Chords for Isaac Hayes scores Shaft film Café Reggio & Shaft Theme 1971
Tempo:
133.75 bpm
Chords used:
C#
G
F
F#m
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Now, fellas, this time we're going, uh, source music, no name bar.
Uh, this is where you, uh, you're featured, Mike.
You've got the melody.
Okay?
Now watch the rhythm, man.
Just let it flow, you know.
One, two, four.
[A#m]
[C#]
[D#]
[G#] [C#]
[F#m]
[C#]
[D#m]
[A]
[F#m]
[C#] Holy [C#] moly!
[Cm]
[A#m] [A] [F#m]
[D#m] [C#]
[F#]
All [C#] right, very quiet.
Space.
One, six, two, five, take two.
[F#]
Action.
I lose [C#] stuff around here, Jim?
[F#m] More than a man can handle, Deacon.
Ha ha ha.
[C#]
What's up with that, man?
I'm going through [C#] something, huh?
[E]
Well, my bad, son.
[B] [Fm] I didn't even introduce myself to you fellas.
[F#] My name's John Shaft.
[C#] Freeze.
[G#] Police!
[C#m] [F#]
[C#]
Hey, throw me a towel.
Yes, sir.
[E] Generous, Jim.
[C#] Mike.
Very good, Jim.
[C#m] That was good.
That was beautiful, sweetheart.
Now this is, um, [F] you know, [N] an idea of what it would be like, you know, back then.
Now the sequence we saw this morning, Times Square,
panned on off the skyscrapers along 42nd Street over the marquees,
and when Shaft pops up out of that subway,
that's when it should really come on [E] and carry him all the way through Times Square,
right to his first encounter with a newspaper [D#] man.
That should be a driving, savage beat, you know, so that we're right with him all the time.
Something like that.
What I heard you working on earlier seems great for that shaft.
Well, [F] do you hear it, man?
Yeah.
Okay.
Let's take it.
Oh,
[G]
oh,
[D#] [F]
[G] oh, oh, [C]
[G]
[F]
[G]
[F] [Em]
[Am] [G]
[G]
oh, oh, oh, oh, oh, oh, oh, oh, oh, [E] oh, oh, oh, oh, oh, oh, oh, oh, oh, [B]
[G#] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, [N] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh Oh
Uh, this is where you, uh, you're featured, Mike.
You've got the melody.
Okay?
Now watch the rhythm, man.
Just let it flow, you know.
One, two, four.
[A#m]
[C#]
[D#]
[G#] [C#]
[F#m]
[C#]
[D#m]
[A]
[F#m]
[C#] Holy [C#] moly!
[Cm]
[A#m] [A] [F#m]
[D#m] [C#]
[F#]
All [C#] right, very quiet.
Space.
One, six, two, five, take two.
[F#]
Action.
I lose [C#] stuff around here, Jim?
[F#m] More than a man can handle, Deacon.
Ha ha ha.
[C#]
What's up with that, man?
I'm going through [C#] something, huh?
[E]
Well, my bad, son.
[B] [Fm] I didn't even introduce myself to you fellas.
[F#] My name's John Shaft.
[C#] Freeze.
[G#] Police!
[C#m] [F#]
[C#]
Hey, throw me a towel.
Yes, sir.
[E] Generous, Jim.
[C#] Mike.
Very good, Jim.
[C#m] That was good.
That was beautiful, sweetheart.
Now this is, um, [F] you know, [N] an idea of what it would be like, you know, back then.
Now the sequence we saw this morning, Times Square,
panned on off the skyscrapers along 42nd Street over the marquees,
and when Shaft pops up out of that subway,
that's when it should really come on [E] and carry him all the way through Times Square,
right to his first encounter with a newspaper [D#] man.
That should be a driving, savage beat, you know, so that we're right with him all the time.
Something like that.
What I heard you working on earlier seems great for that shaft.
Well, [F] do you hear it, man?
Yeah.
Okay.
Let's take it.
Oh,
[G]
oh,
[D#] [F]
[G] oh, oh, [C]
[G]
[F]
[G]
[F] [Em]
[Am] [G]
[G]
oh, oh, oh, oh, oh, oh, oh, oh, oh, [E] oh, oh, oh, oh, oh, oh, oh, oh, oh, [B]
[G#] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, [N] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh Oh
Key:
C#
G
F
F#m
F#
C#
G
F
Now, fellas, this time we're going, uh, source music, no name bar.
_ _ Uh, _ this is where you, uh, you're featured, Mike.
You've got the melody.
Okay?
Now watch the rhythm, man.
Just let it flow, you know.
_ _ _ _ One, two, _ _ four. _ _ _ _ _
_ _ _ _ _ [A#m] _ _ _
_ _ _ _ _ [C#] _ _ _
_ _ _ [D#] _ _ _ _ _
_ _ [G#] _ _ _ [C#] _ _ _
_ _ _ _ _ [F#m] _ _ _
_ _ _ _ _ [C#] _ _ _
_ _ _ _ _ _ [D#m] _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ _ [F#m] _ _ _
_ _ _ [C#] Holy [C#] moly!
_ [Cm] _
_ [A#m] _ _ _ _ [A] _ _ [F#m] _
_ [D#m] _ _ _ _ [C#] _ _ _
_ _ _ _ _ [F#] _ _ _
_ _ _ All [C#] right, very quiet.
Space.
One, six, two, five, take two.
_ [F#] _ _
Action.
_ _ I lose [C#] stuff around here, Jim? _
_ _ _ _ [F#m] More than a man can handle, Deacon.
Ha ha ha.
[C#] _ _ _
What's up with that, man?
I'm going through [C#] something, huh?
[E]
Well, my bad, son.
[B] _ _ [Fm] _ I didn't even introduce myself to you fellas.
_ [F#] _ My name's John Shaft.
_ [C#] Freeze.
[G#] Police!
_ [C#m] _ _ _ _ [F#] _ _ _
_ _ _ _ _ [C#] _ _ _
Hey, throw me a towel.
_ _ Yes, sir.
[E] Generous, Jim.
_ [C#] Mike.
Very good, Jim.
_ [C#m] That was good.
_ That was beautiful, sweetheart.
_ _ _ Now this is, um, [F] you know, [N] an idea of what it would be like, you know, back then.
Now the sequence we saw this morning, Times Square,
panned on off the skyscrapers along 42nd Street over the marquees,
and when Shaft pops up out of that subway,
that's when it should really come on [E] and carry him all the way through Times Square,
right to his first encounter with a newspaper [D#] man.
That should be a driving, savage beat, you know, so that we're right with him all the time. _
Something like that.
What I heard you working on earlier seems great for that shaft.
Well, [F] do you hear it, man?
Yeah.
Okay.
Let's take it.
Oh, _ _ _
_ _ _ _ _ [G] _ _ _
_ oh, _ _ _ _ _
[D#] _ _ _ _ _ [F] _ _ _
_ _ _ _ _ [G] _ oh, oh, _ _ _ [C] _ _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ [F] _
_ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
[F] _ [Em] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Am] _ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ _ _ _ _
_ oh, oh, _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ oh, oh, oh, oh, _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ oh, _ oh, oh, [E] oh, _ _ _ _ _ _ _ _ _ _ _ _
_ oh, oh, oh, oh, oh, oh, oh, oh, [B] _ _ _
_ [G#] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, _ [N] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh Oh _
_ _ Uh, _ this is where you, uh, you're featured, Mike.
You've got the melody.
Okay?
Now watch the rhythm, man.
Just let it flow, you know.
_ _ _ _ One, two, _ _ four. _ _ _ _ _
_ _ _ _ _ [A#m] _ _ _
_ _ _ _ _ [C#] _ _ _
_ _ _ [D#] _ _ _ _ _
_ _ [G#] _ _ _ [C#] _ _ _
_ _ _ _ _ [F#m] _ _ _
_ _ _ _ _ [C#] _ _ _
_ _ _ _ _ _ [D#m] _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ _ [F#m] _ _ _
_ _ _ [C#] Holy [C#] moly!
_ [Cm] _
_ [A#m] _ _ _ _ [A] _ _ [F#m] _
_ [D#m] _ _ _ _ [C#] _ _ _
_ _ _ _ _ [F#] _ _ _
_ _ _ All [C#] right, very quiet.
Space.
One, six, two, five, take two.
_ [F#] _ _
Action.
_ _ I lose [C#] stuff around here, Jim? _
_ _ _ _ [F#m] More than a man can handle, Deacon.
Ha ha ha.
[C#] _ _ _
What's up with that, man?
I'm going through [C#] something, huh?
[E]
Well, my bad, son.
[B] _ _ [Fm] _ I didn't even introduce myself to you fellas.
_ [F#] _ My name's John Shaft.
_ [C#] Freeze.
[G#] Police!
_ [C#m] _ _ _ _ [F#] _ _ _
_ _ _ _ _ [C#] _ _ _
Hey, throw me a towel.
_ _ Yes, sir.
[E] Generous, Jim.
_ [C#] Mike.
Very good, Jim.
_ [C#m] That was good.
_ That was beautiful, sweetheart.
_ _ _ Now this is, um, [F] you know, [N] an idea of what it would be like, you know, back then.
Now the sequence we saw this morning, Times Square,
panned on off the skyscrapers along 42nd Street over the marquees,
and when Shaft pops up out of that subway,
that's when it should really come on [E] and carry him all the way through Times Square,
right to his first encounter with a newspaper [D#] man.
That should be a driving, savage beat, you know, so that we're right with him all the time. _
Something like that.
What I heard you working on earlier seems great for that shaft.
Well, [F] do you hear it, man?
Yeah.
Okay.
Let's take it.
Oh, _ _ _
_ _ _ _ _ [G] _ _ _
_ oh, _ _ _ _ _
[D#] _ _ _ _ _ [F] _ _ _
_ _ _ _ _ [G] _ oh, oh, _ _ _ [C] _ _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ [F] _
_ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
[F] _ [Em] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Am] _ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ _ _ _ _
_ oh, oh, _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ oh, oh, oh, oh, _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ oh, _ oh, oh, [E] oh, _ _ _ _ _ _ _ _ _ _ _ _
_ oh, oh, oh, oh, oh, oh, oh, oh, [B] _ _ _
_ [G#] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, _ [N] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh Oh _