Chords for Hillsong UNITED - Scandal of Grace song story

Tempo:
126 bpm
Chords used:

F

C

Am

G

Em

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Hillsong UNITED - Scandal of Grace song story chords
Start Jamming...
[G] Just start with it.
We should've used that intro. Okay.
[F]
[Dm] [F]
My lyrics.
[Bb] [F] It's my part.
[Bb]
[F] [C]
[Am] [Bb]
[F]
[D] [Am]
[Bb] [F]
[A]
[Am]
[Dm]
[Bb] I like
[F]
[C] that [Am] version.
It is nice.
Should I keep going?
[C] No. Yeah.
So, I mean, I don't know.
Are we going?
Yeah, we're going.
[Am] That was [F] the original
[C] idea for Scandal of Grace.
I mean, it would've gone pretty late at night.
I think everyone was at dinner.
And I forced Benjamin Tenencoff, also [Am] lovingly known as [F] Tenny,
because there's many Tenny's [C] in this world.
But he stayed back with me [Em] because I just wanted to record [G] on my phone,
at least [C] that idea.
And we just played it [Em] through.
And at the time I showed [C] it to Joel and Mikey.
And I think, I mean, they both really loved the idea.
[G] But it was kind of like a little bit out of the picture from everything [Am] else
that was happening at the time.
So, I think we [F] just sat on it for a bit.
And I kept, I think I felt like I kept pushing.
I was like, I really feel like this could work.
It was a beautiful idea.
It was [C] just how was it going to fit.
Because I was like, I love it.
Like, I just don't know, like, where does it go?
And how does it fit in with [Em] everything else?
And it had no [G] answers.
And to be honest, we had worked on so many songs.
And we were kind of, you know,
we were doing these [F] crazy hours in this old abandoned warehouse.
You know, like rats and like, it was moldy.
It was like [C] the back of an old theater [F] in 100-foot [Am] ceilings,
[C] cement box, you know, in the Lower East Side of New York City.
And Matt would kind of get stuck.
Like, [Am] you'd be working on an idea.
And like sometimes it would, you know, [F] be flowing.
Everyone was kind [C] of like having a great time.
And then it kind of gets to the point where everyone would be like,
anyone hungry?
Like, sure, you want to get some food?
Like, yeah, right.
And then one night,
[Am] I guess, it [F] was just all of a sudden,
it was like there was a [C] piano there.
And I just started kind of playing something on [Em] it.
And it just kind of flowed.
This [F] chorus kind of just flowed out of [C] what he had.
And we were both like, oh, that kind of really [F] works.
And we just threw these [C] scratch lyrics down,
[G] which actually kind of pretty much the chorus lyrics now.
It would be like, you [Am] know.
It was quite, it was still really swinging, like, [F] on the thing.
And then Mikey was like, well, if we're going to do it,
we need to kind of bring it into.
That was my biggest [C] frustration, the whole song was the swing part.
Like the original.
And if it stayed like that, [Em] it would not have been [G] on this album.
But, I mean, that's the genius of Mikey is knowing how to bring
something into
[F] line with everything else.
Yeah.
So it kind of, we put it to the band,
and the band just kind of [C] brought it to life.
And we were trying to find a lyric for it and kind of what it was about.
And I had remembered this conversation I had with this guy.
And we were just talking about God.
Like, you know, [Em] there was this guy who wasn't a believer,
and [G] there was a guy who kind of, you know, like was a believer,
but like wasn't really into [F] church and stuff.
And we were just talking about the things of God and who God is, who Jesus is.
And I remember this guy [C] who was kind of like [D] the disgruntled believer kind of guy,
just going, yeah.
I mean, but to this other [C] guy who didn't believe.
Well, the thing is, [F] it doesn't make sense, mate.
Like [Am] that's the scandal of grace.
[C] And I'll never forget it.
I was like, exactly.
And I just love that thought, you know, the scandal of grace.
And [G] I think sometimes when we think about something that's scandalous, you know,
we think about something [Am] that is kind of like wrong or something that's happened.
Yeah, negative.
But I love the [F] paradoxical nature of the gospel.
And the fact is, you know, the grace of God through Jesus is [C] completely scandalous.
Like it's the reason they crucified Jesus, because of who he said he was
and what he was there [G] to do.
And it's the reason why even now so many people have a hard time accepting
[F] the love and grace of Jesus.
It's much easier to live by a set of rules, or it's much easier [C] to, you know,
like try and do all these good things to make your way to God,
but to think that he made his way to us.
And, you know, there's not [Em] enough good enough things we can [G] do to get to God,
or we have to do except the good thing that he did for us.
And [F] I love that.
And there's a scripture in Romans that just says, you know,
I will lay a stumbling block [C] in Zion, a rock of offense,
but whoever puts their trust in him shall never perish.
And I just love that picture, especially coming out of Cornerstone,
you know, that whole, you know, picture of Cornerstone and thinking,
[G] yeah, like the Cornerstone is actually a stumbling block,
because his grace is [F] so extravagant and just scandalous
that it can be hard [C] for us to accept it.
But that's faith and that's trust.
And, you know, I think this song is kind of really deep,
but I love, you know, the way the lyric kind of came together
and the message behind it.
[Ab] [A]
[Bm] [B]
Key:  
F
134211111
C
3211
Am
2311
G
2131
Em
121
F
134211111
C
3211
Am
2311
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_ _ _ _ _ _
_ [G] Just start with it.
We should've used that intro. Okay.
_ [F] _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
[Dm] _ _ _ _ _ [F] _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ My lyrics.
_ _ _ _ _ _
[Bb] _ _ _ [F] _ It's my part. _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ [Bb] _ _ _
_ [F] _ _ _ _ [C] _
_ _ [Am] _ _ _ [Bb] _
_ _ _ [F] _ _ _
[D] _ _ _ _ [Am] _ _
_ [Bb] _ _ _ _ [F] _
_ _ _ _ _ [A] _
_ _ _ _ _ [Am] _
_ [Dm] _ _ _ _ _
_ _ [Bb] _ _ I like _ _ _ _ _
_ _ _ [F] _ _ _
_ _ [C] _ that [Am] version.
It is nice.
Should I keep going?
[C] No. Yeah. _
_ _ _ _ _
So, I mean, I don't know.
Are we going?
Yeah, we're going.
[Am] That was [F] the original _
[C] _ idea for Scandal of Grace.
I mean, it would've gone pretty late at night.
I think everyone was at dinner.
And I forced Benjamin Tenencoff, also [Am] lovingly known as [F] Tenny,
because there's many Tenny's [C] in this world.
But he stayed back with me [Em] because I just wanted to record [G] on my phone,
at least [C] that idea.
_ And we just played it [Em] through.
And at the time I showed [C] it to Joel and Mikey.
And I think, I mean, they both really loved the idea.
[G] But it was kind of like a little bit out of the picture from everything [Am] else
that was happening at the time.
So, I think we [F] just sat on it for a bit.
And I kept, I think I felt like I kept pushing.
I was like, I really feel like this could work.
It was a beautiful idea.
It was [C] just how was it going to fit.
Because I was like, I love it.
Like, I just don't know, like, where does it go?
And how does it fit in with [Em] everything else?
And it had no [G] answers.
And to be honest, we had worked on so many songs.
And we were kind of, you know,
we were doing these [F] crazy hours in this old abandoned warehouse.
You know, like rats and like, it was moldy.
It was like [C] the back of an old theater [F] in 100-foot [Am] ceilings,
_ [C] cement box, you know, in the Lower East Side of New York City.
And Matt would kind of get stuck.
Like, [Am] you'd be working on an idea.
And like sometimes it would, you know, [F] be flowing.
Everyone was kind [C] of like having a great time.
And then it kind of gets to the point where everyone would be like, _
anyone hungry?
Like, sure, you want to get some food?
Like, yeah, right.
And then one night, _ _
[Am] I guess, it [F] was just all of a sudden,
it was like there was a [C] piano there.
And I just started kind of playing something on [Em] it.
And it just kind of flowed.
This [F] chorus kind of just flowed out of [C] what he had.
_ _ And we were both like, oh, that kind of really [F] works.
And we just threw these [C] scratch lyrics down, _ _
[G] which actually kind of pretty much the chorus lyrics now.
It would be like, you [Am] know.
It was quite, it was still really swinging, like, [F] on the thing.
And then Mikey was like, well, if we're going to do it,
we need to kind of bring it into.
That was my biggest [C] frustration, the whole song was the swing part.
Like the original.
_ _ _ And if it stayed like that, [Em] it would not have been [G] on this album.
But, I mean, that's the genius of Mikey is knowing how to bring
something into _
[F] line with everything else.
Yeah.
So it kind of, we put it to the band,
and the band just kind of [C] brought it to life.
And we were trying to find a lyric for it and kind of what it was about.
And I had remembered this conversation I had with this guy.
And we were just talking about God.
Like, you know, [Em] there was this guy who wasn't a believer,
and [G] there was a guy who kind of, you know, like was a believer,
but like wasn't really into [F] church and stuff.
And we were just talking about the things of God and who God is, who Jesus is.
And I remember this guy [C] who was kind of like [D] the disgruntled believer kind of guy,
just going, yeah.
I mean, but to this other [C] guy who didn't believe.
Well, the thing is, [F] it doesn't make sense, mate.
Like [Am] that's the scandal of grace.
[C] And I'll never forget it.
I was like, exactly.
And I just love that _ thought, you know, the scandal of grace.
And [G] I think sometimes when we think about _ something that's scandalous, you know,
we think about something [Am] that is kind of like wrong or something that's happened.
Yeah, negative.
But I love the [F] paradoxical nature of the gospel.
And the fact is, you know, the grace of God through Jesus is [C] completely scandalous.
Like it's the reason they crucified _ Jesus, because of who he said he was
and what he was there [G] to do.
And it's the reason why even now so many people have a hard time accepting
[F] the love and grace of Jesus.
It's much easier to live by a set of rules, or it's much easier [C] to, you know,
like try and do all these good things to make your way to God,
but to think that he _ made his way to us.
And, you know, _ there's not [Em] enough good enough things we can [G] do to get to God,
or we have to do except the good thing that he did for us.
And [F] I love that.
And there's a scripture in Romans that just says, you know,
I will lay a stumbling block [C] in Zion, a rock of offense,
but whoever puts their trust in him shall never perish.
And I just love that picture, especially coming out of Cornerstone,
you know, that whole, you know, picture of Cornerstone and thinking,
[G] yeah, like the Cornerstone is actually a stumbling block,
because _ _ his grace is [F] so _ extravagant and just _ scandalous
that it can be hard [C] for us to accept it.
But that's faith and that's trust.
And, you know, I think this song is kind of really deep,
but I love, you know, the way the lyric kind of came together
and the message behind it.
[Ab] _ [A] _ _ _ _ _
[Bm] _ _ _ [B] _ _ _