Chords for INSANE BARELY ALIVE / ZOMBOY SERUM GROWL TUTORIAL [FREE PRESET]
Tempo:
126.7 bpm
Chords used:
G
Dm
Am
A
Gm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
![INSANE BARELY ALIVE / ZOMBOY SERUM GROWL TUTORIAL [FREE PRESET] chords](https://i.ytimg.com/vi/guf22WZEeV0/mqdefault.jpg)
Start Jamming...
Oh [Am] sheet, what up everyone, I'm [Gm] Woobix and today I'm going to show [C] you how to make the
most insane fucking growl bass [Am] you will ever hear in serum.
[E] This shit is so leak that I had to steal it from Virtual [A] Riot himself.
[Db] Don't tell anyone I [Gm] gave you this [Am] because I will be dead as fuck.
[G] So let's [G] hear how the [E] bass sounds like.
[Am]
[Gm] The link of this preset [E] will be in the [A] description down below.
Alright, so, to jump right in, open up a serum.
I [Dm] used some custom [Em] wavetables, so you can also download them in the [Gm] description.
Turn the [A] octaves down on minus 2.
Put LFO 1 [Em] on triggered mode, put it on a bar, [A] and make a shape kinda like this.
[Dm] [G]
[Dm] [G]
[D] [G] Automate the level from oscillator A, [Em] 80%, and [Dm] level from oscillator [Bb] B,
[E] 100%.
[F] Automate the wavetable position [Am] from oscillator A, starting from 35%, all the way up.
Also, [Gm] automate oscillator [A] B's wavetable [Am] position backwards from 240, to something around [E] negative 30.
[Dm] Set bend minus [Ab] as a warping mode to [Gm] both oscillators.
[Dm] And automate [G] it to around 40, [Dm] 45%.
[G]
[Dm] Also, [Bb] for a little more stereo [A] effect, turn [Gm] unison 3 on oscillator A, [Am] and detune it just
a tiny bit, and set [D] the phase and random [Am] to 0.
[G] Now, [A] turn on the filter, [C] and check everything you can.
[A] Go to multi, and set a high notch 12 filter.
[Gm] [A] Turn the cutoff [Am] all the way down, turn [Dm] the resonance all the way [G] down, turn up the drive
just a bit, and turn the [Gm] frequency to 90%.
[Am]
[E] Automate the cutoff 55%, and the resonance [G] 50%.
[Dm] [Gm] Also, automate the frequency [Dm] around negative 40.
[G]
You can also turn on the sub-oscillator with a triangle shape, turn down the octave [Dm] minus
1, and also [F] automate the [A] volume [Gm] 60%.
[C] Now, on the FX panel, [Gm] turn on distortion, [Em] set it to hard clip, and automate [G] the drive around [Am] 85%.
[A] Turn the filter on, and set it [D] to LPH 24.
Put the [D] cutoff on 30Hz, and automate [Dm] it [G] 45%.
Turn up the resonance [Dm] and drive just a bit.
[G] Turn morphing all the way to the right, and [Dm] automate that shit [Bb] around [Em] 65%.
[Dm] Now, [G] into the hyper dimension, turn the hyper mix a [Dm] tiny bit to the [G] left, turn the size
around [D] 2%, and lower the mix 25%.
Turn on the phaser, and set the rate to 0.
Turn up the depth around 20%.
[Gm]
[Am] [B] Turn [Eb] the frequency around [C] 2000Hz, and [Am] automate it backwards, around 30%.
Also, turn up the feed [A] 25%, and automate it around 45%.
[Gm] Turn the mix to 45%, and automate it [Gm]
25%.
[A] Now, turn on the compressor, [Gb] and set it on [Bm] multiband.
[Ab] Turn up the gain a tiny bit, and move the threshold to the left around negative [A] 12db.
[G] Finally, turn [A] on the EQ, and set the left band on [Gm] high pass.
Turn [E] the frequency all the way down, and automate it
[Bb] [Em] 45%.
As a final [A] touch, you can turn on the delay, and set both left and right sides [Dm] to 1 over
256 [D] 1 over 256, and automate the feedback [G] like this.
This gives a little [Dm] metallic touch and a tiny more oom.
[G] And now, [Em] go into the matrix, [Bb] and set as a source [A] LFO2.
Put the [G] amount on 12, and [F] set the destination [Am] to global, master [Gm] tuning.
Also, [Am] you can set macro 1 as an aux [Gm] source for this, to make it [Am] a dry slash wet macro.
[F] Go [A] into LFO2, set it to triggered, put [G] it on a bar, and make a shape like this.
[Dm]
[G] [Dm]
Our final [G] result.
[Em]
[Dm] [Bb] [Am]
This bass needs some post processing.
[G] So, I used an EQ, [Am] to take out the sub, and boost [G] some frequencies, an OTT [Am] with 100% depth,
[A] and shit ton of out gain, and a limiter.
Alright, so [G] that was it for today [Gb] guys.
Hope you enjoyed this more serious video, and tell me if you would want more of them, goodbye.
[N]
most insane fucking growl bass [Am] you will ever hear in serum.
[E] This shit is so leak that I had to steal it from Virtual [A] Riot himself.
[Db] Don't tell anyone I [Gm] gave you this [Am] because I will be dead as fuck.
[G] So let's [G] hear how the [E] bass sounds like.
[Am]
[Gm] The link of this preset [E] will be in the [A] description down below.
Alright, so, to jump right in, open up a serum.
I [Dm] used some custom [Em] wavetables, so you can also download them in the [Gm] description.
Turn the [A] octaves down on minus 2.
Put LFO 1 [Em] on triggered mode, put it on a bar, [A] and make a shape kinda like this.
[Dm] [G]
[Dm] [G]
[D] [G] Automate the level from oscillator A, [Em] 80%, and [Dm] level from oscillator [Bb] B,
[E] 100%.
[F] Automate the wavetable position [Am] from oscillator A, starting from 35%, all the way up.
Also, [Gm] automate oscillator [A] B's wavetable [Am] position backwards from 240, to something around [E] negative 30.
[Dm] Set bend minus [Ab] as a warping mode to [Gm] both oscillators.
[Dm] And automate [G] it to around 40, [Dm] 45%.
[G]
[Dm] Also, [Bb] for a little more stereo [A] effect, turn [Gm] unison 3 on oscillator A, [Am] and detune it just
a tiny bit, and set [D] the phase and random [Am] to 0.
[G] Now, [A] turn on the filter, [C] and check everything you can.
[A] Go to multi, and set a high notch 12 filter.
[Gm] [A] Turn the cutoff [Am] all the way down, turn [Dm] the resonance all the way [G] down, turn up the drive
just a bit, and turn the [Gm] frequency to 90%.
[Am]
[E] Automate the cutoff 55%, and the resonance [G] 50%.
[Dm] [Gm] Also, automate the frequency [Dm] around negative 40.
[G]
You can also turn on the sub-oscillator with a triangle shape, turn down the octave [Dm] minus
1, and also [F] automate the [A] volume [Gm] 60%.
[C] Now, on the FX panel, [Gm] turn on distortion, [Em] set it to hard clip, and automate [G] the drive around [Am] 85%.
[A] Turn the filter on, and set it [D] to LPH 24.
Put the [D] cutoff on 30Hz, and automate [Dm] it [G] 45%.
Turn up the resonance [Dm] and drive just a bit.
[G] Turn morphing all the way to the right, and [Dm] automate that shit [Bb] around [Em] 65%.
[Dm] Now, [G] into the hyper dimension, turn the hyper mix a [Dm] tiny bit to the [G] left, turn the size
around [D] 2%, and lower the mix 25%.
Turn on the phaser, and set the rate to 0.
Turn up the depth around 20%.
[Gm]
[Am] [B] Turn [Eb] the frequency around [C] 2000Hz, and [Am] automate it backwards, around 30%.
Also, turn up the feed [A] 25%, and automate it around 45%.
[Gm] Turn the mix to 45%, and automate it [Gm]
25%.
[A] Now, turn on the compressor, [Gb] and set it on [Bm] multiband.
[Ab] Turn up the gain a tiny bit, and move the threshold to the left around negative [A] 12db.
[G] Finally, turn [A] on the EQ, and set the left band on [Gm] high pass.
Turn [E] the frequency all the way down, and automate it
[Bb] [Em] 45%.
As a final [A] touch, you can turn on the delay, and set both left and right sides [Dm] to 1 over
256 [D] 1 over 256, and automate the feedback [G] like this.
This gives a little [Dm] metallic touch and a tiny more oom.
[G] And now, [Em] go into the matrix, [Bb] and set as a source [A] LFO2.
Put the [G] amount on 12, and [F] set the destination [Am] to global, master [Gm] tuning.
Also, [Am] you can set macro 1 as an aux [Gm] source for this, to make it [Am] a dry slash wet macro.
[F] Go [A] into LFO2, set it to triggered, put [G] it on a bar, and make a shape like this.
[Dm]
[G] [Dm]
Our final [G] result.
[Em]
[Dm] [Bb] [Am]
This bass needs some post processing.
[G] So, I used an EQ, [Am] to take out the sub, and boost [G] some frequencies, an OTT [Am] with 100% depth,
[A] and shit ton of out gain, and a limiter.
Alright, so [G] that was it for today [Gb] guys.
Hope you enjoyed this more serious video, and tell me if you would want more of them, goodbye.
[N]
Key:
G
Dm
Am
A
Gm
G
Dm
Am
_ _ _ _ _ _ _
Oh [Am] sheet, what up everyone, I'm [Gm] Woobix and today I'm going to show [C] you how to make the
most insane fucking growl bass [Am] you will ever hear in serum.
[E] This shit is so leak that I had to steal it from Virtual [A] Riot himself.
[Db] Don't tell anyone I [Gm] gave you this [Am] because I will be dead as fuck.
[G] So let's [G] hear how the [E] bass sounds like.
_ _ [Am] _ _
[Gm] The link of this preset [E] will be in the [A] description down below.
Alright, so, to jump right in, open up a serum.
I [Dm] used some custom [Em] wavetables, so you can also download them in the [Gm] description.
Turn the [A] octaves down on minus 2.
_ Put LFO 1 [Em] on triggered mode, put it on a bar, [A] and make a shape kinda like this. _ _ _
_ [Dm] _ _ _ _ [G] _ _ _
_ [Dm] _ _ _ _ [G] _ _ _
_ [D] _ _ [G] Automate the level from oscillator A, [Em] 80%, and [Dm] level from oscillator [Bb] B, _ _
[E] 100%.
[F] Automate the wavetable position [Am] from oscillator A, starting from 35%, all the way up.
Also, [Gm] automate oscillator [A] B's wavetable [Am] position backwards from 240, to something around [E] negative 30. _
_ [Dm] _ _ Set bend minus [Ab] as a warping mode to [Gm] both oscillators.
[Dm] _ And automate [G] it to around 40, _ [Dm] 45%.
_ _ [G] _ _
_ _ [Dm] Also, [Bb] for a little more stereo [A] effect, turn [Gm] unison 3 on oscillator A, [Am] and detune it just
a tiny bit, and set [D] the phase and random [Am] to 0. _ _
_ [G] Now, [A] turn on the filter, [C] and check everything you can.
[A] Go to multi, and set a high notch 12 filter.
[Gm] _ [A] Turn the cutoff [Am] all the way down, turn [Dm] the resonance all the way [G] down, turn up the drive
just a bit, and turn the [Gm] frequency to 90%.
[Am] _ _
[E] Automate the cutoff 55%, and the resonance [G] 50%.
[Dm] _ _ _ [Gm] Also, automate the frequency [Dm] around negative 40.
