Toccata And Fugue In D Minor Chords by Ian Anderson
Tempo:
88.2 bpm
Chords used:
G
B
Em
Bb
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
[F]
[E] pickups and those 1950s [Gm] sexy volume controls.
[Fm] Actually it's the Les Paul
call it the signature model because back in his [Bbm] dressing room
sharpie and wrote my name in the
It'll be on eBay now.
This is [Abm] Florian's
JS Bach
[E] pickups and those 1950s [Gm] sexy volume controls.
[Fm] Actually it's the Les Paul
call it the signature model because back in his [Bbm] dressing room
sharpie and wrote my name in the
It'll be on eBay now.
This is [Abm] Florian's
JS Bach
100% ➙ 88BPM
G
B
Em
Bb
E
G
B
Em
[F] _ _ _ _ _ _ _ _
_ _ [E] pickups and those 1950s [Gm] sexy volume controls.
_ [Fm] Actually it's the Les Paul
[N] signature model.
I _ call it the signature model because back in his [Bbm] dressing room
when he wasn't watching I [B] cracked him with a sharpie and wrote my name in the
[Bb] back.
_ _ [Eb] _ [Em] _
It'll be on eBay now.
[Dbm] _ [F] Shall I change it to Les Paul? _
This is [Abm] Florian's
[G] interpretation [Db] which is even more [Bb] disrespectful than mine [Gm] of a JS Bach
piece.
This is Florian's attempt really to whack us with some kind of
[Bb] Teutonic precision and dynamic to [N] deliberate a piece of music that has
remained in that sort of repressed state.
The property of the
cathedral church organ [Gm] and serious [Bb] classical works.
It is of course [N] Bach's
Toccata and Fugue done in the thrash metal version. _
_ _ _ _ _ _ _ _
_ _ _ [B] _ _ _ _ _
[G] _ _ [Eb] _ _ _ [C] _ _ _
_ _ _ _ _ _ _ [B] _
[Bb] _ [B] _ _ [Gb] _ _ [G] _ [E] _ _
_ _ _ _ _ _ [Em] _ _
[G] _ _ _ _ _ _ [C] _ _
_ _ _ _ [G] _ _ _ _
_ [B] _ [G] _ _ _ _ _ _
_ _ _ _ [Em] _ _ _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ [Em] _ [G] _ _ _
_ _ _ _ _ [B] _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ [B] _ [E] _
[B] _ _ [E] _ _ _ _ _ _
_ [Cm] _ [G] _ _ _ [Bb] _ _ [Em] _
_ _ _ _ _ _ _ _
_ _ _ [N] _ _ _ _ _
[G] _ _ _ _ _ _ _ [F] _
_ _ [Em] _ _ _ [C] _ _ _
_ [D] _ _ _ _ _ [Ab] _ _
_ [E] _ _ _ [Bb] _ _ _ [B] _
_ [Bm] _ [G] _ _ _ [Bm] _ [G] _ _
_ _ [Ab] _ _ [Eb] _ [G] _ _ _
_ _ [Gm] _ _ _ [Abm] _ [G] _ _
[B] _ _ [Em] _ _ _ [E] _ _ _
_ [Em] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bb] _ _ [Eb] _ _ _ _ _ _
_ [Fm] _ _ _ _ _ _ _
_ _ [E] pickups and those 1950s [Gm] sexy volume controls.
_ [Fm] Actually it's the Les Paul
[N] signature model.
I _ call it the signature model because back in his [Bbm] dressing room
when he wasn't watching I [B] cracked him with a sharpie and wrote my name in the
[Bb] back.
_ _ [Eb] _ [Em] _
It'll be on eBay now.
[Dbm] _ [F] Shall I change it to Les Paul? _
This is [Abm] Florian's
[G] interpretation [Db] which is even more [Bb] disrespectful than mine [Gm] of a JS Bach
piece.
This is Florian's attempt really to whack us with some kind of
[Bb] Teutonic precision and dynamic to [N] deliberate a piece of music that has
remained in that sort of repressed state.
The property of the
cathedral church organ [Gm] and serious [Bb] classical works.
It is of course [N] Bach's
Toccata and Fugue done in the thrash metal version. _
_ _ _ _ _ _ _ _
_ _ _ [B] _ _ _ _ _
[G] _ _ [Eb] _ _ _ [C] _ _ _
_ _ _ _ _ _ _ [B] _
[Bb] _ [B] _ _ [Gb] _ _ [G] _ [E] _ _
_ _ _ _ _ _ [Em] _ _
[G] _ _ _ _ _ _ [C] _ _
_ _ _ _ [G] _ _ _ _
_ [B] _ [G] _ _ _ _ _ _
_ _ _ _ [Em] _ _ _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ [Em] _ [G] _ _ _
_ _ _ _ _ [B] _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ [B] _ [E] _
[B] _ _ [E] _ _ _ _ _ _
_ [Cm] _ [G] _ _ _ [Bb] _ _ [Em] _
_ _ _ _ _ _ _ _
_ _ _ [N] _ _ _ _ _
[G] _ _ _ _ _ _ _ [F] _
_ _ [Em] _ _ _ [C] _ _ _
_ [D] _ _ _ _ _ [Ab] _ _
_ [E] _ _ _ [Bb] _ _ _ [B] _
_ [Bm] _ [G] _ _ _ [Bm] _ [G] _ _
_ _ [Ab] _ _ [Eb] _ [G] _ _ _
_ _ [Gm] _ _ _ [Abm] _ [G] _ _
[B] _ _ [Em] _ _ _ [E] _ _ _
_ [Em] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bb] _ _ [Eb] _ _ _ _ _ _
_ [Fm] _ _ _ _ _ _ _