Chords for JEANNIE SEELY shows off her band and performs I NO LONGER CARE ABOUT YOU!
Tempo:
114.45 bpm
Chords used:
G
D
A
C
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A] Hey guys, thanks for stopping [Bm] by and [A] don't forget to subscribe, like [D] and ring that bell.
Well, hello everybody!
Welcome into Larry's Country Diner.
Oh, we got [A] a special treat [Ab] for you [G] today.
In fact, we [Gb] got several special [A] treats for you [Cm] today.
So [E] stay tuned.
Right [Ab] now I want to [A] introduce a man whose favorite video game is a [G] cash [D] register.
He takes in enough money, he even [Gbm] yells jackpot!
[Ab]
There's Larry.
[B] That's [E] good.
I [A] like that [D] one.
But I have the bread of life right here.
There [Am] you go.
[Bm] That's what it says on [A] this loaf.
Don't be licking your thumb.
Don't be [B] loafing, Larry.
Loafing, y'all get that?
I'm going to take a fresh slice.
Okay.
[Bb] And it says, from Lamentations.
That's a bad book.
[Cm]
Well.
[N] Well, it's one of lamenting.
Yeah.
And that's not something you want to go through life doing is lamenting.
Yeah, lamentation.
Sounds like something you'd put on a window or something.
Or a salve.
Yeah.
What does lamenting mean?
Lamenting?
Lamenting.
Somebody will Google it and tell me.
Something chickens don't do.
They don't think about it.
They don't.
Luanne's got [Cm] the answer.
Feeling sorry.
[Fm] Feeling sad about something.
[N] Reflective kind of. Reflective, yeah.
Well, you can have positive reflections too.
Or you can have lamenting reflections.
Just make sure you lament right.
I have the third chapter, 22nd, 23rd verse of Lamentations.
For his compassion never fails.
They are new every morning.
I like that.
I like that.
What's wrong with it?
I'm sorry I put down Lamentations.
See?
2 Corinthians 5, 21.
For he hath made him to be sin for us, who knew no sin,
that we might be made the righteousness of God in him.
That's good.
Now where, oh, there it is.
I lost my loaf.
Hey, welcome.
Yeah.
Hi.
Hi.
You ready to have a good time? Oh, yes.
Are you kidding me?
We got Renee.
We got to have a good time.
Woo-hoo.
Yeah, she's a serve pie and sell stuff.
That's right.
That's her job.
And today I told the lady that, wearing the hat,
that I was going to say she was the referee for today.
And she said, please don't.
That would be Miss Lou Anne.
That would be the referee's hat.
I like that.
You got a whistle?
Uh-oh.
Jeannie Seeley is here.
Yes.
Woo.
Jeannie Seeley, an American classic.
Boy, that's the truth.
I agree.
I hope you mean that in a good way.
I mean that in the best way possible.
I've taken it both ways.
[Bb] That's [N] right.
But I can take it.
You can take it.
Yeah.
Boy, that's a good looking cover, too.
Thank you.
Yeah, it is.
Thank you so much.
That was in my living room.
Really?
I just pulled a chair over by the window.
Oh, and said sit.
Yeah, I don't leave home too much if I don't have to.
Well, look at the picture on the back.
Oh.
Tigress.
Yeah.
That's a bedroom.
That's worth the price of the CD alone right there.
Jean Ward requested this shot.
Uh-huh.
Well, look at the one on the inside.
I know.
Wow.
She just got three.
Okay.
To buy this CD, it's worth it for the three shots.
Oh, absolutely.
Absolutely.
One on the front, one on the back, and one inside.
Absolutely.
Of course, it includes some music.
Oh, yeah.
By the lovely Jeannie Seely.
Hit us with one.
All right.
Well, I want to start with something that isn't on the CD because I want to acknowledge these wonderful people that are here with me.
I am so proud to have Diane Barry with me today.
Yeah.
Back in the 80s, I realized one time that sometimes the best man for the job is a woman.
And so Diane worked with me back in the 80s and when we had Jeannie Seely's Country Club [Eb] down in Printers Alley and all of that.
[N] Diane also had a little burger place.
What was that?
Country Music Cafe.
Country Music Cafe called Rudy's.
Rudy's.
And this young man came into town, his first day in town, I'm told, and [Abm] found his way to Rudy's and [D] met Diane.
That was Ben Hall here.
[Abm] That is it.
And then Diane called me and she said, you've got to come up to Rudy's.
You have got to meet this young man that I just met.
He is incredible.
Singer, guitar player.
You won't believe it.
How long ago is this?
This was probably [N] 2006.
Thirteen years ago.
Thirteen years.
Wow, you were only 12.
I was here for college and I had no idea the education I would receive.
Yeah, when you start with Diane Barry and Jeannie Seely, college is easy.
That's right.
Initiate it early, yeah.
But anyway, I just was blown away with Ben's talent and also always admired Diane.
So anyway, we just started, I don't even know why, but we started doing some little trio things.
What were you telling me? No kidding.
I ask you first, Marty Stewart had three shows for the Tennessee State Museum, songwriters and country music.
And Ben and I went to the first one and I told Ben, I said, you watch.
I said, we're going to be on one of the next two.
Well, we were on both, but you were on one of them, so we got to play with you on that.
That was the first acoustic thing we did.
Oh my goodness.
So we've been in the museum.
Y'all heard that one.
Museum pieces.
Well, let's sing us a trio, [G] okay?
This is a song I wrote back whenever, I [D] don't remember.
[Dm]
Before I was a class actor, right?
[G] [B]
[F] [C] [A] [Am]
Don't [D] remember who I wrote it about either.
[G] [D]
[G] You're telling me [A] that it's over
[D] And I must accept that [G] it's true
So I'm trying hard to [A] convince [Db] me
[D] I no longer care about [G] you
I no longer care [C] where you go
I [D] no longer care what [G] you do
I keep telling me over [C] and over [Am] again
[D] I no longer care [G] about you
[C]
[G] [F] [G] [B]
[C] [E] [Am]
[D]
[G] [Gb] Someday [G] I'll sort back through [A] my mind
[D] And remember what you put [G] me through
But by then you'll just be [A] some old memory
[D] And I'll no longer care [G] about you
I no longer care [C] where you [Am] go
[C] I [D] no longer care [G] what you do
I keep telling me over
[C] and over [Am] again
I [D] no longer care [G] about you
I keep telling me over [C] and over [Am] again
I [D] no longer [Gb] care [Am] about [G] you
And that's the truth.
[C] Thank you. Wow.
[Gbm] [A] [D] [N]
Well, hello everybody!
Welcome into Larry's Country Diner.
Oh, we got [A] a special treat [Ab] for you [G] today.
In fact, we [Gb] got several special [A] treats for you [Cm] today.
So [E] stay tuned.
Right [Ab] now I want to [A] introduce a man whose favorite video game is a [G] cash [D] register.
He takes in enough money, he even [Gbm] yells jackpot!
[Ab]
There's Larry.
[B] That's [E] good.
I [A] like that [D] one.
But I have the bread of life right here.
There [Am] you go.
[Bm] That's what it says on [A] this loaf.
Don't be licking your thumb.
Don't be [B] loafing, Larry.
Loafing, y'all get that?
I'm going to take a fresh slice.
Okay.
[Bb] And it says, from Lamentations.
That's a bad book.
[Cm]
Well.
[N] Well, it's one of lamenting.
Yeah.
And that's not something you want to go through life doing is lamenting.
Yeah, lamentation.
Sounds like something you'd put on a window or something.
Or a salve.
Yeah.
What does lamenting mean?
Lamenting?
Lamenting.
Somebody will Google it and tell me.
Something chickens don't do.
They don't think about it.
They don't.
Luanne's got [Cm] the answer.
Feeling sorry.
[Fm] Feeling sad about something.
[N] Reflective kind of. Reflective, yeah.
Well, you can have positive reflections too.
Or you can have lamenting reflections.
Just make sure you lament right.
I have the third chapter, 22nd, 23rd verse of Lamentations.
For his compassion never fails.
They are new every morning.
I like that.
I like that.
What's wrong with it?
I'm sorry I put down Lamentations.
See?
2 Corinthians 5, 21.
For he hath made him to be sin for us, who knew no sin,
that we might be made the righteousness of God in him.
That's good.
Now where, oh, there it is.
I lost my loaf.
Hey, welcome.
Yeah.
Hi.
Hi.
You ready to have a good time? Oh, yes.
Are you kidding me?
We got Renee.
We got to have a good time.
Woo-hoo.
Yeah, she's a serve pie and sell stuff.
That's right.
That's her job.
And today I told the lady that, wearing the hat,
that I was going to say she was the referee for today.
And she said, please don't.
That would be Miss Lou Anne.
That would be the referee's hat.
I like that.
You got a whistle?
Uh-oh.
Jeannie Seeley is here.
Yes.
Woo.
Jeannie Seeley, an American classic.
Boy, that's the truth.
I agree.
I hope you mean that in a good way.
I mean that in the best way possible.
I've taken it both ways.
[Bb] That's [N] right.
But I can take it.
You can take it.
Yeah.
Boy, that's a good looking cover, too.
Thank you.
Yeah, it is.
Thank you so much.
That was in my living room.
Really?
I just pulled a chair over by the window.
Oh, and said sit.
Yeah, I don't leave home too much if I don't have to.
Well, look at the picture on the back.
Oh.
Tigress.
Yeah.
That's a bedroom.
That's worth the price of the CD alone right there.
Jean Ward requested this shot.
Uh-huh.
Well, look at the one on the inside.
I know.
Wow.
She just got three.
Okay.
To buy this CD, it's worth it for the three shots.
Oh, absolutely.
Absolutely.
One on the front, one on the back, and one inside.
Absolutely.
Of course, it includes some music.
Oh, yeah.
By the lovely Jeannie Seely.
Hit us with one.
All right.
Well, I want to start with something that isn't on the CD because I want to acknowledge these wonderful people that are here with me.
I am so proud to have Diane Barry with me today.
Yeah.
Back in the 80s, I realized one time that sometimes the best man for the job is a woman.
And so Diane worked with me back in the 80s and when we had Jeannie Seely's Country Club [Eb] down in Printers Alley and all of that.
[N] Diane also had a little burger place.
What was that?
Country Music Cafe.
Country Music Cafe called Rudy's.
Rudy's.
And this young man came into town, his first day in town, I'm told, and [Abm] found his way to Rudy's and [D] met Diane.
That was Ben Hall here.
[Abm] That is it.
And then Diane called me and she said, you've got to come up to Rudy's.
You have got to meet this young man that I just met.
He is incredible.
Singer, guitar player.
You won't believe it.
How long ago is this?
This was probably [N] 2006.
Thirteen years ago.
Thirteen years.
Wow, you were only 12.
I was here for college and I had no idea the education I would receive.
Yeah, when you start with Diane Barry and Jeannie Seely, college is easy.
That's right.
Initiate it early, yeah.
But anyway, I just was blown away with Ben's talent and also always admired Diane.
So anyway, we just started, I don't even know why, but we started doing some little trio things.
What were you telling me? No kidding.
I ask you first, Marty Stewart had three shows for the Tennessee State Museum, songwriters and country music.
And Ben and I went to the first one and I told Ben, I said, you watch.
I said, we're going to be on one of the next two.
Well, we were on both, but you were on one of them, so we got to play with you on that.
That was the first acoustic thing we did.
Oh my goodness.
So we've been in the museum.
Y'all heard that one.
Museum pieces.
Well, let's sing us a trio, [G] okay?
This is a song I wrote back whenever, I [D] don't remember.
[Dm]
Before I was a class actor, right?
[G] [B]
[F] [C] [A] [Am]
Don't [D] remember who I wrote it about either.
[G] [D]
[G] You're telling me [A] that it's over
[D] And I must accept that [G] it's true
So I'm trying hard to [A] convince [Db] me
[D] I no longer care about [G] you
I no longer care [C] where you go
I [D] no longer care what [G] you do
I keep telling me over [C] and over [Am] again
[D] I no longer care [G] about you
[C]
[G] [F] [G] [B]
[C] [E] [Am]
[D]
[G] [Gb] Someday [G] I'll sort back through [A] my mind
[D] And remember what you put [G] me through
But by then you'll just be [A] some old memory
[D] And I'll no longer care [G] about you
I no longer care [C] where you [Am] go
[C] I [D] no longer care [G] what you do
I keep telling me over
[C] and over [Am] again
I [D] no longer care [G] about you
I keep telling me over [C] and over [Am] again
I [D] no longer [Gb] care [Am] about [G] you
And that's the truth.
[C] Thank you. Wow.
[Gbm] [A] [D] [N]
Key:
G
D
A
C
Am
G
D
A
[A] Hey guys, thanks for stopping [Bm] by and [A] don't forget to subscribe, like [D] and ring that bell.
_ Well, hello everybody!
Welcome into Larry's Country Diner.
Oh, we got [A] a special treat [Ab] for you [G] today.
In fact, we [Gb] got several special [A] treats for you [Cm] today.
So [E] stay tuned.
Right [Ab] now I want to [A] introduce a man whose favorite video game is a [G] cash [D] register.
He takes in enough money, he even [Gbm] yells jackpot!
[Ab]
There's Larry.
[B] _ _ _ That's [E] good.
I [A] like that [D] one.
But I have the bread of life right here.
There [Am] you go.
[Bm] That's what it says on [A] this loaf.
Don't be licking your thumb.
Don't be [B] loafing, Larry.
_ _ _ Loafing, y'all get that? _ _
_ _ I'm going to take a fresh slice.
Okay.
_ [Bb] And it says, from Lamentations.
_ That's a bad book.
_ [Cm] _ _
Well.
[N] _ _ Well, it's one of lamenting.
Yeah.
And that's not something you want to go through life doing is lamenting.
Yeah, lamentation.
Sounds like something you'd put on a _ window or something.
Or a salve.
Yeah. _ _
What does lamenting mean?
Lamenting?
Lamenting.
Somebody will Google it and tell me.
Something chickens don't do. _ _
_ _ _ They don't think about it.
They don't. _
Luanne's got [Cm] the answer.
Feeling sorry.
[Fm] Feeling sad about something.
[N] Reflective kind of. Reflective, yeah.
Well, you can have positive reflections too.
Or you can have lamenting reflections. _
Just make sure you lament right.
I have the third chapter, 22nd, 23rd verse of Lamentations. _ _
For his compassion never fails. _
They are new every morning.
I like that.
I like that.
What's wrong with it?
I'm sorry I put down Lamentations.
See?
_ _ 2 Corinthians 5, 21.
For he hath made him to be sin for us, who knew no sin,
that we might be made the righteousness of God in him.
_ That's good. _
Now where, oh, there it is.
_ _ I lost my loaf.
_ _ _ Hey, welcome.
Yeah.
_ _ _ Hi.
Hi.
You ready to have a good time? Oh, yes.
Are you kidding me?
We got Renee.
We got to have a good time.
Woo-hoo.
Yeah, she's a serve pie and sell stuff.
That's right.
That's her job.
And today I told the lady that, _ wearing the hat,
that I was going to say she was the referee for today.
_ And she said, please don't. _ _
That would be Miss Lou Anne.
That would be the referee's hat.
I like that.
You got a whistle?
_ _ _ Uh-oh.
_ _ _ _ Jeannie Seeley is here.
Yes.
_ Woo.
_ Jeannie Seeley, an American classic.
Boy, that's the truth.
I agree.
I hope you mean that in a good way.
I mean that in the best way possible.
I've taken it both ways.
[Bb] That's [N] right.
But I can take it.
You can take it.
Yeah.
Boy, that's a good looking cover, too.
Thank you.
Yeah, it is.
Thank you so much.
That was in my living room.
Really?
I just pulled a chair over by the window.
Oh, and said sit.
Yeah, I don't leave home too much if I don't have to.
Well, look at the picture on the back.
Oh.
_ Tigress.
Yeah.
That's a bedroom. _
_ _ That's worth the price of the CD alone right there.
Jean Ward requested this shot.
Uh-huh.
Well, look at the one on the inside.
I know.
Wow.
She just got three.
Okay.
_ To buy this CD, it's worth it for the three shots.
Oh, absolutely.
Absolutely.
One on the front, one on the back, and one inside.
_ Absolutely.
Of course, it includes some music.
Oh, yeah.
By the lovely Jeannie Seely.
Hit us with one.
All right.
Well, I want to start with something that isn't on the CD because I want to acknowledge these wonderful people that are here with me.
I am so proud to have Diane Barry with me today.
Yeah.
_ _ _ _ Back in the 80s, I realized one time that sometimes the best man for the job is a woman.
_ _ _ And so Diane worked with me back in the 80s and when we had Jeannie Seely's Country Club [Eb] down in Printers Alley and all of that.
[N] Diane also had a little burger place.
What was that?
Country Music Cafe.
Country Music Cafe called Rudy's.
Rudy's.
And this young man came into town, his first day in town, I'm told, and [Abm] found his way to Rudy's and [D] met Diane.
That was Ben Hall here.
[Abm] That is it.
And then Diane called me and she said, you've got to come up to Rudy's.
You have got to meet this young man that I just met.
He is incredible.
Singer, guitar player.
You won't believe it.
How long ago is this? _
This was probably [N] 2006.
Thirteen years ago.
Thirteen years.
Wow, you were only 12.
I was here for college and I had no idea the education I would receive.
_ _ _ Yeah, when you start with Diane Barry and Jeannie Seely, college is easy.
That's right.
Initiate it early, yeah.
_ But anyway, I just was blown away with Ben's talent and also always admired Diane.
So anyway, we just started, I don't even know why, but we started doing some little trio things.
What were you telling me? No kidding.
I ask you first, Marty Stewart had three shows for the Tennessee State Museum, _ _ songwriters and country music.
And Ben and I went to the first one and I told Ben, I said, you watch.
I said, we're going to be on one of the next two.
Well, we were on both, but you were on one of them, so we got to play with you on that.
That was the first acoustic thing we did.
Oh my goodness.
So we've been in the museum.
Y'all heard that one.
Museum pieces.
Well, let's sing us a trio, [G] okay?
This is a song I wrote back whenever, I [D] don't remember.
_ _ [Dm]
Before I was a class actor, right?
[G] _ _ [B] _ _
_ [F] _ [C] _ _ _ [A] _ [Am] _ _
_ _ Don't [D] remember who I wrote it about either.
_ [G] _ _ _ _ _ [D] _ _
_ [G] You're _ telling me _ [A] that it's _ _ over _
[D] And I must _ accept that [G] it's true
_ So _ _ I'm trying hard to [A] convince _ [Db] _ me _
[D] I no longer care _ about [G] _ you
_ I _ _ no _ longer care [C] where you go _ _ _
I [D] no _ longer care what [G] you _ do _ _
I keep telling _ me over [C] and over _ [Am] again _
[D] I no _ longer care [G] about you
_ _ _ [C] _
[G] _ [F] _ _ _ [G] _ [B] _ _ _
_ [C] _ _ _ [E] _ [Am] _ _ _
_ [D] _ _ _ _ _ _ _
[G] _ _ _ _ _ _ [Gb] Someday [G] _ _ _ _ I'll sort back through [A] _ my _ _ mind
[D] And remember _ what you put [G] me through
_ _ But by then you'll just be [A] some old _ _ memory _
[D] And I'll no _ longer care [G] about you
_ I _ _ no _ longer care [C] where you _ [Am] go
_ [C] I [D] no _ longer care [G] what you do
_ _ I keep telling _ me over _
[C] and over _ _ [Am] again
I [D] no longer care [G] about you
_ I _ keep telling me over _ [C] and over _ [Am] _ again
I [D] no _ longer [Gb] care _ [Am] about _ [G] _ you _ _
And _ _ that's the truth. _
[C] Thank you. Wow.
_ _ _ _ [Gbm] _ [A] _ [D] _ _ _ _ _ [N] _ _
_ Well, hello everybody!
Welcome into Larry's Country Diner.
Oh, we got [A] a special treat [Ab] for you [G] today.
In fact, we [Gb] got several special [A] treats for you [Cm] today.
So [E] stay tuned.
Right [Ab] now I want to [A] introduce a man whose favorite video game is a [G] cash [D] register.
He takes in enough money, he even [Gbm] yells jackpot!
[Ab]
There's Larry.
[B] _ _ _ That's [E] good.
I [A] like that [D] one.
But I have the bread of life right here.
There [Am] you go.
[Bm] That's what it says on [A] this loaf.
Don't be licking your thumb.
Don't be [B] loafing, Larry.
_ _ _ Loafing, y'all get that? _ _
_ _ I'm going to take a fresh slice.
Okay.
_ [Bb] And it says, from Lamentations.
_ That's a bad book.
_ [Cm] _ _
Well.
[N] _ _ Well, it's one of lamenting.
Yeah.
And that's not something you want to go through life doing is lamenting.
Yeah, lamentation.
Sounds like something you'd put on a _ window or something.
Or a salve.
Yeah. _ _
What does lamenting mean?
Lamenting?
Lamenting.
Somebody will Google it and tell me.
Something chickens don't do. _ _
_ _ _ They don't think about it.
They don't. _
Luanne's got [Cm] the answer.
Feeling sorry.
[Fm] Feeling sad about something.
[N] Reflective kind of. Reflective, yeah.
Well, you can have positive reflections too.
Or you can have lamenting reflections. _
Just make sure you lament right.
I have the third chapter, 22nd, 23rd verse of Lamentations. _ _
For his compassion never fails. _
They are new every morning.
I like that.
I like that.
What's wrong with it?
I'm sorry I put down Lamentations.
See?
_ _ 2 Corinthians 5, 21.
For he hath made him to be sin for us, who knew no sin,
that we might be made the righteousness of God in him.
_ That's good. _
Now where, oh, there it is.
_ _ I lost my loaf.
_ _ _ Hey, welcome.
Yeah.
_ _ _ Hi.
Hi.
You ready to have a good time? Oh, yes.
Are you kidding me?
We got Renee.
We got to have a good time.
Woo-hoo.
Yeah, she's a serve pie and sell stuff.
That's right.
That's her job.
And today I told the lady that, _ wearing the hat,
that I was going to say she was the referee for today.
_ And she said, please don't. _ _
That would be Miss Lou Anne.
That would be the referee's hat.
I like that.
You got a whistle?
_ _ _ Uh-oh.
_ _ _ _ Jeannie Seeley is here.
Yes.
_ Woo.
_ Jeannie Seeley, an American classic.
Boy, that's the truth.
I agree.
I hope you mean that in a good way.
I mean that in the best way possible.
I've taken it both ways.
[Bb] That's [N] right.
But I can take it.
You can take it.
Yeah.
Boy, that's a good looking cover, too.
Thank you.
Yeah, it is.
Thank you so much.
That was in my living room.
Really?
I just pulled a chair over by the window.
Oh, and said sit.
Yeah, I don't leave home too much if I don't have to.
Well, look at the picture on the back.
Oh.
_ Tigress.
Yeah.
That's a bedroom. _
_ _ That's worth the price of the CD alone right there.
Jean Ward requested this shot.
Uh-huh.
Well, look at the one on the inside.
I know.
Wow.
She just got three.
Okay.
_ To buy this CD, it's worth it for the three shots.
Oh, absolutely.
Absolutely.
One on the front, one on the back, and one inside.
_ Absolutely.
Of course, it includes some music.
Oh, yeah.
By the lovely Jeannie Seely.
Hit us with one.
All right.
Well, I want to start with something that isn't on the CD because I want to acknowledge these wonderful people that are here with me.
I am so proud to have Diane Barry with me today.
Yeah.
_ _ _ _ Back in the 80s, I realized one time that sometimes the best man for the job is a woman.
_ _ _ And so Diane worked with me back in the 80s and when we had Jeannie Seely's Country Club [Eb] down in Printers Alley and all of that.
[N] Diane also had a little burger place.
What was that?
Country Music Cafe.
Country Music Cafe called Rudy's.
Rudy's.
And this young man came into town, his first day in town, I'm told, and [Abm] found his way to Rudy's and [D] met Diane.
That was Ben Hall here.
[Abm] That is it.
And then Diane called me and she said, you've got to come up to Rudy's.
You have got to meet this young man that I just met.
He is incredible.
Singer, guitar player.
You won't believe it.
How long ago is this? _
This was probably [N] 2006.
Thirteen years ago.
Thirteen years.
Wow, you were only 12.
I was here for college and I had no idea the education I would receive.
_ _ _ Yeah, when you start with Diane Barry and Jeannie Seely, college is easy.
That's right.
Initiate it early, yeah.
_ But anyway, I just was blown away with Ben's talent and also always admired Diane.
So anyway, we just started, I don't even know why, but we started doing some little trio things.
What were you telling me? No kidding.
I ask you first, Marty Stewart had three shows for the Tennessee State Museum, _ _ songwriters and country music.
And Ben and I went to the first one and I told Ben, I said, you watch.
I said, we're going to be on one of the next two.
Well, we were on both, but you were on one of them, so we got to play with you on that.
That was the first acoustic thing we did.
Oh my goodness.
So we've been in the museum.
Y'all heard that one.
Museum pieces.
Well, let's sing us a trio, [G] okay?
This is a song I wrote back whenever, I [D] don't remember.
_ _ [Dm]
Before I was a class actor, right?
[G] _ _ [B] _ _
_ [F] _ [C] _ _ _ [A] _ [Am] _ _
_ _ Don't [D] remember who I wrote it about either.
_ [G] _ _ _ _ _ [D] _ _
_ [G] You're _ telling me _ [A] that it's _ _ over _
[D] And I must _ accept that [G] it's true
_ So _ _ I'm trying hard to [A] convince _ [Db] _ me _
[D] I no longer care _ about [G] _ you
_ I _ _ no _ longer care [C] where you go _ _ _
I [D] no _ longer care what [G] you _ do _ _
I keep telling _ me over [C] and over _ [Am] again _
[D] I no _ longer care [G] about you
_ _ _ [C] _
[G] _ [F] _ _ _ [G] _ [B] _ _ _
_ [C] _ _ _ [E] _ [Am] _ _ _
_ [D] _ _ _ _ _ _ _
[G] _ _ _ _ _ _ [Gb] Someday [G] _ _ _ _ I'll sort back through [A] _ my _ _ mind
[D] And remember _ what you put [G] me through
_ _ But by then you'll just be [A] some old _ _ memory _
[D] And I'll no _ longer care [G] about you
_ I _ _ no _ longer care [C] where you _ [Am] go
_ [C] I [D] no _ longer care [G] what you do
_ _ I keep telling _ me over _
[C] and over _ _ [Am] again
I [D] no longer care [G] about you
_ I _ keep telling me over _ [C] and over _ [Am] _ again
I [D] no _ longer [Gb] care _ [Am] about _ [G] _ you _ _
And _ _ that's the truth. _
[C] Thank you. Wow.
_ _ _ _ [Gbm] _ [A] _ [D] _ _ _ _ _ [N] _ _