Chords for Hugh Laurie - Didn't It Rain - (The Making Of Trailer)
Tempo:
160.05 bpm
Chords used:
C
G
E
F
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Bb] [Fm] My passion [Bb] is music, always [Fm] has been.
It's a very [Bb] exposing thing to do, to put [C] your,
[F] [B] put yourself into music.
[F] It's a [Em] way in [D] which people reveal themselves, you [C] can't help it.
[E] [Eb]
[A] [C]
[E] [C] [G]
[C]
[E] [Cm] In the two years [A] that have passed since we made his first [E] record, you know, he's had
to [G] occupy a center stage and [C] be fully invested [Gb] in [G]
performance in a way that I don't think
[Gm] he's ever [G] challenged himself to be before.
[C] They've been touring the world together, these
people, and have developed a voice as a collective which is unique.
These musicians [G] are of a caliber.
They could [C] find the passion [B] [D] in any tune, any instrument,
[Cm] any sound, any rhythmic [C] idea.
I think everybody has a history in this music and knows how to make it something special,
but we're not duplicating [E] anything.
It sounds really, really fresh.
The genres have expanded on this record.
We've gone into sort [C] of tangos and different kinds
of things, but the [F] thing that's majorly inspiring is just being, obviously, in [E] a live situation
[G] where there's no click and there's no map and it [A] just sort of [D] unfolds.
[G] They don't make them like that [D] anymore.
They don't make them like that and [Cm] they don't record
[Am] them like that.
It sounds [F] radical, but [C] it is actually, in its way, it's [Bb] actually a rather [G] unusual thing.
[F]
[A] [C]
[Gm]
[G] [E]
[G] It's just [C] a wonderful thing to watch and be a part of.
[F] Rain, [Dm] oh my Lord, didn't it?
[C] Yes, didn't it?
You know it, didn't [Dm] it?
Oh, [G] oh, my Lord, didn't [E] it rain?
[D]
Say [G] it.
[C] Well, the night's wondered, no one stopped.
No one there, well, the water stopped dropping.
To commune [Bm] in this way [C] with musicians in [F]
[A] this sort of a setting is [Cm] incredibly rare and wonderful.
I mean, there is really nothing better than that.
[D] [C] [Dm]
[C]
It's a very [Bb] exposing thing to do, to put [C] your,
[F] [B] put yourself into music.
[F] It's a [Em] way in [D] which people reveal themselves, you [C] can't help it.
[E] [Eb]
[A] [C]
[E] [C] [G]
[C]
[E] [Cm] In the two years [A] that have passed since we made his first [E] record, you know, he's had
to [G] occupy a center stage and [C] be fully invested [Gb] in [G]
performance in a way that I don't think
[Gm] he's ever [G] challenged himself to be before.
[C] They've been touring the world together, these
people, and have developed a voice as a collective which is unique.
These musicians [G] are of a caliber.
They could [C] find the passion [B] [D] in any tune, any instrument,
[Cm] any sound, any rhythmic [C] idea.
I think everybody has a history in this music and knows how to make it something special,
but we're not duplicating [E] anything.
It sounds really, really fresh.
The genres have expanded on this record.
We've gone into sort [C] of tangos and different kinds
of things, but the [F] thing that's majorly inspiring is just being, obviously, in [E] a live situation
[G] where there's no click and there's no map and it [A] just sort of [D] unfolds.
[G] They don't make them like that [D] anymore.
They don't make them like that and [Cm] they don't record
[Am] them like that.
It sounds [F] radical, but [C] it is actually, in its way, it's [Bb] actually a rather [G] unusual thing.
[F]
[A] [C]
[Gm]
[G] [E]
[G] It's just [C] a wonderful thing to watch and be a part of.
[F] Rain, [Dm] oh my Lord, didn't it?
[C] Yes, didn't it?
You know it, didn't [Dm] it?
Oh, [G] oh, my Lord, didn't [E] it rain?
[D]
Say [G] it.
[C] Well, the night's wondered, no one stopped.
No one there, well, the water stopped dropping.
To commune [Bm] in this way [C] with musicians in [F]
[A] this sort of a setting is [Cm] incredibly rare and wonderful.
I mean, there is really nothing better than that.
[D] [C] [Dm]
[C]
Key:
C
G
E
F
D
C
G
E
_ _ [Bb] _ _ [Fm] My passion [Bb] is music, always [Fm] has been.
_ It's a very [Bb] exposing thing to do, to _ put [C] your,
_ [F] _ _ [B] put yourself into music.
[F] It's a [Em] way in [D] which people _ reveal themselves, you [C] can't help it.
[E] _ _ [Eb] _
_ _ [A] _ _ _ [C] _ _ _
_ [E] _ _ [C] _ _ _ _ [G] _
_ _ [C] _ _ _ _ _ _
_ [E] _ _ [Cm] _ In the two years [A] that have passed since we made his first [E] record, you know, he's had
to [G] occupy a center stage _ and _ [C] be fully invested [Gb] in [G] _
performance in a way that I don't think
[Gm] he's ever _ [G] challenged himself to be before.
[C] They've been touring the world together, these
people, _ and _ have developed a voice as a collective which is unique.
These musicians [G] are of a caliber.
They could [C] find the passion [B] [D] in _ any tune, any instrument,
[Cm] any sound, any rhythmic [C] idea.
I think everybody has a history in this music and knows how to make it something special,
but we're not duplicating [E] anything.
It sounds really, really fresh.
The genres have expanded on this record.
We've gone into sort [C] of tangos and different kinds
of things, but the [F] thing that's _ majorly inspiring is just being, obviously, in [E] a live situation
_ [G] where there's no click and there's no map and it [A] just sort of [D] unfolds.
[G] They don't make them like that [D] anymore. _ _
They don't make them like that and [Cm] they don't record
[Am] them like that.
It sounds [F] radical, but [C] it is actually, _ in its way, it's [Bb] actually a rather [G] unusual thing. _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F] _ _ _ _
_ _ [A] _ _ [C] _ _ _ _
_ _ _ _ [Gm] _ _ _ _
_ _ _ [G] _ [E] _ _ _ _
_ [G] _ _ It's just [C] a wonderful thing to watch and be a part of.
[F] Rain, [Dm] oh my Lord, _ didn't it?
[C] Yes, didn't it?
You know it, didn't [Dm] it?
Oh, [G] oh, my Lord, didn't [E] it rain?
[D]
Say [G] it.
_ [C] Well, the _ night's wondered, no one stopped.
No one there, well, the water stopped dropping.
To commune [Bm] in this way [C] with musicians in [F] _ _
[A] this sort of a setting is _ _ [Cm] incredibly rare and wonderful.
I mean, there is really nothing better than that.
_ [D] _ _ [C] _ _ _ _ _ _ _ [Dm] _ _ _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ It's a very [Bb] exposing thing to do, to _ put [C] your,
_ [F] _ _ [B] put yourself into music.
[F] It's a [Em] way in [D] which people _ reveal themselves, you [C] can't help it.
[E] _ _ [Eb] _
_ _ [A] _ _ _ [C] _ _ _
_ [E] _ _ [C] _ _ _ _ [G] _
_ _ [C] _ _ _ _ _ _
_ [E] _ _ [Cm] _ In the two years [A] that have passed since we made his first [E] record, you know, he's had
to [G] occupy a center stage _ and _ [C] be fully invested [Gb] in [G] _
performance in a way that I don't think
[Gm] he's ever _ [G] challenged himself to be before.
[C] They've been touring the world together, these
people, _ and _ have developed a voice as a collective which is unique.
These musicians [G] are of a caliber.
They could [C] find the passion [B] [D] in _ any tune, any instrument,
[Cm] any sound, any rhythmic [C] idea.
I think everybody has a history in this music and knows how to make it something special,
but we're not duplicating [E] anything.
It sounds really, really fresh.
The genres have expanded on this record.
We've gone into sort [C] of tangos and different kinds
of things, but the [F] thing that's _ majorly inspiring is just being, obviously, in [E] a live situation
_ [G] where there's no click and there's no map and it [A] just sort of [D] unfolds.
[G] They don't make them like that [D] anymore. _ _
They don't make them like that and [Cm] they don't record
[Am] them like that.
It sounds [F] radical, but [C] it is actually, _ in its way, it's [Bb] actually a rather [G] unusual thing. _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F] _ _ _ _
_ _ [A] _ _ [C] _ _ _ _
_ _ _ _ [Gm] _ _ _ _
_ _ _ [G] _ [E] _ _ _ _
_ [G] _ _ It's just [C] a wonderful thing to watch and be a part of.
[F] Rain, [Dm] oh my Lord, _ didn't it?
[C] Yes, didn't it?
You know it, didn't [Dm] it?
Oh, [G] oh, my Lord, didn't [E] it rain?
[D]
Say [G] it.
_ [C] Well, the _ night's wondered, no one stopped.
No one there, well, the water stopped dropping.
To commune [Bm] in this way [C] with musicians in [F] _ _
[A] this sort of a setting is _ _ [Cm] incredibly rare and wonderful.
I mean, there is really nothing better than that.
_ [D] _ _ [C] _ _ _ _ _ _ _ [Dm] _ _ _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _