Chords for Jimmy Barnes & Diesel - 'Since I Fell For You' (Live - My First Gig)

Tempo:
85.125 bpm
Chords used:

E

B

A

G

F#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Jimmy Barnes & Diesel - 'Since I Fell For You' (Live - My First Gig) chords
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You know I was just like wow you know gobsmacked at first
You know the beauty of the of Sydney and that whole harbor and the whole thing and I was I just [G#] felt like wow
I've been transported to somewhere on the Riviera or something.
It was like science fiction for me
It was like we're gonna do a gig here tonight, and and then who turns up you know in excess midnight oil
I think you were at that first gig or for not the first one the second one second one Jane went the first one
So it was like you know we only had 20 people
But it was like pretty much it you know I think it was said in one of the street magazines
And if a bomb went off in the Middle Harbor pretty much most of the you [F#] know
Australian music industry would have been taken out that night, so yeah
It's funny you [N] said you know because I remember
When cultures will first move to drove into Sydney and driving up Paramount a road in towards the city
It was like suddenly it's like being in New York.
Yeah, oh it is you know we come companies country
But is it Sydney is an amazing place for a band you know they're just arriving like that
For anyone just arriving because it's so higgly piggly you can't get a grip on where it goes where it ends
Where you know coming from Perth [G#] and before that all [F] places that were flat you know Sydney just and great really really hard to get
Get your head around so what was an early?
Injectors gig like how much what was this sort of the feel rough rough?
Little bit rough um well like I said before we didn't used to rehearse a lot
So we'd kind of work things out on stage [A#] a large [Cm] degree
You know we get the idea of [F] maybe doing a song or I'd throw it out [A#] them
You know that on [C] the day, and we just sort of have a go at it that night
[N] And I probably said more than me if I was lucky to say maybe one word all night at that and those days
Pretty much stared at the pedals and maybe the microphone if I could get my eyes to that, but yeah pretty pretty shy
But you know it's tough sort of lost in the music it is
When you're not sort of brought up into that mold
I think if you start out as a singer with a microphone
And you kind of forced to like connect with the audience, but being that I'd always had the guitar and to hide behind
It was it was like yeah, well I can do the singing in the guitar playing thing, but that whole front man thing
That's like that's another thing someone else you've talked about the early influence
You've talked about ripping off songs from your dad's record collection.
You know Jimmy Smith
Who's your coochie man since I fell which came from a Jimmy Witherspoon record right one of those songs?
You know since I fell for you actually made it onto the first album
Which is a testament to a great song really yeah?
Well, I haven't actually listened to it that much since the recording believe I mean you know apart from the recording
I've never listened to any of my records that much just listening to it then
Out in your kitchen.
It was like it said actually
Yeah, it's sort of traveled pretty well.
It's a great song.
Yeah, it is a great song
I think that's why Terry Manning and producer
You know just said oh this has got to go on there because it's you know you guys do it
And I think there's been so many schmaltzy versions of it with lots of production and strings and very grandioso
And our version was
Ultimately opposite over that you think it was stripped back then this is as much
This is as most trip back as ever been and you're stuck with me singing with you all right.
Give it a go
[E] [Am]
[Em] [E]
[C#m]
[F#m] Mid [B] men [E] leave my happy home
My [C#m] [E] love [A] now you
[G]
Mm [F#]-hmm [G#m] since I feel
[E] [A]
[E] [F#] [B]
[E] Yeah, [C#]
[F#m] [B] we such misery [E] and pain [Bm] I
Guess I [G] never
[A] Be the same [G] Oh, baby
[F#] [B] Since I fell [E] oh
[A]
[B] [E]
[A] [Am]
[C] [D]
[E] [C#m] Oh
[G#] Yeah, [Am] yeah, you love [E] [C] me
[D] [F#m] What else can I [A] do
[B] I'm still [F#] in [D] love with [B] you
[E]
[C#m] [A]
[B] [E] Oh
[Bm] [C#m]
[E] [G] [A]
[G] [F#]
[D#m] [B] [D#] [E]
[A] [E]
[A#] [B]
[Am] [E]
[D#] [E] [Em]
[G] [G]
[A] [G]
[F#] [B]
[E] [B] [E] [A] [D]
[E] [A] [E]
[Am]
[C] [G] [D]
[E]
[Bm]
[Am] [D] Oh
[F#m] [B]
[C#] [D] [D#]
[E] [C#m]
[F#m] [B]
[E] [C#m] [E]
[G#] Oh
[A] [G]
[F#] [G#]
[E] [Am]
[E] [B] [G#]
Fuck [E] you
[C#m] [G#]
Key:  
E
2311
B
12341112
A
1231
G
2131
F#
134211112
E
2311
B
12341112
A
1231
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You know I was just like wow you know gobsmacked at first
