Chords for Jeff Beck Group with Rod Stewart - Studio Session For The Beck-Ola album, London 4-14-1969!

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[G] _ _ _ _ [G] Oh, louder you want it.
Here we go. _ Hey guys. _ _ _ _
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_ _ _ _ _ You [G] can't hear anything through your cans.
[A] _ Your guitar is too [Am] loud. _
Here we go.
_ [G] Come on, let's hear Jeff.
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So we lose that one?
[A] _ _ _ _ _
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_ We're a great part of that. _ _ _
_ _ There's nothing more we can do other than put guitars on, is there? _ _ _ _ _ _
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_ _ _ _ _ What's the 8th tune?
_ What 8th tune?
The 7th. _
We're still trying to bundle everything _ _ _ into one name, aren't we?
No, not really.
You didn't shut last Saturday.
_ _ We were supposed to have been [G] doing two [G] Saturdays these days.
You didn't shut up last Saturday. _ _
_ _ _ You went home early Friday. _
You didn't shut up _ _ _ _ _ _ Saturday, so you've lost another day.
But today I've lost. _ _ _ _ _ _ _
_ You can't really, can you?
You're coming all into one section.
I know, but you know, people, the rest of the world can't_
[B] Can't wait to get back.
_ [Eb] It's very difficult, you know, just [A] looking at a blank wall [G] trying to get inspiration.
_ This sort of stuff.
It may sound like a cop-out a bit, isn't it?
[G] _ I reckon if you do it, I could do the [Abm] whole thing, you know, just to be on the safe side. _ _
[A] No, I don't want it to go out as it's_ Right.
No, I mean, I'll be playing my best.
We are behind, but it seems we're behind with the cover.
And I'd like to finish the [G] tape, but if it's going to be rubbish for a couple of hours, then forget it.
I ain't gone through, like, weeks.
[Ab] What things make a good producer?
[A] How is he equipped mentally?
[G] I think that he has to be _ very diplomatic.
He has to play [G] the role_ _
He has to play the role to the artist he's producing.
To certain artists, you pretend to be somebody else.
[Ab] To other artists, you're somebody else.
You [C] have to fit in with [G] their sort of scene.
See, a producer's [G] job is to get the record made, finished, get it out.
_ _ _ You can see, like, from the filming you've done, that it's not [A] easy because_
You're dealing with five people in a group, four or five people in a group.
[G] They've all got their own little things they want to do, their own little [Ab] minds.
And when the drummer's listening to the [G] playback, he's only listening to the drums.
_ _ And the bass player's listening to the [A] bass, and the singer's just listening to his voice.
They've all got their own little [B] bits going.
So you have to be very diplomatic.
I think when you finish being a record producer, you can become a politician.
_ Because it's just being diplomatic and getting the job [G] done.
That's the two qualities I think that are necessary.
And not fall in the trap of sitting about with [A] them and becoming like them.
[G] You've got to always be the driver, but you mustn't appear to be driving too hard.
Because they get uptight as well.
You have to be kind of a social worker too.
Well, yeah, a psychiatrist.
Father and mother, I guess.
Yeah, you've got to get them together, that's the thing.
How long do you think one could be active in this [Gb] branch or [B] business?
_ _ As long as I think you have the ability to pick a hit song.
_ [Abm] _ _ [G] And [G] _ get the luck that's needed.
And the patience _ _ that's required.
I think the _ minute you stop hearing the [Eb] music.
I think you [E] make a couple of records that don't sell, and that's when [G] you realise.
[Db] When you really don't understand [Am] what the [G] records that are in the charts are [G] all about.
When they look to you, you just don't.
How could that be number one?
_ _ Then you know.
[Eb] _ And you would be wise then to [F]
not continue making records.
And putting more [G] money into it, trying to chase something that's not there.
And just get out, maybe for a year.
_ Clear your head [Eb] out, go away somewhere, away from music.
And come back full of energy, batteries [G] recharged.
And listen to it [A] again.
Now I understand it, or now I don't.
[Em] This group called Eamon Corner. _
Paradise is half its [G] length.
What are you thinking?
[B] Well it's a very successful record here.
_ When I first heard [A] it, I felt it wasn't finished.
[E] _ _ It