Chords for Jane Wiedlin - Rush Hour [Club MTV] *1988*
Tempo:
142.95 bpm
Chords used:
B
E
A
C#m
G#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
And it's the record that put her back in the limelight and the former go-go, yes, back into the top ten.
So guess what?
[G#] She's here to perform [F] live.
Here's Jane Weidman and [E] Rush Hour.
[E] [C#m]
[B] [B] [A]
[E] [C#m]
[B] [A]
[B]
[C#m]
[G#m]
[B]
[C#m]
I'm so glad that [G#m] I'm on Sunday.
I'm on a roll [B] with you.
It's [A] so good [B] that I'm [A] [E]
[A] back here.
It's [E] such a lot of stress and you.
[A] I am Rush [E] Hour.
[C#m] You send [B] me Rush [A]
[E] Hour.
[C#m]
You send [B] me [A]
Rush [E] Hour.
Look at it happen, yeah.
[C#m] Really getting close to beauty [G#m] like slow motion.
Oh, beauty.
[B]
Now you're such a party.
[C#m] And if your eyes had some shine, [G#m] honey, I know just where you're [B] taking me.
It's [A] so good.
[B] When you're at [A] the wheel, [E] you lay [C#m] out for you.
It's [E] such a lot of stress and you.
[A]
[E] [C#m] You send [B] me [A] Rush [E] Hour.
[C#m] You send [B] me [A]
[E]
[C#m] [C#m]
[G#m]
[F#] [B]
[E]
[C#m]
[E]
[B]
Rush Hour. Oh, yeah.
[A] [B]
[A] [E]
[C#m] I feel it's [E] just the end.
[A]
I'm Rush [E] Hour.
[C#m] You send [B] me [A]
Rush [E] Hour.
[C#m] You send [B] me.
[A]
[E]
[C#m]
You send [B] me.
[A]
[C#m] You send [B] me.
[A]
I'm Rush [E] Hour.
[C#m] You send [B] me.
[A]
I'm Rush [E] Hour.
[C#m] You send [B] me.
[A]
[E] [C#m] You send [B] me.
[A]
I'm Rush [E] Hour.
[C#m]
[B] [A]
Getting down with Jane Weidland here [Bm] on Club MTV.
[F] Well, it's the first time here and we're very glad to have [F#] you.
Now that song, A Great Summer Song, did it feel like a hit when you first heard it?
When I [A#m] first wrote it, I thought, that's a good one.
But I wasn't sure until I recorded it.
And I was, [N] I was almost certain.
So what's it like to be back?
I mean, a lot of people have also sort of like remembering you from the Go-Go's.
Did you pick a song that was something that still had the Go-Go feel for you?
A
[G#m] lot of people seem to think it's real Go-Go-esque.
[F#] And now you're back on the scene, but you've been on the scene anyway,
because you've been doing some acting.
You've done four movies already, is it four?
Yeah, four movies.
And what are they like?
What sort of characters do you play?
You know, I play the strangest range of characters.
I played a fairy, a singing telegram, an alien and Joan of Arc.
Okay, so what's next?
Anything?
Yeah, anything goes at this point.
Well, listen, Mike's got a quick [D#] question for you.
Real quickly, Mike.
Go ahead.
The Go [F#]-Go's came out of the [Bm] L.A. punk scene.
Do you still keep up with alternative music?
[B] I do.
Well, listen, darling, do you still dance?
Oh, yeah.
Would you [F#] like to get us into the next video?
I'd love [Bm] to.
The next video is Johnny Kemp, I [F#] Just Got Paid.
Oh, doesn't [A#m] that feel good?
[Bm]
It does.
So guess what?
[G#] She's here to perform [F] live.
Here's Jane Weidman and [E] Rush Hour.
[E] [C#m]
[B] [B] [A]
[E] [C#m]
[B] [A]
[B]
[C#m]
[G#m]
[B]
[C#m]
I'm so glad that [G#m] I'm on Sunday.
I'm on a roll [B] with you.
It's [A] so good [B] that I'm [A] [E]
[A] back here.
It's [E] such a lot of stress and you.
[A] I am Rush [E] Hour.
[C#m] You send [B] me Rush [A]
[E] Hour.
[C#m]
You send [B] me [A]
Rush [E] Hour.
Look at it happen, yeah.
[C#m] Really getting close to beauty [G#m] like slow motion.
Oh, beauty.
[B]
Now you're such a party.
[C#m] And if your eyes had some shine, [G#m] honey, I know just where you're [B] taking me.
It's [A] so good.
[B] When you're at [A] the wheel, [E] you lay [C#m] out for you.
It's [E] such a lot of stress and you.
[A]
[E] [C#m] You send [B] me [A] Rush [E] Hour.
[C#m] You send [B] me [A]
[E]
[C#m] [C#m]
[G#m]
[F#] [B]
[E]
[C#m]
[E]
[B]
Rush Hour. Oh, yeah.
[A] [B]
[A] [E]
[C#m] I feel it's [E] just the end.
[A]
I'm Rush [E] Hour.
[C#m] You send [B] me [A]
Rush [E] Hour.
[C#m] You send [B] me.
[A]
[E]
[C#m]
You send [B] me.
[A]
[C#m] You send [B] me.
[A]
I'm Rush [E] Hour.
[C#m] You send [B] me.
[A]
I'm Rush [E] Hour.
[C#m] You send [B] me.
[A]
[E] [C#m] You send [B] me.
[A]
I'm Rush [E] Hour.
[C#m]
[B] [A]
Getting down with Jane Weidland here [Bm] on Club MTV.
[F] Well, it's the first time here and we're very glad to have [F#] you.
Now that song, A Great Summer Song, did it feel like a hit when you first heard it?
When I [A#m] first wrote it, I thought, that's a good one.
But I wasn't sure until I recorded it.
And I was, [N] I was almost certain.
So what's it like to be back?
I mean, a lot of people have also sort of like remembering you from the Go-Go's.
Did you pick a song that was something that still had the Go-Go feel for you?
A
[G#m] lot of people seem to think it's real Go-Go-esque.
[F#] And now you're back on the scene, but you've been on the scene anyway,
because you've been doing some acting.
You've done four movies already, is it four?
Yeah, four movies.
And what are they like?
What sort of characters do you play?
You know, I play the strangest range of characters.
I played a fairy, a singing telegram, an alien and Joan of Arc.
Okay, so what's next?
Anything?
Yeah, anything goes at this point.
Well, listen, Mike's got a quick [D#] question for you.
Real quickly, Mike.
Go ahead.
The Go [F#]-Go's came out of the [Bm] L.A. punk scene.
Do you still keep up with alternative music?
[B] I do.
Well, listen, darling, do you still dance?
Oh, yeah.
Would you [F#] like to get us into the next video?
I'd love [Bm] to.
The next video is Johnny Kemp, I [F#] Just Got Paid.
Oh, doesn't [A#m] that feel good?
[Bm]
It does.
Key:
B
E
A
C#m
G#m
B
E
A
And it's the record that put her back in the limelight and the former go-go, yes, back into the top ten.
So guess what?
[G#] She's here to perform [F] live.
Here's Jane Weidman and [E] Rush Hour. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ [C#m] _ _
_ _ [B] _ _ [B] _ _ [A] _ _
_ _ _ _ [E] _ _ [C#m] _ _
_ _ [B] _ _ _ _ [A] _ _
_ _ [B] _ _ _ _ _ _
_ _ [C#m] _ _ _ _ _ _
_ _ [G#m] _ _ _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [C#m] _ _ _ _ _
I'm so glad that [G#m] I'm on Sunday.
_ I'm on a roll [B] with you. _ _ _
It's [A] so good _ _ [B] that I'm _ _ [A] _ _ _ _ [E] _ _
_ [A] back here.
It's [E] such a lot of stress and you.
_ _ _ _ [A] I am Rush [E] Hour.
_ _ _ [C#m] You send [B] me _ Rush [A] _ _
_ [E] Hour.
_ _ _ [C#m] _
You send [B] _ _ me [A] _ _
Rush [E] Hour.
Look at it happen, _ yeah.
[C#m] _ Really getting close to beauty [G#m] like slow motion.
Oh, beauty.
[B] _ _ _ _ _ _
_ _ _ _ Now you're such a party.
[C#m] _ And if your eyes had some shine, [G#m] honey, I know _ just where you're [B] taking me. _ _ _
It's [A] so good.
_ [B] When you're at [A] the wheel, _ _ [E] you lay [C#m] out for you.
It's [E] such a lot of stress and you.
_ _ _ _ [A] _ _
_ _ [E] _ _ _ _ [C#m] You send [B] me _ _ [A] Rush _ [E] Hour.
_ _ _ [C#m] You send [B] _ me _ [A] _ _
_ _ [E] _ _ _ _ _ _
_ _ [C#m] _ _ _ _ [C#m] _ _
_ _ [G#m] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [B] _ _
_ _ [E] _ _ _ _ _ _
_ _ [C#m] _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ [B] _ _ _ _ _
Rush Hour. Oh, yeah.
[A] _ _ _ _ [B] _ _
_ _ [A] _ _ _ _ [E] _ _
_ _ [C#m] I feel it's [E] just the end.
_ _ _ _ [A] _
I'm Rush [E] Hour.
_ _ _ [C#m] You send [B] me _ _ _ [A] _ _
Rush [E] Hour.
_ _ _ [C#m] You send [B] _ _ me.
[A] _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [C#m] _
You send [B] me.
_ _ _ [A] _ _
_ _ _ _ _ _ [C#m] You send [B] me.
_ _ [A] _
I'm Rush [E] Hour.
_ _ _ [C#m] You send [B] me.
_ _ _ [A] _
I'm Rush [E] Hour.
_ _ [C#m] You send [B] _ me.
_ [A] _ _
_ _ [E] _ _ _ _ [C#m] You send [B] _ _ me.
[A] _
I'm Rush [E] Hour.
_ _ [C#m] _ _
_ _ [B] _ _ _ _ [A] _ _
_ _ _ _ _ Getting down with Jane Weidland here [Bm] on Club MTV.
[F] Well, it's the first time here and we're very glad to have [F#] you.
Now that song, A Great Summer Song, did it feel like a hit when you first heard it? _
When I [A#m] first wrote it, I thought, that's a good one.
But I wasn't sure until I recorded it.
And I was, [N] I was almost certain.
So what's it like to be back?
I mean, a lot of people have also sort of like remembering you from the Go-Go's.
Did you pick a song that was something that still had the Go-Go feel for you?
A _
_ _ [G#m] lot of people seem to think it's real Go-Go-esque.
[F#] And now you're back on the scene, but you've been on the scene anyway,
because you've been doing some acting.
You've done four movies already, is it four?
Yeah, four movies.
And what are they like?
What sort of characters do you play?
You know, I play the strangest range of characters.
I played a fairy, a singing telegram, an alien and Joan of Arc.
Okay, so what's next?
_ _ Anything?
_ Yeah, anything goes at this point.
Well, listen, Mike's got a quick [D#] question for you.
Real quickly, Mike.
_ Go ahead.
The Go [F#]-Go's came out of the [Bm] L.A. punk scene.
Do you still keep up with alternative music?
_ [B] I do.
Well, listen, darling, do you still dance?
Oh, yeah.
Would you [F#] like to get us into the next video?
I'd love [Bm] to.
The next video is Johnny Kemp, I [F#] Just Got Paid.
Oh, doesn't [A#m] that feel good?
_ _ _ _ [Bm] _ _ _ _
_ It does. _ _ _ _ _
So guess what?
[G#] She's here to perform [F] live.
Here's Jane Weidman and [E] Rush Hour. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ [C#m] _ _
_ _ [B] _ _ [B] _ _ [A] _ _
_ _ _ _ [E] _ _ [C#m] _ _
_ _ [B] _ _ _ _ [A] _ _
_ _ [B] _ _ _ _ _ _
_ _ [C#m] _ _ _ _ _ _
_ _ [G#m] _ _ _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [C#m] _ _ _ _ _
I'm so glad that [G#m] I'm on Sunday.
_ I'm on a roll [B] with you. _ _ _
It's [A] so good _ _ [B] that I'm _ _ [A] _ _ _ _ [E] _ _
_ [A] back here.
It's [E] such a lot of stress and you.
_ _ _ _ [A] I am Rush [E] Hour.
_ _ _ [C#m] You send [B] me _ Rush [A] _ _
_ [E] Hour.
_ _ _ [C#m] _
You send [B] _ _ me [A] _ _
Rush [E] Hour.
Look at it happen, _ yeah.
[C#m] _ Really getting close to beauty [G#m] like slow motion.
Oh, beauty.
[B] _ _ _ _ _ _
_ _ _ _ Now you're such a party.
[C#m] _ And if your eyes had some shine, [G#m] honey, I know _ just where you're [B] taking me. _ _ _
It's [A] so good.
_ [B] When you're at [A] the wheel, _ _ [E] you lay [C#m] out for you.
It's [E] such a lot of stress and you.
_ _ _ _ [A] _ _
_ _ [E] _ _ _ _ [C#m] You send [B] me _ _ [A] Rush _ [E] Hour.
_ _ _ [C#m] You send [B] _ me _ [A] _ _
_ _ [E] _ _ _ _ _ _
_ _ [C#m] _ _ _ _ [C#m] _ _
_ _ [G#m] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [B] _ _
_ _ [E] _ _ _ _ _ _
_ _ [C#m] _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ [B] _ _ _ _ _
Rush Hour. Oh, yeah.
[A] _ _ _ _ [B] _ _
_ _ [A] _ _ _ _ [E] _ _
_ _ [C#m] I feel it's [E] just the end.
_ _ _ _ [A] _
I'm Rush [E] Hour.
_ _ _ [C#m] You send [B] me _ _ _ [A] _ _
Rush [E] Hour.
_ _ _ [C#m] You send [B] _ _ me.
[A] _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [C#m] _
You send [B] me.
_ _ _ [A] _ _
_ _ _ _ _ _ [C#m] You send [B] me.
_ _ [A] _
I'm Rush [E] Hour.
_ _ _ [C#m] You send [B] me.
_ _ _ [A] _
I'm Rush [E] Hour.
_ _ [C#m] You send [B] _ me.
_ [A] _ _
_ _ [E] _ _ _ _ [C#m] You send [B] _ _ me.
[A] _
I'm Rush [E] Hour.
_ _ [C#m] _ _
_ _ [B] _ _ _ _ [A] _ _
_ _ _ _ _ Getting down with Jane Weidland here [Bm] on Club MTV.
[F] Well, it's the first time here and we're very glad to have [F#] you.
Now that song, A Great Summer Song, did it feel like a hit when you first heard it? _
When I [A#m] first wrote it, I thought, that's a good one.
But I wasn't sure until I recorded it.
And I was, [N] I was almost certain.
So what's it like to be back?
I mean, a lot of people have also sort of like remembering you from the Go-Go's.
Did you pick a song that was something that still had the Go-Go feel for you?
A _
_ _ [G#m] lot of people seem to think it's real Go-Go-esque.
[F#] And now you're back on the scene, but you've been on the scene anyway,
because you've been doing some acting.
You've done four movies already, is it four?
Yeah, four movies.
And what are they like?
What sort of characters do you play?
You know, I play the strangest range of characters.
I played a fairy, a singing telegram, an alien and Joan of Arc.
Okay, so what's next?
_ _ Anything?
_ Yeah, anything goes at this point.
Well, listen, Mike's got a quick [D#] question for you.
Real quickly, Mike.
_ Go ahead.
The Go [F#]-Go's came out of the [Bm] L.A. punk scene.
Do you still keep up with alternative music?
_ [B] I do.
Well, listen, darling, do you still dance?
Oh, yeah.
Would you [F#] like to get us into the next video?
I'd love [Bm] to.
The next video is Johnny Kemp, I [F#] Just Got Paid.
Oh, doesn't [A#m] that feel good?
_ _ _ _ [Bm] _ _ _ _
_ It does. _ _ _ _ _