Chords for Incubus - Rogues (from Look Alive)
Tempo:
77.575 bpm
Chords used:
Bm
D
G
Bb
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F] [Gm] Anais Nin wrote,
In the world of the dreamer there was [Ab] solitude.
All the exaltations and [Fm] joys came in the moment of preparation for living.
They took place in solitude.
[Bb] But with action came anxiety,
and the sense of insuperable effort made to match the [F] dream.
And with it came weariness, discouragement, and the flight into solitude again.
And then in solitude, in the opium den of remembrance,
the possibility [Bb] of pleasure again.
Her sentiment is frighteningly in tune with our plight at the moment.
We're [Dm] in the plotting stage of the game.
I'm looking at pages and pages of potential tour dates [Bb] and travel arrangements, logistics, [F] etc.
etc.
[Gb] [Am] And if I wasn't completely ecstatic about everything at present,
[D] all these moments of preparation would be [Am] quite daunting.
But we are excited.
[D] We just poured our hearts into this album.
Hello, [Am] hello.
[D]
[Am] [D]
[B] [Bm] [A] [Em] [D]
[A] [Bm] [A] [Db] [D] [G]
[Bm] [A] [Bm]
[A] [Bm] [A] [Bm] [G]
[E] [G] [Bm] You're sure I am the last [E] ever present in my [G] pocket, just in case I [Bm] need a door.
You take [E] my breath,
through [G] outwear.
Oh, [Bm] solution [G] said I wear my head,
buried to my [Gb] neck in sin.
No, [Ebm] no.
[D]
[G] [Bm] After this [D] solution,
you [G] better pause the [Bm] roles and [D] have a shot.
[Bm] You're a [G] rebel.
It's too [Bm] good not [D] to matter.
[B] But [G] you got a bad day, hard [Bm] not paying attention.
[D] It's too good [G] not [D] to [Gb] [Em] respect.
[B]
[A] [Bm] [A] [Bm]
[E] [G]
[Bm] Keep an eye on the boss and near to the [E] track.
And it's in a [G] locket, locked in from the [Bm] highest bar.
A man [E] [G] watching space to [Bm] resist our [G] deliberation.
Let's go [Gb] from the dark to the past.
[Ebm] No, [D] [G] no.
[Bm] After this [D] solution,
[Bm] [G] you better pause the [Bm] roles and have a [D] shot.
[Bm] You're a [G] rebel.
It's [Bm] too good not to [D] matter.
[Gb] [D] But [G] you got a bad day, [Bm] hard not paying [D] attention.
It's too good not to respect.
[Bm] [Bb]
[Eb] [G] [Bb]
[Bm] [Bb]
[G] [Bb] [B]
[Bm] Keep an eye on the boss and near to the track.
And it's in a locket, locked in from the highest bar.
After [Em] [B] this [D] solution,
you [G] better pause the [Bm] roles and have a [D] shot.
You're a [G] rebel.
It's [Bm] too good not to [D] matter.
But [G] you got a [Bm] bad day, [D] hard not paying attention.
It's too good not to [Gb] respect.
[D] [Gb] We've [F] [N]
chosen [Bb] to live a life of music.
We started this band together when we were 15 years old
in the living room of my mom's house.
And we had no idea that it was going to take us around the world
and turn it into something
that is much bigger than we ever could have dreamed.
[F]
[Bb] [B] [Bb]
[F] [Fm] [F]
[Eb] [Bb]
[D] [Eb] [Bb]
In the world of the dreamer there was [Ab] solitude.
All the exaltations and [Fm] joys came in the moment of preparation for living.
They took place in solitude.
[Bb] But with action came anxiety,
and the sense of insuperable effort made to match the [F] dream.
And with it came weariness, discouragement, and the flight into solitude again.
And then in solitude, in the opium den of remembrance,
the possibility [Bb] of pleasure again.
Her sentiment is frighteningly in tune with our plight at the moment.
We're [Dm] in the plotting stage of the game.
I'm looking at pages and pages of potential tour dates [Bb] and travel arrangements, logistics, [F] etc.
etc.
[Gb] [Am] And if I wasn't completely ecstatic about everything at present,
[D] all these moments of preparation would be [Am] quite daunting.
But we are excited.
[D] We just poured our hearts into this album.
Hello, [Am] hello.
[D]
[Am] [D]
[B] [Bm] [A] [Em] [D]
[A] [Bm] [A] [Db] [D] [G]
[Bm] [A] [Bm]
[A] [Bm] [A] [Bm] [G]
[E] [G] [Bm] You're sure I am the last [E] ever present in my [G] pocket, just in case I [Bm] need a door.
You take [E] my breath,
through [G] outwear.
Oh, [Bm] solution [G] said I wear my head,
buried to my [Gb] neck in sin.
No, [Ebm] no.
[D]
[G] [Bm] After this [D] solution,
you [G] better pause the [Bm] roles and [D] have a shot.
[Bm] You're a [G] rebel.
It's too [Bm] good not [D] to matter.
[B] But [G] you got a bad day, hard [Bm] not paying attention.
[D] It's too good [G] not [D] to [Gb] [Em] respect.
[B]
[A] [Bm] [A] [Bm]
[E] [G]
[Bm] Keep an eye on the boss and near to the [E] track.
And it's in a [G] locket, locked in from the [Bm] highest bar.
A man [E] [G] watching space to [Bm] resist our [G] deliberation.
Let's go [Gb] from the dark to the past.
[Ebm] No, [D] [G] no.
[Bm] After this [D] solution,
[Bm] [G] you better pause the [Bm] roles and have a [D] shot.
[Bm] You're a [G] rebel.
It's [Bm] too good not to [D] matter.
[Gb] [D] But [G] you got a bad day, [Bm] hard not paying [D] attention.
It's too good not to respect.
[Bm] [Bb]
[Eb] [G] [Bb]
[Bm] [Bb]
[G] [Bb] [B]
[Bm] Keep an eye on the boss and near to the track.
And it's in a locket, locked in from the highest bar.
After [Em] [B] this [D] solution,
you [G] better pause the [Bm] roles and have a [D] shot.
You're a [G] rebel.
It's [Bm] too good not to [D] matter.
But [G] you got a [Bm] bad day, [D] hard not paying attention.
It's too good not to [Gb] respect.
[D] [Gb] We've [F] [N]
chosen [Bb] to live a life of music.
We started this band together when we were 15 years old
in the living room of my mom's house.
And we had no idea that it was going to take us around the world
and turn it into something
that is much bigger than we ever could have dreamed.
[F]
[Bb] [B] [Bb]
[F] [Fm] [F]
[Eb] [Bb]
[D] [Eb] [Bb]
Key:
Bm
D
G
Bb
A
Bm
D
G
[F] _ _ [Gm] Anais Nin wrote,
In the world of the dreamer there was [Ab] solitude.
All the exaltations and [Fm] joys came in the moment of preparation for living.
They took place in solitude.
[Bb] But with action came anxiety,
and the sense of insuperable effort made to match the [F] dream.
And with it came weariness, discouragement, and the flight into solitude again.
And then in solitude, in the opium den of remembrance,
the possibility [Bb] of pleasure again.
Her sentiment is frighteningly in tune with our plight at the moment.
We're [Dm] in the plotting stage of the game.
I'm looking at pages and pages of potential tour dates [Bb] and travel arrangements, logistics, [F] etc.
etc.
[Gb] [Am] And if I wasn't completely ecstatic about everything at present,
[D] all these moments of preparation would be [Am] quite daunting.
But we are excited.
[D] We just poured our hearts into this album.
Hello, [Am] hello.
_ _ [D] _ _ _
_ [Am] _ _ _ _ [D] _ _ _
_ [B] _ [Bm] _ [A] _ _ [Em] _ [D] _ _
[A] _ [Bm] _ _ _ [A] _ [Db] _ [D] _ [G] _
_ [Bm] _ _ _ [A] _ [Bm] _ _ _
[A] _ [Bm] _ _ _ [A] _ [Bm] _ _ [G] _
_ [E] _ _ [G] _ _ [Bm] You're sure I am the last [E] ever present in my [G] pocket, just in case I [Bm] need a door.
You take [E] my breath,
through [G] outwear.
Oh, [Bm] solution [G] said I wear my head,
buried to my [Gb] neck in sin.
No, _ [Ebm] no.
[D] _
_ [G] _ [Bm] After this [D] solution, _
you [G] better pause the [Bm] roles and [D] have a shot. _
[Bm] You're a [G] rebel.
It's too [Bm] good not [D] to matter. _
[B] But [G] you got a bad day, hard [Bm] not paying attention.
[D] It's too good [G] _ not [D] to [Gb] [Em] respect.
[B] _ _
[A] _ [Bm] _ _ _ [A] _ [Bm] _ _ _
_ _ _ _ [E] _ _ _ [G] _
[Bm] Keep an eye on the boss and near to the [E] track.
And it's in a [G] locket, locked in from the [Bm] highest bar.
A man [E] _ [G] watching space to [Bm] resist our [G] deliberation.
Let's go [Gb] from the dark to the past.
[Ebm] No, [D] _ _ [G] no.
[Bm] After this [D] solution,
_ _ [Bm] [G] you better pause the [Bm] roles and have a [D] shot.
_ [Bm] You're a [G] rebel.
It's [Bm] too good not to [D] matter.
[Gb] _ [D] But [G] you got a bad day, [Bm] hard not paying [D] attention.
It's too good _ not to respect.
_ _ [Bm] _ _ [Bb] _ _ _
[Eb] _ [G] _ _ _ _ [Bb] _ _ _
_ [Bm] _ _ _ _ [Bb] _ _ _
[G] _ _ _ _ _ [Bb] _ _ [B] _
_ [Bm] _ _ _ _ Keep an eye on the boss and near to the track.
And it's in a locket, locked in from the highest bar.
After [Em] _ _ [B] this [D] solution, _
you [G] better pause the [Bm] roles and have a [D] shot. _
You're a [G] rebel.
It's [Bm] too good not to [D] matter. _
But [G] you got a _ [Bm] bad day, [D] hard not paying attention.
It's too good not to [Gb] respect.
[D] [Gb] We've [F] _ _ [N] _
chosen [Bb] to live a life of music.
We started this band together when we were 15 years old
in the living room of my mom's house.
_ And we had no idea that it was going to take us around the world
and turn it into something
that is much bigger than we ever could have dreamed. _ _ _ _
[F] _ _ _ _ _ _ _ _
[Bb] _ _ [B] _ _ _ [Bb] _ _ _
_ _ _ _ _ _ _ _
[F] _ _ _ [Fm] _ [F] _ _ _ _
_ _ _ [Eb] _ _ [Bb] _ _ _
_ _ [D] _ [Eb] _ _ _ [Bb] _ _
In the world of the dreamer there was [Ab] solitude.
All the exaltations and [Fm] joys came in the moment of preparation for living.
They took place in solitude.
[Bb] But with action came anxiety,
and the sense of insuperable effort made to match the [F] dream.
And with it came weariness, discouragement, and the flight into solitude again.
And then in solitude, in the opium den of remembrance,
the possibility [Bb] of pleasure again.
Her sentiment is frighteningly in tune with our plight at the moment.
We're [Dm] in the plotting stage of the game.
I'm looking at pages and pages of potential tour dates [Bb] and travel arrangements, logistics, [F] etc.
etc.
[Gb] [Am] And if I wasn't completely ecstatic about everything at present,
[D] all these moments of preparation would be [Am] quite daunting.
But we are excited.
[D] We just poured our hearts into this album.
Hello, [Am] hello.
_ _ [D] _ _ _
_ [Am] _ _ _ _ [D] _ _ _
_ [B] _ [Bm] _ [A] _ _ [Em] _ [D] _ _
[A] _ [Bm] _ _ _ [A] _ [Db] _ [D] _ [G] _
_ [Bm] _ _ _ [A] _ [Bm] _ _ _
[A] _ [Bm] _ _ _ [A] _ [Bm] _ _ [G] _
_ [E] _ _ [G] _ _ [Bm] You're sure I am the last [E] ever present in my [G] pocket, just in case I [Bm] need a door.
You take [E] my breath,
through [G] outwear.
Oh, [Bm] solution [G] said I wear my head,
buried to my [Gb] neck in sin.
No, _ [Ebm] no.
[D] _
_ [G] _ [Bm] After this [D] solution, _
you [G] better pause the [Bm] roles and [D] have a shot. _
[Bm] You're a [G] rebel.
It's too [Bm] good not [D] to matter. _
[B] But [G] you got a bad day, hard [Bm] not paying attention.
[D] It's too good [G] _ not [D] to [Gb] [Em] respect.
[B] _ _
[A] _ [Bm] _ _ _ [A] _ [Bm] _ _ _
_ _ _ _ [E] _ _ _ [G] _
[Bm] Keep an eye on the boss and near to the [E] track.
And it's in a [G] locket, locked in from the [Bm] highest bar.
A man [E] _ [G] watching space to [Bm] resist our [G] deliberation.
Let's go [Gb] from the dark to the past.
[Ebm] No, [D] _ _ [G] no.
[Bm] After this [D] solution,
_ _ [Bm] [G] you better pause the [Bm] roles and have a [D] shot.
_ [Bm] You're a [G] rebel.
It's [Bm] too good not to [D] matter.
[Gb] _ [D] But [G] you got a bad day, [Bm] hard not paying [D] attention.
It's too good _ not to respect.
_ _ [Bm] _ _ [Bb] _ _ _
[Eb] _ [G] _ _ _ _ [Bb] _ _ _
_ [Bm] _ _ _ _ [Bb] _ _ _
[G] _ _ _ _ _ [Bb] _ _ [B] _
_ [Bm] _ _ _ _ Keep an eye on the boss and near to the track.
And it's in a locket, locked in from the highest bar.
After [Em] _ _ [B] this [D] solution, _
you [G] better pause the [Bm] roles and have a [D] shot. _
You're a [G] rebel.
It's [Bm] too good not to [D] matter. _
But [G] you got a _ [Bm] bad day, [D] hard not paying attention.
It's too good not to [Gb] respect.
[D] [Gb] We've [F] _ _ [N] _
chosen [Bb] to live a life of music.
We started this band together when we were 15 years old
in the living room of my mom's house.
_ And we had no idea that it was going to take us around the world
and turn it into something
that is much bigger than we ever could have dreamed. _ _ _ _
[F] _ _ _ _ _ _ _ _
[Bb] _ _ [B] _ _ _ [Bb] _ _ _
_ _ _ _ _ _ _ _
[F] _ _ _ [Fm] _ [F] _ _ _ _
_ _ _ [Eb] _ _ [Bb] _ _ _
_ _ [D] _ [Eb] _ _ _ [Bb] _ _