Chords for Indigo Girls - "If I Don't Leave Here Now" - Behind the Scenes Ep. 4
Tempo:
143.9 bpm
Chords used:
Bb
Eb
F
Cm
Gm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Dm] [F] [Bb]
[Eb] [F]
[Ebm] [Dm] [Ebm] If I Don't Leave Here Now is kind of interesting because I started [Bb] that song, you know, [Eb] like
maybe 10 years ago, maybe even longer.
I started the chord progression.
I remember exactly where I was.
I was sitting on a bed in a condo in New York, playing my guitar.
I had the capo on, maybe the fifth fret.
It was super high and I was strumming.
If I don't leave here now.
And then I lowered the key [Bb] and kept sort of working on the song as the years went by.
Not a lot.
But then when I sat down to write this group of songs, I revisited it.
It was in the list of contenders for this record.
But it didn't really strike anybody particularly.
You know, it wasn't like, oh, that's a keeper.
We've got to have that.
But then Jordan had the idea to turn it into a ballad.
She said, just she completely slowed down [F] the tempo and wrote this little part for it
and then [Bb] represented it.
And [Eb] then it was like, we have to have this on the record now.
It was really who knew?
Synchronize.
[Fm]
And when it hits the papers, the tongues start [Cm] wagging [Gm] like it can't be happening.
[F] You know what?
I don't have it in me.
[Bb] My voice is tired.
What?
You don't agree?
It's a song that means a lot to me.
And when we went to record it, usually I like to overdub.
So I'll like to play a song.
We'll get the track.
I'll maybe play guitar.
Then I'll sing my vocals and we'll put it together.
But Jordan's like, just try playing this and singing it with the guitar.
I didn't have any headphones on and I just sang it in a room.
And I was in a bad mood.
I didn't feel good.
I felt like maybe I was coming down with something.
I think it was towards the end of the day.
It was crabby.
I said to Jordan, I don't know if I'm coming down with something.
My throat feels scratchy.
I just, ugh, I'm mad.
I don't want to do this.
I don't think I can do this.
And she said, well, just try it one more time.
And so really I did it for her.
Don't give up [F] yet.
Okay.
I won't give up yet.
I appreciate [C] that.
No problem.
Pull up your breeches.
That's it.
Take a deep breath.
Pull up your [Bb] breeches.
Before I recorded it, I wouldn't have gone intellectually.
I'm mad and I feel like crap.
And this is a song about addiction and it's really heavy.
And so this should be perfect.
Let's do it.
You know, it was more like, I don't feel like it.
But of course it does make perfect sense.
And that's part of the mystery that just happens in recording and with music and with members
of your team and your friends who can push you through something to get to the other side.
You are rolling.
Here we go.
One, two, three.
[F] [C] [Eb]
[Bb] [F]
[Cm]
Say [Bb] if it ever was, it's [F] still in there.
[G] You can dig [Gm] and fill.
And never will [Eb] be full.
Trying to get that good [Bb] again.
Your last fifth of Jack, [F] a cigarette, the time [G] you bet [Gm] the form before you lost it [Eb] all.
You want that [Bb] feeling.
[Gm] Back you [Dm] go against the wind and the [Eb] advice.
Killing [Dm] yourself to stop from running out [F] of time.
[Eb] [Fm]
[Bb] But if I don't [F] leave you [Cm] now, [Eb]
I [Bb] will never get [F] out of this [Cm] place.
[Eb]
[Cm] [Bb] Baby, believe [F]
me [C] [Cm] now.
[Eb] There's [Bb] no drag in [Eb] the chase.
[Bb] Even looking at [Eb] your face in front of me.
If there [Bb] was ever one that [F] could be two, you [G] and you [Gm] and you.
A blue sky could [Eb] be a blue world.
A whiter shade [Bb] of white.
While you pour it on, you [F] pour it out.
You [Gm] would do everything you might have saved instead.
[Eb] For your loneliest [Bb] night.
And back you [Dm] go against the wind and good [Eb] advice.
Killing [Cm] [Dm] yourself to stop from running out of [F] life.
[Cm] [Fm] [Bb] But if I don't [F] leave you [Cm] now,
[Eb] I [Bb] will never get [F] out of this [Cm]
[Eb] place.
[Cm] [Bb] Baby, believe [F] me [Cm] now.
[Eb]
[Bb] There's no drag [Eb] in the chase.
Even [Bb] looking at your
[Eb] face.
When [Fm] it hits the papers, the tongues start wagging.
[G] Like it can't be happening.
[C]
[Gb] Doctors take it [Bb] and [Eb] they take it [Bb] away.
And [Fm] when they do, you'll find your stand up.
Every man [Gm] goes looking for his heroin.
[C]
[Eb] It happens [Bb] every day.
[Eb] Around every bend.
[Cm] Again and again.
[Gb] [F] [C] [F]
[Bb] [F]
[Cm] [Eb]
[Bb] [F]
[Cm] [Eb]
[Bb] [F]
[Cm] [Eb] [Cm]
[Bb] [F]
[Cm]
[Bb] But if I don't [A] [F] leave you [Cm] now, [Eb] I [Bb] will never get [F] out of this [C] [Cm] [Eb] place.
[Cm]
[Bb] Baby, [F] believe me [Cm] now.
[Eb] There's [Bb] no drag in [Eb] the chase.
[Bb] Even looking at your [Eb] face.
In front of me.
[Eb] [F]
[Ebm] [Dm] [Ebm] If I Don't Leave Here Now is kind of interesting because I started [Bb] that song, you know, [Eb] like
maybe 10 years ago, maybe even longer.
I started the chord progression.
I remember exactly where I was.
I was sitting on a bed in a condo in New York, playing my guitar.
I had the capo on, maybe the fifth fret.
It was super high and I was strumming.
If I don't leave here now.
And then I lowered the key [Bb] and kept sort of working on the song as the years went by.
Not a lot.
But then when I sat down to write this group of songs, I revisited it.
It was in the list of contenders for this record.
But it didn't really strike anybody particularly.
You know, it wasn't like, oh, that's a keeper.
We've got to have that.
But then Jordan had the idea to turn it into a ballad.
She said, just she completely slowed down [F] the tempo and wrote this little part for it
and then [Bb] represented it.
And [Eb] then it was like, we have to have this on the record now.
It was really who knew?
Synchronize.
[Fm]
And when it hits the papers, the tongues start [Cm] wagging [Gm] like it can't be happening.
[F] You know what?
I don't have it in me.
[Bb] My voice is tired.
What?
You don't agree?
It's a song that means a lot to me.
And when we went to record it, usually I like to overdub.
So I'll like to play a song.
We'll get the track.
I'll maybe play guitar.
Then I'll sing my vocals and we'll put it together.
But Jordan's like, just try playing this and singing it with the guitar.
I didn't have any headphones on and I just sang it in a room.
And I was in a bad mood.
I didn't feel good.
I felt like maybe I was coming down with something.
I think it was towards the end of the day.
It was crabby.
I said to Jordan, I don't know if I'm coming down with something.
My throat feels scratchy.
I just, ugh, I'm mad.
I don't want to do this.
I don't think I can do this.
And she said, well, just try it one more time.
And so really I did it for her.
Don't give up [F] yet.
Okay.
I won't give up yet.
I appreciate [C] that.
No problem.
Pull up your breeches.
That's it.
Take a deep breath.
Pull up your [Bb] breeches.
Before I recorded it, I wouldn't have gone intellectually.
I'm mad and I feel like crap.
And this is a song about addiction and it's really heavy.
And so this should be perfect.
Let's do it.
You know, it was more like, I don't feel like it.
But of course it does make perfect sense.
And that's part of the mystery that just happens in recording and with music and with members
of your team and your friends who can push you through something to get to the other side.
You are rolling.
Here we go.
One, two, three.
[F] [C] [Eb]
[Bb] [F]
[Cm]
Say [Bb] if it ever was, it's [F] still in there.
[G] You can dig [Gm] and fill.
And never will [Eb] be full.
Trying to get that good [Bb] again.
Your last fifth of Jack, [F] a cigarette, the time [G] you bet [Gm] the form before you lost it [Eb] all.
You want that [Bb] feeling.
[Gm] Back you [Dm] go against the wind and the [Eb] advice.
Killing [Dm] yourself to stop from running out [F] of time.
[Eb] [Fm]
[Bb] But if I don't [F] leave you [Cm] now, [Eb]
I [Bb] will never get [F] out of this [Cm] place.
[Eb]
[Cm] [Bb] Baby, believe [F]
me [C] [Cm] now.
[Eb] There's [Bb] no drag in [Eb] the chase.
[Bb] Even looking at [Eb] your face in front of me.
If there [Bb] was ever one that [F] could be two, you [G] and you [Gm] and you.
A blue sky could [Eb] be a blue world.
A whiter shade [Bb] of white.
While you pour it on, you [F] pour it out.
You [Gm] would do everything you might have saved instead.
[Eb] For your loneliest [Bb] night.
And back you [Dm] go against the wind and good [Eb] advice.
Killing [Cm] [Dm] yourself to stop from running out of [F] life.
[Cm] [Fm] [Bb] But if I don't [F] leave you [Cm] now,
[Eb] I [Bb] will never get [F] out of this [Cm]
[Eb] place.
[Cm] [Bb] Baby, believe [F] me [Cm] now.
[Eb]
[Bb] There's no drag [Eb] in the chase.
Even [Bb] looking at your
[Eb] face.
When [Fm] it hits the papers, the tongues start wagging.
[G] Like it can't be happening.
[C]
[Gb] Doctors take it [Bb] and [Eb] they take it [Bb] away.
And [Fm] when they do, you'll find your stand up.
Every man [Gm] goes looking for his heroin.
[C]
[Eb] It happens [Bb] every day.
[Eb] Around every bend.
[Cm] Again and again.
[Gb] [F] [C] [F]
[Bb] [F]
[Cm] [Eb]
[Bb] [F]
[Cm] [Eb]
[Bb] [F]
[Cm] [Eb] [Cm]
[Bb] [F]
[Cm]
[Bb] But if I don't [A] [F] leave you [Cm] now, [Eb] I [Bb] will never get [F] out of this [C] [Cm] [Eb] place.
[Cm]
[Bb] Baby, [F] believe me [Cm] now.
[Eb] There's [Bb] no drag in [Eb] the chase.
[Bb] Even looking at your [Eb] face.
In front of me.
Key:
Bb
Eb
F
Cm
Gm
Bb
Eb
F
[Dm] _ _ [F] _ _ _ _ [Bb] _ _
[Eb] _ _ _ _ _ [F] _ _ _
_ _ _ [Ebm] _ [Dm] _ [Ebm] If I Don't Leave Here Now is kind of interesting because I started [Bb] that song, _ you know, [Eb] like
maybe 10 years ago, maybe even longer.
I started the chord progression.
I remember exactly where I was.
I was sitting on a bed in a condo in New York, _ playing my guitar.
I had the capo on, maybe the fifth fret.
It was super high and I was strumming.
If I don't leave here now.
And then _ I lowered the key [Bb] and kept sort of working on the song as the years went by.
Not a lot.
But then when I sat down to write this group of songs, I revisited it.
It was in the list of contenders for this record.
But it didn't really strike anybody particularly. _
You know, it wasn't like, oh, that's a keeper.
We've got to have that.
But then Jordan had the idea to turn it into a ballad.
She said, just she completely slowed down [F] the tempo _ and wrote this little part for it
and then [Bb] represented it.
_ And [Eb] then it was like, we have to have this on the record now.
It was really who knew?
_ _ _ Synchronize.
[Fm] _ _
And when it hits the papers, the tongues start [Cm] wagging [Gm] _ like it can't be happening.
[F] _ _ _ _ You know what?
I don't have it in me.
[Bb] _ My voice is tired. _
_ _ What?
You don't agree?
It's a song that means a lot to me.
And when we went to record it, usually I like to overdub.
So I'll like to play a song.
We'll get the track.
I'll maybe play guitar.
Then I'll sing my vocals and we'll put it together.
But Jordan's like, just try playing this and singing it with the guitar.
I didn't have any headphones on and I just sang it in a room.
_ And I was in a bad mood.
I didn't feel good.
I felt like maybe I was coming down with something.
I think it was towards the end of the day.
It was crabby.
I said to Jordan, I don't know if I'm coming down with something.
My throat feels scratchy.
I just, ugh, I'm mad.
I don't want to do this.
I don't think I can do this.
_ And she said, well, just try it one more time.
And so really I did it for her.
Don't give up [F] yet.
Okay.
I won't give up yet.
I appreciate [C] that.
No problem.
Pull up your breeches.
That's it.
Take a deep breath.
Pull up your [Bb] breeches. _
Before I recorded it, I wouldn't have gone intellectually.
_ I'm mad and I feel like crap.
And this is a song about addiction and it's really heavy.
And so this should be perfect.
Let's do it. _
You know, it was more like, I don't feel like it.
But of course it does make perfect sense.
And that's part of the mystery that just happens in recording and with music and _ with members
of your team and your friends who can push you through something to get to the other side.
_ _ You are rolling.
Here we go.
_ One, two, three.
_ _ _ _ _ _ _ _
[F] _ _ _ [C] _ [Eb] _ _ _ _
_ _ [Bb] _ _ _ _ _ [F] _
_ _ [Cm] _ _ _ _ _ _
Say [Bb] if it ever was, it's [F] still in there.
[G] You can dig [Gm] and fill.
And never will [Eb] be full.
_ Trying to get that good [Bb] again. _ _ _ _
Your last fifth of Jack, [F] a cigarette, the time [G] you bet [Gm] the form before you lost it [Eb] all.
_ You want that _ [Bb] feeling. _ _ _
[Gm] Back you [Dm] go against the wind and the [Eb] _ _ advice.
_ Killing [Dm] yourself to stop from running out [F] of time.
_ [Eb] _ _ [Fm] _
_ [Bb] But if I don't [F] _ leave you _ [Cm] now, _ [Eb] _ _
I [Bb] will never get [F] _ out of this [Cm] place.
_ _ [Eb] _ _ _
[Cm] _ [Bb] Baby, believe [F] _ _
me [C] [Cm] now.
_ [Eb] _ _ There's [Bb] no _ drag in [Eb] the chase. _
[Bb] Even looking at [Eb] your _ _ face in front of me. _ _
_ If there [Bb] was ever one that [F] could be two, you [G] and you [Gm] and you.
A blue sky could [Eb] be a blue world.
A whiter shade [Bb] of white. _
_ _ While you pour it on, you [F] pour it out.
You [Gm] would do everything you might have saved instead.
[Eb] _ _ For your _ loneliest _ [Bb] night. _
_ And back you [Dm] go against the wind and good [Eb] _ advice. _
Killing _ [Cm] [Dm] yourself to stop from running out of [F] _ _ life.
[Cm] _ _ [Fm] _ [Bb] But if I don't [F] leave you [Cm] now, _ _ _
[Eb] _ _ I [Bb] will never get [F] out of this [Cm] _ _ _
[Eb] place.
_ _ [Cm] _ [Bb] Baby, believe [F] _ me _ [Cm] now.
_ [Eb] _
_ _ [Bb] There's no _ drag [Eb] in the chase.
Even [Bb] looking at your _
[Eb] _ face.
_ _ _ When [Fm] it hits the papers, the tongues start wagging.
[G] _ _ Like it can't be happening.
[C] _
[Gb] _ _ _ Doctors take it [Bb] and [Eb] they take it [Bb] away.
_ And [Fm] when they do, you'll find your stand up.
Every man [Gm] goes looking for his heroin.
[C]
[Eb] It _ happens [Bb] every _ day.
[Eb] _ _ Around every _ _ bend.
[Cm] Again and again. _
[Gb] _ [F] _ _ [C] _ _ _ _ [F] _
[Bb] _ _ _ _ [F] _ _ _ _
[Cm] _ _ _ _ [Eb] _ _ _ _
[Bb] _ _ _ _ [F] _ _ _ _
[Cm] _ _ [Eb] _ _ _ _ _ _
[Bb] _ _ _ _ [F] _ _ _ _
[Cm] _ _ [Eb] _ _ _ _ _ [Cm] _
[Bb] _ _ _ _ [F] _ _ _ _
[Cm] _ _ _ _ _ _ _ _
[Bb] But if I don't [A] _ [F] leave you _ [Cm] now, _ [Eb] _ _ I [Bb] will never get [F] out of this [C] _ _ [Cm] _ [Eb] place.
_ _ [Cm] _
[Bb] _ Baby, [F] believe _ me _ [Cm] _ now.
[Eb] _ _ There's [Bb] no _ drag in [Eb] the chase. _
[Bb] Even looking at your [Eb] _ face. _
_ In front of me. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Eb] _ _ _ _ _ [F] _ _ _
_ _ _ [Ebm] _ [Dm] _ [Ebm] If I Don't Leave Here Now is kind of interesting because I started [Bb] that song, _ you know, [Eb] like
maybe 10 years ago, maybe even longer.
I started the chord progression.
I remember exactly where I was.
I was sitting on a bed in a condo in New York, _ playing my guitar.
I had the capo on, maybe the fifth fret.
It was super high and I was strumming.
If I don't leave here now.
And then _ I lowered the key [Bb] and kept sort of working on the song as the years went by.
Not a lot.
But then when I sat down to write this group of songs, I revisited it.
It was in the list of contenders for this record.
But it didn't really strike anybody particularly. _
You know, it wasn't like, oh, that's a keeper.
We've got to have that.
But then Jordan had the idea to turn it into a ballad.
She said, just she completely slowed down [F] the tempo _ and wrote this little part for it
and then [Bb] represented it.
_ And [Eb] then it was like, we have to have this on the record now.
It was really who knew?
_ _ _ Synchronize.
[Fm] _ _
And when it hits the papers, the tongues start [Cm] wagging [Gm] _ like it can't be happening.
[F] _ _ _ _ You know what?
I don't have it in me.
[Bb] _ My voice is tired. _
_ _ What?
You don't agree?
It's a song that means a lot to me.
And when we went to record it, usually I like to overdub.
So I'll like to play a song.
We'll get the track.
I'll maybe play guitar.
Then I'll sing my vocals and we'll put it together.
But Jordan's like, just try playing this and singing it with the guitar.
I didn't have any headphones on and I just sang it in a room.
_ And I was in a bad mood.
I didn't feel good.
I felt like maybe I was coming down with something.
I think it was towards the end of the day.
It was crabby.
I said to Jordan, I don't know if I'm coming down with something.
My throat feels scratchy.
I just, ugh, I'm mad.
I don't want to do this.
I don't think I can do this.
_ And she said, well, just try it one more time.
And so really I did it for her.
Don't give up [F] yet.
Okay.
I won't give up yet.
I appreciate [C] that.
No problem.
Pull up your breeches.
That's it.
Take a deep breath.
Pull up your [Bb] breeches. _
Before I recorded it, I wouldn't have gone intellectually.
_ I'm mad and I feel like crap.
And this is a song about addiction and it's really heavy.
And so this should be perfect.
Let's do it. _
You know, it was more like, I don't feel like it.
But of course it does make perfect sense.
And that's part of the mystery that just happens in recording and with music and _ with members
of your team and your friends who can push you through something to get to the other side.
_ _ You are rolling.
Here we go.
_ One, two, three.
_ _ _ _ _ _ _ _
[F] _ _ _ [C] _ [Eb] _ _ _ _
_ _ [Bb] _ _ _ _ _ [F] _
_ _ [Cm] _ _ _ _ _ _
Say [Bb] if it ever was, it's [F] still in there.
[G] You can dig [Gm] and fill.
And never will [Eb] be full.
_ Trying to get that good [Bb] again. _ _ _ _
Your last fifth of Jack, [F] a cigarette, the time [G] you bet [Gm] the form before you lost it [Eb] all.
_ You want that _ [Bb] feeling. _ _ _
[Gm] Back you [Dm] go against the wind and the [Eb] _ _ advice.
_ Killing [Dm] yourself to stop from running out [F] of time.
_ [Eb] _ _ [Fm] _
_ [Bb] But if I don't [F] _ leave you _ [Cm] now, _ [Eb] _ _
I [Bb] will never get [F] _ out of this [Cm] place.
_ _ [Eb] _ _ _
[Cm] _ [Bb] Baby, believe [F] _ _
me [C] [Cm] now.
_ [Eb] _ _ There's [Bb] no _ drag in [Eb] the chase. _
[Bb] Even looking at [Eb] your _ _ face in front of me. _ _
_ If there [Bb] was ever one that [F] could be two, you [G] and you [Gm] and you.
A blue sky could [Eb] be a blue world.
A whiter shade [Bb] of white. _
_ _ While you pour it on, you [F] pour it out.
You [Gm] would do everything you might have saved instead.
[Eb] _ _ For your _ loneliest _ [Bb] night. _
_ And back you [Dm] go against the wind and good [Eb] _ advice. _
Killing _ [Cm] [Dm] yourself to stop from running out of [F] _ _ life.
[Cm] _ _ [Fm] _ [Bb] But if I don't [F] leave you [Cm] now, _ _ _
[Eb] _ _ I [Bb] will never get [F] out of this [Cm] _ _ _
[Eb] place.
_ _ [Cm] _ [Bb] Baby, believe [F] _ me _ [Cm] now.
_ [Eb] _
_ _ [Bb] There's no _ drag [Eb] in the chase.
Even [Bb] looking at your _
[Eb] _ face.
_ _ _ When [Fm] it hits the papers, the tongues start wagging.
[G] _ _ Like it can't be happening.
[C] _
[Gb] _ _ _ Doctors take it [Bb] and [Eb] they take it [Bb] away.
_ And [Fm] when they do, you'll find your stand up.
Every man [Gm] goes looking for his heroin.
[C]
[Eb] It _ happens [Bb] every _ day.
[Eb] _ _ Around every _ _ bend.
[Cm] Again and again. _
[Gb] _ [F] _ _ [C] _ _ _ _ [F] _
[Bb] _ _ _ _ [F] _ _ _ _
[Cm] _ _ _ _ [Eb] _ _ _ _
[Bb] _ _ _ _ [F] _ _ _ _
[Cm] _ _ [Eb] _ _ _ _ _ _
[Bb] _ _ _ _ [F] _ _ _ _
[Cm] _ _ [Eb] _ _ _ _ _ [Cm] _
[Bb] _ _ _ _ [F] _ _ _ _
[Cm] _ _ _ _ _ _ _ _
[Bb] But if I don't [A] _ [F] leave you _ [Cm] now, _ [Eb] _ _ I [Bb] will never get [F] out of this [C] _ _ [Cm] _ [Eb] place.
_ _ [Cm] _
[Bb] _ Baby, [F] believe _ me _ [Cm] _ now.
[Eb] _ _ There's [Bb] no _ drag in [Eb] the chase. _
[Bb] Even looking at your [Eb] _ face. _
_ In front of me. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _