Chords for Jim Mills Tony Williamson Scruggs Tuners talk and play vintage instruments at IBMA 2013

_ _ _ See if they can come back in. _
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They were living here in Raleigh working on W.
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_ _ _ [Cm] _ _ _ _ [E] _
_ [Ebm] Came home one night, laid that trinata up on the [A] table,
our daddy said he took a brace of this,
drilled a big hole right here.
This pearl flew all over everything. _
_ [B] Came up with what's known today as a deep center.
[G] _
And it allowed you to tune the strings down.
Bwah. _ _ _
_ [A] And _ _ _ _ _
_ _ [E] _ now take that stuff for granted.
_ [N] _
_ That was neat that he told me that happened. _ _ _
_ Even though it's now taken for granted,
it still ain't easy, darling.
No, it isn't.
_ _ _ _ I'll agree [E] with that. _
_ Well, let [E] me talk just a minute. _ _ _
Monroe.
_ Of course, Bill kept his guitar.
[Ab] He's right.
Right.
_ The 18 [E] that I believe.
_ [N] _
_ And there's a famous promo photo
that is sort of a, he has the guitar kind of a side angle.
And you can see the strings.
The strings are high enough where a cat could crawl. _
_ I'm not [G] going to do that.
He had the strings up there where it was easy [Eb] to play. Yeah.
_ [E] Now, Curly [G] Sackler, most of the Latin scrobes named limb players
[A] chose a round [N] hole method.
This was a _ _ _ [C] very different sound.
_ [E]
Jimmy Martin also insisted on this sound for his recordings.
And I often wonder if in both cases that was not [Em] an effort [A] just
to be different from what you love.
[B] _ [G] So you can see that.
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Got a shorter scale neck.
And it has a lovely sound for classical or Italian [D] music.
But it's kind of hard to keep up with these boys with this thing.
But I'm going to try, OK?
We'll not get too far ahead of the [F] beat.
All right.
[Ab] Here we go.
[G] Earl's breakdown. _ _
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_ That's exactly right.
That was definitely nice.
[G] He's playing a big three point.
[D] Curly did a few meme solos in Cuvee. _