Chords for Jeff Lynne Live backstage at Radio 2 in Hyde Park [14.09.2014]

In a [Gm] cheery summer shirt, Sir Terry broadcasting [Am] from a yurt, with Ward Thomas and Billy Ocean, it's an [Bb] irresistible potion.
Yes, and Jeff [C] Lynne as well.
You can hear him even as we speak, [D] rehearsing like a good'un on the main [A] stage.
We're live!
[C] Live!
Meanwhile, back at the ranch, [D] here in Hyde [Am] Park, Jeff Lynne [A] is rehearsing.
He's been doing it for the last two hours, and [Gbm] promptly heard the shades of light.
Well, he'll be in here to tackle his life.
I shall ask him to stop making that racket.
_ [B] Well, Jeff Lynne has been making a ferocious racket [A] on the stage, and both of them will be joining me [Am] here.
And Jeff Lynne's ELO, Jeff, will be joining [E] us as well.
As you can hear, [A] Jeff Lynne [Ab] is still rehearsing.
He better [Gb] be damn good, I can tell you, after all that [B] rehearsing.
_ [A] And for Jeff Lynne, rehearsing like a lunatic.
Look who's joined us!
And I've been listening_
I've heard your entire show, Jeff [E] Lynne, because you've been rehearsing like a good'un.
[N] And thank you for joining us.
Can [Ab] we hear_
Well, I can hear you, but can you_
I can hear you, but you're very quiet.
No.
Ah.
No?
See, but it's the miracle of live broadcasting from a tent.
You see?
I think so.
Ah, [Abm] you're a little bit better, I think.
[Db] Hello?
Hello?
Hello?
[Abm] Anyway, Jeff, you're not exhausted after all that rehearsing, are you?
Not quite.
Ah, good [E] man.
I've got a bit of a throat on me, though.
Have you?
Yes, but it'll be fine by tonight.
I hope so.
Well, [Gb] it will.
It'll be great.
I think what you need is a little heather honey or something.
That's it.
To gargle.
That's what I'm having, because it's been 28 years since I last did one of these, so_
Well, we're [Ab] delighted to see you.
It's a thrill that you're going [G] to be on the main [E] stage, which is fantastic.
Thank you very much.
So, you know, between_
I hate to go back, but between 72 and 86, [Ab] you wrote and produced 26 top 40 [Eb] hits.
Do you remember any of them?
I do, [E] actually.
I remember them very well, because they're my little favourites, you know?
I do [N] love having those in my catalogue, I must say.
Well, now, tonight [E] you're going to [F] headline the main stage with the [E] ELO, with the BBC Concert Orchestra.
Yeah.
That's pretty posh, isn't it?
Oh, yeah.
And they're terrific.
[D] They're great, yeah.
And the sound_
We've rehearsed with them once, and [Am] they sounded fabulous.
Yeah.
It's the first time you've performed as ELO [N] since_
I hate to tell you, 1986.
I think it is, something like that.
So how did the soundcheck go?
Because [D] we were privileged to hear most of it.
It went very well, [E] and I was actually surprised with the balance, because it sounded twice as good_ Yeah.
_as
it did when we were practising in a hall down [N] in_
in some way.
Yeah. One's worse.
Yeah.
It's going to sound even [Gb] more fantastic in front of 50,000 people_
[G]
_who
are already assembling in front of us, as you can see.
It's a bit scary, isn't it?
[E] Why has it been so long since you've performed?
You know, I [Ab] became like a full-time producer for a number of years, and formed the [Gb] Travelling Wilburys.
Yeah.
And [Dbm] that sort of took [G] up_
produced George Harrison and Roy Orbison, [D] and did all that.
[E] And that took quite a few years, and I just loved being in the studio, best of all.
But I just wanted to make an appearance, because [D] somebody asked me to.
It was [B] Chris Evans, mainly, who got me at it, really.
Good.
He [N] gets a lot of people at it. _ _ _ _ _ _ _
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