Into The Ocean Chords by Blue October
Tempo:
113.9 bpm
Chords used:
C
F#
F
E
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F#] [C]
I'm just a normal boy that sank when I [Dm] fell overboard.
[C] My ship would leave the country, but I'd rather swim ashore without
Being [G#] a fan of Blue October, I knew [F] that Justin, who's a super, super emo guy, [E] super [F#] emotional
person, he's had a hard life.
And that all comes out in his lyrics.
Like, every song is about this inner turmoil that he faces on a daily basis, his [E] challenges,
you know, with addiction and with whatever [C] else.
I'm cold as cold as cold can be, be.
I went to high school [Am] performing the visual arts with Ryan, the violinist, [Em] and we started
a band, I started [G] writing songs, and so he started putting violin to the songs, and then
[E] we asked my brother to start playing the drums, he didn't know how, and he just got on and
started playing a fat beat, you know?
And then we got our bassist from a manager across the country from Michigan, and then
we got CB, [Am] and we've just been touring in a van, like, for the last, like, ten years,
and then we finally just [E] had a song break, and it's [F#] crazy.
My name's Matt Noveske, I play bass [C] guitar.
CB [F#] Hudson, I play [C] lead guitar.
Relax and float into space, I'm on a swampland.
[Cm] Our first radio was around 2000.
We had a small stint [Fm] with Consent to Treatment, a song [C] called James, and then our next album,
History for Sale, we had a song called Calling You, that was regionally played, and it caught
on for a [F#] short amount of time, and it fell off, it was [F] on the American Wedding soundtrack,
and then with [F#] Foils, hey, it's gone [F] crazy.
[C] Welcome back.
Huru, or [D] Erhu, [C] spelled E-R-H-U, it's a Chinese instrument.
I don't [B] know how to play it, I just bought [G] one to learn how to play it, and then we started
doing, [F#] you know, we decided to do the video, and I was like, well, that's perfect, because
the sound of the solo violin and the song, we emulated the sound of this instrument,
and so I thought it'd be cool to include it in the video.
Thought it'd be kind of cool.
And it worked out great.
Ready to go paint a house?
They say I look like a 40s [D#] sailor or fisherman or diver or something, who knows?
We like to say [F#] our singer had a bad month, but it just comes [Em] from a time of change, and
a [F#]
few people probably needed some serious change back then when we were getting started,
and it was in October, it was kind of autumn, everything's changing, and the air around
us was fairly blue and [F] somber.
I'm sinking to the bottom [C] of my everything, it freaks me out, the lighthouse beam has
just run out.
You mean in comparison to the other videos?
This one, to [C] me, is a lot more, there's a lot more production.
It's just a lot more, it's more, instead [F#] of a, like with Hate Me, it was kind of more
[D] linear in storyline, like, you know, followed one [F] long continuous [D] scene out of the house,
and then there were band shots, but [C] with this it's like, it seems like it's a lot more chopped up.
[E] It's a lot of fun.
It's [C] fun.
[F#m] I'll [F#] bust out this song to listen to, [C] I think I used to [F#] play something there, you know,
I'll go back and look at it, and be like, oh [F] yeah, I did use to play something there.
Just to kind of [F#] refresh myself, you know, what I actually used [D] to play.
[F#m]
[D#]
[F#] This is Red Solo.
Where's the kick?
[A] I'm glad you said that, because I do that too, I'm glad I'm not the only one.
There's been times I'm like, that's not how it goes.
But it [N] just either evolves or changes over time, you know, after a few years, it's like,
you go back and listen to the original version, and you're like, oh yeah, I used to play that
and it's a little different than I have now.
After a match, it's like, boom, boom, boom, [G#] boom, [G] boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom.
And then it progresses like a, boom, [F#] skk, skk, skk, skk, skk.
Yeah, and then [F#] it's all over the place.
We look at it, we're [Bm] like, no!
During the splits, everybody's like, oh [F#m] yeah, I forgot.
Sorry.
[D#] I got one [F] more for you.
Family.
[Cm]
That's what it is.
[A#] That's it?
I'm a man of [F] few words.
Not knowing how to think, I scream aloud, begin to sink.
My legs and arms are broken down with envy for the solid [C] ground.
I'm reaching for the life within me.
How can one man stop this ending?
