Chords for Jerry Corbetta of Sugarloaf--Don't Call Us We'll Call You--Live @ Detroit Rencen 2009-08-14
Tempo:
97.25 bpm
Chords used:
A
G
D
Am
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Dm] [G] A lot of you people [Dm] have seen us here last [D] year and we had [A#] a bass player that was with us for 19 years [B] named Dennis Noda.
[Gm] But he unfortunately [N] passed away three weeks ago and his wife is here, Cheryl Noda.
So give it up for Cheryl Noda.
[A] Thank you folks for making all these songs.
Top 10 number one hits for us and all the bands we're in.
Out of Denver, Colorado we have a super group called Sugarloaf.
The lead singer, the guy that wrote all the hits?
Well he's right here right now.
He was on the Frankie Valley in the fourth season, [C] the one-off night label.
But right now will you welcome to Detroit, [G] from Sugarloaf, [A] Jerry Corbetta.
Now [C] I hear you all singing on the right, Captain Ride.
And I know you're going to [G] want to sing [A] along with us all night long.
So I want you to put down your coats [E] and your beers and your vodka and your lunch.
[C] I want you to take [G] a deep [A] breath.
I want you to reach for that [C] same key.
Are you ready?
Are you [G] ready?
[A] Everybody sing yeah.
I [C] said go.
I said hey, hey, [Dm] hey.
[A] I said go.
We are in the [C] Detroit First Baptist Choir Center.
[G]
[A] I'm going to do a song I wrote for you in 1976.
[C] I regret it.
We didn't have [G] a record [A] deal at Sugarloaf.
[Am] So I called up this guy called [C] Neil Records.
I tried to talk to him but he was very [G] rude to [A] me.
And he hung up.
So I went back to my hometown of Jimbo, Colorado.
[C] And I wrote this song and I talked to this little meaty label [G] called [A] Clarence Records.
And he put that out.
Well will this song [C] find up your Billboard charts?
Fifteen, [G] twelve, [A] nine.
Michael.
The guy from [C] Columbia wanted to make this into a show.
But I hung [G] up on [A] him.
One, two, three.
[G] [A] [G]
[A] [G] [Am] [B]
[A] [Am] [G] [A]
I got this great assistant, Terry Cook.
[D] Say hey, hey, hey.
[Dm] Really, [A] really nice to meet you.
Say hello and put me on hold.
Sugar, you should catch what's coming.
[D] He said, it's [Dm] always child's play.
[A] [G] [A] [G] So you got my love to [A] love you.
You should catch how to do the walk.
[G]
[D] Call it.
[G] [A] [D] [A]
[G] You better keep [D] it quiet.
[G] [A] [D]
[A] [D]
[A] [G] [A] [G]
[A] I got your name from a friend of a friend.
He said he used to want to meet you.
[F#m] He remembered you all [Dm] night.
Treat you up.
[A]
You can relate to a quarter track tape.
You're supposed to be [D] new.
He said, I don't [Dm] call those [Am] child's a ho.
[G] [A]
[C] [G] [Am] [A]
[Am] [G] [A] You should keep that going [D] on.
You're in bed with a
[A] That thing sounds like John [D] Palmer.
Oh.
[A]
[G] [A]
[G] [A] You gotta get out to the people.
This song is said to confuse.
[Dm] Now we call it the basic code.
[A] Telephone cable.
You got two points, a policy joint check out.
Oh.
I can [D] use this. You should.
[Dm] Don't call it [A] child's a ho.
[G] [A]
[G] [D]
You should keep that going on.
I [Am] should have my son.
[Em] Wonder.
[A] Yeah.
I'm suspicious.
[Am] You're a ho.
You're [G] a ho.
[D] [A]
[G]
[A] [D] [Am] [A]
[Am] [D] [A] [G] [D]
You're a ho.
You're a ho.
[Am]
You're a ho.
[G] [D]
[G] [A] [D] [Am] You're a ho.
[A]
Chicken [Em] ho's [A] feet.
You hit that big drum.
Come [B] [Am]
[F] [G]
on.
[A]
[N]
[Gm] But he unfortunately [N] passed away three weeks ago and his wife is here, Cheryl Noda.
So give it up for Cheryl Noda.
[A] Thank you folks for making all these songs.
Top 10 number one hits for us and all the bands we're in.
Out of Denver, Colorado we have a super group called Sugarloaf.
The lead singer, the guy that wrote all the hits?
Well he's right here right now.
He was on the Frankie Valley in the fourth season, [C] the one-off night label.
But right now will you welcome to Detroit, [G] from Sugarloaf, [A] Jerry Corbetta.
Now [C] I hear you all singing on the right, Captain Ride.
And I know you're going to [G] want to sing [A] along with us all night long.
So I want you to put down your coats [E] and your beers and your vodka and your lunch.
[C] I want you to take [G] a deep [A] breath.
I want you to reach for that [C] same key.
Are you ready?
Are you [G] ready?
[A] Everybody sing yeah.
I [C] said go.
I said hey, hey, [Dm] hey.
[A] I said go.
We are in the [C] Detroit First Baptist Choir Center.
[G]
[A] I'm going to do a song I wrote for you in 1976.
[C] I regret it.
We didn't have [G] a record [A] deal at Sugarloaf.
[Am] So I called up this guy called [C] Neil Records.
I tried to talk to him but he was very [G] rude to [A] me.
And he hung up.
So I went back to my hometown of Jimbo, Colorado.
[C] And I wrote this song and I talked to this little meaty label [G] called [A] Clarence Records.
And he put that out.
Well will this song [C] find up your Billboard charts?
Fifteen, [G] twelve, [A] nine.
Michael.
The guy from [C] Columbia wanted to make this into a show.
But I hung [G] up on [A] him.
One, two, three.
[G] [A] [G]
[A] [G] [Am] [B]
[A] [Am] [G] [A]
I got this great assistant, Terry Cook.
[D] Say hey, hey, hey.
[Dm] Really, [A] really nice to meet you.
Say hello and put me on hold.
Sugar, you should catch what's coming.
[D] He said, it's [Dm] always child's play.
[A] [G] [A] [G] So you got my love to [A] love you.
You should catch how to do the walk.
[G]
[D] Call it.
[G] [A] [D] [A]
[G] You better keep [D] it quiet.
[G] [A] [D]
[A] [D]
[A] [G] [A] [G]
[A] I got your name from a friend of a friend.
He said he used to want to meet you.
[F#m] He remembered you all [Dm] night.
Treat you up.
[A]
You can relate to a quarter track tape.
You're supposed to be [D] new.
He said, I don't [Dm] call those [Am] child's a ho.
[G] [A]
[C] [G] [Am] [A]
[Am] [G] [A] You should keep that going [D] on.
You're in bed with a
[A] That thing sounds like John [D] Palmer.
Oh.
[A]
[G] [A]
[G] [A] You gotta get out to the people.
This song is said to confuse.
[Dm] Now we call it the basic code.
[A] Telephone cable.
You got two points, a policy joint check out.
Oh.
I can [D] use this. You should.
[Dm] Don't call it [A] child's a ho.
[G] [A]
[G] [D]
You should keep that going on.
I [Am] should have my son.
[Em] Wonder.
[A] Yeah.
I'm suspicious.
[Am] You're a ho.
You're [G] a ho.
[D] [A]
[G]
[A] [D] [Am] [A]
[Am] [D] [A] [G] [D]
You're a ho.
You're a ho.
[Am]
You're a ho.
[G] [D]
[G] [A] [D] [Am] You're a ho.
[A]
Chicken [Em] ho's [A] feet.
You hit that big drum.
Come [B] [Am]
[F] [G]
on.
[A]
[N]
Key:
A
G
D
Am
C
A
G
D
[Dm] [G] A lot of you people [Dm] have seen us here last [D] year and we had [A#] a bass player that was with us for 19 years [B] named Dennis Noda.
[Gm] But he unfortunately [N] passed away three weeks ago and his wife is here, Cheryl Noda.
So give it up for Cheryl Noda. _ _ _ _ _ _ _
_ _ [A] Thank you folks for making all these songs.
Top 10 number one hits for us and all the bands we're in.
Out of Denver, Colorado we have a super group called Sugarloaf.
The lead singer, the guy that wrote all the hits?
Well he's right here right now.
He was on the Frankie Valley in the fourth season, [C] the one-off night label.
But right now will you welcome to Detroit, [G] from Sugarloaf, [A] Jerry Corbetta.
_ _ _ _ Now [C] I hear you all singing on the right, Captain Ride.
And I know you're going to [G] want to sing [A] along with us all night long.
So I want you to put down your coats [E] and your beers and your vodka and your lunch.
[C] I want you to take [G] a deep [A] breath.
I _ _ want you to reach for that [C] same key.
Are you ready?
Are you [G] ready?
[A] _ _ _ Everybody sing yeah.
I [C] said go.
I said hey, hey, [Dm] hey.
[A] I said go.
_ _ We are in the [C] Detroit First Baptist Choir Center.
_ _ [G] _
[A] I'm going to do a song I wrote for you in 1976. _ _
_ [C] _ _ I regret it.
We didn't have [G] a record [A] deal at Sugarloaf.
_ _ _ [Am] So I called up this guy called [C] Neil Records.
I tried to talk to him but he was very [G] rude to [A] me.
And he hung up.
_ So I went back to my hometown of Jimbo, Colorado.
[C] And I wrote this song and I talked to this little meaty label [G] called [A] Clarence Records.
And he put that out.
_ _ Well will this song [C] find up your Billboard charts?
_ Fifteen, [G] twelve, [A] nine.
_ Michael.
_ The guy from [C] Columbia wanted to make this into a show.
But I hung [G] up on [A] him.
One, two, three. _ _ _ _
_ _ _ [G] _ _ [A] _ _ [G] _
[A] _ _ [G] _ _ [Am] _ _ _ [B] _
[A] _ _ [Am] _ [G] _ [A] _ _ _ _
_ _ _ _ I got this great assistant, Terry Cook.
_ [D] Say hey, hey, hey.
[Dm] Really, [A] really nice to meet you.
_ _ Say hello and put me on hold.
Sugar, you should catch what's coming.
[D] He said, it's [Dm] always child's play.
[A] _ _ [G] _ [A] _ _ [G] So you got my love to [A] love you.
You should catch how to do the walk.
_ _ [G] _
[D] Call it.
[G] _ [A] _ _ [D] _ _ [A] _
_ _ _ _ _ _ [G] You better keep [D] it quiet.
[G] _ [A] _ [D] _ _ _ _
[A] _ _ _ _ _ _ [D] _ _
[A] _ _ [G] _ [A] _ _ _ [G] _ _
[A] I got your name from a friend of a friend.
He said he used to want to meet you.
[F#m] He remembered you all [Dm] night.
Treat you up.
[A] _ _ _ _
You can relate to a quarter track tape.
You're supposed to be [D] new.
He said, I don't [Dm] call those [Am] child's a ho.
_ [G] _ [A] _
_ [C] _ [G] _ _ [Am] _ _ _ [A] _
_ [Am] _ [G] _ [A] You should keep that going [D] on.
You're in bed with a_
_ [A] _ That thing sounds like John [D] Palmer.
Oh. _ _ _ _ _
_ _ _ _ [A] _ _ _ _
_ _ [G] _ _ [A] _ _ _ _
_ _ [G] _ _ [A] You gotta get out to the people.
This song is said to confuse.
_ [Dm] Now we call it the basic code.
[A] Telephone cable.
You got two points, a policy joint check out.
Oh.
I can [D] use this. You should.
[Dm] Don't call it [A] child's a ho.
_ _ _ _ [G] _ _ [A] _
_ _ _ _ _ [G] _ _ [D] _
You should keep that going on.
I [Am] should have my son.
[Em] Wonder.
[A] Yeah.
I'm suspicious.
[Am] You're a ho.
You're [G] a ho.
_ [D] _ _ _ _ [A] _
_ _ _ _ _ [G] _ _ _
_ [A] _ _ [D] _ [Am] _ _ [A] _ _
[Am] _ [D] _ [A] _ _ [G] _ _ [D] _ _
You're a ho.
You're a ho.
_ _ [Am] _ _ _
_ _ You're a ho.
_ [G] _ [D] _ _
[G] _ [A] _ [D] _ [Am] You're a ho.
_ [A] _ _
_ _ _ Chicken [Em] ho's [A] feet.
You hit that big drum.
Come _ _ [B] _ _ [Am] _
_ [F] _ _ _ _ _ [G] _ _
on.
_ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [N] _ _ _ _ _
[Gm] But he unfortunately [N] passed away three weeks ago and his wife is here, Cheryl Noda.
So give it up for Cheryl Noda. _ _ _ _ _ _ _
_ _ [A] Thank you folks for making all these songs.
Top 10 number one hits for us and all the bands we're in.
Out of Denver, Colorado we have a super group called Sugarloaf.
The lead singer, the guy that wrote all the hits?
Well he's right here right now.
