Chords for Here I am to Worship Guitar Lesson (Jimi Hendrix Style) | Guitar Lesson Ft. Lauderdale Dyce Kimura

Tempo:
159.4 bpm
Chords used:

E

B

A

F#

Gm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Here I am to Worship Guitar Lesson (Jimi Hendrix Style) | Guitar Lesson Ft. Lauderdale Dyce Kimura chords
Start Jamming...
What's up guys?
[Gm] Today I want to take a look at Here I Am to Worship
[G#] and [A#] just
[C] first I want to show you the [Gm] chords and I also want to run through some playing
styles, specifically [A#] some Hendrix styles [C] mixed in with the Worship guitar [E] and see
how that works.
So let me run through one time.
The chords are E, B, [B] F [F#m] sharp minor.
[F#] This is in the key of E like the whole song.
[E] E, [B] B,
[A]
[E]
[B] B, [F#] F sharp minor,
[E] E, [B] B.
[Am]
The chorus [E] is
E, [B] B,
[E]
[A]
[E] E,
[B]
[E]
F, F [Am] sharp.
[E]
[A] [E]
So the [D#] lyrics just to give you the context it's going [Gm] to go like
[E]
I love [B] the world, you [E] step [F#] down into darkness,
[E] open my [B] eyes, let [A] me see.
[E] Beauty that [B] made [F#] this
car, so you, [E] the whole heck of a [B] life spent [A] with you.
Here [G#m] I am [E] to worship, here I am to bow [B] down, here I [E] am to say that you're my [A] God.
[E] You're altogether worthy, altogether [B] lovely, [E] [B]
altogether [E] wonderful to [A] me.
[Am] [F#]
[E] Alright,
[N] there's more.
There's a bridge and there's also like a different ending but I'm not going to get too much into that today because I'm [Gm] hoping you guys can work that out on your own.
I'm more focused on the style of incorporating some of the 60's Motown [A#] and specifically Hendrix
[Fm] into the chord [G#] progressions.
[E]
So for instance we've got E, [B]
[A] A.
Let me show you [E] with some drums.
[D] I might do just a little bit of an extreme flare [E] but let's try it.
[C]
[E]
[B] [F#]
[E]
[B] [Em]
[E] [B]
[A] [B] [F#]
[E] [B] [Am]
[E] [F#] [C#]
[B]
[E] [Bm] [E]
[A]
[G] [E] [B]
[E]
[A]
[C#m] [A]
[E]
[Gm] That A minor just now is not in the song.
I tend to do that when I do worship [Fm] but it's not [E] really there.
Okay [Gm] and I think I messed up the verse but you get the idea.
[E] The basic kind of the cool stuff that I'm doing is I'm using [C] two chord shapes and when I'm [E] in the E I can just crawl up these bass notes and throw it in before the B.
[F#] [B]
I can move into this major third inversion.
[E]
[A] Bsus2.
[G] [A] [B]
[E] Of course [F#] if you're actually this busy on stage the worship leader will probably get upset with you but this is just [A] cool stuff.
Cool guitar work.
For A [E] we can do this country [A] line.
[G#] [G] [A]
[G] [C] It's like that.
[A]
Or we can use it in substitute for A.
[G] [A] [E]
[B]
[Em] [E]
[G#] [A]
[G] [E]
[D#m] [E] [B]
[F#] Now you might say [E] what was that?
I moved into E and I just crawl up these notes in [C#] the major scale.
[E]
I [Em] don't have to keep playing the E chord.
This is what Hendrix used to do.
[Gm] Just move into tidbits or little bits of chords that kind of infer the [E] chord.
[F#]
[E] [B]
[F#] So that's just right [E] here.
In the key of E.
If you want [A#] more clarity on that send me a message and I can do a whole video just on that.
[E]
[F#] [B]
[E] [G#]
[A]
[E] Just now with the A it was the same concept as I did with the E because the E I slid it [D#] down.
[D] [C#] [Bm] [A#]
[A] [E] So second E [Am] I can embellish [E]
[A]
[E] [C#] it.
[B]
[E]
[A]
[E]
Key:  
E
2311
B
12341112
A
1231
F#
134211112
Gm
123111113
E
2311
B
12341112
A
1231
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_ What's up guys?
_ [Gm] Today I want to take a look at Here I Am to Worship _
[G#] _ and _ _ [A#] _ just
[C] _ first I want to show you the [Gm] chords and I also want to run through some playing
styles, _ _ specifically [A#] some Hendrix styles [C] mixed in with the Worship _ guitar [E] and see
how that works.
So _ _ _ let me run through one time.
The chords are E, _ _ B, [B] _ _ _ F [F#m] sharp minor.
_ [F#] This is in the key of E like the whole song. _
[E] E, _ _ [B] B, _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [E] _
_ _ _ [B] B, _ _ [F#] F sharp minor, _ _ _ _ _
[E] E, _ _ _ [B] B. _
[Am] _ _ _ _ _ _ _ _
_ The chorus _ _ [E] is
_ E, _ _ _ _ _ [B] B, _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ [E] _ _ _ _ E, _
_ _ [B] _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
F, F [Am] sharp.
_ [E] _ _
_ _ _ [A] _ _ _ _ [E] _
_ So _ _ the [D#] lyrics just to give you the context it's going [Gm] to go like
_ [E] _
I love [B] the world, you [E] step [F#] down into darkness, _
[E] _ _ open my [B] eyes, let [A] me _ see. _ _ _
_ [E] _ Beauty that [B] made _ [F#] this
car, so you, _ [E] the whole heck of a [B] life spent [A] with you. _ _ _ _
_ _ _ _ _ Here [G#m] I am [E] to worship, _ here I am to bow [B] down, here I [E] am to say that you're my [A] _ God. _ _ _ _
_ [E] You're altogether worthy, _ _ altogether _ _ [B] lovely, [E] _ [B] _
altogether [E] _ _ wonderful _ _ to _ [A] me. _ _ _ _
_ _ _ [Am] _ _ _ [F#] _ _
[E] _ _ _ _ Alright, _ _
[N] _ there's more.
There's a bridge and there's also like a different ending but I'm not going to get too much into that today because I'm [Gm] hoping you guys can work that out on your own.
I'm more focused on _ _ the style of incorporating some of the 60's Motown [A#] and specifically Hendrix _
_ [Fm] into the chord [G#] progressions.
_ [E]
So for instance we've got E, _ _ [B] _
_ [A] A.
Let me show you [E] with some drums. _
_ [D] I might do just a little bit of an extreme flare [E] but let's try it.
_ _ _ [C] _ _ _
_ _ _ _ [E] _ _ _ _
_ _ [B] _ _ _ _ _ [F#] _
_ _ _ _ _ _ _ [E] _
_ _ _ [B] _ _ _ [Em] _ _
_ _ _ _ _ _ _ _
[E] _ _ _ [B] _ _ _ _ _
[A] _ _ [B] _ [F#] _ _ _ _ _
[E] _ _ _ _ [B] _ _ _ [Am] _
_ _ _ _ _ _ _ _
[E] _ _ _ _ _ [F#] _ _ [C#] _
_ [B] _ _ _ _ _ _ _
_ _ [E] _ _ _ [Bm] _ [E] _ _
_ _ [A] _ _ _ _ _ _
[G] _ [E] _ _ _ _ _ _ [B] _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
_ _ _ [A] _ _ _ _ _
[C#m] _ _ [A] _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
_ _ [Gm] That A minor just now is not in the song.
I tend to do that when I do worship [Fm] but it's not [E] really there.
Okay [Gm] _ and I think I messed up the verse but you get the idea.
[E] The basic kind of the cool stuff that I'm doing _ _ is I'm using [C] two chord shapes and when I'm [E] in the E _ I can just crawl up these bass notes _ _ _ _ _ _ _ and throw it in before the B. _ _
_ _ [F#] _ [B] _ _ _ _ _
_ _ _ _ I can move into this _ major third inversion. _ _
_ _ _ [E] _ _ _ _ _
_ _ _ [A] _ _ Bsus2. _
_ _ _ _ [G] _ [A] _ [B] _ _
[E] _ Of _ course [F#] if you're actually this busy on stage the worship leader will probably _ get upset with you but this is just [A] cool stuff.
Cool guitar work.
For A [E] we can do this country [A] line.
_ _ [G#] _ [G] _ [A] _ _ _
[G] _ _ _ _ [C] It's like that.
[A] _
_ Or we can use it in substitute for A.
_ _ [G] _ [A] _ [E] _ _ _
_ _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ [Em] _ _ _ [E] _
_ _ _ [G#] _ [A] _ _ _ _
_ _ [G] _ [E] _ _ _ _ _
[D#m] _ [E] _ _ _ _ _ _ [B] _
[F#] Now you might say [E] what was that? _ _
I moved into E _ _ and _ _ I just crawl up these notes in [C#] the major scale.
[E] _ _ _ _ _ _ _
_ _ _ I [Em] don't have to keep playing the E chord.
This is what Hendrix used to do.
[Gm] Just move into _ tidbits or little bits of chords that kind of infer the [E] chord.
_ _ _ _ [F#] _ _
[E] _ _ _ _ [B] _ _ _ _
[F#] So that's just right [E] here. _ _ _
In the key of E. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ If you want [A#] more clarity on that _ send me a message and I can do a whole video just on that.
[E] _ _ _ _ _ _ _
[F#] _ _ [B] _ _ _ _ _ _
_ [E] _ _ _ _ _ _ [G#] _
[A] _ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ Just now with the A it was the same concept as I did with the E because the E I slid it [D#] down.
[D] _ [C#] _ [Bm] _ _ [A#] _
[A] _ _ _ _ _ _ [E] So second E [Am] I can embellish [E] _ _ _ _
[A] _ _ _ _ _ _ _ _
[E] _ _ _ _ _ _ [C#] it.
_ [B] _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ [A] _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _

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