_ [G] _ _
You can also turn on the sub-oscillator with a triangle shape, turn down the octave [Dm] minus
1, and also [F] automate the [A] volume [Gm] 60%.
_ _ _ [C] Now, on the FX panel, [Gm] turn on distortion, [Em] set it to hard clip, and automate [G] the drive around _ [Am] 85%. _
_ _ [A] Turn the filter on, and set it [D] to LPH 24.
Put the [D] cutoff on 30Hz, and automate [Dm] it _ [G] 45%. _
Turn up the resonance [Dm] and drive just a bit.
[G] Turn morphing all the way to the right, and [Dm] automate that shit [Bb] around _ [Em] 65%.
_ _ [Dm] Now, [G] into the hyper dimension, turn the hyper mix a [Dm] tiny bit to the [G] left, turn the size
around [D] 2%, and lower the mix 25%.
Turn on the phaser, and set the rate to 0.
Turn up the depth around _ 20%.
[Gm] _ _
_ [Am] _ _ [B] Turn [Eb] the frequency around [C] 2000Hz, and [Am] automate it backwards, around 30%.
Also, turn up the feed _ [A] 25%, and automate it around _ 45%.
[Gm] Turn the mix to _ 45%, and automate it [Gm] _ _
25%.
[A] Now, turn on the compressor, [Gb] and set it on [Bm] multiband.
[Ab] Turn up the gain a tiny bit, and move the threshold to the left around negative [A] 12db.
[G] Finally, turn [A] on the EQ, and set the left band on [Gm] high pass.
Turn [E] the frequency all the way down, and automate it _
[Bb] [Em] 45%.
As a final [A] touch, you can turn on the delay, and set both left and right sides [Dm] to 1 over _
256 [D] 1 over 256, and automate the feedback [G] like this.
This gives a little [Dm] metallic touch and a tiny more oom.
[G] And now, [Em] go into the matrix, [Bb] and set as a source [A] LFO2.
Put the [G] amount on 12, and [F] set the destination [Am] to global, master [Gm] tuning. _
Also, [Am] you can set macro 1 as an aux [Gm] source for this, to make it [Am] a dry slash wet macro.
_ [F] Go [A] into LFO2, set it to triggered, put [G] it on a bar, and make a shape like this.
_ _ [Dm] _ _
_ _ [G] _ _ _ _ [Dm] _
Our final [G] result.
_ _ _ [Em] _ _
[Dm] _ _ [Bb] _ _ [Am] _ _ _
This bass needs some post processing.
[G] So, I used an EQ, [Am] to take out the sub, and boost [G] some frequencies, an OTT [Am] with 100% depth,
[A] and shit ton of out gain, and a limiter.
Alright, so [G] that was it for today [Gb] guys.
Hope you enjoyed this more serious video, and tell me if you would want more of them, goodbye. _ _
_ _ _ _ _ _ [N] _ _
Oh [Am] sheet, what up everyone, I'm [Gm] Woobix and today I'm going to show [C] you how to make the
most insane fucking growl bass [Am] you will ever hear in serum.
[E] This shit is so leak that I had to steal it from Virtual [A] Riot himself.
[Db] Don't tell anyone I [Gm] gave you this [Am] because I will be dead as fuck.
[G] So let's [G] hear how the [E] bass sounds like.
_ _ [Am] _ _
[Gm] The link of this preset [E] will be in the [A] description down below.
Alright, so, to jump right in, open up a serum.
I [Dm] used some custom [Em] wavetables, so you can also download them in the [Gm] description.
Turn the [A] octaves down on minus 2.
_ Put LFO 1 [Em] on triggered mode, put it on a bar, [A] and make a shape kinda like this. _ _ _
_ [Dm] _ _ _ _ [G] _ _ _
_ [Dm] _ _ _ _ [G] _ _ _
_ [D] _ _ [G] Automate the level from oscillator A, [Em] 80%, and [Dm] level from oscillator [Bb] B, _ _
[E] 100%.
