Chords for Highly Suspect - "Lydia" Behind The Scenes
Tempo:
128.85 bpm
Chords used:
A
G#
F#
B
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
[G#] [A]
[B]
[A] [G#]
[F#] We are highly suspect.
Lydia.
relationship and how it can be kind of tragic [C#m] sometimes
two people's life choices lead them in different [A] directions [C#] but the love is still there.
the video is showing is an inescapable fate.
[B]
[A] [G#]
[F#] We are highly suspect.
Lydia.
relationship and how it can be kind of tragic [C#m] sometimes
two people's life choices lead them in different [A] directions [C#] but the love is still there.
the video is showing is an inescapable fate.
100% ➙ 129BPM
A
G#
F#
B
D
A
G#
F#
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G#] _ _ _ _ [A] _ _
_ _ _ _ _ _ [B] _ _
_ _ [A] _ _ _ _ [G#] _ _
_ _ _ _ _ [F#] We are highly suspect.
[A] We are in California right now shooting our video for Lydia.
Lydia is a song about a failed relationship and how it can be kind of tragic [C#m] sometimes
when two people's life choices lead them in different [A] directions [C#] but the love is still there.
And I think that's [C#m] pretty relatable.
I think a lot of people can identify with that.
So what the video is showing is an inescapable fate. _
[B] _ _ _ _ _ _ _ _
[G#] _ _ _ _ We [E] are T.S. Pfeffer and Robert McHugh [F#] of Pure Pictures at [B] Acton Scuba Services in Acton,
California.
The [D] concept was developed based off [F#] of our desire to create sort of anxious experience
for the [G#] audience. _ _
[A] _ _ Pressurizing the camera _ is very important.
It's very important.
When you're locking something that is supposed to be airtight and then bringing it under
16 feet of water, the pressure of that air builds _ creating a buoy and then it wants to
rise to the surface.
So essentially what we're creating is a vacuum sucking the air out of it but it'll want to
sink, stay level at a depth of 14 feet. _ _ _
_ [C#m] Part of the magic.
_ _ [D] _ _
_ _ _ [B] _ _ _ [F#] _
Our actress and lead talent is a [A] professional freediver named Marina [F#] Kazankova.
She can hold her [F#m] breath for upwards of six minutes and technically what we're doing today
would [E] be called a dynamic [F#] breath hold where you're holding your breath, you're moving
around, you're [G#] exerting [A] yourself.
_ _ [D] I'm _ _ [B] getting _ _ _ [F#] water.
_ _ [A] _ _ The water is warm but when you stay in the water a lot of times it starts to be a bit colder.
I prefer to finish in a hot shower and put on warm clothes and to be happy about this wonderful day.
_ I can't imagine that there's more [G#m] than a handful of people in the world who have the talent
[G#] and the abilities that she has so we're very fortunate to be [E] working with her in addition
[F#] to the rest of our [E] crew.
Rudy Schaefer, production [C#] designer.
[G#] Grant Graves, lead safety [D] diver.
Pascal, our underwater operator.
_ [B] Christina Kofrin, [C#] makeup artist.
Ben Hausdorff, Bobby Settlemeyer and Jeff [A] Concello.
It's sort of like the perspective of a shark.
The shark is sort of swimming around you deciding whether or not to leave you for nature's course
of action or to take a bite out of you.
Alright guys, we're going to roll the tape. _
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ [F#] _
Okay, one.
_ _ _ _ [G#] _ _
_ [A] _ _ _ _ _ _ _
_ _ [B] _ _ _ [A] When you're watching a video [A] of somebody not breathing that goes on for minutes on end
you almost feel desperate.
Let's get ready for that first restraint on the [C#m] left arm.
[G#] _ _ _ _ [D] _ _ [D] _ _
[B] _ _ [G#] _ _ _ [F#m] It was a little hard to believe.
I [A] can't hold my breath for one minute.
[B] _ _ _ _ There's a lot of energy coming from this because it's a project we've been hunting for quite [G#] some time.
It's one of those things you wait around for and here _ [G] it is. _ _
_ _ _ _ [F#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [F#m] _ _
_ _ [F#] _ _ _ _ _ _
_ [E] _ _ _ _ _ [A] Alright guys, you can come on up.
That's a wrap. _ _ _
_ _ _ _ _ [D#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G#] _ _ _ _ [A] _ _
_ _ _ _ _ _ [B] _ _
_ _ [A] _ _ _ _ [G#] _ _
_ _ _ _ _ [F#] We are highly suspect.
[A] We are in California right now shooting our video for Lydia.
Lydia is a song about a failed relationship and how it can be kind of tragic [C#m] sometimes
when two people's life choices lead them in different [A] directions [C#] but the love is still there.
And I think that's [C#m] pretty relatable.
I think a lot of people can identify with that.
So what the video is showing is an inescapable fate. _
[B] _ _ _ _ _ _ _ _
[G#] _ _ _ _ We [E] are T.S. Pfeffer and Robert McHugh [F#] of Pure Pictures at [B] Acton Scuba Services in Acton,
California.
The [D] concept was developed based off [F#] of our desire to create sort of anxious experience
for the [G#] audience. _ _
[A] _ _ Pressurizing the camera _ is very important.
It's very important.
When you're locking something that is supposed to be airtight and then bringing it under
16 feet of water, the pressure of that air builds _ creating a buoy and then it wants to
rise to the surface.
So essentially what we're creating is a vacuum sucking the air out of it but it'll want to
sink, stay level at a depth of 14 feet. _ _ _
_ [C#m] Part of the magic.
_ _ [D] _ _
_ _ _ [B] _ _ _ [F#] _
Our actress and lead talent is a [A] professional freediver named Marina [F#] Kazankova.
She can hold her [F#m] breath for upwards of six minutes and technically what we're doing today
would [E] be called a dynamic [F#] breath hold where you're holding your breath, you're moving
around, you're [G#] exerting [A] yourself.
_ _ [D] I'm _ _ [B] getting _ _ _ [F#] water.
_ _ [A] _ _ The water is warm but when you stay in the water a lot of times it starts to be a bit colder.
I prefer to finish in a hot shower and put on warm clothes and to be happy about this wonderful day.
_ I can't imagine that there's more [G#m] than a handful of people in the world who have the talent
[G#] and the abilities that she has so we're very fortunate to be [E] working with her in addition
[F#] to the rest of our [E] crew.
Rudy Schaefer, production [C#] designer.
[G#] Grant Graves, lead safety [D] diver.
Pascal, our underwater operator.
_ [B] Christina Kofrin, [C#] makeup artist.
Ben Hausdorff, Bobby Settlemeyer and Jeff [A] Concello.
It's sort of like the perspective of a shark.
The shark is sort of swimming around you deciding whether or not to leave you for nature's course
of action or to take a bite out of you.
Alright guys, we're going to roll the tape. _
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ [F#] _
Okay, one.
_ _ _ _ [G#] _ _
_ [A] _ _ _ _ _ _ _
_ _ [B] _ _ _ [A] When you're watching a video [A] of somebody not breathing that goes on for minutes on end
you almost feel desperate.
Let's get ready for that first restraint on the [C#m] left arm.
[G#] _ _ _ _ [D] _ _ [D] _ _
[B] _ _ [G#] _ _ _ [F#m] It was a little hard to believe.
I [A] can't hold my breath for one minute.
[B] _ _ _ _ There's a lot of energy coming from this because it's a project we've been hunting for quite [G#] some time.
It's one of those things you wait around for and here _ [G] it is. _ _
_ _ _ _ [F#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [F#m] _ _
_ _ [F#] _ _ _ _ _ _
_ [E] _ _ _ _ _ [A] Alright guys, you can come on up.
That's a wrap. _ _ _
_ _ _ _ _ [D#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _