Chords for Jason Mraz - The Dynamo of Volition (Live on Earth)

All right, [F#] I want everybody to stand [D] up and put your hands together. _
_ _ _ [B] _ _ _ This unifies us in rhythm now.
_ This shows me that by a show of hands we are all participating in tonight's show. _ _ _
_ And if so, when I say good job, I want you [G] to gimme gimme some high [D] fives.
_ _ _ _ [B] And then when I say bring them way down low, I want you to gimme gimme gimme the low do.
Bring it down like so.
_ _ And then when I say bring [G] them back again, g-g-gimme that high ten.
_ _ I want you to throw them [D] all up. _ _ _ _ _
Out of the dear love and courtesy of all of our dear friends.
_ _ [N] _
_ All right.
_ [G] And if you don't think you can keep up with these moves,
if you [B] think they're too complicated for you, _
_ _ _ _ _ [F] please don't ever let your [N] mind stop you from having a good time. _
_ _ _ One, [D] two, three. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [F] _
_ One, [G] two, _ [D] three. _
_ _ _ _ _ _ _ _
_ _ [Dm] _ _ _ [F] _ _ _
_ [G] _ _ _ _ [Bm] _ _ _
_ [A] _ _ [Bm] _ _ _ _ _
_ [A] _ _ [Bm] _ _ _ _ _
_ [A] _ _ _ _ _ _ _
[F#m] _ _ _ [G] _ _ _ _ _
_ _ _ _ _ [Bm] _ _ [Bm] _
_ [G] _ _ [Bm] _ _ _ _ [F#m] _
_ [D] _ _ [B] _ _ _ _ [E] _
_ _ _ [Bm] _ _ _ _ [F#m] _
_ [G] I got the dynamite, my volition, the pop [C#]-pop position, automatic transition [E] with the O emissions.
I'm a brand new addition to the old edition [F#m] with the love unconditional.
[Bm] And I'm a drama abolitionist, [F#m] damn, no opposition to my [E] proposition.
Half of a man, half [Bm] magician, half a politician [A] holding the mic like ammunition.
And my [E] vision is a syphilis [Bm] pipe.
Ain't no reason we should be in a fight, no demolition.
[F#] Get the boot, get to say what [G] you like, procreation.
Compositions [B] already written by themselves.
Check this [D] for the people not believing in God.
_ _ [Bm] Good job.
Get him way high, give me, give me [G] that high five.
[Bm] A good time.
Get him way down [F#m] low, go, go, go, give me [G] that low, low.
[Bm] A good job.
Bring him back, go [F#m] get, go, go, go, give me that [D] high hand.
[Bm] You're the last definition of good [A] intention.
[G] _ _ _ [Em] _
But will you answer or [F#m] call?
You do not know [G] who is called.
I guess the whole point of [A] it all is that [E] we never know really. _
[Em] I'm trying to keep [F#] with the [F#m] changes while waiting for [G] guns and the roses.
The finish would [A] be all supposed.
Chi-town, [Bm] can you feel me?
_ [F#m] _ _ [G] _ _ [Bm] _
_ [B] _ _ [F#m] _ _ [G] _ [Bm] Oh, fist [E] knocked, bumper then wrist locked.
Twisting up a wrist lock, getting a kiss on the transistor.
A Nintendo giving me the fist.
I bet Nuba can get in the kiss.
[Bm] My best [A] friends are hitting on my [G] sister.
But try to tell her [B] that they still a wish [F#] her.
Because she already got a love of Mr.
Ambition.
[Bm] Oh, I want to get some, but didity, [F#m] didity, [G] didinase, didinase.
[D] _
_ _ [Bm] _ Good job.
Get him [F#] away.
I give me, give me that high-high.
A good time.
Get him way down [F#m] low, go, go, go, give me [G] that low, low.
A [Bm] good job.
Bring him back, go [F#m] get, go, go, go, give me that high hand.
[Bm] You're the best definition of good versus evil.
[G] _ _ _ _ [B] I do not keep up [F#m] with statistics and [G] I do not sleep [Bm] without a mistress.
I do [F#m] not eat unless it's fixed [G] with some kind of [Bm] sweet like a licorice.
My home is deep inside the [Em] mystics, I'm known [Bm] to keep digging on existence.
I'm holding in the heat like a fish stick, my phony beef because [Em] I missed it.
I do not answer [F#m] the call, and I do not know [G] who it's called.
I'm making no [A] sense of it all, so can I get away from [Em] it?
I'm only [F#m] a boy in a story, just [G] a hallucinatory.
I'm tripping on [A] nothing, there he is, living in the wilderness.
[E] _ [Em] With a tiger's spot on [F#m] my back, living like [G] Bubba Cat.
I just wanna [A] relax, here and find another [E] rap tune.
[Em] Drop it [F#m] off on your blind man's bike, you [G] can say just what you like.
[A] Nothing can stop you.
[G] _ _ _ _ _
[E] _ _ _ [Bm] _ _ _ [F#m] _ _
_ [G] _ _ [Bm] _ _ _ _ [F#m] _
_ _ _ [Bm] _ _ _ _ [F#m] _
_ _ _ [Bm] _ _ _ _ [F#m] _
_ _ _ [Bm] _ _ _ _ [F#m] _
_ [G] _ _ [Bm] _ You know I'm way, [F#m] give me that [G] high five.
[Bm] Good job, you know I'm way, [F#m]
give me that [G] low, low.
_ [Bm] Good job, bring it back again, [F#m] give me that [E] high five.
[Bm] You're the best, you're the best, you're the best, you're the best, you're the [G] best, you're the best, you're the best.
[Bm] Good job, you [F#m] know I'm way, give me that [G] high five.
[Bm] Good job, you know I'm way, [F#m] _
[G] give me that low, low.
[Bm] Good job, bring it back [F#m] again, give me that [E] high five.
[Bm] You're the best definition of [F#m] good intention.
[G] _ _ [Bm] You're the best definition of good [F#m] intention.
_ [G] _ You're [Bm] the best definition of good [F#m] intention.
_ [G] _ You're the best.
[Bm] _
_ _ _ [G] _ _ [A#m] _ _ [E] _
_ _ _ _ _ [A] _ _ _
_ [G#] _ _ _ _ [A#] _ _ [B] _
_ _ _ [E] _ _ _ _ _
_ _ Yes, Chicago!
[Em] _ _ _
_ [E] _ _ _ _ [Em] _ _ _
You guys are great, thank you so much. _ _ _
_ _ _ _ _ _ _ _