[F] Automate the wavetable position [Am] from oscillator A, starting from 35%, all the way up.
Also, [Gm] automate oscillator [A] B's wavetable [Am] position backwards from 240, to something around [E] negative 30. _
_ [Dm] _ _ Set bend minus [Ab] as a warping mode to [Gm] both oscillators.
[Dm] _ And automate [G] it to around 40, _ [Dm] 45%.
_ _ [G] _ _
_ _ [Dm] Also, [Bb] for a little more stereo [A] effect, turn [Gm] unison 3 on oscillator A, [Am] and detune it just
a tiny bit, and set [D] the phase and random [Am] to 0. _ _
_ [G] Now, [A] turn on the filter, [C] and check everything you can.
[A] Go to multi, and set a high notch 12 filter.
[Gm] _ [A] Turn the cutoff [Am] all the way down, turn [Dm] the resonance all the way [G] down, turn up the drive
just a bit, and turn the [Gm] frequency to 90%.
[Am] _ _
[E] Automate the cutoff 55%, and the resonance [G] 50%.
[Dm] _ _ _ [Gm] Also, automate the frequency [Dm] around negative 40.
_ [G] _ _
You can also turn on the sub-oscillator with a triangle shape, turn down the octave [Dm] minus
1, and also [F] automate the [A] volume [Gm] 60%.
_ _ _ [C] Now, on the FX panel, [Gm] turn on distortion, [Em] set it to hard clip, and automate [G] the drive around _ [Am] 85%. _
_ _ [A] Turn the filter on, and set it [D] to LPH 24.
Put the [D] cutoff on 30Hz, and automate [Dm] it _ [G] 45%. _
Turn up the resonance [Dm] and drive just a bit.
[G] Turn morphing all the way to the right, and [Dm] automate that shit [Bb] around _ [Em] 65%.
_ _ [Dm] Now, [G] into the hyper dimension, turn the hyper mix a [Dm] tiny bit to the [G] left, turn the size
around [D] 2%, and lower the mix 25%.
Turn on the phaser, and set the rate to 0.
Turn up the depth around _ 20%.
[Gm] _ _
_ [Am] _ _ [B] Turn [Eb] the frequency around [C] 2000Hz, and [Am] automate it backwards, around 30%.
Also, turn up the feed _ [A] 25%, and automate it around _ 45%.
[Gm] Turn the mix to _ 45%, and automate it [Gm] _ _
25%.
[A] Now, turn on the compressor, [Gb] and set it on [Bm] multiband.
[Ab] Turn up the gain a tiny bit, and move the threshold to the left around negative [A] 12db.
[G] Finally, turn [A] on the EQ, and set the left band on [Gm] high pass.
Turn [E] the frequency all the way down, and automate it _
[Bb] [Em] 45%.
As a final [A] touch, you can turn on the delay, and set both left and right sides [Dm] to 1 over _
256 [D] 1 over 256, and automate the feedback [G] like this.
This gives a little [Dm] metallic touch and a tiny more oom.
[G] And now, [Em] go into the matrix, [Bb] and set as a source [A] LFO2.
Put the [G] amount on 12, and [F] set the destination [Am] to global, master [Gm] tuning. _
Also, [Am] you can set macro 1 as an aux [Gm] source for this, to make it [Am] a dry slash wet macro.
_ [F] Go [A] into LFO2, set it to triggered, put [G] it on a bar, and make a shape like this.
_ _ [Dm] _ _
_ _ [G] _ _ _ _ [Dm] _
Our final [G] result.
_ _ _ [Em] _ _
[Dm] _ _ [Bb] _ _ [Am] _ _ _
This bass needs some post processing.
[G] So, I used an EQ, [Am] to take out the sub, and boost [G] some frequencies, an OTT [Am] with 100% depth,
[A] and shit ton of out gain, and a limiter.
Alright, so [G] that was it for today [Gb] guys.
Hope you enjoyed this more serious video, and tell me if you would want more of them, goodbye. _ _
_ _ _ _ _ _ [N] _ _