You know the beauty of the of Sydney and that whole harbor and the whole thing and I was I just [G#] felt like wow
I've been transported to somewhere on the Riviera or something.
It was like science fiction for me
It was like we're gonna do a gig here tonight, and and then who turns up you know in excess midnight oil
I think you were at that first gig or for not the first one the second one second one Jane went the first one
So it was like you know we only had 20 people
But it was like pretty much it you know I think it was said in one of the street magazines
And if a bomb went off in the Middle Harbor pretty much most of the you [F#] know
Australian music industry would have been taken out that night, so yeah
It's funny you [N] said you know because I remember
When cultures will first move to drove into Sydney and driving up Paramount a road in towards the city
It was like suddenly it's like being in New York.
Yeah, oh it is you know we come companies country
But is it Sydney is an amazing place for a band you know they're just arriving like that
For anyone just arriving because it's so higgly piggly you can't get a grip on where it goes where it ends
Where you know coming from Perth [G#] and before that all [F] places that were flat you know Sydney just and great really really hard to get
Get your head around so what was an early?
Injectors gig like how much what was this sort of the feel rough rough?
Little bit rough um well like I said before we didn't used to rehearse a lot
So we'd kind of work things out on stage [A#] a large [Cm] degree
You know we get the idea of [F] maybe doing a song or I'd throw it out [A#] them
You know that on [C] the day, and we just sort of have a go at it that night
[N] And I probably said more than me if I was lucky to say maybe one word all night at that and those days
Pretty much stared at the pedals and maybe the microphone if I could get my eyes to that, but yeah pretty pretty shy
But you know it's tough sort of lost in the music it is
When you're not sort of brought up into that mold
I think if you start out as a singer with a microphone
And you kind of forced to like connect with the audience, but being that I'd always had the guitar and to hide behind
It was it was like yeah, well I can do the singing in the guitar playing thing, but that whole front man thing
That's like that's another thing someone else you've talked about the early influence
You've talked about ripping off songs from your dad's record collection.
You know Jimmy Smith
Who's your coochie man since I fell which came from a Jimmy Witherspoon record right one of those songs?
You know since I fell for you actually made it onto the first album
Which is a testament to a great song really yeah?
Well, I haven't actually listened to it that much since the recording believe I mean you know apart from the recording
I've never listened to any of my records that much just listening to it then
Out in your kitchen.
It was like it said actually
Yeah, it's sort of traveled pretty well.
It's a great song.
Yeah, it is a great song
I think that's why Terry Manning and producer
You know just said oh this has got to go on there because it's you know you guys do it
And I think there's been so many schmaltzy versions of it with lots of production and strings and very grandioso
And our version was
Ultimately opposite over that you think it was stripped back then this is as much
This is as most trip back as ever been and you're stuck with me singing with you all right.
Give it a go
[E] _ _ _ [Am] _
_ _ [Em] _ _ [E] _ _
_ _ _ _ [C#m] _ _
_ [F#m] Mid [B] men [E] leave my happy home _ _
_ _ My [C#m] [E] love [A] now you
_ _ [G] _
Mm [F#]-hmm [G#m] since I feel
[E] _ _ _ [A] _ _
_ [E] _ _ _ [F#] _ [B] _
_ [E] _ Yeah, [C#] _ _
_ [F#m] _ [B] we such misery [E] and pain _ _ [Bm] I
_ Guess I [G] never
[A] Be the same _ [G] Oh, baby
[F#] _ [B] Since I fell [E] oh
_ _ [A] _ _
[B] _ [E] _ _ _ _ _
_ [A] _ [Am] _ _ _ _
[C] _ [D] _ _ _ _ _
[E] _ _ _ [C#m] Oh _
[G#] _ Yeah, [Am] _ yeah, _ you love [E] [C] me
[D] _ _ _ _ [F#m] What else can I [A] do
[B] I'm still [F#] in [D] love with [B] you
[E] _
_ [C#m] _ _ _ _ [A] _
_ [B] _ _ _ [E] Oh
_ _ _ _ [Bm] _ [C#m] _
_ [E] _ _ _ [G] _ [A] _
_ _ [G] _ _ _ [F#] _
[D#m] _ [B] _ [D#] _ [E] _ _ _
_ [A] _ _ _ [E] _ _
_ _ _ [A#] _ [B] _ _
_ _ _ _ [Am] _ [E] _
[D#] _ _ [E] _ _ [Em] _ _
_ _ [G] _ _ [G] _ _
_ _ [A] _ _ _ [G] _
_ _ [F#] _ _ _ [B] _
[E] _ [B] _ [E] _ [A] _ _ [D] _
[E] _ _ [A] _ _ [E] _ _
_ [Am] _ _ _ _ _
[C] _ [G] _ [D] _ _ _ _
_ [E] _ _ _ _ _
_ _ _ _ [Bm] _ _
[Am] _ _ _ _ [D] Oh
_ _ _ _ _ _
[F#m] _ _ _ _ [B] _ _
_ [C#] _ [D] _ _ [D#] _ _
_ [E] _ _ _ [C#m] _ _
_ [F#m] _ _ [B] _ _ _
_ [E] _ _ [C#m] _ [E] _ _
[G#] _ Oh _ _ _
[A] _ _ _ _ [G] _ _
_ [F#] _ [G#] _ _ _ _
_ _ _ _ _ _
[E] _ _ _ [Am] _ _ _
_ [E] _ [B] _ [G#] _ _ _
_ _ Fuck [E] you _
_ _ _ [C#m] _ [G#] _ _
_ _ _ _ _ _

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