Chords for How To Come up with a Piano Part for a Folk Song
Tempo:
126.2 bpm
Chords used:
F
G
C
Am
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F]
[Am] [G]
[E] [G]
I'm Mike Hartigan.
Thanks for joining me.
[C] In this series for keyboard players working on developing a musical career,
[F] we're talking about playing chord changes in the various styles of music
and sounding appropriate and authentic.
This week, our focus [F] is on contemporary folk and folk pop.
[C] So far throughout this series, we've spent a [G] lot of time discussing notes
to add to our chord voicings to color the sound and make it more interesting.
[F] For folk music, we're doing almost the opposite.
One [C] of the hallmarks of today's folk is the simplicity and purity of the chords.
To determine if you're in a folk situation, look for a strip [G]-town band.
Oftentimes, there's no drummer, and the band keeps time by [F] stomping their feet.
Bonus points if the lead singer strums a guitar and plays [C] quarter notes
on a bass drum with his right foot.
Also, listen for unusual vowel pronunciation.
[G]
If you find yourself in a folk situation,
[F] you're probably better off altogether without this keyboard.
[C] If you can't, get your hands on one of these, or at least one of these.
[G] If you are going to play piano, there are two basic paths you could go [F] down.
Option one is to go for [C] the purest root position chords.
Pick a good rhythm and stick to it.
[G]
[F]
Option two is to construct [C] an ostinato melody
that will sort of work over all the chords and play that.
Twos, ones, fives, and sevens tend to work well for this.
[G]
[A] [F]
[C]
Maybe do one of those techniques during [G] verses, and the other during choruses.
[F]
[C]
Although it's theoretically simple, it can be a lot of fun to [G] play.
If you have any thoughts on how keyboards can fit into folk music, leave me a [F] comment.
And if you're here for the first time, I'd encourage you to subscribe
and [C] follow along with keyboard videos I have coming out every Tuesday.
I believe a good career playing keyboards is within reach
for anyone willing to put in the work to get [G] proficient.
And that's why I'm sharing what I know in these videos.
[F] Thanks for watching.
[C]
[N]
[Am] [G]
[E] [G]
I'm Mike Hartigan.
Thanks for joining me.
[C] In this series for keyboard players working on developing a musical career,
[F] we're talking about playing chord changes in the various styles of music
and sounding appropriate and authentic.
This week, our focus [F] is on contemporary folk and folk pop.
[C] So far throughout this series, we've spent a [G] lot of time discussing notes
to add to our chord voicings to color the sound and make it more interesting.
[F] For folk music, we're doing almost the opposite.
One [C] of the hallmarks of today's folk is the simplicity and purity of the chords.
To determine if you're in a folk situation, look for a strip [G]-town band.
Oftentimes, there's no drummer, and the band keeps time by [F] stomping their feet.
Bonus points if the lead singer strums a guitar and plays [C] quarter notes
on a bass drum with his right foot.
Also, listen for unusual vowel pronunciation.
[G]
If you find yourself in a folk situation,
[F] you're probably better off altogether without this keyboard.
[C] If you can't, get your hands on one of these, or at least one of these.
[G] If you are going to play piano, there are two basic paths you could go [F] down.
Option one is to go for [C] the purest root position chords.
Pick a good rhythm and stick to it.
[G]
[F]
Option two is to construct [C] an ostinato melody
that will sort of work over all the chords and play that.
Twos, ones, fives, and sevens tend to work well for this.
[G]
[A] [F]
[C]
Maybe do one of those techniques during [G] verses, and the other during choruses.
[F]
[C]
Although it's theoretically simple, it can be a lot of fun to [G] play.
If you have any thoughts on how keyboards can fit into folk music, leave me a [F] comment.
And if you're here for the first time, I'd encourage you to subscribe
and [C] follow along with keyboard videos I have coming out every Tuesday.
I believe a good career playing keyboards is within reach
for anyone willing to put in the work to get [G] proficient.
And that's why I'm sharing what I know in these videos.
[F] Thanks for watching.
[C]
[N]
Key:
F
G
C
Am
E
F
G
C
_ _ _ _ [F] _ _
_ _ [Am] _ _ [G] _ _
_ [E] _ _ _ [G] _ _
I'm Mike Hartigan.
Thanks for joining me. _
[C] In this series for keyboard players working on developing a musical career,
[F] we're talking about playing chord changes in the various styles of music
and sounding appropriate and authentic.
_ This week, our focus [F] is on contemporary folk and folk pop.
_ [C] _ _ _ So far throughout this series, we've spent a [G] lot of time discussing notes
to add to our chord voicings to color the sound and make it more interesting.
[F] _ _ For folk music, we're doing almost the opposite.
One [C] of the hallmarks of today's folk is the simplicity and purity of the chords.
To determine if you're in a folk situation, look for a strip [G]-town band.
_ Oftentimes, there's no drummer, and the band keeps time by [F] stomping their feet.
_ Bonus points if the lead singer strums a guitar and plays [C] quarter notes
on a bass drum with his right foot.
_ Also, listen for unusual vowel pronunciation. _ _ _
_ _ _ _ [G] _ _
_ _ If you find yourself in a folk situation,
[F] you're probably better off altogether without this keyboard.
[C] If you can't, get your hands on one of these, _ _ _ or at least one of these. _
_ _ _ _ [G] If you are going to play piano, there are two basic paths you could go [F] down.
_ Option one is to go for [C] the purest root position chords.
Pick a good rhythm and stick to it. _ _ _ _ _
_ _ _ _ [G] _ _
_ _ _ _ _ _
_ [F] _ _ _ _
Option two is to construct [C] an ostinato melody
that will sort of work over all the chords and play that.
_ _ Twos, ones, fives, and sevens tend to work well for this.
[G] _ _
_ _ _ _ _ _
_ [A] _ _ [F] _ _ _
_ _ _ _ [C] _ _
_ _ _ _ _ _
_ _ _ _ _
Maybe do one of those techniques during [G] verses, _ and the other during choruses. _ _
_ [F] _ _ _ _ _
_ _ _ _ [C] _ _
_ _ _ _ _ _
_ _ Although it's theoretically simple, it can be a lot of fun to [G] play.
If you have any thoughts on how keyboards can fit into folk music, leave me a [F] comment.
And if you're here for the first time, I'd encourage you to subscribe
and [C] follow along with keyboard videos I have coming out every Tuesday.
I believe a good career playing keyboards is within reach
for anyone willing to put in the work to get [G] proficient.
And that's why I'm sharing what I know in these videos.
[F] Thanks for watching. _ _ _
_ _ _ _ [C] _ _
_ _ _ _ _ _
_ _ _ _ _ [N] _
_ _ [Am] _ _ [G] _ _
_ [E] _ _ _ [G] _ _
I'm Mike Hartigan.
Thanks for joining me. _
[C] In this series for keyboard players working on developing a musical career,
[F] we're talking about playing chord changes in the various styles of music
and sounding appropriate and authentic.
_ This week, our focus [F] is on contemporary folk and folk pop.
_ [C] _ _ _ So far throughout this series, we've spent a [G] lot of time discussing notes
to add to our chord voicings to color the sound and make it more interesting.
[F] _ _ For folk music, we're doing almost the opposite.
One [C] of the hallmarks of today's folk is the simplicity and purity of the chords.
To determine if you're in a folk situation, look for a strip [G]-town band.
_ Oftentimes, there's no drummer, and the band keeps time by [F] stomping their feet.
_ Bonus points if the lead singer strums a guitar and plays [C] quarter notes
on a bass drum with his right foot.
_ Also, listen for unusual vowel pronunciation. _ _ _
_ _ _ _ [G] _ _
_ _ If you find yourself in a folk situation,
[F] you're probably better off altogether without this keyboard.
[C] If you can't, get your hands on one of these, _ _ _ or at least one of these. _
_ _ _ _ [G] If you are going to play piano, there are two basic paths you could go [F] down.
_ Option one is to go for [C] the purest root position chords.
Pick a good rhythm and stick to it. _ _ _ _ _
_ _ _ _ [G] _ _
_ _ _ _ _ _
_ [F] _ _ _ _
Option two is to construct [C] an ostinato melody
that will sort of work over all the chords and play that.
_ _ Twos, ones, fives, and sevens tend to work well for this.
[G] _ _
_ _ _ _ _ _
_ [A] _ _ [F] _ _ _
_ _ _ _ [C] _ _
_ _ _ _ _ _
_ _ _ _ _
Maybe do one of those techniques during [G] verses, _ and the other during choruses. _ _
_ [F] _ _ _ _ _
_ _ _ _ [C] _ _
_ _ _ _ _ _
_ _ Although it's theoretically simple, it can be a lot of fun to [G] play.
If you have any thoughts on how keyboards can fit into folk music, leave me a [F] comment.
And if you're here for the first time, I'd encourage you to subscribe
and [C] follow along with keyboard videos I have coming out every Tuesday.
I believe a good career playing keyboards is within reach
for anyone willing to put in the work to get [G] proficient.
And that's why I'm sharing what I know in these videos.
[F] Thanks for watching. _ _ _
_ _ _ _ [C] _ _
_ _ _ _ _ _
_ _ _ _ _ [N] _