Chords for Ian Rubbish & The Clash [subtitulado español]
Tempo:
146 bpm
Chords used:
E
G
Bb
Am
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Db] [E]
Why did little Ian become a punk?
15 [Bb] years old, you're watching [Am] your parents struggle to make [E] money.
He turned on [Fm] a telly and he's writing in the [E] street
and all the government could do is say,
go over there, sit down, shut up.
Let [A] them know
[B] So out of the whole punk movement, lots of groups [E] come about.
You've got the Pistols and the Clash [C] and Ian Rubbish and the Bizarros.
[G] The Clash, you know, they write a lot about politics
and we try to do the same.
What we [Bb] did with the Clash [D] is, they would say something political,
we would say something like, we [G] agree with the Clash, or [Em] what they said.
[G] Electric Lady Studios, New York City, where the Clash recorded.
We're going to talk to them and about them and maybe play a bit of music.
Who knows?
That's what punk's all about, isn't it?
Not [B] planning nothing.
[Am] Can't believe it, looking at you.
You look all right, I do, yeah.
Yeah, all right.
I can't believe it, looking at Mick neither.
And I can't believe it, looking at you.
[Abm]
So was it like the four of you had the same mind about it?
Was there any [E] resistance at all?
The four of us together, we created more energy than the four of us individually.
[N]
Why did little Ian become a punk?
15 [Bb] years old, you're watching [Am] your parents struggle to make [E] money.
He turned on [Fm] a telly and he's writing in the [E] street
and all the government could do is say,
go over there, sit down, shut up.
Let [A] them know
[B] So out of the whole punk movement, lots of groups [E] come about.
You've got the Pistols and the Clash [C] and Ian Rubbish and the Bizarros.
[G] The Clash, you know, they write a lot about politics
and we try to do the same.
What we [Bb] did with the Clash [D] is, they would say something political,
we would say something like, we [G] agree with the Clash, or [Em] what they said.
[G] Electric Lady Studios, New York City, where the Clash recorded.
We're going to talk to them and about them and maybe play a bit of music.
Who knows?
That's what punk's all about, isn't it?
Not [B] planning nothing.
[Am] Can't believe it, looking at you.
You look all right, I do, yeah.
Yeah, all right.
I can't believe it, looking at Mick neither.
And I can't believe it, looking at you.
[Abm]
So was it like the four of you had the same mind about it?
Was there any [E] resistance at all?
The four of us together, we created more energy than the four of us individually.
[N]
Key:
E
G
Bb
Am
B
E
G
Bb
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_ Why did little Ian become a punk?
_ 15 [Bb] years old, you're watching [Am] your parents struggle to make [E] money.
He turned on [Fm] a telly and he's writing in the [E] street
and all the government could do is say,
go over there, sit down, shut up.
Let [A] them know_
_ _ [B] So out of the whole punk movement, lots of groups [E] come about.
You've got the Pistols and the Clash [C] and Ian Rubbish and the Bizarros.
[G] The Clash, you know, they write a lot about politics
and we try to do the same.
What we [Bb] did with the Clash [D] is, they would say something political,
we would say something like, we [G] agree with the Clash, or [Em] what they said. _ _
[G] Electric Lady Studios, New York City, where the Clash recorded.
We're going to talk to them and about them and maybe play a bit of music.
Who knows?
That's what punk's all about, isn't it?
Not [B] planning nothing.
_ [Am] Can't believe it, _ looking at you.
You look all right, I do, yeah.
Yeah, all right.
I can't believe it, looking at Mick neither.
And I can't believe it, looking at you.
_ [Abm]
So was it like the four of you had the same mind about it?
Was there any [E] resistance at all?
The four of us together, we created more energy than the four of us individually.
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_ Why did little Ian become a punk?
_ 15 [Bb] years old, you're watching [Am] your parents struggle to make [E] money.
He turned on [Fm] a telly and he's writing in the [E] street
and all the government could do is say,
go over there, sit down, shut up.
Let [A] them know_
_ _ [B] So out of the whole punk movement, lots of groups [E] come about.
You've got the Pistols and the Clash [C] and Ian Rubbish and the Bizarros.
[G] The Clash, you know, they write a lot about politics
and we try to do the same.
What we [Bb] did with the Clash [D] is, they would say something political,
we would say something like, we [G] agree with the Clash, or [Em] what they said. _ _
[G] Electric Lady Studios, New York City, where the Clash recorded.
We're going to talk to them and about them and maybe play a bit of music.
Who knows?
That's what punk's all about, isn't it?
Not [B] planning nothing.
_ [Am] Can't believe it, _ looking at you.
You look all right, I do, yeah.
Yeah, all right.
I can't believe it, looking at Mick neither.
And I can't believe it, looking at you.
_ [Abm]
So was it like the four of you had the same mind about it?
Was there any [E] resistance at all?
The four of us together, we created more energy than the four of us individually.
[N] _ _ _ _ _ _ _ _ _ _
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