He was on the Frankie Valley in the fourth season, [C] the one-off night label.
But right now will you welcome to Detroit, [G] from Sugarloaf, [A] Jerry Corbetta.
_ _ _ _ Now [C] I hear you all singing on the right, Captain Ride.
And I know you're going to [G] want to sing [A] along with us all night long.
So I want you to put down your coats [E] and your beers and your vodka and your lunch.
[C] I want you to take [G] a deep [A] breath.
I _ _ want you to reach for that [C] same key.
Are you ready?
Are you [G] ready?
[A] _ _ _ Everybody sing yeah.
I [C] said go.
I said hey, hey, [Dm] hey.
[A] I said go.
_ _ We are in the [C] Detroit First Baptist Choir Center.
_ _ [G] _
[A] I'm going to do a song I wrote for you in 1976. _ _
_ [C] _ _ I regret it.
We didn't have [G] a record [A] deal at Sugarloaf.
_ _ _ [Am] So I called up this guy called [C] Neil Records.
I tried to talk to him but he was very [G] rude to [A] me.
And he hung up.
_ So I went back to my hometown of Jimbo, Colorado.
[C] And I wrote this song and I talked to this little meaty label [G] called [A] Clarence Records.
And he put that out.
_ _ Well will this song [C] find up your Billboard charts?
_ Fifteen, [G] twelve, [A] nine.
_ Michael.
_ The guy from [C] Columbia wanted to make this into a show.
But I hung [G] up on [A] him.
One, two, three. _ _ _ _
_ _ _ [G] _ _ [A] _ _ [G] _
[A] _ _ [G] _ _ [Am] _ _ _ [B] _
[A] _ _ [Am] _ [G] _ [A] _ _ _ _
_ _ _ _ I got this great assistant, Terry Cook.
_ [D] Say hey, hey, hey.
[Dm] Really, [A] really nice to meet you.
_ _ Say hello and put me on hold.
Sugar, you should catch what's coming.
[D] He said, it's [Dm] always child's play.
[A] _ _ [G] _ [A] _ _ [G] So you got my love to [A] love you.
You should catch how to do the walk.
_ _ [G] _
[D] Call it.
[G] _ [A] _ _ [D] _ _ [A] _
_ _ _ _ _ _ [G] You better keep [D] it quiet.
[G] _ [A] _ [D] _ _ _ _
[A] _ _ _ _ _ _ [D] _ _
[A] _ _ [G] _ [A] _ _ _ [G] _ _
[A] I got your name from a friend of a friend.
He said he used to want to meet you.
[F#m] He remembered you all [Dm] night.
Treat you up.
[A] _ _ _ _
You can relate to a quarter track tape.
You're supposed to be [D] new.
He said, I don't [Dm] call those [Am] child's a ho.
_ [G] _ [A] _
_ [C] _ [G] _ _ [Am] _ _ _ [A] _
_ [Am] _ [G] _ [A] You should keep that going [D] on.
You're in bed with a_
_ [A] _ That thing sounds like John [D] Palmer.
Oh. _ _ _ _ _
_ _ _ _ [A] _ _ _ _
_ _ [G] _ _ [A] _ _ _ _
_ _ [G] _ _ [A] You gotta get out to the people.
This song is said to confuse.
_ [Dm] Now we call it the basic code.
[A] Telephone cable.
You got two points, a policy joint check out.
Oh.
I can [D] use this. You should.
[Dm] Don't call it [A] child's a ho.
_ _ _ _ [G] _ _ [A] _
_ _ _ _ _ [G] _ _ [D] _
You should keep that going on.
I [Am] should have my son.
[Em] Wonder.
[A] Yeah.
I'm suspicious.
[Am] You're a ho.
You're [G] a ho.
_ [D] _ _ _ _ [A] _
_ _ _ _ _ [G] _ _ _
_ [A] _ _ [D] _ [Am] _ _ [A] _ _
[Am] _ [D] _ [A] _ _ [G] _ _ [D] _ _
You're a ho.
You're a ho.
_ _ [Am] _ _ _
_ _ You're a ho.
_ [G] _ [D] _ _
[G] _ [A] _ [D] _ [Am] You're a ho.
_ [A] _ _
_ _ _ Chicken [Em] ho's [A] feet.
You hit that big drum.
Come _ _ [B] _ _ [Am] _
_ [F] _ _ _ _ _ [G] _ _
on.
_ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [N] _ _ _ _ _