I'd bought or killed your face, relaxed and floated into [Dm] space.
So when I first [F] heard the track, knowing [F] that and being a fan,
that's what the idea came from, is that this entire [C] thing,
the storm, the [F#] play on Moby Dick, the whole thing is a metaphor
for his battles with addiction [D#]
and, [F#] you know, not to be super dark,
but essentially suicide, [E] like overcoming that,
like I want to dive [C] into the ocean, I want to end this.
I don't know if I should.
Let the rain come down.
[A#] If you were a hot dog, would you eat yourself?
Smooth.
If the moon was made [F#] of spare rib, [C] would you eat yourself?
Yes or no [D] questions, simple.
[G]
[F#] [F] [C] Now waking to the sun, I calculate what I had done,
like jumping from the bough, yeah, just to prove that I knew [Am] how, yeah.
It's midnight's late reminder of the loss of her, the one [A] I love.
My will to quickly end it all, set one row [Am] in my neat [F] ball.
Into the ocean, end it all.
Into the ocean, [C]
end it all.
I never said that.
Oh, no, I'm just kidding.
Not as cocky like that, but like.
You just met your new guitarist.
Sure, yeah, exactly.
I'm like, I'm the new guy.
But listened to a CD and fell [Am] in love with it,
so it was definitely a moment.
[C] So let me tell that story.
The way it was originally told, basically, he was sitting at the table,
[C] looking kind of down, and it turned out he was figuring out
that he had to let his other guitar player go, and he looks upset,
so I'm not going to go.
He came up to me and was like, you got a light?
I was like, sure.
I hear you're having trouble with your guitar player.
He was like, what?
What?
How'd you know that?
[F] Into the ocean, end it all.
Into the ocean, end it all.
Into the ocean, end it all.
Into the ocean, end it all.
[C] Into the ocean, end it all.
I thought it was just your face.
[Cm] [N]
I'm just a normal boy that sank when I [Dm] fell overboard.
[C] My ship would leave the country, but I'd rather swim ashore without
Being [G#] a fan of Blue October, I knew [F] that Justin, who's a super, super emo guy, [E] super [F#] emotional
person, he's had a hard life.
And that all comes out in his lyrics.
Like, every song is about this inner turmoil that he faces on a daily basis, his [E] challenges,
you know, with addiction and with whatever [C] else.
I'm cold as cold as cold can be, be.
I went to high school [Am] performing the visual arts with Ryan, the violinist, [Em] and we started
a band, I started [G] writing songs, and so he started putting violin to the songs, and then
[E] we asked my brother to start playing the drums, he didn't know how, and he just got on and
started playing a fat beat, you know?
And then we got our bassist from a manager across the country from Michigan, and then
we got CB, [Am] and we've just been touring in a van, like, for the last, like, ten years,
and then we finally just [E] had a song break, and it's [F#] crazy.
My name's Matt Noveske, I play bass [C] guitar.
CB [F#] Hudson, I play [C] lead guitar.
Relax and float into space, I'm on a swampland.
[Cm] Our first radio was around 2000.
We had a small stint [Fm] with Consent to Treatment, a song [C] called James, and then our next album,
History for Sale, we had a song called Calling You, that was regionally played, and it caught
on for a [F#] short amount of time, and it fell off, it was [F] on the American Wedding soundtrack,
and then with [F#] Foils, hey, it's gone [F] crazy.
[C] Welcome back.
Huru, or [D] Erhu, [C] spelled E-R-H-U, it's a Chinese instrument.
I don't [B] know how to play it, I just bought [G] one to learn how to play it, and then we started
doing, [F#] you know, we decided to do the video, and I was like, well, that's perfect, because
the sound of the solo violin and the song, we emulated the sound of this instrument,
and so I thought it'd be cool to include it in the video.
Thought it'd be kind of cool.
And it worked out great.
Ready to go paint a house?
They say I look like a 40s [D#] sailor or fisherman or diver or something, who knows?
We like to say [F#] our singer had a bad month, but it just comes [Em] from a time of change, and
a [F#]
few people probably needed some serious change back then when we were getting started,
and it was in October, it was kind of autumn, everything's changing, and the air around
us was fairly blue and [F] somber.
I'm sinking to the bottom [C] of my everything, it freaks me out, the lighthouse beam has
just run out.
