Chords for Hoochie Coochie Man (Steppenwolf) on P&J
Tempo:
165.95 bpm
Chords used:
A
D
Am
G
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, it's Paul Schmidt again with some more Steppenwolf for you.
So I'm Gustav Morev or
John Morgan.
I'm gonna do Hootchy Cootchy Man for [Am] you.
Again the standard
fingering that we're talking about in previous videos that if this is in the key of A
[Gm] [A] Those notes [E] are the key notes [Gm] in this [A] type of music
[G] And this this particular tune in my to my ear [Bbm] is the most gorgeous bass sound that I wish I could copy
Especially when it goes down to the low E
But [Eb] this is the way things are [Bb] recorded in those days
with several different bass players Nick Segnick was coming after
[Bm]
Bass sound was always pretty consistent and I attribute that
Not to the only to the players but also [Bb] to the producer which would have been Gabriel Meckler in these days who also produced
Three Dog Night, for example and his
Engineer Paddler and Cooper they have this particular sound in mind that you don't hear anymore
If [Db] you go out and play this with this type of sound in a band today
[E] You're being told that you're too loud
And what you're really hearing is tone and people are not used to hearing bass tone
So,
[A] um, this is watch carefully I use the [D] open string a lot
[E]
[A] [Bb]
[A] Go for the town go for the sound excuse me
[D] [C] [Dm]
[Am] [D] Watch that fingering pattern when it goes to the D [Dm] chord that same [Gm] pattern.
[A] It's the
[Cm]
[G] first three books of the New Testament
[Am] [D] [A]
So here we go
[C] And again, I don't want I want you to pay attention to the bass.
You [Am] already have recording of this song
I want you to actually hear the bass
[Dm] [C] [Em]
[Am] [D] [Am] I don't want you to pay attention to the bass
Start with the a up [D] here
[A]
[Bm]
[A]
Watch how I'm doing the strength [D] [Am]
[A] you want the open string in this case Well
[Am]
[A]
[Am] [D]
[Am] [D] [Am]
[D] Four notes
[G] [A]
[G]
[A]
[G] [E]
[D]
[A]
[G] Now [D] [A]
[D] [A]
the second word pretty much the same you should stay at home
When you do something different it sticks out
And now we're going to go to [D] the D chord
[A]
[Am]
[D]
[Am]
[Dm] [A]
[G] [D] [A]
[E]
[D]
[A]
[G] [Gb] [A]
Now [E] watch how I'm using the string here
[C]
[A] You gotta use the string
A [D] [G] [A]
lot harder on round ones
[D]
[Em] [A] You do that [D] [A] you won't get the I just don't like that quality on this face
[Am]
[D]
[Am] [Dm]
[Am] [G] [A]
[G] Okay [A]
[Am] now
Switch bases real [Bb] quick.
I'm gonna play a darren jones.
Uh, darryl jones.
Excuse me, uh lakeland.
Um
What what are these strings?
What are the strings?
These are dr round wows
[Eb]
[Em] 71 50s.
Okay, we're gonna do the [E] same thing.
We're gonna go back and play just a little bit so you can hear the difference
the difference in the sound, um [C] Okay
Let's see.
We got
[Dm]
[C] Now [G] I haven't changed the amp at all
[Am] [G]
[C] [A] [D]
[A]
[D] [A] So
Also different between a p and a j and p and j sandwich
[D] [C] [A]
[G]
[B] I'll
[A] [D]
just play the first verse
[Am] [D]
[A]
[G] [A] [Am]
[D] [Am] [D]
[Am] [D] [Am]
[D]
[A]
[G] [Gb] [A] Yeah
[Em] [A]
[E]
[D]
[Am] [G] [Ebm] [A]
[Em]
[A]
[Em] [Am] Etc etc
So I'm Gustav Morev or
John Morgan.
I'm gonna do Hootchy Cootchy Man for [Am] you.
Again the standard
fingering that we're talking about in previous videos that if this is in the key of A
[Gm] [A] Those notes [E] are the key notes [Gm] in this [A] type of music
[G] And this this particular tune in my to my ear [Bbm] is the most gorgeous bass sound that I wish I could copy
Especially when it goes down to the low E
But [Eb] this is the way things are [Bb] recorded in those days
with several different bass players Nick Segnick was coming after
[Bm]
Bass sound was always pretty consistent and I attribute that
Not to the only to the players but also [Bb] to the producer which would have been Gabriel Meckler in these days who also produced
Three Dog Night, for example and his
Engineer Paddler and Cooper they have this particular sound in mind that you don't hear anymore
If [Db] you go out and play this with this type of sound in a band today
[E] You're being told that you're too loud
And what you're really hearing is tone and people are not used to hearing bass tone
So,
[A] um, this is watch carefully I use the [D] open string a lot
[E]
[A] [Bb]
[A] Go for the town go for the sound excuse me
[D] [C] [Dm]
[Am] [D] Watch that fingering pattern when it goes to the D [Dm] chord that same [Gm] pattern.
[A] It's the
[Cm]
[G] first three books of the New Testament
[Am] [D] [A]
So here we go
[C] And again, I don't want I want you to pay attention to the bass.
You [Am] already have recording of this song
I want you to actually hear the bass
[Dm] [C] [Em]
[Am] [D] [Am] I don't want you to pay attention to the bass
Start with the a up [D] here
[A]
[Bm]
[A]
Watch how I'm doing the strength [D] [Am]
[A] you want the open string in this case Well
[Am]
[A]
[Am] [D]
[Am] [D] [Am]
[D] Four notes
[G] [A]
[G]
[A]
[G] [E]
[D]
[A]
[G] Now [D] [A]
[D] [A]
the second word pretty much the same you should stay at home
When you do something different it sticks out
And now we're going to go to [D] the D chord
[A]
[Am]
[D]
[Am]
[Dm] [A]
[G] [D] [A]
[E]
[D]
[A]
[G] [Gb] [A]
Now [E] watch how I'm using the string here
[C]
[A] You gotta use the string
A [D] [G] [A]
lot harder on round ones
[D]
[Em] [A] You do that [D] [A] you won't get the I just don't like that quality on this face
[Am]
[D]
[Am] [Dm]
[Am] [G] [A]
[G] Okay [A]
[Am] now
Switch bases real [Bb] quick.
I'm gonna play a darren jones.
Uh, darryl jones.
Excuse me, uh lakeland.
Um
What what are these strings?
What are the strings?
These are dr round wows
[Eb]
[Em] 71 50s.
Okay, we're gonna do the [E] same thing.
We're gonna go back and play just a little bit so you can hear the difference
the difference in the sound, um [C] Okay
Let's see.
We got
[Dm]
[C] Now [G] I haven't changed the amp at all
[Am] [G]
[C] [A] [D]
[A]
[D] [A] So
Also different between a p and a j and p and j sandwich
[D] [C] [A]
[G]
[B] I'll
[A] [D]
just play the first verse
[Am] [D]
[A]
[G] [A] [Am]
[D] [Am] [D]
[Am] [D] [Am]
[D]
[A]
[G] [Gb] [A] Yeah
[Em] [A]
[E]
[D]
[Am] [G] [Ebm] [A]
[Em]
[A]
[Em] [Am] Etc etc
Key:
A
D
Am
G
E
A
D
Am
_ _ _ _ _ Hi, it's Paul Schmidt again with some more Steppenwolf for you.
So I'm Gustav Morev _ _ or
_ _ _ John Morgan.
I'm gonna do Hootchy Cootchy Man for [Am] you.
Again the standard
_ fingering that we're talking about in previous videos that if this is in the key of A _ _ _ _ _ _
_ _ [Gm] _ [A] Those _ notes [E] are the key notes [Gm] in this [A] type of music _ _ _ _
[G] And this this particular tune in my to my ear [Bbm] is the most gorgeous bass sound that I wish I could copy
_ _ Especially when it goes down to the low E
But [Eb] this is the way things are [Bb] recorded in those days
_ with several different bass players Nick Segnick was coming after _
_ _ _ [Bm] _ _ _ _
Bass sound was always pretty consistent and I attribute that
_ Not to the only to the players but also [Bb] to the producer which would have been Gabriel Meckler in these days who also produced
Three Dog Night, for example _ _ and his
_ _ Engineer Paddler and Cooper they have this particular sound in mind that you don't hear anymore
If [Db] you go out and play this with this type of sound in a band today
[E] You're being told that you're too loud
And what you're really hearing is tone and people are not used to hearing bass tone _
_ _ _ _ So, _ _
[A] _ um, _ this is _ watch carefully I use the [D] open string a lot
_ _ _ _ _ [E] _
_ _ _ [A] _ _ _ [Bb] _ _
_ _ [A] _ _ _ Go for the town go for the sound excuse me _
_ _ _ _ [D] _ [C] _ [Dm] _ _
_ [Am] _ [D] _ Watch that fingering pattern when it goes to the D [Dm] chord _ _ _ _ _ _ that same [Gm] pattern.
[A] It's the
[Cm] _
_ [G] _ first three books of the New Testament _
[Am] _ _ [D] _ _ [A] _ _ _ _
So here we go
[C] And _ _ _ _ _ _ _ _
again, I don't want I want you to pay attention to the bass.
You [Am] already have recording of this song _
I want you to actually hear the bass _ _ _
[Dm] _ _ _ [C] _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ [Am] _ _ _ _ [D] [Am] I don't want you to pay attention to the bass
Start with the a up _ [D] here
_ [A] _ _ _
_ _ _ _ _ _ [Bm] _ _
[A] _ _ _ _ _ _ _
Watch _ _ _ _ _ how I'm doing the strength _ _ [D] _ [Am] _ _
[A] you want the open string in this _ case _ _ Well _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Am] _ _ _ _ _
_ _ _ _ _ _ _ [A] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Am] _ _ _ _ [D] _ _
_ [Am] _ _ _ [D] _ _ _ [Am] _
_ _ [D] _ _ _ Four notes
_ _ _ [G] _ [A] _ _ _ _
_ _ _ _ _ _ _ [G] _
[A] _ _ _ _ _ _ _ _
_ _ [G] _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ [G] _ Now _ [D] _ [A] _
_ _ _ _ _ _ _ _
_ [D] _ _ [A] _ _ _ _
the second word pretty much the same _ _ _ you should stay at home _
_ _ _ When you do something different it sticks out _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
And _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _
now we're going to go to [D] the D chord
[A] _ _ _ _
_ _ _ [Am] _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Am] _
_ _ [Dm] _ _ _ _ _ [A] _
_ _ _ _ _ _ _ _
_ [G] _ [D] _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
[G] _ [Gb] _ [A] _ _ _ _ _
Now [E] watch how I'm using the string here
[C] _ _
[A] _ _ _ _ _ You _ _ gotta use the string _ _ _
_ _ A [D] _ [G] _ _ [A] _
_ _ lot harder on round ones _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [D] _
_ [Em] _ [A] _ _ You do that _ [D] [A] you won't get the I just don't like that quality on this face _ _ _
_ _ _ _ _ _ _ [Am] _
_ _ _ [D] _ _ _ _ _
[Am] _ _ [Dm] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Am] _ _ [G] _ [A] _ _ _ _ _
_ _ _ [G] Okay _ [A] _ _
_ _ _ _ _ [Am] now _
_ Switch _ _ bases real [Bb] quick.
I'm gonna play a darren jones.
Uh, darryl jones.
Excuse me, uh lakeland.
_ Um _
_ What what are these strings? _ _ _
_ _ What are the strings? _ _
These are dr round wows
_ _ [Eb] _
_ [Em] _ 71 50s.
Okay, we're gonna do the [E] same thing.
We're gonna go back and play just a little bit so you can hear the difference
the difference in the sound, um [C] _ Okay
_ _ Let's see.
We got _ _ _ _ _ _ _
_ _ [Dm] _ _ _ _ _
[C] Now [G] _ _ _ _ I haven't changed the amp at all
_ _ [Am] _ _ _ [G] _
_ [C] _ _ [A] _ _ _ [D] _ _
[A] _ _ _ _ _ _ _ _
_ [D] _ _ [A] _ _ So
Also different between a p and a j _ _ and _ _ p and j _ sandwich
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ [C] _ [A] _ _ _ _
_ _ _ _ _ [G] _ _
[B] I'll _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [D] _ _
_ _ _ just play the first verse
_ _ _ _ _ _ _ _
_ [Am] _ _ _ [D] _ _ _ _
_ [A] _ _ _ _ _ _ _
[G] _ _ [A] _ [Am] _ _ _ _ _
_ [D] _ _ _ [Am] _ _ _ [D] _
_ _ [Am] _ _ _ [D] _ _ [Am] _
_ _ [D] _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ [G] _ [Gb] _ [A] _ _ _ Yeah
_ _ [Em] _ [A] _ _ _ _ _
_ _ _ [E] _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ [Am] _ _ [G] _ [Ebm] _ [A] _ _
_ _ _ _ _ [Em] _ _ _
_ [A] _ _ _ _ _ _ _
[Em] _ _ _ [Am] _ _ Etc etc
So I'm Gustav Morev _ _ or
_ _ _ John Morgan.
I'm gonna do Hootchy Cootchy Man for [Am] you.
Again the standard
_ fingering that we're talking about in previous videos that if this is in the key of A _ _ _ _ _ _
_ _ [Gm] _ [A] Those _ notes [E] are the key notes [Gm] in this [A] type of music _ _ _ _
[G] And this this particular tune in my to my ear [Bbm] is the most gorgeous bass sound that I wish I could copy
_ _ Especially when it goes down to the low E
But [Eb] this is the way things are [Bb] recorded in those days
_ with several different bass players Nick Segnick was coming after _
_ _ _ [Bm] _ _ _ _
Bass sound was always pretty consistent and I attribute that
_ Not to the only to the players but also [Bb] to the producer which would have been Gabriel Meckler in these days who also produced
Three Dog Night, for example _ _ and his
_ _ Engineer Paddler and Cooper they have this particular sound in mind that you don't hear anymore
If [Db] you go out and play this with this type of sound in a band today
[E] You're being told that you're too loud
And what you're really hearing is tone and people are not used to hearing bass tone _
_ _ _ _ So, _ _
[A] _ um, _ this is _ watch carefully I use the [D] open string a lot
_ _ _ _ _ [E] _
_ _ _ [A] _ _ _ [Bb] _ _
_ _ [A] _ _ _ Go for the town go for the sound excuse me _
_ _ _ _ [D] _ [C] _ [Dm] _ _
_ [Am] _ [D] _ Watch that fingering pattern when it goes to the D [Dm] chord _ _ _ _ _ _ that same [Gm] pattern.
[A] It's the
[Cm] _
_ [G] _ first three books of the New Testament _
[Am] _ _ [D] _ _ [A] _ _ _ _
So here we go
[C] And _ _ _ _ _ _ _ _
again, I don't want I want you to pay attention to the bass.
You [Am] already have recording of this song _
I want you to actually hear the bass _ _ _
[Dm] _ _ _ [C] _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ [Am] _ _ _ _ [D] [Am] I don't want you to pay attention to the bass
Start with the a up _ [D] here
_ [A] _ _ _
_ _ _ _ _ _ [Bm] _ _
[A] _ _ _ _ _ _ _
Watch _ _ _ _ _ how I'm doing the strength _ _ [D] _ [Am] _ _
[A] you want the open string in this _ case _ _ Well _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Am] _ _ _ _ _
_ _ _ _ _ _ _ [A] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Am] _ _ _ _ [D] _ _
_ [Am] _ _ _ [D] _ _ _ [Am] _
_ _ [D] _ _ _ Four notes
_ _ _ [G] _ [A] _ _ _ _
_ _ _ _ _ _ _ [G] _
[A] _ _ _ _ _ _ _ _
_ _ [G] _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ [G] _ Now _ [D] _ [A] _
_ _ _ _ _ _ _ _
_ [D] _ _ [A] _ _ _ _
the second word pretty much the same _ _ _ you should stay at home _
_ _ _ When you do something different it sticks out _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
And _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _
now we're going to go to [D] the D chord
[A] _ _ _ _
_ _ _ [Am] _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Am] _
_ _ [Dm] _ _ _ _ _ [A] _
_ _ _ _ _ _ _ _
_ [G] _ [D] _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
[G] _ [Gb] _ [A] _ _ _ _ _
Now [E] watch how I'm using the string here
[C] _ _
[A] _ _ _ _ _ You _ _ gotta use the string _ _ _
_ _ A [D] _ [G] _ _ [A] _
_ _ lot harder on round ones _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [D] _
_ [Em] _ [A] _ _ You do that _ [D] [A] you won't get the I just don't like that quality on this face _ _ _
_ _ _ _ _ _ _ [Am] _
_ _ _ [D] _ _ _ _ _
[Am] _ _ [Dm] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Am] _ _ [G] _ [A] _ _ _ _ _
_ _ _ [G] Okay _ [A] _ _
_ _ _ _ _ [Am] now _
_ Switch _ _ bases real [Bb] quick.
I'm gonna play a darren jones.
Uh, darryl jones.
Excuse me, uh lakeland.
_ Um _
_ What what are these strings? _ _ _
_ _ What are the strings? _ _
These are dr round wows
_ _ [Eb] _
_ [Em] _ 71 50s.
Okay, we're gonna do the [E] same thing.
We're gonna go back and play just a little bit so you can hear the difference
the difference in the sound, um [C] _ Okay
_ _ Let's see.
We got _ _ _ _ _ _ _
_ _ [Dm] _ _ _ _ _
[C] Now [G] _ _ _ _ I haven't changed the amp at all
_ _ [Am] _ _ _ [G] _
_ [C] _ _ [A] _ _ _ [D] _ _
[A] _ _ _ _ _ _ _ _
_ [D] _ _ [A] _ _ So
Also different between a p and a j _ _ and _ _ p and j _ sandwich
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ [C] _ [A] _ _ _ _
_ _ _ _ _ [G] _ _
[B] I'll _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [D] _ _
_ _ _ just play the first verse
_ _ _ _ _ _ _ _
_ [Am] _ _ _ [D] _ _ _ _
_ [A] _ _ _ _ _ _ _
[G] _ _ [A] _ [Am] _ _ _ _ _
_ [D] _ _ _ [Am] _ _ _ [D] _
_ _ [Am] _ _ _ [D] _ _ [Am] _
_ _ [D] _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ [G] _ [Gb] _ [A] _ _ _ Yeah
_ _ [Em] _ [A] _ _ _ _ _
_ _ _ [E] _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ [Am] _ _ [G] _ [Ebm] _ [A] _ _
_ _ _ _ _ [Em] _ _ _
_ [A] _ _ _ _ _ _ _
[Em] _ _ _ [Am] _ _ Etc etc