I hear a song comes into my mind and I _ write it down.
_ [C] _
_ _ _ [B] _ _ [C] _ _ _
_ _ _ [Db] _ [Bb] _ _ _ [N]
OK, well, I think that's it for me tonight because I've got a very important show.
_ Thank you so much.
_ _ [Gb] _ _ _ _
Thank you so [Ab] much.
Very nice [A] to see you.
Thanks [D] again.
Good.
And congratulations [Eb] for your wonderful family.
_ Have a good concert.
Au revoir, monsieur.
_ _ _ Thank [D] you.
A tout de l'heure.
[N] _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _