Chords for Heymoonshaker - Part One | BHTB - Verdure Sessions
Tempo:
113.35 bpm
Chords used:
Am
Dm
E
A
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Am] Yeah?
Thank you.
This press recording will fucking slam out [Dm] in here. It's coming.
It's coming.
It's coming. It's coming. It's coming. It's coming. It's coming.
It's coming. Really?
Yeah.
Well, that's my shit.
That's all I'm saying.
Ha ha ha.
Send me to a studio.
[N] Take me to China.
Bring me back from China.
Listen to me then.
Put me on a stage.
I'll play you a song.
[D] [Am]
[Dm] [Am]
[B] [E] You [D] know I [C] try [D] to [Am] suppress it.
[Dm] Try to [Em] tell you I'm OK.
But I can't wait.
[Dm] Got our [Am] souls in [Dm] the [Am] mail.
[E] When you [Am]
call [E] for me, that [Dm] rain.
And I said, [Am] child, you been [D] what's the [Am] load?
Well, it's been you [E] waking up, [Am] not me.
[Em] You [E] waking up.
[Am] You coming home.
[Em] You waking up.
[E] I'm leaving.
No, [Em] I'm [Am] coming home.
And [Dm] then you scream.
The [Em] morning rising.
For you and me, we'll give [Ab] my soul to [Am]
[Dm] you.
[C] [Dm] [Am]
[E] [Dm] [C] Woman, no you leave.
In the early morning [Bb] time, [Dm] I said, woman.
[Am]
Oh, [Dm] [Am]
[Bb] [E] [Am]
I've been.
I've been on the side [A] line of your love.
Now [Am] I've been.
I've been on the side line [N] of your love.
[A]
[Em] I'm with [E] you.
[G] [A] Home.
[G] Baby, [Am] don't you want to go?
[A]
[C] I said, [D] home.
How's your level, baby?
Baby, where do you [G] want to [A] go?
[Em] Back to that sweet home of [Gb] place.
Sweet home [A] Chicago.
[Gbm] [B] [E] [G] Oh, [A] and I want us to, to lose four.
Four boys and a baby.
Oh, don't be late.
[D] I'm kind of.
Baby, don't you [G] want to [A] go?
Back [E] to that same old place.
[G]
Yeah, man.
That's a cool bike, bro.
Chicago.
You should get a shot of that, kid.
Yeah, man, you should call the police out as well.
Cops are here.
[Ab]
I thought it was your beat track.
Thank you.
This press recording will fucking slam out [Dm] in here. It's coming.
It's coming.
It's coming. It's coming. It's coming. It's coming. It's coming.
It's coming. Really?
Yeah.
Well, that's my shit.
That's all I'm saying.
Ha ha ha.
Send me to a studio.
[N] Take me to China.
Bring me back from China.
Listen to me then.
Put me on a stage.
I'll play you a song.
[D] [Am]
[Dm] [Am]
[B] [E] You [D] know I [C] try [D] to [Am] suppress it.
[Dm] Try to [Em] tell you I'm OK.
But I can't wait.
[Dm] Got our [Am] souls in [Dm] the [Am] mail.
[E] When you [Am]
call [E] for me, that [Dm] rain.
And I said, [Am] child, you been [D] what's the [Am] load?
Well, it's been you [E] waking up, [Am] not me.
[Em] You [E] waking up.
[Am] You coming home.
[Em] You waking up.
[E] I'm leaving.
No, [Em] I'm [Am] coming home.
And [Dm] then you scream.
The [Em] morning rising.
For you and me, we'll give [Ab] my soul to [Am]
[Dm] you.
[C] [Dm] [Am]
[E] [Dm] [C] Woman, no you leave.
In the early morning [Bb] time, [Dm] I said, woman.
[Am]
Oh, [Dm] [Am]
[Bb] [E] [Am]
I've been.
I've been on the side [A] line of your love.
Now [Am] I've been.
I've been on the side line [N] of your love.
[A]
[Em] I'm with [E] you.
[G] [A] Home.
[G] Baby, [Am] don't you want to go?
[A]
[C] I said, [D] home.
How's your level, baby?
Baby, where do you [G] want to [A] go?
[Em] Back to that sweet home of [Gb] place.
Sweet home [A] Chicago.
[Gbm] [B] [E] [G] Oh, [A] and I want us to, to lose four.
Four boys and a baby.
Oh, don't be late.
[D] I'm kind of.
Baby, don't you [G] want to [A] go?
Back [E] to that same old place.
[G]
Yeah, man.
That's a cool bike, bro.
Chicago.
You should get a shot of that, kid.
Yeah, man, you should call the police out as well.
Cops are here.
[Ab]
I thought it was your beat track.
Key:
Am
Dm
E
A
Em
Am
Dm
E
[Am] Yeah?
Thank you.
This press recording will fucking slam out [Dm] in here. It's coming.
It's coming.
_ _ It's coming. It's coming. It's coming. It's coming. It's coming.
It's coming. Really?
Yeah.
Well, that's my shit.
That's all I'm saying.
Ha ha ha.
Send me to a studio.
[N] Take me to China.
Bring me back from China.
Listen to me then.
Put me on a stage.
I'll play you a song. _ _ _ _ _
_ _ _ _ [D] _ [Am] _ _ _
_ _ _ _ [Dm] _ _ [Am] _ _
[B] _ _ [E] You [D] know I [C] try [D] to [Am] suppress it.
[Dm] Try to [Em] tell you I'm OK.
But I can't wait.
[Dm] Got our [Am] souls in [Dm] the [Am] mail.
[E] When you [Am] _
call [E] for me, that [Dm] rain.
And I said, [Am] child, you been _ [D] what's the [Am] load?
Well, it's been you [E] waking up, [Am] not me. _ _
_ _ _ [Em] You [E] waking up. _
_ _ _ [Am] You coming home. _
_ _ _ [Em] You waking up.
[E] I'm leaving.
_ No, [Em] I'm [Am] coming home.
_ _ _ And [Dm] then you scream. _
_ _ The [Em] morning rising. _ _
For you and me, we'll give [Ab] my soul to [Am] _
[Dm] you.
_ [C] _ _ [Dm] _ _ [Am] _ _
_ _ [E] _ _ [Dm] _ [C] Woman, _ _ _ _ no you leave.
In the early morning [Bb] time, [Dm] I said, woman.
[Am] _ _
_ _ Oh, [Dm] _ _ [Am] _ _
[Bb] _ [E] _ _ _ [Am] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ I've been.
_ _ I've been on the _ side [A] line of your love.
_ _ Now [Am] I've been.
_ I've been on the _ side line [N] of your love.
_ [A] _ _ _ _
_ _ _ _ _ _ [Em] I'm with [E] you.
_ [G] _ [A] Home. _ _
[G] _ Baby, [Am] don't you want to go?
[A] _ _
_ _ _ _ [C] I said, [D] home.
How's your level, baby?
Baby, where do you [G] want to [A] go?
_ _ _ _ [Em] Back to that sweet home of [Gb] place.
_ _ Sweet home [A] Chicago. _
[Gbm] _ [B] _ _ [E] _ [G] Oh, [A] and I want us to, _ to lose four.
Four boys and a baby.
Oh, don't be late.
[D] I'm kind of. _
_ _ Baby, don't you [G] want to [A] go? _
_ _ _ Back [E] to that same old place.
_ [G] _ _ _ _ _ _ _
_ _ Yeah, man.
That's a cool bike, bro.
Chicago.
You should get a shot of that, kid.
Yeah, man, you should call the police out as well.
_ Cops are here.
[Ab] _
_ I thought it was your beat track. _ _
Thank you.
This press recording will fucking slam out [Dm] in here. It's coming.
It's coming.
_ _ It's coming. It's coming. It's coming. It's coming. It's coming.
It's coming. Really?
Yeah.
Well, that's my shit.
That's all I'm saying.
Ha ha ha.
Send me to a studio.
[N] Take me to China.
Bring me back from China.
Listen to me then.
Put me on a stage.
I'll play you a song. _ _ _ _ _
_ _ _ _ [D] _ [Am] _ _ _
_ _ _ _ [Dm] _ _ [Am] _ _
[B] _ _ [E] You [D] know I [C] try [D] to [Am] suppress it.
[Dm] Try to [Em] tell you I'm OK.
But I can't wait.
[Dm] Got our [Am] souls in [Dm] the [Am] mail.
[E] When you [Am] _
call [E] for me, that [Dm] rain.
And I said, [Am] child, you been _ [D] what's the [Am] load?
Well, it's been you [E] waking up, [Am] not me. _ _
_ _ _ [Em] You [E] waking up. _
_ _ _ [Am] You coming home. _
_ _ _ [Em] You waking up.
[E] I'm leaving.
_ No, [Em] I'm [Am] coming home.
_ _ _ And [Dm] then you scream. _
_ _ The [Em] morning rising. _ _
For you and me, we'll give [Ab] my soul to [Am] _
[Dm] you.
_ [C] _ _ [Dm] _ _ [Am] _ _
_ _ [E] _ _ [Dm] _ [C] Woman, _ _ _ _ no you leave.
In the early morning [Bb] time, [Dm] I said, woman.
[Am] _ _
_ _ Oh, [Dm] _ _ [Am] _ _
[Bb] _ [E] _ _ _ [Am] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ I've been.
_ _ I've been on the _ side [A] line of your love.
_ _ Now [Am] I've been.
_ I've been on the _ side line [N] of your love.
_ [A] _ _ _ _
_ _ _ _ _ _ [Em] I'm with [E] you.
_ [G] _ [A] Home. _ _
[G] _ Baby, [Am] don't you want to go?
[A] _ _
_ _ _ _ [C] I said, [D] home.
How's your level, baby?
Baby, where do you [G] want to [A] go?
_ _ _ _ [Em] Back to that sweet home of [Gb] place.
_ _ Sweet home [A] Chicago. _
[Gbm] _ [B] _ _ [E] _ [G] Oh, [A] and I want us to, _ to lose four.
Four boys and a baby.
Oh, don't be late.
[D] I'm kind of. _
_ _ Baby, don't you [G] want to [A] go? _
_ _ _ Back [E] to that same old place.
_ [G] _ _ _ _ _ _ _
_ _ Yeah, man.
That's a cool bike, bro.
Chicago.
You should get a shot of that, kid.
Yeah, man, you should call the police out as well.
_ Cops are here.
[Ab] _
_ I thought it was your beat track. _ _