Chords for Highly Suspect - "Lydia" Behind The Scenes
Tempo:
128.85 bpm
Chords used:
A
G#
F#
B
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G#] [A]
[B]
[A] [G#]
[F#] We are highly suspect.
[A] We are in California right now shooting our video for Lydia.
Lydia is a song about a failed relationship and how it can be kind of tragic [C#m] sometimes
when two people's life choices lead them in different [A] directions [C#] but the love is still there.
And I think that's [C#m] pretty relatable.
I think a lot of people can identify with that.
So what the video is showing is an inescapable fate.
[B]
[G#] We [E] are T.S. Pfeffer and Robert McHugh [F#] of Pure Pictures at [B] Acton Scuba Services in Acton,
California.
The [D] concept was developed based off [F#] of our desire to create sort of anxious experience
for the [G#] audience.
[A] Pressurizing the camera is very important.
It's very important.
When you're locking something that is supposed to be airtight and then bringing it under
16 feet of water, the pressure of that air builds creating a buoy and then it wants to
rise to the surface.
So essentially what we're creating is a vacuum sucking the air out of it but it'll want to
sink, stay level at a depth of 14 feet.
[C#m] Part of the magic.
[D]
[B] [F#]
Our actress and lead talent is a [A] professional freediver named Marina [F#] Kazankova.
She can hold her [F#m] breath for upwards of six minutes and technically what we're doing today
would [E] be called a dynamic [F#] breath hold where you're holding your breath, you're moving
around, you're [G#] exerting [A] yourself.
[D] I'm [B] getting [F#] water.
[A] The water is warm but when you stay in the water a lot of times it starts to be a bit colder.
I prefer to finish in a hot shower and put on warm clothes and to be happy about this wonderful day.
I can't imagine that there's more [G#m] than a handful of people in the world who have the talent
[G#] and the abilities that she has so we're very fortunate to be [E] working with her in addition
[F#] to the rest of our [E] crew.
Rudy Schaefer, production [C#] designer.
[G#] Grant Graves, lead safety [D] diver.
Pascal, our underwater operator.
[B] Christina Kofrin, [C#] makeup artist.
Ben Hausdorff, Bobby Settlemeyer and Jeff [A] Concello.
It's sort of like the perspective of a shark.
The shark is sort of swimming around you deciding whether or not to leave you for nature's course
of action or to take a bite out of you.
Alright guys, we're going to roll the tape.
[N]
[D] [F#]
Okay, one.
[G#]
[A]
[B] [A] When you're watching a video [A] of somebody not breathing that goes on for minutes on end
you almost feel desperate.
Let's get ready for that first restraint on the [C#m] left arm.
[G#] [D] [D]
[B] [G#] [F#m] It was a little hard to believe.
I [A] can't hold my breath for one minute.
[B] There's a lot of energy coming from this because it's a project we've been hunting for quite [G#] some time.
It's one of those things you wait around for and here [G] it is.
[F#]
[F#m]
[F#]
[E] [A] Alright guys, you can come on up.
That's a wrap.
[D#]
[B]
[A] [G#]
[F#] We are highly suspect.
[A] We are in California right now shooting our video for Lydia.
Lydia is a song about a failed relationship and how it can be kind of tragic [C#m] sometimes
when two people's life choices lead them in different [A] directions [C#] but the love is still there.
And I think that's [C#m] pretty relatable.
I think a lot of people can identify with that.
So what the video is showing is an inescapable fate.
[B]
[G#] We [E] are T.S. Pfeffer and Robert McHugh [F#] of Pure Pictures at [B] Acton Scuba Services in Acton,
California.
The [D] concept was developed based off [F#] of our desire to create sort of anxious experience
for the [G#] audience.
[A] Pressurizing the camera is very important.
It's very important.
When you're locking something that is supposed to be airtight and then bringing it under
16 feet of water, the pressure of that air builds creating a buoy and then it wants to
rise to the surface.
So essentially what we're creating is a vacuum sucking the air out of it but it'll want to
sink, stay level at a depth of 14 feet.
[C#m] Part of the magic.
[D]
[B] [F#]
Our actress and lead talent is a [A] professional freediver named Marina [F#] Kazankova.
She can hold her [F#m] breath for upwards of six minutes and technically what we're doing today
would [E] be called a dynamic [F#] breath hold where you're holding your breath, you're moving
around, you're [G#] exerting [A] yourself.
[D] I'm [B] getting [F#] water.
[A] The water is warm but when you stay in the water a lot of times it starts to be a bit colder.
I prefer to finish in a hot shower and put on warm clothes and to be happy about this wonderful day.
I can't imagine that there's more [G#m] than a handful of people in the world who have the talent
[G#] and the abilities that she has so we're very fortunate to be [E] working with her in addition
[F#] to the rest of our [E] crew.
Rudy Schaefer, production [C#] designer.
[G#] Grant Graves, lead safety [D] diver.
Pascal, our underwater operator.
[B] Christina Kofrin, [C#] makeup artist.
Ben Hausdorff, Bobby Settlemeyer and Jeff [A] Concello.
It's sort of like the perspective of a shark.
The shark is sort of swimming around you deciding whether or not to leave you for nature's course
of action or to take a bite out of you.
Alright guys, we're going to roll the tape.
[N]
[D] [F#]
Okay, one.
[G#]
[A]
[B] [A] When you're watching a video [A] of somebody not breathing that goes on for minutes on end
you almost feel desperate.
Let's get ready for that first restraint on the [C#m] left arm.
[G#] [D] [D]
[B] [G#] [F#m] It was a little hard to believe.
I [A] can't hold my breath for one minute.
[B] There's a lot of energy coming from this because it's a project we've been hunting for quite [G#] some time.
It's one of those things you wait around for and here [G] it is.
[F#]
[F#m]
[F#]
[E] [A] Alright guys, you can come on up.
That's a wrap.
[D#]
Key:
A
G#
F#
B
D
A
G#
F#
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G#] _ _ _ _ [A] _ _
_ _ _ _ _ _ [B] _ _
_ _ [A] _ _ _ _ [G#] _ _
_ _ _ _ _ [F#] We are highly suspect.
[A] We are in California right now shooting our video for Lydia.
Lydia is a song about a failed relationship and how it can be kind of tragic [C#m] sometimes
when two people's life choices lead them in different [A] directions [C#] but the love is still there.
And I think that's [C#m] pretty relatable.
I think a lot of people can identify with that.
So what the video is showing is an inescapable fate. _
[B] _ _ _ _ _ _ _ _
[G#] _ _ _ _ We [E] are T.S. Pfeffer and Robert McHugh [F#] of Pure Pictures at [B] Acton Scuba Services in Acton,
California.
The [D] concept was developed based off [F#] of our desire to create sort of anxious experience
for the [G#] audience. _ _
[A] _ _ Pressurizing the camera _ is very important.
It's very important.
When you're locking something that is supposed to be airtight and then bringing it under
16 feet of water, the pressure of that air builds _ creating a buoy and then it wants to
rise to the surface.
So essentially what we're creating is a vacuum sucking the air out of it but it'll want to
sink, stay level at a depth of 14 feet. _ _ _
_ [C#m] Part of the magic.
_ _ [D] _ _
_ _ _ [B] _ _ _ [F#] _
Our actress and lead talent is a [A] professional freediver named Marina [F#] Kazankova.
She can hold her [F#m] breath for upwards of six minutes and technically what we're doing today
would [E] be called a dynamic [F#] breath hold where you're holding your breath, you're moving
around, you're [G#] exerting [A] yourself.
_ _ [D] I'm _ _ [B] getting _ _ _ [F#] water.
_ _ [A] _ _ The water is warm but when you stay in the water a lot of times it starts to be a bit colder.
I prefer to finish in a hot shower and put on warm clothes and to be happy about this wonderful day.
_ I can't imagine that there's more [G#m] than a handful of people in the world who have the talent
[G#] and the abilities that she has so we're very fortunate to be [E] working with her in addition
[F#] to the rest of our [E] crew.
Rudy Schaefer, production [C#] designer.
[G#] Grant Graves, lead safety [D] diver.
Pascal, our underwater operator.
_ [B] Christina Kofrin, [C#] makeup artist.
Ben Hausdorff, Bobby Settlemeyer and Jeff [A] Concello.
It's sort of like the perspective of a shark.
The shark is sort of swimming around you deciding whether or not to leave you for nature's course
of action or to take a bite out of you.
Alright guys, we're going to roll the tape. _
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ [F#] _
Okay, one.
