Chords for Interview with Paul Jackson Jr. "Xotic Effects BB Plus Ch. B Demo"

So now we're going to move on to channel B.
_ _ You can see that there are lots of tonal possibilities just in channel A.
Channel B, kind of a similar story except you have the added bonus of having a more extensive EQ section.
So once again, clean guitar sound, [Em] _ _ _ _ [D] _
_ _ _ clean [Bm] guitar. _
[Gb] Oh, it didn't work.
[Bm] _ There it goes.
_ _ [Eb] Right, okay.
Let's go into channel B.
Set the volume about 11 o'clock, gain we'll say 12.
Let's put all the EQ, _ 12 o'clock, and leave it in the soft setting.
Okay, here we go, channel B. _
_ _ _ _ _ _ _ [A] _
_ [G] _ _ _ _ [Gb] _ [E] _ _
_ _ _ [Gbm] _ [G] _ [Bm] _ [Db] _ _
[B] _ _ [E] _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D] _ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ Same smooth sound, same creamy overdrive.
Nice, nice, nice, nice.
Now, because we can, because I can, let's fool with the EQ a little bit, okay?
We have bass, mid, and treble.
Bass, mid, and treble.
Right now everything is set right in the middle.
So let's just roll out the bass just for grins.
Let's say you wanted to do kind of like a _ crunch part, pull the gain down.
_ But you wanted it kind of like really, really special, really maybe thin.
Let's roll some of the bass out and see what happens here.
_ _ [D] _ _ _ _ _
_ [Ab] _ _ _ [E] _ [D] _ _ _
_ [Ab] _ _ [G] _ [E] _ [D] _ _ _
_ [Ab] _ _ [E] _ _ _ _ [D] _
[Ab] _ _ _ _ _ [B] _ _
[D] This is bass at 12 o'clock, same figure. _ _ _ _
_ [Ab] _ _ [E] _ _ [D] _ _ _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ [Gm] _ _ _
_ _ Now let's turn the gain up just to kind of get an idea of what the bass does maybe at a higher gain setting.
Let's go right at 12 o'clock [N] there.
I don't know, let's be aggressive.
Let's go to 3 o'clock. _ _ _ _ _ _
The _ _ [D] _ _ [G] _ [C] _
_ _ _ _ [G] _ [E] _ _ _
_ [G] _ _ [D] _ _ _ _ [A] _
[D] _ [E] _ _ [D] _ _ [Em] _ _ [E] _
[D] _ _ _ _ _ [Bm] _ _ _
_ _ [G] _ _ _ _ _ _
_ _ [Gb] _ _ _ [E] _ _ _
_ [A] _ _ [G] _ [E] _ _ [G] _ _
_ _ _ _ _ [E] _ thing that I love about this pedal is you never lose the clarity.
You get more gain, but you never lose the clarity of your notes.
Okay, let's mess with the mid-range.
We can kind of like get a little bit of a scoop sound.
I'll leave the gain up there.
_ Let's pull out some of the mids and watch what happens. _
[D] _ _ [G] _ [D] _ [E] _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Em] _ _ [A] _ _ [E] _ _
_ This is more of a classic scoop sound. _ _ _
_ _ [A] _ [E] _ _ [A] _ _ _
_ [E] _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ [E] _
_ [A] _ [E] _ _ _ _ _
Now let's go drastic the other way.
Let's crank the mids.
As opposed to pulling them out, let's crank them and see what happens.
Cranking is good.
Leave the gain at the [D] same setting.
_ _ [Em] _ [A] _ [G] _ _
_ _ _ _ _ [D] _ _ _
[B] _ [E] _ _ [G] _ _ _ _ _
_ _ _ _ _ _ [Gm] So [Em] _ _ _ [B] _ [G] _ [B] _ [A] _ [Ebm] _
[Gb] _ _ _ [Bm] _ _ [Em] _ _ _
_ [B] _ _ [E] _ _ _ _ _
_ _ _ _ _ _ _
we can go from [D] a very scoop sound, _ _ [Bb] _ _ _
[A] _ _ _ _ _ almost _
_ [D] _ [A] _ mosquito bite type of scooped,
to really, really like in your face, over the top mid-range.
_ [D] _
_ [E] _ _ [Gbm] _ [G] _ _ [E] _ _
[G] _ _ _ _ _ [E] _ [D] _ [Ebm] _
[E] _ [Db] _ _ [A] _ [G] _ _ _ _
_ _ Let's crank the treble.
[B] _ [E] _
Very cool.
Treble, same thing.
Now treble, obviously you wouldn't want to go too high because it_
_ But once again, here's the flat tone.
_ _ _ [A] _ [D] _ [E] _
_ _ _ _ _ _ Let's crank the treble a little bit. _ _ _ _ _ _
_ _ [G] _ [A] _ [G] _ _ _ _
_ _ _ _ _ _ [B] _ [G] _
_ _ _ _ _ _ [D] _ [Em] _
_ [E] _ _ _ _ [A] _ _ [D] _
[E] _ _ _ _ _ _ _ [B]
You have lots of tonal possibilities on channel B because of the bass, mid and treble.
And you also have the comp, the hard and soft again.
Okay, we've left that in the soft.
Let's crank that treble again, _ _ but put it in the hard.
Watch what happens.
_ [Em] _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ _ [B] _ [G] _ _ _ _ _
[E] _ [D] _ [B] _ [Em] _ _ _ _ _
_ _ _ [B] _ [E] _ _ _ _
_ _ _ _ _ _ And _ _ _ keep in mind, all of this is coming from this one pedal.
[D] _ _ _ _
_ [Em] _ _ _ _ _ All coming from the one pedal.
Now, _ _ that's channel A and channel B.
_ But what happens when we put them