Chords for Hollywood Ending - Boyband Song

Tempo:
109.15 bpm
Chords used:

B

F#

C#

G

G#m

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Hollywood Ending - Boyband Song chords
Start Jamming...
Your man did a kick flip.
What?!
That's insane!
Yeah, she's like 300, but whatever.
It's pretty amazing.
I'm 300 and I can still do kick flips.
Tyler, your man's hot, man.
You have a hot man.
More importantly,
what do you guys think we're doing here?
What, label?
I mean, it's exciting though.
I think it's a record deal.
I think it's a record deal.
I don't know what Jay's saying.
We're going to be signing something.
Dude, that'll make our band huge.
We're going to be set.
We've got a huge tour in three years.
We've got to be cool.
We've got to be really chill about this.
[B] I think it could be that.
Guys, where have you been?
I've been here for two hours.
Where have you been?
Follow me.
Come through here.
Simon, how many times do I have to tell you?
I don't want to do the X Factor.
[G] I've had enough of it.
Just stop calling me.
I've got to go.
I've got [G#m] something big here.
[G] Jay, how are you doing, mate?
How's it going, boys?
[F#] How are you doing, boys?
We're doing great.
Great, I can finally meet you guys.
What are we doing here?
[C] You guys are a band at the moment.
We're going to throw away those guitars.
We're going to throw away those techno stuff
that you guys have.
[F#] We're going to chuck that out the window.
[N] We're going to make you a boy band.
Talking dance moves, slick hair cut.
You guys are going to love it.
I've got this guy, Elgort.
You guys heard of Elgort?
Elgort's writing a [E] track.
Can you send in Elgort, please?
[N] This guy has sold more hits
than any other person in the world.
[G] He's written more songs [E] for band
than any other person in the world.
This [G#] guy is amazing.
[G] He's a legend.
Nice to meet you.
Are [N] you guys interested?
Yes.
Here's the contract.
You guys signed this.
You'll never regret it.
Trust me on this one.
[G] I wrote it for you.
Alright.
[C#]
Chris.
[D] How do you feel about this one?
Trust me, Chris.
Everything's fine.
That's true, I guess.
That's it.
[Cm] [N] Yep.
Alright.
That's it, guys.
You guys can now consider yourselves
a boy band.
[C#]
Best [B] decision you've ever made.
Fact.
[F#]
[C#] [N]
Producers write us songs
so people sing along.
How was that?
That was interesting.
Elgort will fix that.
[F#] Producers write [B] us songs
so people [F#] sing along.
If we don't [B] go number one we're [F#] through.
It's true.
We're playing sold [B] out shows.
We don't know where the money [F#] goes.
Step by step is what we know.
So I put my hands [C#] up.
Get on the [B] floor.
Shake it, shake it, shake it like [F#] you want some more.
Then I smile real wide, go deep [B] inside.
And drop another line like, girl, don't [F#] cry.
Let me tell you how my heart [B] soar.
Don't break it, break it, break it like you [F#] did before.
Then I preach it like I love you, [B] girl. It's true.
Then we throw you for [G#] a loop.
It's a real chord, [B] yeah.
[F#] Cause we don't [C#] even know
what we're singing [G#m] about.
But we know it [B] sounds catchy
if you play it [F#] real loud.
I don't even [C#] try
to figure [G#m] it out.
It's just too complicated.
[B] So sing like this.
Na na [C#] na na na na na [D#m] na na na
[F#] na.
[D#m] It's a mic-control [B] post chorus.
[F#] [C#] [B] [F#]
[C#] [B]
It's a mic-control post chorus.
What do you think about [G#m] Cameron?
I'm not going to say his name, but
he's just always [G] thought he was the best.
[E] Just [C] not.
Cause I'm the [G] best at everything.
I've been the best dancer since,
since [D#] ever.
I've been the best singer since ever.
[D] He's got nothing on me.
I'm not even going to go any deeper [F#] on Cameron.
Cool.
[G] What do you think about Dan?
What do I think about Tyler?
[B] You know, I like Tyler.
We've always got along really well.
I mean, he thinks he's British now, so that's kind of weird.
[C] Skittles!
Thank you.
You know, Tyler's good.
[G] What is this?
I said no green Skittles!
[N] He's like, destructive
and rude and just
mean.
That's it.
What about Chris?
What about Chris?
So Chris, what are your life aspirations
after the band?
[Fm]
Well Robert, I believe you already know the answer
to that question, don't you?
I [G] don't think I do, Chris.
I can see it in your eyes, Robert.
You already know
what it is.
Now listen to me, son.
You will go
to the end of the road.
You will follow the finest, brightest rainbow.
And there you will find
a chest, not filled with gold,
but a note.
A note with the answer
to this very question.
That's all.
[N] West or west.
[F] [E] What a guy!
What a guy!
Shut [F#] up!
Shut up!
Shut up!
Salad's by [B] my clothes
and dress me up
so I don't [F#] look gold.
Then the makeup [B] artist paints my face.
Photoshop, make that shit look great.
Gotta focus on my tweets.
[F#] Get a salad, cause I'm not allowed to eat.
Step by step [B] and then repeat.
Just follow me.
So I put my hands [C#] up, get on the [B] floor.
Shake it, shake it, shake it like you want some [F#] more.
Then I smile real wide, go deep [B] inside.
And drop another line like,
girl, [F#] don't cry.
Let me tell you how
my [B] heart's sore.
Don't break it, break it, break it
like you did before.
Then I preach it
like I love you, girl, it's true.
Then we throw you for [G#] a loop,
we're being [E] corny.
[F#] Cause we don't
[C#] even know what we're singing [G#m] about.
But we know it [B] sounds catchy
if you play [F#] it real loud.
I don't [C#] even try
to figure [G#m] it out.
It's just too [B] complicated.
So sing like this.
Na na na na na na [D#m] na
na na na [B]
[F#] [C#] na na na
[D#m] I'm gonna sneak with all [B] your daughters.
[G#m] In two years
[F#] from now, we'll have
a [B] fallout.
I'm through with
my [F#] [C#]
[G#m] mom's house.
Then Tyler [F#] goes on,
keeps singing our [B] songs.
The happy old [C#] times.
[B] Okay guys, it's clear [F#] this isn't working.
We need someone who can [C#] play guitar.
[B] Danny!
[A#] We don't play guitars [C#] anymore.
Danny, write us a guitar solo.
We need a guitar [F#] solo.
[A] You ready, Danny?
[B]
[A#]
[C#m] I know how to [D#] sing this [A#] song.
[G#] Keep trying.
We still don't even [D#] know.
[A#m] But we know it sounds [C#] catchy
if you play it real [G#] loud.
And I will still [D#] try
to figure it [A#m] out.
It's just too [C#] complicated.
So sing like this.
[Fm]
[G#] Na na na na na [D#] na na
na [C#] na na na na na
[G#] na na na na [Fm] na na
na na na na [G#] na na
na na na na na na
Maybe a boy [C#] band isn't for us.
So [C#] hasn't
Hollywood Ending kind of always been a boy band?
No.
[E] You mother
Key:  
B
12341112
F#
134211112
C#
12341114
G
2131
G#m
123111114
B
12341112
F#
134211112
C#
12341114
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_ Your man did a kick flip.
_ What?! _
That's insane!
Yeah, she's like 300, but whatever. _ _
It's pretty amazing.
I'm 300 and I can still do kick flips.
Tyler, your man's hot, man.
You have a hot man.
More _ importantly,
what do you guys think we're doing here?
What, label? _ _
I mean, it's exciting though.
_ I think _ it's a record deal.
I think it's a record deal.
I don't know what Jay's saying.
We're going to be signing something.
Dude, that'll make our band huge.
We're going to be set.
We've got a huge tour in three years.
We've got to be cool.
We've got to be really chill about this.
[B] I think it could be that. _ _
Guys, where have you been?
I've been here for two hours.
Where have you been? _
_ _ Follow me.
Come through here.
_ Simon, how many times do I have to tell you?
I don't want to do the X Factor.
[G] I've had enough of it.
Just stop calling me.
I've got to go.
I've got [G#m] something big here.
_ [G] Jay, how are you doing, mate?
How's it going, boys?
_ [F#] How are you doing, boys?
We're doing great.
_ Great, I can finally meet you guys.
_ What are we doing here?
[C] You guys are a band at the moment.
We're going to throw away those guitars.
We're going to throw away those techno stuff
that you guys have.
[F#] We're going to chuck that out the window.
[N] We're going to make you a boy band.
Talking dance moves, slick hair cut.
You guys are going to love it.
I've got this guy, Elgort.
You guys heard of Elgort?
Elgort's writing a [E] track.
Can you send in Elgort, please?
[N] This guy has sold more hits
than any other person in the world.
[G] He's written more songs [E] for band
than any other person in the world.
This [G#] guy is amazing.
[G] He's a legend.
Nice to meet you.
Are [N] you guys interested?
Yes. _ _ _
Here's the contract.
You guys signed this.
You'll never regret it.
Trust me on this one.
_ _ [G] _ I wrote _ it for you.
Alright.
_ [C#] _ _ _
Chris.
_ _ [D] _ How do you feel about this one?
Trust me, Chris.
Everything's fine.
_ That's true, I guess.
That's it.
_ _ _ [Cm] _ [N] Yep.
Alright.
_ _ _ That's it, guys.
You guys can now consider yourselves
a boy band.
_ [C#]
Best [B] decision you've ever made.
Fact.
_ [F#] _ _
[C#] _ _ _ [N] _ _ _ _
Producers write us songs
so people sing along. _
How was that?
_ That was _ interesting.
Elgort will fix that. _ _ _
_ [F#] _ _ Producers write [B] us songs
so people [F#] sing along.
If we don't [B] go number one we're [F#] through.
It's true.
We're playing sold [B] out shows.
We don't know where the money [F#] goes.
Step by step is what we know. _
So I put my hands [C#] up.
Get on the [B] floor.
Shake it, shake it, shake it like [F#] you want some more.
Then I smile real wide, go deep [B] inside.
And drop another line like, girl, don't [F#] cry.
Let me tell you how my heart [B] soar.
Don't break it, break it, break it like you [F#] did before.
Then I preach it like I love you, [B] girl. It's true.
Then we throw you for [G#] a loop.
It's a real chord, [B] yeah. _
[F#] Cause we don't [C#] even know
what we're singing [G#m] about.
But we know it [B] sounds catchy
if you play it [F#] real loud.
I don't even [C#] try
to figure [G#m] it out.
It's just too complicated.
[B] _ So sing like this.
Na na [C#] na na na na na [D#m] na na na _
[F#] _ _ _ na.
[D#m] It's a mic-control [B] post chorus.
[F#] _ _ [C#] _ _ [B] _ _ [F#] _
_ _ _ [C#] _ _ [B] _ _ _
It's a mic-control post chorus.
What do you think about [G#m] Cameron?
_ I'm not going to say his name, but
he's just always [G] thought he was the best.
_ [E] Just [C] not.
Cause I'm the [G] best at everything.
I've been the best dancer since,
since [D#] ever.
I've been the best singer since ever.
[D] He's got nothing on me.
I'm not even going to go any deeper [F#] on Cameron. _
Cool.
[G] What do _ you think about Dan? _ _ _ _ _ _
_ What do I think about Tyler?
[B] You know, I like Tyler.
We've always got along really well.
I mean, he thinks he's British now, so that's kind of weird. _
[C] Skittles!
_ Thank you.
You know, Tyler's good.
_ [G] _ What is this?
I said no green Skittles!
[N] _ _ He's like, destructive
and rude and just
mean. _ _ _ _
That's it.
What _ about Chris?
_ What about Chris? _ _
So Chris, what are your life aspirations
after the band?
_ [Fm]
Well Robert, I believe you already know the answer
to that question, don't you? _
I [G] don't think I do, Chris.
I can see it in your eyes, Robert.
You already know
what it is. _
_ _ _ Now listen to me, son. _
You will go
to the end of the road.
You will follow the finest, brightest rainbow.
And there you will find
a chest, not filled with gold,
but a note.
A note with the answer
to this very question.
That's all. _ _ _
_ [N] West or west. _ _ _ _
_ _ _ [F] _ _ [E] What a guy!
What _ a guy!
Shut [F#] up!
Shut up!
Shut up!
_ _ Salad's by [B] my clothes
and dress me up
so I don't [F#] look gold.
Then the makeup [B] artist paints my face.
Photoshop, make that shit look great.
Gotta focus on my tweets.
[F#] Get a salad, cause I'm not allowed to eat.
Step by step [B] and then repeat.
Just follow me.
So I put my hands [C#] up, get on the [B] floor.
Shake it, shake it, shake it like you want some [F#] more.
Then I smile real wide, go deep [B] inside.
And drop another line like,
girl, [F#] don't cry.
Let me tell you how
my [B] heart's sore.
Don't break it, break it, break it
like you did before.
Then I preach it
like I love you, girl, it's true.
Then we throw you for [G#] a loop,
we're being _ [E] corny. _ _
_ [F#] Cause we don't
[C#] even know what we're singing [G#m] about.
But we know it [B] sounds catchy
if you play [F#] it real loud.
I don't [C#] even try
to figure [G#m] it out.
It's just too [B] complicated.
So sing like this.
Na na na na na na [D#m] na
na na na [B] _
_ [F#] _ [C#] na na na
[D#m] I'm gonna sneak with all [B] your daughters.
[G#m] _ In two years
[F#] from now, we'll have
a [B] fallout.
I'm through with
my [F#] _ _ [C#] _
[G#m] mom's house.
Then Tyler [F#] goes on,
keeps singing our [B] songs.
The happy old [C#] times. _ _
_ _ _ _ _ _ _ _
[B] Okay guys, it's clear [F#] this isn't working.
We need someone who can [C#] play guitar.
[B] Danny!
[A#] We don't play guitars [C#] anymore.
Danny, write us a guitar solo.
We need a guitar [F#] solo.
[A] You ready, Danny?
[B] _
_ [A#] _ _ _ _ _ _ _
_ _ [C#m] I know how to [D#] sing this [A#] song.
[G#] Keep trying.
We still don't even [D#] know.
_ _ _ [A#m] But we know it sounds [C#] catchy
if you play it real [G#] loud.
And I will still [D#] try
to figure it [A#m] out.
It's just too [C#] complicated.
So sing like this.
_ _ [Fm] _ _ _
_ [G#] Na na na na na [D#] na na
na [C#] na na na na na
[G#] na na na na [Fm] na na
na na na na [G#] na na
na na na na na na
Maybe a boy [C#] band isn't for us. _ _ _ _ _ _
_ So [C#] hasn't
Hollywood Ending kind of always been a boy band?
_ No.
_ [E] You mother_