_ _ _ _ [G#] _ _
_ [A] _ _ _ _ _ _ _
_ _ [B] _ _ _ [A] When you're watching a video [A] of somebody not breathing that goes on for minutes on end
you almost feel desperate.
Let's get ready for that first restraint on the [C#m] left arm.
[G#] _ _ _ _ [D] _ _ [D] _ _
[B] _ _ [G#] _ _ _ [F#m] It was a little hard to believe.
I [A] can't hold my breath for one minute.
[B] _ _ _ _ There's a lot of energy coming from this because it's a project we've been hunting for quite [G#] some time.
It's one of those things you wait around for and here _ [G] it is. _ _
_ _ _ _ [F#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [F#m] _ _
_ _ [F#] _ _ _ _ _ _
_ [E] _ _ _ _ _ [A] Alright guys, you can come on up.
That's a wrap. _ _ _
_ _ _ _ _ [D#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G#] _ _ _ _ [A] _ _
_ _ _ _ _ _ [B] _ _
_ _ [A] _ _ _ _ [G#] _ _
_ _ _ _ _ [F#] We are highly suspect.
[A] We are in California right now shooting our video for Lydia.
Lydia is a song about a failed relationship and how it can be kind of tragic [C#m] sometimes
when two people's life choices lead them in different [A] directions [C#] but the love is still there.
And I think that's [C#m] pretty relatable.
I think a lot of people can identify with that.
So what the video is showing is an inescapable fate. _
[B] _ _ _ _ _ _ _ _
[G#] _ _ _ _ We [E] are T.S. Pfeffer and Robert McHugh [F#] of Pure Pictures at [B] Acton Scuba Services in Acton,
California.
The [D] concept was developed based off [F#] of our desire to create sort of anxious experience
for the [G#] audience. _ _
[A] _ _ Pressurizing the camera _ is very important.
It's very important.
When you're locking something that is supposed to be airtight and then bringing it under
16 feet of water, the pressure of that air builds _ creating a buoy and then it wants to
rise to the surface.
So essentially what we're creating is a vacuum sucking the air out of it but it'll want to
sink, stay level at a depth of 14 feet. _ _ _
_ [C#m] Part of the magic.
_ _ [D] _ _
_ _ _ [B] _ _ _ [F#] _
Our actress and lead talent is a [A] professional freediver named Marina [F#] Kazankova.
She can hold her [F#m] breath for upwards of six minutes and technically what we're doing today
would [E] be called a dynamic [F#] breath hold where you're holding your breath, you're moving
around, you're [G#] exerting [A] yourself.
_ _ [D] I'm _ _ [B] getting _ _ _ [F#] water.
_ _ [A] _ _ The water is warm but when you stay in the water a lot of times it starts to be a bit colder.
I prefer to finish in a hot shower and put on warm clothes and to be happy about this wonderful day.
_ I can't imagine that there's more [G#m] than a handful of people in the world who have the talent
[G#] and the abilities that she has so we're very fortunate to be [E] working with her in addition
[F#] to the rest of our [E] crew.
Rudy Schaefer, production [C#] designer.
[G#] Grant Graves, lead safety [D] diver.
Pascal, our underwater operator.
_ [B] Christina Kofrin, [C#] makeup artist.
Ben Hausdorff, Bobby Settlemeyer and Jeff [A] Concello.
It's sort of like the perspective of a shark.
The shark is sort of swimming around you deciding whether or not to leave you for nature's course
of action or to take a bite out of you.
Alright guys, we're going to roll the tape. _
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ [F#] _
Okay, one.
_ _ _ _ [G#] _ _
_ [A] _ _ _ _ _ _ _
_ _ [B] _ _ _ [A] When you're watching a video [A] of somebody not breathing that goes on for minutes on end
you almost feel desperate.
Let's get ready for that first restraint on the [C#m] left arm.
[G#] _ _ _ _ [D] _ _ [D] _ _
[B] _ _ [G#] _ _ _ [F#m] It was a little hard to believe.
I [A] can't hold my breath for one minute.
[B] _ _ _ _ There's a lot of energy coming from this because it's a project we've been hunting for quite [G#] some time.
It's one of those things you wait around for and here _ [G] it is. _ _
_ _ _ _ [F#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [F#m] _ _
_ _ [F#] _ _ _ _ _ _
_ [E] _ _ _ _ _ [A] Alright guys, you can come on up.
That's a wrap. _ _ _
_ _ _ _ _ [D#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _