Chords for Hollywood Ending - Boyband Song
Tempo:
109.15 bpm
Chords used:
B
F#
C#
G
G#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
Your man did a kick flip.
That's insane!
It's pretty amazing.
your man's hot, man.
importantly,
I mean, it's exciting though.
it's a record deal.
something.
That's insane!
It's pretty amazing.
your man's hot, man.
importantly,
I mean, it's exciting though.
it's a record deal.
something.
100% ➙ 109BPM
B
F#
C#
G
G#m
B
F#
C#
_ Your man did a kick flip.
_ What?! _
That's insane!
Yeah, she's like 300, but whatever. _ _
It's pretty amazing.
I'm 300 and I can still do kick flips.
Tyler, your man's hot, man.
You have a hot man.
More _ importantly,
what do you guys think we're doing here?
What, label? _ _
I mean, it's exciting though.
_ I think _ it's a record deal.
I think it's a record deal.
I don't know what Jay's saying.
We're going to be signing something.
Dude, that'll make our band huge.
We're going to be set.
We've got a huge tour in three years.
We've got to be cool.
We've got to be really chill about this.
[B] I think it could be that. _ _
Guys, where have you been?
I've been here for two hours.
Where have you been? _
_ _ Follow me.
Come through here.
_ Simon, how many times do I have to tell you?
I don't want to do the X Factor.
[G] I've had enough of it.
Just stop calling me.
I've got to go.
I've got [G#m] something big here.
_ [G] Jay, how are you doing, mate?
How's it going, boys?
_ [F#] How are you doing, boys?
We're doing great.
_ Great, I can finally meet you guys.
_ What are we doing here?
[C] You guys are a band at the moment.
We're going to throw away those guitars.
We're going to throw away those techno stuff
that you guys have.
[F#] We're going to chuck that out the window.
[N] We're going to make you a boy band.
Talking dance moves, slick hair cut.
You guys are going to love it.
I've got this guy, Elgort.
You guys heard of Elgort?
Elgort's writing a [E] track.
Can you send in Elgort, please?
[N] This guy has sold more hits
than any other person in the world.
[G] He's written more songs [E] for band
than any other person in the world.
This [G#] guy is amazing.
[G] He's a legend.
Nice to meet you.
Are [N] you guys interested?
Yes. _ _ _
Here's the contract.
You guys signed this.
You'll never regret it.
Trust me on this one.
_ _ [G] _ I wrote _ it for you.
Alright.
_ [C#] _ _ _
Chris.
_ _ [D] _ How do you feel about this one?
Trust me, Chris.
Everything's fine.
_ That's true, I guess.
That's it.
_ _ _ [Cm] _ [N] Yep.
Alright.
_ _ _ That's it, guys.
You guys can now consider yourselves
a boy band.
_ [C#]
Best [B] decision you've ever made.
Fact.
_ [F#] _ _
[C#] _ _ _ [N] _ _ _ _
Producers write us songs
so people sing along. _
How was that?
_ That was _ interesting.
Elgort will fix that. _ _ _
_ [F#] _ _ Producers write [B] us songs
so people [F#] sing along.
If we don't [B] go number one we're [F#] through.
It's true.
We're playing sold [B] out shows.
We don't know where the money [F#] goes.
Step by step is what we know. _
So I put my hands [C#] up.
Get on the [B] floor.
Shake it, shake it, shake it like [F#] you want some more.
Then I smile real wide, go deep [B] inside.
And drop another line like, girl, don't [F#] cry.
Let me tell you how my heart [B] soar.
Don't break it, break it, break it like you [F#] did before.
Then I preach it like I love you, [B] girl. It's true.
Then we throw you for [G#] a loop.
It's a real chord, [B] yeah. _
[F#] Cause we don't [C#] even know
what we're singing [G#m] about.
But we know it [B] sounds catchy
if you play it [F#] real loud.
I don't even [C#] try
to figure [G#m] it out.
It's just too complicated.
[B] _ So sing like this.
Na na [C#] na na na na na [D#m] na na na _
[F#] _ _ _ na.
[D#m] It's a mic-control [B] post chorus.
[F#] _ _ [C#] _ _ [B] _ _ [F#] _
_ _ _ [C#] _ _ [B] _ _ _
It's a mic-control post chorus.
What do you think about [G#m] Cameron?
_ I'm not going to say his name, but
he's just always [G] thought he was the best.
_ [E] Just [C] not.
Cause I'm the [G] best at everything.
I've been the best dancer since,
since [D#] ever.
I've been the best singer since ever.
[D] He's got nothing on me.
I'm not even going to go any deeper [F#] on Cameron. _
Cool.
[G] What do _ you think about Dan? _ _ _ _ _ _
_ What do I think about Tyler?
[B] You know, I like Tyler.
We've always got along really well.
I mean, he thinks he's British now, so that's kind of weird. _
[C] Skittles!
_ Thank you.
You know, Tyler's good.
_ [G] _ What is this?
I said no green Skittles!
[N] _ _ He's like, destructive
and rude and just
mean. _ _ _ _
That's it.
What _ about Chris?
_ What about Chris? _ _
So Chris, what are your life aspirations
after the band?
_ [Fm]
Well Robert, I believe you already know the answer
to that question, don't you? _
I [G] don't think I do, Chris.
I can see it in your eyes, Robert.
You already know
what it is. _
_ _ _ Now listen to me, son. _
You will go
to the end of the road.
You will follow the finest, brightest rainbow.
And there you will find
a chest, not filled with gold,
but a note.
A note with the answer
to this very question.
That's all. _ _ _
_ [N] West or west. _ _ _ _
_ _ _ [F] _ _ [E] What a guy!
What _ a guy!
Shut [F#] up!
Shut up!
Shut up!
_ _ Salad's by [B] my clothes
and dress me up
so I don't [F#] look gold.
Then the makeup [B] artist paints my face.
Photoshop, make that shit look great.
Gotta focus on my tweets.
[F#] Get a salad, cause I'm not allowed to eat.
Step by step [B] and then repeat.
Just follow me.
So I put my hands [C#] up, get on the [B] floor.
Shake it, shake it, shake it like you want some [F#] more.
Then I smile real wide, go deep [B] inside.
And drop another line like,
girl, [F#] don't cry.
Let me tell you how
my [B] heart's sore.
Don't break it, break it, break it
like you did before.
Then I preach it
like I love you, girl, it's true.
Then we throw you for [G#] a loop,
we're being _ [E] corny. _ _
_ [F#] Cause we don't
[C#] even know what we're singing [G#m] about.
But we know it [B] sounds catchy
if you play [F#] it real loud.
I don't [C#] even try
to figure [G#m] it out.
It's just too [B] complicated.
So sing like this.
Na na na na na na [D#m] na
na na na [B] _
_ [F#] _ [C#] na na na
[D#m] I'm gonna sneak with all [B] your daughters.
[G#m] _ In two years
[F#] from now, we'll have
a [B] fallout.
I'm through with
my [F#] _ _ [C#] _
[G#m] mom's house.
Then Tyler [F#] goes on,
keeps singing our [B] songs.
The happy old [C#] times. _ _
_ _ _ _ _ _ _ _
[B] Okay guys, it's clear [F#] this isn't working.
We need someone who can [C#] play guitar.
[B] Danny!
[A#] We don't play guitars [C#] anymore.
Danny, write us a guitar solo.
We need a guitar [F#] solo.
[A] You ready, Danny?
[B] _
_ [A#] _ _ _ _ _ _ _
_ _ [C#m] I know how to [D#] sing this [A#] song.
[G#] Keep trying.
We still don't even [D#] know.
_ _ _ [A#m] But we know it sounds [C#] catchy
if you play it real [G#] loud.
And I will still [D#] try
to figure it [A#m] out.
It's just too [C#] complicated.
So sing like this.
_ _ [Fm] _ _ _
_ [G#] Na na na na na [D#] na na
na [C#] na na na na na
[G#] na na na na [Fm] na na
na na na na [G#] na na
na na na na na na
Maybe a boy [C#] band isn't for us. _ _ _ _ _ _
_ So [C#] hasn't
Hollywood Ending kind of always been a boy band?
_ No.
_ [E] You mother_
_ What?! _
That's insane!
Yeah, she's like 300, but whatever. _ _
It's pretty amazing.
I'm 300 and I can still do kick flips.
Tyler, your man's hot, man.
You have a hot man.
More _ importantly,
what do you guys think we're doing here?
What, label? _ _
I mean, it's exciting though.
_ I think _ it's a record deal.
I think it's a record deal.
I don't know what Jay's saying.
We're going to be signing something.
Dude, that'll make our band huge.
We're going to be set.
We've got a huge tour in three years.
We've got to be cool.
We've got to be really chill about this.
[B] I think it could be that. _ _
Guys, where have you been?
I've been here for two hours.
Where have you been? _
_ _ Follow me.
Come through here.
_ Simon, how many times do I have to tell you?
I don't want to do the X Factor.
[G] I've had enough of it.
Just stop calling me.
I've got to go.
I've got [G#m] something big here.
_ [G] Jay, how are you doing, mate?
How's it going, boys?
_ [F#] How are you doing, boys?
We're doing great.
_ Great, I can finally meet you guys.
_ What are we doing here?
[C] You guys are a band at the moment.
We're going to throw away those guitars.
We're going to throw away those techno stuff
that you guys have.
[F#] We're going to chuck that out the window.
[N] We're going to make you a boy band.
Talking dance moves, slick hair cut.
You guys are going to love it.
I've got this guy, Elgort.
You guys heard of Elgort?
Elgort's writing a [E] track.
Can you send in Elgort, please?
[N] This guy has sold more hits
than any other person in the world.
[G] He's written more songs [E] for band
than any other person in the world.
This [G#] guy is amazing.
[G] He's a legend.
Nice to meet you.
Are [N] you guys interested?
Yes. _ _ _
Here's the contract.
You guys signed this.
You'll never regret it.
Trust me on this one.
_ _ [G] _ I wrote _ it for you.
Alright.
_ [C#] _ _ _
Chris.
_ _ [D] _ How do you feel about this one?
Trust me, Chris.
Everything's fine.
_ That's true, I guess.
That's it.
_ _ _ [Cm] _ [N] Yep.
Alright.
_ _ _ That's it, guys.
You guys can now consider yourselves
a boy band.
_ [C#]
Best [B] decision you've ever made.
Fact.
_ [F#] _ _
[C#] _ _ _ [N] _ _ _ _
Producers write us songs
so people sing along. _
How was that?
_ That was _ interesting.
Elgort will fix that. _ _ _
_ [F#] _ _ Producers write [B] us songs
so people [F#] sing along.
If we don't [B] go number one we're [F#] through.
It's true.
We're playing sold [B] out shows.
We don't know where the money [F#] goes.
Step by step is what we know. _
So I put my hands [C#] up.
Get on the [B] floor.
Shake it, shake it, shake it like [F#] you want some more.
Then I smile real wide, go deep [B] inside.
And drop another line like, girl, don't [F#] cry.
Let me tell you how my heart [B] soar.
Don't break it, break it, break it like you [F#] did before.
Then I preach it like I love you, [B] girl. It's true.
Then we throw you for [G#] a loop.
It's a real chord, [B] yeah. _
[F#] Cause we don't [C#] even know
what we're singing [G#m] about.
But we know it [B] sounds catchy
if you play it [F#] real loud.
I don't even [C#] try
to figure [G#m] it out.
It's just too complicated.
[B] _ So sing like this.
Na na [C#] na na na na na [D#m] na na na _
[F#] _ _ _ na.
[D#m] It's a mic-control [B] post chorus.
[F#] _ _ [C#] _ _ [B] _ _ [F#] _
_ _ _ [C#] _ _ [B] _ _ _
It's a mic-control post chorus.
What do you think about [G#m] Cameron?
_ I'm not going to say his name, but
he's just always [G] thought he was the best.
_ [E] Just [C] not.
Cause I'm the [G] best at everything.
I've been the best dancer since,
since [D#] ever.
I've been the best singer since ever.
[D] He's got nothing on me.
I'm not even going to go any deeper [F#] on Cameron. _
Cool.
[G] What do _ you think about Dan? _ _ _ _ _ _
_ What do I think about Tyler?
[B] You know, I like Tyler.
We've always got along really well.
I mean, he thinks he's British now, so that's kind of weird. _
[C] Skittles!
_ Thank you.
You know, Tyler's good.
_ [G] _ What is this?
I said no green Skittles!
[N] _ _ He's like, destructive
and rude and just
mean. _ _ _ _
That's it.
What _ about Chris?
_ What about Chris? _ _
So Chris, what are your life aspirations
after the band?
_ [Fm]
Well Robert, I believe you already know the answer
to that question, don't you? _
I [G] don't think I do, Chris.
I can see it in your eyes, Robert.
You already know
what it is. _
_ _ _ Now listen to me, son. _
You will go
to the end of the road.
You will follow the finest, brightest rainbow.
And there you will find
a chest, not filled with gold,
but a note.
A note with the answer
to this very question.
That's all. _ _ _
_ [N] West or west. _ _ _ _
_ _ _ [F] _ _ [E] What a guy!
What _ a guy!
Shut [F#] up!
Shut up!
Shut up!
_ _ Salad's by [B] my clothes
and dress me up
so I don't [F#] look gold.
Then the makeup [B] artist paints my face.
Photoshop, make that shit look great.
Gotta focus on my tweets.
[F#] Get a salad, cause I'm not allowed to eat.
Step by step [B] and then repeat.
Just follow me.
So I put my hands [C#] up, get on the [B] floor.
Shake it, shake it, shake it like you want some [F#] more.
Then I smile real wide, go deep [B] inside.
And drop another line like,
girl, [F#] don't cry.
Let me tell you how
my [B] heart's sore.
Don't break it, break it, break it
like you did before.
Then I preach it
like I love you, girl, it's true.
Then we throw you for [G#] a loop,
we're being _ [E] corny. _ _
_ [F#] Cause we don't
[C#] even know what we're singing [G#m] about.
But we know it [B] sounds catchy
if you play [F#] it real loud.
I don't [C#] even try
to figure [G#m] it out.
It's just too [B] complicated.
So sing like this.
Na na na na na na [D#m] na
na na na [B] _
_ [F#] _ [C#] na na na
[D#m] I'm gonna sneak with all [B] your daughters.
[G#m] _ In two years
[F#] from now, we'll have
a [B] fallout.
I'm through with
my [F#] _ _ [C#] _
[G#m] mom's house.
Then Tyler [F#] goes on,
keeps singing our [B] songs.
The happy old [C#] times. _ _
_ _ _ _ _ _ _ _
[B] Okay guys, it's clear [F#] this isn't working.
We need someone who can [C#] play guitar.
[B] Danny!
[A#] We don't play guitars [C#] anymore.
Danny, write us a guitar solo.
We need a guitar [F#] solo.
[A] You ready, Danny?
[B] _
_ [A#] _ _ _ _ _ _ _
_ _ [C#m] I know how to [D#] sing this [A#] song.
[G#] Keep trying.
We still don't even [D#] know.
_ _ _ [A#m] But we know it sounds [C#] catchy
if you play it real [G#] loud.
And I will still [D#] try
to figure it [A#m] out.
It's just too [C#] complicated.
So sing like this.
_ _ [Fm] _ _ _
_ [G#] Na na na na na [D#] na na
na [C#] na na na na na
[G#] na na na na [Fm] na na
na na na na [G#] na na
na na na na na na
Maybe a boy [C#] band isn't for us. _ _ _ _ _ _
_ So [C#] hasn't
Hollywood Ending kind of always been a boy band?
_ No.
_ [E] You mother_