Chords for Jack Johnson - 'No Good With Faces/Home' | Live From The Studio #5
Tempo:
132.25 bpm
Chords used:
Em
D
C
G
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C] Where's that going?
No good with [Em] faces and I'm bad with names.
[F]
[G] [C] No good with [E] faces and I'm bad with [A] names.
Gave me [C] direction but it's all [F] the same.
[C]
I'm [Am] lost.
[G]
I'm [F] too tired [C] to try.
Street lamps are [Em] broken, left here holding this flame.
[A] Who stole my [Dm] patience?
Who [F] stole my name?
[C]
[A] I'm lost.
[G]
I'm [F] too tired [C] to try.
[G] [Am]
Let's not [G] get ahead [C] of ourselves [F] now.
There's no need [C] for the [Am] downgrade.
Let's not be [C] afraid of our [F] reflections.
It's [G] not only you, you.
[Em] [C] Blah, blah, blah.
[E] Something like that.
I gave you a verse and a half there.
I won't remember the next one.
There you go.
As far as the other request, wow.
We'll do better together a little later.
And let's try.
You guys feel like we know that song, Home?
You know the key, it's [Em] in.
[D] Did we do Good People?
We haven't played it.
We could.
You want to do that one?
We could try it.
Why you don't know Home?
You kind of know Home?
I kind of know it.
Just what this [G] lady, everybody's watching this live.
So she doesn't really know Home.
[D] So she's going to do her best to chime in.
I'll do my very, very best.
I was lucky enough [Em] to be sitting side stage
when I was on tour with Jack two years ago, two summers ago.
And he bust this song out and I just sit and [D] listen.
And it was such a beautiful moment in the set.
It was during your honorable.
Yeah, yeah.
I play a lot in the encore.
And [B] it's actually every time I play this song,
I think of a close friend of mine, Marty Fujita.
She was actually the first person that turned me on to one [F#] percent
for the planet.
She used to [Gm] work with them and she started all kinds of great.
[D] She's a scientist.
She's a philanthropist.
She's everything.
She and she passed away a couple of years back.
But she was at my house when I was writing this song
and she would come in and listen.
She's a very opinionated lady.
I love her.
And she would come in.
She would kind of like I play her new verse and she'd be like, no, no, not that.
And then but then she would [C] love the parts.
Like when I get the right thing, [D] she would just be good.
That's perfect.
That's good.
I've got to get home.
There's a garden to tend all the fruits on the ground.
The birds have all moved [Em] back into my attic.
Whistled and static.
When the young learn to fly, I will patch up the holes [D] once again.
Well, I can't believe that my lime tree is dead.
I thought it was sleeping.
I guess it got fed up [Em] with not being fed.
I will be too.
I'll keep food in my belly and hope that my time [D] isn't soon.
Isn't soon.
And so I try to understand what [Em] I can
hold in my hand [G] and whatever I find,
[A] I'll find my way [G] back [D] to you.
And if you could try to find it, too,
[Em] because this place is overgrown, it's a waxing moon.
[G] Home is wherever [A] we are.
If [D] there's love here, too.
And the back of my house is a trail that won't end.
We were walking so far.
It grew back in [Em] and now there's no trail at all.
Only grass growing taller.
Get out my machete and battle with time [D] once again.
[Em] But I'm bound to lose because I'll be damned if time [D] don't win.
I've got to get home.
There's a garden to tend all the seeds from the fruit buried
and begin [Em] their own family trees.
Teach them.
Thank you.
And please, as they spread their own roots, then watch the young fruit [D] grow again.
[Em] This old trail will lead me right back to where [D] it begins.
So I try to understand what [Em] I can
hold in my [G] hand and whatever I find,
[A] I'll find my way back [D] to you.
And if you try to find it, too,
because [Em] this place is overgrown, it's a waxing moon.
[G] Home is wherever [A] we are.
If there's [Em] love [D] here, too.
All right.
There you go, Marty.
No good with [Em] faces and I'm bad with names.
[F]
[G] [C] No good with [E] faces and I'm bad with [A] names.
Gave me [C] direction but it's all [F] the same.
[C]
I'm [Am] lost.
[G]
I'm [F] too tired [C] to try.
Street lamps are [Em] broken, left here holding this flame.
[A] Who stole my [Dm] patience?
Who [F] stole my name?
[C]
[A] I'm lost.
[G]
I'm [F] too tired [C] to try.
[G] [Am]
Let's not [G] get ahead [C] of ourselves [F] now.
There's no need [C] for the [Am] downgrade.
Let's not be [C] afraid of our [F] reflections.
It's [G] not only you, you.
[Em] [C] Blah, blah, blah.
[E] Something like that.
I gave you a verse and a half there.
I won't remember the next one.
There you go.
As far as the other request, wow.
We'll do better together a little later.
And let's try.
You guys feel like we know that song, Home?
You know the key, it's [Em] in.
[D] Did we do Good People?
We haven't played it.
We could.
You want to do that one?
We could try it.
Why you don't know Home?
You kind of know Home?
I kind of know it.
Just what this [G] lady, everybody's watching this live.
So she doesn't really know Home.
[D] So she's going to do her best to chime in.
I'll do my very, very best.
I was lucky enough [Em] to be sitting side stage
when I was on tour with Jack two years ago, two summers ago.
And he bust this song out and I just sit and [D] listen.
And it was such a beautiful moment in the set.
It was during your honorable.
Yeah, yeah.
I play a lot in the encore.
And [B] it's actually every time I play this song,
I think of a close friend of mine, Marty Fujita.
She was actually the first person that turned me on to one [F#] percent
for the planet.
She used to [Gm] work with them and she started all kinds of great.
[D] She's a scientist.
She's a philanthropist.
She's everything.
She and she passed away a couple of years back.
But she was at my house when I was writing this song
and she would come in and listen.
She's a very opinionated lady.
I love her.
And she would come in.
She would kind of like I play her new verse and she'd be like, no, no, not that.
And then but then she would [C] love the parts.
Like when I get the right thing, [D] she would just be good.
That's perfect.
That's good.
I've got to get home.
There's a garden to tend all the fruits on the ground.
The birds have all moved [Em] back into my attic.
Whistled and static.
When the young learn to fly, I will patch up the holes [D] once again.
Well, I can't believe that my lime tree is dead.
I thought it was sleeping.
I guess it got fed up [Em] with not being fed.
I will be too.
I'll keep food in my belly and hope that my time [D] isn't soon.
Isn't soon.
And so I try to understand what [Em] I can
hold in my hand [G] and whatever I find,
[A] I'll find my way [G] back [D] to you.
And if you could try to find it, too,
[Em] because this place is overgrown, it's a waxing moon.
[G] Home is wherever [A] we are.
If [D] there's love here, too.
And the back of my house is a trail that won't end.
We were walking so far.
It grew back in [Em] and now there's no trail at all.
Only grass growing taller.
Get out my machete and battle with time [D] once again.
[Em] But I'm bound to lose because I'll be damned if time [D] don't win.
I've got to get home.
There's a garden to tend all the seeds from the fruit buried
and begin [Em] their own family trees.
Teach them.
Thank you.
And please, as they spread their own roots, then watch the young fruit [D] grow again.
[Em] This old trail will lead me right back to where [D] it begins.
So I try to understand what [Em] I can
hold in my [G] hand and whatever I find,
[A] I'll find my way back [D] to you.
And if you try to find it, too,
because [Em] this place is overgrown, it's a waxing moon.
[G] Home is wherever [A] we are.
If there's [Em] love [D] here, too.
All right.
There you go, Marty.
Key:
Em
D
C
G
F
Em
D
C
[C] _ _ _ _ Where's that going? _
No good with [Em] faces and I'm bad with names.
[F] _
_ [G] _ _ [C] _ No good with [E] faces and I'm bad with [A] names.
Gave me [C] direction but it's all [F] the same.
[C] _ _
_ I'm [Am] lost.
_ _ [G] _
_ _ I'm [F] too tired _ [C] to try. _ _ _ _ _ _
_ _ Street lamps are [Em] broken, left here holding this flame.
[A] _ Who stole my [Dm] patience?
Who [F] stole my name?
[C] _ _ _ _
[A] I'm lost.
_ _ [G] _ _ _
I'm [F] too tired _ [C] to try.
_ _ _ _ _ [G] _ [Am] _ _
Let's not [G] get ahead [C] of ourselves [F] now.
_ There's no need [C] for the [Am] downgrade.
_ Let's not be [C] afraid of our [F] reflections.
_ It's [G] not only you, you.
[Em] _ [C] Blah, blah, blah.
[E] Something like that.
I gave you a verse and a half there.
_ I won't remember the next one.
There you go.
As far as the other request, wow.
We'll do better together a little later.
_ And let's try. _
You guys feel like we know that song, Home?
You know the key, it's [Em] in.
_ [D] _ Did we do Good People?
We haven't played it.
We could.
You want to do that one?
We could try it.
_ Why you don't know Home? _ _ _
You kind of know Home?
I kind of know it.
Just what this [G] lady, everybody's watching this live.
So she doesn't really know Home.
[D] So she's going to do her best to chime in.
I'll do my very, very best. _ _ _
I was lucky enough [Em] to be sitting side stage
_ _ when I was on tour with Jack _ two years ago, two summers ago.
And he bust this song out and I just sit and [D] listen.
And it was such a beautiful moment in the set.
It was during your honorable.
Yeah, yeah.
I play a lot in the encore.
And [B] it's actually every time I play this song,
I think of a close friend of mine, Marty Fujita.
She was actually the first person that turned me on to one [F#] percent
for the planet.
She used to [Gm] work with them _ and she started all kinds of great.
[D] She's a scientist.
She's a philanthropist.
She's everything.
She and she passed away a couple of years back.
But she was at my house when I was writing this song
and she would come in and listen.
She's a very opinionated lady.
I love her.
And she would come in.
She would kind of like I play her new verse and she'd be like, no, no, not that.
And then but then she would [C] love the parts.
Like when I get the right thing, [D] she would just be good.
That's perfect.
That's good. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ I've got to get home.
There's a garden to tend all the fruits on the ground.
The birds have all moved [Em] back into my attic. _
Whistled and static.
When the young learn to fly, I will patch up the holes [D] once again. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Well, I can't believe that my lime tree is dead.
I thought it was sleeping.
I guess it got fed up [Em] with not being fed.
I will be too.
I'll keep food in my belly and hope that my time [D] isn't soon. _ _
_ _ Isn't soon. _ _ _
_ _ And so I try to _ understand what [Em] I can
hold in my hand [G] and whatever I find,
[A] I'll find my way [G] back [D] to you. _ _
_ _ And if you could try to find it, too,
[Em] because this place is overgrown, it's a waxing moon.
[G] Home is wherever [A] we are.
If [D] there's love here, too. _ _
_ _ _ _ _ _ _ _
_ _ _ And the back of my house is a trail that won't end.
We were walking so far.
It grew back in [Em] and now there's no trail at all.
Only grass growing taller.
Get out my machete and battle with time [D] once again. _ _
_ _ _ [Em] But I'm bound to lose because I'll be damned if time [D] don't win. _ _
_ _ _ _ I've got to get home.
There's a garden to tend all the seeds from the fruit buried
and begin [Em] their own family trees.
Teach them.
Thank you.
And please, as they spread their own roots, then watch the young fruit [D] grow again. _ _
_ _ _ _ [Em] This old trail will lead me right back to where [D] it begins. _
_ _ _ _ _ _ _ _
_ _ _ So I try to _ understand what [Em] I can
hold in my [G] hand and whatever I find,
[A] I'll find my way back [D] to you. _ _
_ _ And if you try to find it, too,
because [Em] this place is overgrown, it's a waxing moon.
[G] _ Home is wherever [A] we are.
If there's [Em] love [D] here, too. _ _ _
_ _ _ _ All right.
There you go, Marty.
No good with [Em] faces and I'm bad with names.
[F] _
_ [G] _ _ [C] _ No good with [E] faces and I'm bad with [A] names.
Gave me [C] direction but it's all [F] the same.
[C] _ _
_ I'm [Am] lost.
_ _ [G] _
_ _ I'm [F] too tired _ [C] to try. _ _ _ _ _ _
_ _ Street lamps are [Em] broken, left here holding this flame.
[A] _ Who stole my [Dm] patience?
Who [F] stole my name?
[C] _ _ _ _
[A] I'm lost.
_ _ [G] _ _ _
I'm [F] too tired _ [C] to try.
_ _ _ _ _ [G] _ [Am] _ _
Let's not [G] get ahead [C] of ourselves [F] now.
_ There's no need [C] for the [Am] downgrade.
_ Let's not be [C] afraid of our [F] reflections.
_ It's [G] not only you, you.
[Em] _ [C] Blah, blah, blah.
[E] Something like that.
I gave you a verse and a half there.
_ I won't remember the next one.
There you go.
As far as the other request, wow.
We'll do better together a little later.
_ And let's try. _
You guys feel like we know that song, Home?
You know the key, it's [Em] in.
_ [D] _ Did we do Good People?
We haven't played it.
We could.
You want to do that one?
We could try it.
_ Why you don't know Home? _ _ _
You kind of know Home?
I kind of know it.
Just what this [G] lady, everybody's watching this live.
So she doesn't really know Home.
[D] So she's going to do her best to chime in.
I'll do my very, very best. _ _ _
I was lucky enough [Em] to be sitting side stage
_ _ when I was on tour with Jack _ two years ago, two summers ago.
And he bust this song out and I just sit and [D] listen.
And it was such a beautiful moment in the set.
It was during your honorable.
Yeah, yeah.
I play a lot in the encore.
And [B] it's actually every time I play this song,
I think of a close friend of mine, Marty Fujita.
She was actually the first person that turned me on to one [F#] percent
for the planet.
She used to [Gm] work with them _ and she started all kinds of great.
[D] She's a scientist.
She's a philanthropist.
She's everything.
She and she passed away a couple of years back.
But she was at my house when I was writing this song
and she would come in and listen.
She's a very opinionated lady.
I love her.
And she would come in.
She would kind of like I play her new verse and she'd be like, no, no, not that.
And then but then she would [C] love the parts.
Like when I get the right thing, [D] she would just be good.
That's perfect.
That's good. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ I've got to get home.
There's a garden to tend all the fruits on the ground.
The birds have all moved [Em] back into my attic. _
Whistled and static.
When the young learn to fly, I will patch up the holes [D] once again. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Well, I can't believe that my lime tree is dead.
I thought it was sleeping.
I guess it got fed up [Em] with not being fed.
I will be too.
I'll keep food in my belly and hope that my time [D] isn't soon. _ _
_ _ Isn't soon. _ _ _
_ _ And so I try to _ understand what [Em] I can
hold in my hand [G] and whatever I find,
[A] I'll find my way [G] back [D] to you. _ _
_ _ And if you could try to find it, too,
[Em] because this place is overgrown, it's a waxing moon.
[G] Home is wherever [A] we are.
If [D] there's love here, too. _ _
_ _ _ _ _ _ _ _
_ _ _ And the back of my house is a trail that won't end.
We were walking so far.
It grew back in [Em] and now there's no trail at all.
Only grass growing taller.
Get out my machete and battle with time [D] once again. _ _
_ _ _ [Em] But I'm bound to lose because I'll be damned if time [D] don't win. _ _
_ _ _ _ I've got to get home.
There's a garden to tend all the seeds from the fruit buried
and begin [Em] their own family trees.
Teach them.
Thank you.
And please, as they spread their own roots, then watch the young fruit [D] grow again. _ _
_ _ _ _ [Em] This old trail will lead me right back to where [D] it begins. _
_ _ _ _ _ _ _ _
_ _ _ So I try to _ understand what [Em] I can
hold in my [G] hand and whatever I find,
[A] I'll find my way back [D] to you. _ _
_ _ And if you try to find it, too,
because [Em] this place is overgrown, it's a waxing moon.
[G] _ Home is wherever [A] we are.
If there's [Em] love [D] here, too. _ _ _
_ _ _ _ All right.
There you go, Marty.