You mean in comparison to the other videos?
This one, to [C] me, is a lot more, there's a lot more production.
It's just a lot more, it's more, instead [F#] of a, like with Hate Me, it was kind of more
[D] linear in storyline, like, you know, followed one [F] long continuous [D] scene out of the house,
and then there were band shots, but [C] with this it's like, it seems like it's a lot more chopped up.
[E] It's a lot of fun.
It's [C] fun.
[F#m] I'll [F#] bust out this song to listen to, [C] I think I used to [F#] play something there, you know,
I'll go back and look at it, and be like, oh [F] yeah, I did use to play something there.
Just to kind of [F#] refresh myself, you know, what I actually used [D] to play.
[F#m]
[D#]
[F#] This is Red Solo.
Where's the kick?
[A] I'm glad you said that, because I do that too, I'm glad I'm not the only one.
There's been times I'm like, that's not how it goes.
But it [N] just either evolves or changes over time, you know, after a few years, it's like,
you go back and listen to the original version, and you're like, oh yeah, I used to play that
and it's a little different than I have now.
After a match, it's like, boom, boom, boom, [G#] boom, [G] boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom.
And then it progresses like a, boom, [F#] skk, skk, skk, skk, skk.
Yeah, and then [F#] it's all over the place.
We look at it, we're [Bm] like, no!
During the splits, everybody's like, oh [F#m] yeah, I forgot.
Sorry.
[D#] I got one [F] more for you.
Family.
[Cm]
That's what it is.
[A#] That's it?
I'm a man of [F] few words.
Not knowing how to think, I scream aloud, begin to sink.
My legs and arms are broken down with envy for the solid [C] ground.
I'm reaching for the life within me.
How can one man stop this ending?
I'd bought or killed your face, relaxed and floated into [Dm] space.
So when I first [F] heard the track, knowing [F] that and being a fan,
that's what the idea came from, is that this entire [C] thing,
the storm, the [F#] play on Moby Dick, the whole thing is a metaphor
for his battles with addiction [D#]
and, [F#] you know, not to be super dark,
but essentially suicide, [E] like overcoming that,
like I want to dive [C] into the ocean, I want to end this.
I don't know if I should.
Let the rain come down.
[A#] If you were a hot dog, would you eat yourself?
Smooth.
If the moon was made [F#] of spare rib, [C] would you eat yourself?
Yes or no [D] questions, simple.
[G]
[F#] [F] [C] Now waking to the sun, I calculate what I had done,
like jumping from the bough, yeah, just to prove that I knew [Am] how, yeah.
It's midnight's late reminder of the loss of her, the one [A] I love.
My will to quickly end it all, set one row [Am] in my neat [F] ball.
Into the ocean, end it all.
Into the ocean, [C]
end it all.
I never said that.
Oh, no, I'm just kidding.
Not as cocky like that, but like.
You just met your new guitarist.
Sure, yeah, exactly.
I'm like, I'm the new guy.
But listened to a CD and fell [Am] in love with it,
so it was definitely a moment.
[C] So let me tell that story.
The way it was originally told, basically, he was sitting at the table,
[C] looking kind of down, and it turned out he was figuring out
that he had to let his other guitar player go, and he looks upset,
so I'm not going to go.
He came up to me and was like, you got a light?
I was like, sure.
I hear you're having trouble with your guitar player.
He was like, what?
What?
How'd you know that?
[F] Into the ocean, end it all.
Into the ocean, end it all.
Into the ocean, end it all.
Into the ocean, end it all.
[C] Into the ocean, end it all.
I thought it was just your face.
[Cm] [N]
Key:
C
F#
F
E
Am
C
F#
F
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F#] _ _ _ _ _ _ _ [C] _
I'm just a normal boy that sank when I [Dm] fell overboard.
[C] My ship would leave the country, but I'd rather swim ashore without_
Being [G#] a fan of Blue October, I knew [F] that Justin, _ _ _ who's a super, super emo guy, [E] super [F#] emotional
person, he's had a hard life.
And that all comes out in his lyrics.
Like, every song is about this inner turmoil that he faces on a daily basis, his [E] challenges,
you know, with addiction and with whatever [C] else.
I'm cold as cold as cold can be, be.
I went to high school [Am] performing the visual arts with Ryan, the violinist, [Em] and we started
a band, I started [G] writing songs, and so he started putting violin to the songs, and then
[E] we asked my brother to start playing the drums, he didn't know how, and he just got on and
started playing a fat beat, you know?
And _ then we got our bassist from a manager across the country from Michigan, and then
we got CB, [Am] and we've just been touring in a van, like, for the last, like, ten years,
and then we finally just [E] had a song break, and it's [F#] crazy.
_ My name's Matt Noveske, I play bass [C] guitar.
CB [F#] Hudson, I play [C] lead guitar.
Relax and float into space, I'm on a swampland.
[Cm] Our first radio was around 2000.
We had a small stint [Fm] with Consent to Treatment, a song [C] called James, and _ then our next album,
History for Sale, we had a song called Calling You, that was regionally played, and it caught
on for a [F#] short amount of time, and it fell off, it was [F] on the American Wedding soundtrack,
and then with [F#] Foils, hey, it's gone [F] crazy.
_ _ _ [C] Welcome back. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Huru, or [D] Erhu, [C] spelled E-R-H-U, it's a Chinese instrument.
I don't [B] know how to play it, I just bought [G] one to learn how to play it, and then we started
doing, [F#] you know, we decided to do the video, and I was like, well, that's perfect, because
the sound of the solo violin and the song, we _ _ emulated the sound of this instrument,
and so I thought it'd be cool to include it in the video.
Thought it'd be kind of cool.
And it worked out great.
Ready to go paint a house?
_ _ _ They say I look like a _ _ 40s [D#] sailor or fisherman or diver or something, who knows? _ _
We like to say [F#] our singer had a bad month, _ but it just comes [Em] from a time of change, and
a [F#]
few people probably needed some serious change back then when we were getting started,
and it was in October, it was kind of _ autumn, everything's changing, and _ the air around
us was fairly blue and [F] somber.
_ I'm sinking to the bottom [C] of my everything, it freaks me out, the lighthouse beam has
just run out.
You mean in comparison to the other videos?
_ This one, to [C] me, is a lot more, there's a lot more production.
It's just a lot more, it's more, instead [F#] of a, like with Hate Me, it _ was kind of more
[D] linear in storyline, like, you know, followed one [F] long continuous [D] scene out of the house,
and then there were band shots, but [C] with this it's like, it seems like it's a lot more chopped up.
[E] It's a lot of fun.
It's [C] fun. _
_ _ _ _ _ _ _ _
_ _ [F#m] I'll [F#] bust out this song to listen to, [C] I think I used to [F#] play something there, you know,
I'll go back and look at it, and be like, oh [F] yeah, I did use to play something there.
Just to kind of [F#] refresh myself, you know, what I actually used [D] to play.
_ _ [F#m] _ _
_ _ _ _ _ [D#] _ _ _
[F#] This is Red Solo. _ _ _ _ _
_ _ Where's the kick? _ _ _
_ _ _ _ _ _ _
[A] I'm glad you said that, because I do that too, I'm glad I'm not the only one.
There's been times I'm like, that's not how it goes.
But it [N] just either evolves or changes over time, you know, after a few years, it's like,
you go back and listen to the original version, and you're like, oh yeah, I used to play that
and it's a little different than I have now.
After a match, it's like, boom, boom, boom, [G#] boom, [G] boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom.
And then it progresses like a, boom, [F#] skk, skk, skk, skk, skk.
Yeah, and then [F#] it's all over the place.
We look at it, we're [Bm] like, no!
During the splits, everybody's like, oh [F#m] _ yeah, I forgot.
Sorry.
[D#] _ I got one [F] more for you.
_ Family.
_ _ [Cm] _
That's what it is.
_ [A#] _ That's it? _
I'm a man of [F] few words.
Not knowing how to think, I scream aloud, begin to sink.
My legs and arms are broken down with envy for the solid [C] ground.
I'm reaching for the life within me.
How can one man stop this ending?
I'd bought or killed your face, relaxed and floated into [Dm] space.
So when I first [F] heard the track, knowing [F] that and being a fan,
_ that's what the idea came from, is that this entire [C] thing,
the storm, the [F#] play on Moby Dick, the whole thing is a metaphor
for his battles with addiction [D#]
and, [F#] you know, not to be super dark,
but essentially suicide, [E] like overcoming that,
like I want to dive [C] into the ocean, I want to end this.
I don't know if I should.
Let the rain come down.
_ _ _ [A#] If you were a hot dog, would you eat yourself?
Smooth.
If the moon was made [F#] of spare rib, [C] would you eat yourself?
Yes or no [D] questions, simple.
[G] _
_ [F#] _ _ [F] _ [C] Now waking to the sun, I calculate what I had done,
like jumping from the bough, yeah, just to prove that I knew [Am] how, yeah.
It's midnight's late reminder of the loss of her, the one [A] I love.
My will to quickly end it all, set one row [Am] in my neat [F] ball.
Into the ocean, end it all.
Into _ _ _ the _ _ _ ocean, _ [C] _ _
_ _ _ _ _ end _ _ it all.
I never said that.
Oh, no, I'm just kidding.
Not as cocky like that, but like.
You just met your new guitarist.
Sure, yeah, exactly.
I'm like, I'm the new guy.
_ But listened to a CD and fell [Am] in love with it,
so it was definitely a moment.
_ _ [C] So let me tell that story.
The way it was originally told, basically, he was sitting at the table,
[C] looking kind of down, and it turned out he was figuring out
that he had to let his other guitar player go, _ _ _ and he looks upset,
so I'm not going to go.
_ _ _ _ He came up to me and was like, you got a light?
I was like, sure.
I hear you're having trouble with your guitar player.
He was like, what?
_ What?
How'd you know that?
_ _ [F] Into the ocean, end it all.
Into the ocean, end it all.
Into the ocean, end it all.
Into the ocean, end it all.
[C] Into the ocean, end it all. _
I thought it was just your face. _ _ _ _
_ _ _ _ _ _ _ _
[Cm] _ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
[F#] _ _ _ _ _ _ _ [C] _
I'm just a normal boy that sank when I [Dm] fell overboard.
[C] My ship would leave the country, but I'd rather swim ashore without_
Being [G#] a fan of Blue October, I knew [F] that Justin, _ _ _ who's a super, super emo guy, [E] super [F#] emotional
person, he's had a hard life.
And that all comes out in his lyrics.
Like, every song is about this inner turmoil that he faces on a daily basis, his [E] challenges,
you know, with addiction and with whatever [C] else.
I'm cold as cold as cold can be, be.
I went to high school [Am] performing the visual arts with Ryan, the violinist, [Em] and we started
a band, I started [G] writing songs, and so he started putting violin to the songs, and then
[E] we asked my brother to start playing the drums, he didn't know how, and he just got on and
started playing a fat beat, you know?
And _ then we got our bassist from a manager across the country from Michigan, and then
we got CB, [Am] and we've just been touring in a van, like, for the last, like, ten years,
and then we finally just [E] had a song break, and it's [F#] crazy.
_ My name's Matt Noveske, I play bass [C] guitar.
CB [F#] Hudson, I play [C] lead guitar.
Relax and float into space, I'm on a swampland.
[Cm] Our first radio was around 2000.
We had a small stint [Fm] with Consent to Treatment, a song [C] called James, and _ then our next album,
History for Sale, we had a song called Calling You, that was regionally played, and it caught
on for a [F#] short amount of time, and it fell off, it was [F] on the American Wedding soundtrack,
and then with [F#] Foils, hey, it's gone [F] crazy.
_ _ _ [C] Welcome back. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Huru, or [D] Erhu, [C] spelled E-R-H-U, it's a Chinese instrument.
I don't [B] know how to play it, I just bought [G] one to learn how to play it, and then we started
doing, [F#] you know, we decided to do the video, and I was like, well, that's perfect, because
the sound of the solo violin and the song, we _ _ emulated the sound of this instrument,
and so I thought it'd be cool to include it in the video.
Thought it'd be kind of cool.
And it worked out great.
Ready to go paint a house?
_ _ _ They say I look like a _ _ 40s [D#] sailor or fisherman or diver or something, who knows? _ _
We like to say [F#] our singer had a bad month, _ but it just comes [Em] from a time of change, and
a [F#]
few people probably needed some serious change back then when we were getting started,
and it was in October, it was kind of _ autumn, everything's changing, and _ the air around
us was fairly blue and [F] somber.
_ I'm sinking to the bottom [C] of my everything, it freaks me out, the lighthouse beam has
just run out.
You mean in comparison to the other videos?
_ This one, to [C] me, is a lot more, there's a lot more production.
It's just a lot more, it's more, instead [F#] of a, like with Hate Me, it _ was kind of more
[D] linear in storyline, like, you know, followed one [F] long continuous [D] scene out of the house,
and then there were band shots, but [C] with this it's like, it seems like it's a lot more chopped up.
[E] It's a lot of fun.
It's [C] fun. _
_ _ _ _ _ _ _ _
_ _ [F#m] I'll [F#] bust out this song to listen to, [C] I think I used to [F#] play something there, you know,
I'll go back and look at it, and be like, oh [F] yeah, I did use to play something there.
Just to kind of [F#] refresh myself, you know, what I actually used [D] to play.
_ _ [F#m] _ _
_ _ _ _ _ [D#] _ _ _
[F#] This is Red Solo. _ _ _ _ _
_ _ Where's the kick? _ _ _
_ _ _ _ _ _ _
[A] I'm glad you said that, because I do that too, I'm glad I'm not the only one.
There's been times I'm like, that's not how it goes.
But it [N] just either evolves or changes over time, you know, after a few years, it's like,
you go back and listen to the original version, and you're like, oh yeah, I used to play that
and it's a little different than I have now.
After a match, it's like, boom, boom, boom, [G#] boom, [G] boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom.
And then it progresses like a, boom, [F#] skk, skk, skk, skk, skk.
Yeah, and then [F#] it's all over the place.
We look at it, we're [Bm] like, no!
During the splits, everybody's like, oh [F#m] _ yeah, I forgot.
Sorry.
[D#] _ I got one [F] more for you.
_ Family.
_ _ [Cm] _
That's what it is.
_ [A#] _ That's it? _
I'm a man of [F] few words.
Not knowing how to think, I scream aloud, begin to sink.
My legs and arms are broken down with envy for the solid [C] ground.
I'm reaching for the life within me.
How can one man stop this ending?
I'd bought or killed your face, relaxed and floated into [Dm] space.
So when I first [F] heard the track, knowing [F] that and being a fan,
_ that's what the idea came from, is that this entire [C] thing,
the storm, the [F#] play on Moby Dick, the whole thing is a metaphor
for his battles with addiction [D#]
and, [F#] you know, not to be super dark,
but essentially suicide, [E] like overcoming that,
like I want to dive [C] into the ocean, I want to end this.
I don't know if I should.
Let the rain come down.
_ _ _ [A#] If you were a hot dog, would you eat yourself?
Smooth.
If the moon was made [F#] of spare rib, [C] would you eat yourself?
Yes or no [D] questions, simple.
[G] _
_ [F#] _ _ [F] _ [C] Now waking to the sun, I calculate what I had done,
like jumping from the bough, yeah, just to prove that I knew [Am] how, yeah.
It's midnight's late reminder of the loss of her, the one [A] I love.
My will to quickly end it all, set one row [Am] in my neat [F] ball.
Into the ocean, end it all.
Into _ _ _ the _ _ _ ocean, _ [C] _ _
_ _ _ _ _ end _ _ it all.
I never said that.
Oh, no, I'm just kidding.
Not as cocky like that, but like.
You just met your new guitarist.
Sure, yeah, exactly.
I'm like, I'm the new guy.
_ But listened to a CD and fell [Am] in love with it,
so it was definitely a moment.
_ _ [C] So let me tell that story.
The way it was originally told, basically, he was sitting at the table,
[C] looking kind of down, and it turned out he was figuring out
that he had to let his other guitar player go, _ _ _ and he looks upset,
so I'm not going to go.
_ _ _ _ He came up to me and was like, you got a light?
I was like, sure.
I hear you're having trouble with your guitar player.
He was like, what?
_ What?
How'd you know that?
_ _ [F] Into the ocean, end it all.
Into the ocean, end it all.
Into the ocean, end it all.
Into the ocean, end it all.
[C] Into the ocean, end it all. _
I thought it was just your face. _ _ _ _
_ _ _ _ _ _ _ _
[Cm] _ _ _ _ _ _ _ [N] _