Chords for Ian Bairnson (EXCLUSIVE VIDEO)
Tempo:
86.5 bpm
Chords used:
A
E
B
F#
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
[B]
[E] [B]
[Em] [F#]
[F#m] [Am]
[E]
[B]
[E] [Em] [C]
[F] [Cm]
[F]
[A#m]
[F#] [G#]
[F#]
[N]
I don't have the right guitar for this.
[A]
[C] [Am] [A]
[N] [A]
[Am]
[C]
[Em]
[Am] [A] [Am] [A]
[Am]
[E]
[Em] [A]
[N] The actual fact, [E] what I actually played, I didn't have the [G] bass.
[Am]
[C] [F#]
[Am] [N] That was a thing that Alan and I, we were in Paris [B] making one of the albums, I don't
know what it was, but anyway.
[C] The track was kind of okay [N] and that was another kind of moment where there was a gap there,
I could do something in there and that's [B] what came up.
Now I get loads [G] of letters and people go, how [B] did you do that stuff?
What guitar is it?
What amp is it?
[N] What did you do with it?
So, yeah, that's it.
Alan's engineering is
So, I mean there are loads of things on here that are, you probably wouldn't notice that
[B] much different, but there are just some nice, good sounds.
[A]
[G]
Kind [G#] of like a light pole in the absence of a nice pole.
[A] [B]
[A] [G] [D]
[A] [Am] [G#]
Slightly [A] impacted.
[F#] [A] [B]
[A]
[B] It's good to be noisy.
[Em] [C#] Oh, there's
[F#] That's the actual one that [C] we recorded.
[N] And we toured that.
[F]
[B] [A]
[E] [A]
[N]
[F] [E]
[C#m] [A] [E]
[C#m] [E]
[A] [C#m]
[F#] [E]
[C#] [A] [E]
[A] [C#m]
[F#] [E]
[A] [E]
[G#] And the other [G] one, which is [E] just a slight
[N] A little bit warmer.
And guitar players are always going to do the tone pop.
Keep on it, because you get all kinds of tones out of it.
And when I was young, everything, ten, ten, and go.
And nowadays, I mean, it's subtle, but I know you're not all guitar players.
We try.
We try.
So, I can't think there's [B] anything
[F#] [B]
[E] [B]
[C] [A]
[B] You've got to try this one.
Slow, slow, [E] slow.
[C#m]
[D] [G]
[Gm] [F#m] [D] [G]
[E] [E]
[A] [E]
[N] Kind of somewhere between a piano and a Rhodes.
But I won't bore you with the rest of them.
I think we can probably get on with 7 o'clock now, so Yeah.
Now he's going for the big bang.
Yeah.
And I haven't rehearsed.
[E] [B]
[Em] [F#]
[F#m] [Am]
[E]
[B]
[E] [Em] [C]
[F] [Cm]
[F]
[A#m]
[F#] [G#]
[F#]
[N]
I don't have the right guitar for this.
[A]
[C] [Am] [A]
[N] [A]
[Am]
[C]
[Em]
[Am] [A] [Am] [A]
[Am]
[E]
[Em] [A]
[N] The actual fact, [E] what I actually played, I didn't have the [G] bass.
[Am]
[C] [F#]
[Am] [N] That was a thing that Alan and I, we were in Paris [B] making one of the albums, I don't
know what it was, but anyway.
[C] The track was kind of okay [N] and that was another kind of moment where there was a gap there,
I could do something in there and that's [B] what came up.
Now I get loads [G] of letters and people go, how [B] did you do that stuff?
What guitar is it?
What amp is it?
[N] What did you do with it?
So, yeah, that's it.
Alan's engineering is
So, I mean there are loads of things on here that are, you probably wouldn't notice that
[B] much different, but there are just some nice, good sounds.
[A]
[G]
Kind [G#] of like a light pole in the absence of a nice pole.
[A] [B]
[A] [G] [D]
[A] [Am] [G#]
Slightly [A] impacted.
[F#] [A] [B]
[A]
[B] It's good to be noisy.
[Em] [C#] Oh, there's
[F#] That's the actual one that [C] we recorded.
[N] And we toured that.
[F]
[B] [A]
[E] [A]
[N]
[F] [E]
[C#m] [A] [E]
[C#m] [E]
[A] [C#m]
[F#] [E]
[C#] [A] [E]
[A] [C#m]
[F#] [E]
[A] [E]
[G#] And the other [G] one, which is [E] just a slight
[N] A little bit warmer.
And guitar players are always going to do the tone pop.
Keep on it, because you get all kinds of tones out of it.
And when I was young, everything, ten, ten, and go.
And nowadays, I mean, it's subtle, but I know you're not all guitar players.
We try.
We try.
So, I can't think there's [B] anything
[F#] [B]
[E] [B]
[C] [A]
[B] You've got to try this one.
Slow, slow, [E] slow.
[C#m]
[D] [G]
[Gm] [F#m] [D] [G]
[E] [E]
[A] [E]
[N] Kind of somewhere between a piano and a Rhodes.
But I won't bore you with the rest of them.
I think we can probably get on with 7 o'clock now, so Yeah.
Now he's going for the big bang.
Yeah.
And I haven't rehearsed.
Key:
A
E
B
F#
Am
A
E
B
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [B] _ _
_ [E] _ _ _ _ _ [B] _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ _ [F#] _
_ [F#m] _ _ _ _ [Am] _ _ _
_ [E] _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ _
_ _ [E] _ _ [Em] _ _ [C] _ _
_ _ [F] _ _ _ _ _ [Cm] _
_ _ _ [F] _ _ _ _ _
_ _ _ _ [A#m] _ _ _ _
_ [F#] _ _ _ _ [G#] _ _ _
_ [F#] _ _ _ _ _ _ _
_ _ [N] _ _ _ _ _ _
_ _ _ _ _ _ _ _
I _ don't have the right guitar for this.
_ _ _ _ _ _ _ [A] _
_ [C] _ [Am] _ _ _ [A] _ _ _
_ [N] _ _ _ _ _ [A] _ _
_ _ _ [Am] _ _ _ _ _
_ _ _ _ _ _ [C] _ _
[Em] _ _ _ _ _ _ _ _
_ _ [Am] _ [A] _ _ [Am] _ _ [A] _
_ [Am] _ _ _ _ _ _ _
_ _ _ _ _ _ [E] _ _
[Em] _ _ _ _ _ _ [A] _ _
_ _ [N] _ _ _ The actual _ _ _ fact, _ _ [E] what I actually played, I didn't have the [G] bass.
_ [Am] _
_ _ _ [C] _ _ _ [F#] _ _
_ [Am] _ _ [N] _ _ _ That was a thing that Alan and I, we were in Paris [B] making _ one of the albums, I don't
know what it was, but anyway.
_ [C] The track was kind of okay [N] and that was another kind of moment where there was a gap there,
I could do something in there and that's [B] what came up.
Now I get loads [G] of letters and people go, how [B] did you do that stuff?
What guitar is it?
What amp is it?
[N] What did you do with it?
So, _ yeah, that's it.
Alan's engineering is_ _
_ So, I mean there are loads of things on here that are, you probably wouldn't notice that
[B] much different, but there are just some nice, good sounds.
_ _ [A] _ _
_ _ _ _ [G] _ _ _ _
Kind [G#] of like a light pole in the absence of a nice pole.
[A] _ _ _ [B] _ _ _
[A] _ _ _ _ _ [G] _ _ [D] _
_ [A] _ _ _ _ [Am] _ _ [G#] _
Slightly [A] impacted. _ _ _ _ _
_ [F#] _ _ [A] _ _ _ [B] _ _
_ _ [A] _ _ _ _ _ _
[B] It's good to be noisy. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ [C#] _ Oh, _ _ _ _ _ _ _ there's_ _
_ _ _ [F#] _ That's the actual one that [C] we recorded.
_ [N] _ And we toured that.
_ _ [F] _
_ _ [B] _ _ [A] _ _ _ _
_ [E] _ _ _ [A] _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ [F] _ _ [E] _ _ _ _
_ [C#m] _ [A] _ _ _ [E] _ _ _
_ _ [C#m] _ [E] _ _ _ _ _
_ _ [A] _ _ _ _ [C#m] _ _
_ _ [F#] _ _ _ _ [E] _ _
_ [C#] _ [A] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ _ _ [C#m] _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [A] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ _ [G#] _ And the other _ _ _ [G] one, which is [E] just a slight_
[N] A little bit warmer. _ _ _ _
And guitar players are always going to do the tone pop.
Keep on it, because you get all kinds of tones out of it.
And when I was young, everything, ten, ten, and go.
_ And nowadays, I mean, it's subtle, but I know you're not all guitar players. _ _
We try.
We try. _ _ _ _
So, I can't think there's [B] anything_ _ _
_ _ [F#] _ _ _ [B] _ _ _
_ _ [E] _ _ _ _ _ [B] _
_ [C] _ _ _ _ _ [A] _ _
_ [B] You've got to try this one. _ _ _ _
_ _ _ _ _ _ _
Slow, slow, [E] slow.
_ _ _ [C#m] _ _
_ [D] _ _ _ [G] _ _ _ _
[Gm] _ _ [F#m] _ _ [D] _ _ [G] _ _
[E] _ _ _ [E] _ _ _ _ _
_ _ [A] _ _ [E] _ _ _ _
[N] Kind of somewhere between a piano and a Rhodes.
_ _ _ But I won't bore you with the rest of them. _
_ _ I think we can probably get on with 7 o'clock now, so_ Yeah.
_ Now he's going for the big bang.
Yeah.
And I haven't rehearsed.
_ _ _ _ _ _ [B] _ _
_ [E] _ _ _ _ _ [B] _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ _ [F#] _
_ [F#m] _ _ _ _ [Am] _ _ _
_ [E] _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ _
_ _ [E] _ _ [Em] _ _ [C] _ _
_ _ [F] _ _ _ _ _ [Cm] _
_ _ _ [F] _ _ _ _ _
_ _ _ _ [A#m] _ _ _ _
_ [F#] _ _ _ _ [G#] _ _ _
_ [F#] _ _ _ _ _ _ _
_ _ [N] _ _ _ _ _ _
_ _ _ _ _ _ _ _
I _ don't have the right guitar for this.
_ _ _ _ _ _ _ [A] _
_ [C] _ [Am] _ _ _ [A] _ _ _
_ [N] _ _ _ _ _ [A] _ _
_ _ _ [Am] _ _ _ _ _
_ _ _ _ _ _ [C] _ _
[Em] _ _ _ _ _ _ _ _
_ _ [Am] _ [A] _ _ [Am] _ _ [A] _
_ [Am] _ _ _ _ _ _ _
_ _ _ _ _ _ [E] _ _
[Em] _ _ _ _ _ _ [A] _ _
_ _ [N] _ _ _ The actual _ _ _ fact, _ _ [E] what I actually played, I didn't have the [G] bass.
_ [Am] _
_ _ _ [C] _ _ _ [F#] _ _
_ [Am] _ _ [N] _ _ _ That was a thing that Alan and I, we were in Paris [B] making _ one of the albums, I don't
know what it was, but anyway.
_ [C] The track was kind of okay [N] and that was another kind of moment where there was a gap there,
I could do something in there and that's [B] what came up.
Now I get loads [G] of letters and people go, how [B] did you do that stuff?
What guitar is it?
What amp is it?
[N] What did you do with it?
So, _ yeah, that's it.
Alan's engineering is_ _
_ So, I mean there are loads of things on here that are, you probably wouldn't notice that
[B] much different, but there are just some nice, good sounds.
_ _ [A] _ _
_ _ _ _ [G] _ _ _ _
Kind [G#] of like a light pole in the absence of a nice pole.
[A] _ _ _ [B] _ _ _
[A] _ _ _ _ _ [G] _ _ [D] _
_ [A] _ _ _ _ [Am] _ _ [G#] _
Slightly [A] impacted. _ _ _ _ _
_ [F#] _ _ [A] _ _ _ [B] _ _
_ _ [A] _ _ _ _ _ _
[B] It's good to be noisy. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ [C#] _ Oh, _ _ _ _ _ _ _ there's_ _
_ _ _ [F#] _ That's the actual one that [C] we recorded.
_ [N] _ And we toured that.
_ _ [F] _
_ _ [B] _ _ [A] _ _ _ _
_ [E] _ _ _ [A] _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ [F] _ _ [E] _ _ _ _
_ [C#m] _ [A] _ _ _ [E] _ _ _
_ _ [C#m] _ [E] _ _ _ _ _
_ _ [A] _ _ _ _ [C#m] _ _
_ _ [F#] _ _ _ _ [E] _ _
_ [C#] _ [A] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ _ _ [C#m] _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [A] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ _ [G#] _ And the other _ _ _ [G] one, which is [E] just a slight_
[N] A little bit warmer. _ _ _ _
And guitar players are always going to do the tone pop.
Keep on it, because you get all kinds of tones out of it.
And when I was young, everything, ten, ten, and go.
_ And nowadays, I mean, it's subtle, but I know you're not all guitar players. _ _
We try.
We try. _ _ _ _
So, I can't think there's [B] anything_ _ _
_ _ [F#] _ _ _ [B] _ _ _
_ _ [E] _ _ _ _ _ [B] _
_ [C] _ _ _ _ _ [A] _ _
_ [B] You've got to try this one. _ _ _ _
_ _ _ _ _ _ _
Slow, slow, [E] slow.
_ _ _ [C#m] _ _
_ [D] _ _ _ [G] _ _ _ _
[Gm] _ _ [F#m] _ _ [D] _ _ [G] _ _
[E] _ _ _ [E] _ _ _ _ _
_ _ [A] _ _ [E] _ _ _ _
[N] Kind of somewhere between a piano and a Rhodes.
_ _ _ But I won't bore you with the rest of them. _
_ _ I think we can probably get on with 7 o'clock now, so_ Yeah.
_ Now he's going for the big bang.
Yeah.
And I haven't rehearsed.