Chords for Jimmy Page - Since I've Been Loving You Lick, 4:03
Tempo:
149.8 bpm
Chords used:
Cm
C
F
Ab
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
[Cm]
[Fm]
Hey Blues fans, it's Anthony from Texas Blues Alley and this [Cm] week we're taking a look at Jimmy Page.
Yes, it is Texas Blues Alley, but Texas Blues is kind of the heart, not the boundary, of
what I'll teach and I happen to like Jimmy Page a great deal.
So I'm going to teach this lick from Since I've Been Loving You.
It's a song that [E] uses a lot of [Cm] minor sounding stuff in the key of C here.
And this kind of lick is something that doesn't really square with much of anything else that
you'll learn, learning from the typical blues guys.
So I'm going to try and put it in terms that you'll [C] understand.
[Cm] Even though we're in a minor [Em] key, that's your [Eb] box 1 shape, [C] [Cm]
typically [D] when you're playing
a minor song you might use some stuff in box 2.
[C]
Certainly he did that in that song.
When you get to box 3 [F] though, whoa, [Em] that doesn't fit at all.
That's like handing out balloons at a funeral right there.
Doesn't [G] really fit at all.
[C] But nonetheless, we start this lick [Bb] [Eb] up north of box [Em] 3, going from the 16th fret to the
15th fret of the E string.
Two notes to [Ab] start it off, and then you slide down into box 1.
But we hit this note right here, which is [G] not, [Abm] we don't usually land there for anything,
but that's because this is a minor song, and we [F] can add that in there, [C] [Cm]
because there's
[Ab] some notes that fit with minor sounding [Eb] songs that we don't normally use.
So slide down to [F] that note, drop to the 10th fret of the G string, [Em] then walk up 8, [Bb] 9, 11
on the B string, [Gm] drop back to 8, [Abm] go up to 9 [E] again on B, [F] and then two hits on the 10th
fret of the G string.
[Bb]
And then [Ab] to finish it, jump back up to this odd note here, 10th fret, or 9th fret of the
B string, [Bb] jump to 11, pick it one more time and bend up.
When you reach a full step bend, grab the [Ebm] E string at the same fret,
[Ab] [D] and bring this
back [Cm] down, and bend [C] it up one more time.
[Am] [C] And then give it [E] a little shake there for some added effect.
[Em] One [F] last thing, as you're dragging down to this note, you can hear I'm getting a little
bit of a, kind of sounds like I'm going, you can accomplish that by dragging with this
finger, [Ab] and then pulling off to land on [F] that note with your index finger.
Now it takes a little bit of practice to know when to stop,
[B] but [E] that's the sound that you're
looking for, and then if you add in a little bit of dirt, [F] you
[Ab]
[D] get somewhere in the ballpark.
Anyway, that's just a little taste of Jimmy's playing from Since I've Been Loving You.
One of my favorite songs, just an incredible orchestration by the whole band, and I love
his playing in that song.
I hope that's useful to you, and until next time, thanks for watching.
[N]
[Fm]
Hey Blues fans, it's Anthony from Texas Blues Alley and this [Cm] week we're taking a look at Jimmy Page.
Yes, it is Texas Blues Alley, but Texas Blues is kind of the heart, not the boundary, of
what I'll teach and I happen to like Jimmy Page a great deal.
So I'm going to teach this lick from Since I've Been Loving You.
It's a song that [E] uses a lot of [Cm] minor sounding stuff in the key of C here.
And this kind of lick is something that doesn't really square with much of anything else that
you'll learn, learning from the typical blues guys.
So I'm going to try and put it in terms that you'll [C] understand.
[Cm] Even though we're in a minor [Em] key, that's your [Eb] box 1 shape, [C] [Cm]
typically [D] when you're playing
a minor song you might use some stuff in box 2.
[C]
Certainly he did that in that song.
When you get to box 3 [F] though, whoa, [Em] that doesn't fit at all.
That's like handing out balloons at a funeral right there.
Doesn't [G] really fit at all.
[C] But nonetheless, we start this lick [Bb] [Eb] up north of box [Em] 3, going from the 16th fret to the
15th fret of the E string.
Two notes to [Ab] start it off, and then you slide down into box 1.
But we hit this note right here, which is [G] not, [Abm] we don't usually land there for anything,
but that's because this is a minor song, and we [F] can add that in there, [C] [Cm]
because there's
[Ab] some notes that fit with minor sounding [Eb] songs that we don't normally use.
So slide down to [F] that note, drop to the 10th fret of the G string, [Em] then walk up 8, [Bb] 9, 11
on the B string, [Gm] drop back to 8, [Abm] go up to 9 [E] again on B, [F] and then two hits on the 10th
fret of the G string.
[Bb]
And then [Ab] to finish it, jump back up to this odd note here, 10th fret, or 9th fret of the
B string, [Bb] jump to 11, pick it one more time and bend up.
When you reach a full step bend, grab the [Ebm] E string at the same fret,
[Ab] [D] and bring this
back [Cm] down, and bend [C] it up one more time.
[Am] [C] And then give it [E] a little shake there for some added effect.
[Em] One [F] last thing, as you're dragging down to this note, you can hear I'm getting a little
bit of a, kind of sounds like I'm going, you can accomplish that by dragging with this
finger, [Ab] and then pulling off to land on [F] that note with your index finger.
Now it takes a little bit of practice to know when to stop,
[B] but [E] that's the sound that you're
looking for, and then if you add in a little bit of dirt, [F] you
[Ab]
[D] get somewhere in the ballpark.
Anyway, that's just a little taste of Jimmy's playing from Since I've Been Loving You.
One of my favorite songs, just an incredible orchestration by the whole band, and I love
his playing in that song.
I hope that's useful to you, and until next time, thanks for watching.
[N]
100% ➙ 150BPM
Cm
C
F
Ab
Em
Cm
C
F
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Cm] _ _ _ _ _ _ _
_ _ _ _ _ [Fm] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Hey Blues fans, it's Anthony from Texas Blues Alley and this [Cm] week we're taking a look at Jimmy Page.
Yes, it is Texas Blues Alley, but Texas Blues is kind of the heart, not the boundary, of
what I'll teach and I happen to like Jimmy Page a great deal.
So I'm going to teach this lick from Since I've Been Loving You.
It's a song that [E] uses a lot of [Cm] minor sounding stuff in the key of C here.
_ _ And this kind of lick is something that doesn't really square with much of _ anything else that
you'll learn, _ learning from the typical blues guys.
So I'm going to try and put it in terms that you'll [C] understand. _
_ _ [Cm] _ Even though we're in a minor [Em] key, that's your [Eb] box 1 shape, _ [C] _ _ [Cm] _
typically _ [D] _ _ when you're playing
a minor song you might use some stuff in box 2.
[C] _ _
_ _ _ _ _ _ _ _
Certainly he did that in that song.
When you get to box 3 [F] though, _ _ whoa, [Em] that doesn't fit at all.
That's like _ _ _ handing out balloons at a funeral right there.
_ _ Doesn't [G] really fit at all.
_ [C] _ _ _ But nonetheless, we start this lick [Bb] _ [Eb] up north of box [Em] 3, _ _ going from the 16th fret to the
15th fret of the E string.
_ Two notes to [Ab] start it off, and then you slide down into box 1.
_ _ But we hit this note right here, which is [G] not, _ _ _ [Abm] we don't usually land there for anything,
but that's because this is a minor song, and we [F] can add that in there, _ [C] _ _ [Cm] _
because there's
[Ab] some notes that fit with minor sounding [Eb] songs that we don't normally use.
So _ _ _ slide down to [F] that note, _ drop to the 10th fret of the G string, [Em] _ then walk up 8, [Bb] 9, _ 11
on the B string, [Gm] drop back to 8, _ [Abm] _ go up to 9 [E] again on B, _ [F] _ _ and then two hits on the 10th
fret of the G string. _ _ _ _ _
_ _ _ _ [Bb] _ _ _ _
_ _ And then [Ab] to finish it, jump back up to this odd note here, _ 10th fret, or 9th fret of the
B string, [Bb] _ jump to 11, pick it one more time and bend up. _ _
_ When you reach a full step bend, _ grab the [Ebm] E string at the same fret, _ _ _ _
[Ab] _ _ _ _ [D] _ and bring this
back [Cm] down, and bend [C] it up one more time. _ _ _
_ [Am] _ _ _ _ [C] And then give it [E] a little shake there for some added effect. _ _
_ [Em] One [F] last thing, _ _ _ _ _ _ _ _ as you're dragging down to this note, _ _ _ _ _ _ you can hear I'm getting a little
bit of a, _ _ _ _ kind of sounds like I'm going, _ _ _ _ _ _ _ _ _ _ _ _
_ you can accomplish that by dragging with this
finger, _ _ _ _ [Ab] and then pulling off to land on [F] that note with your index finger. _
_ _ _ _ Now it takes a little bit of practice to know when to stop, _ _ _ _ _
[B] _ but [E] that's the sound that you're
looking for, and then if you add in a little bit of dirt, [F] you _ _ _ _
_ _ _ _ [Ab] _ _ _ _
_ [D] _ _ get somewhere in the ballpark.
Anyway, that's just a little taste of Jimmy's playing from Since I've Been Loving You.
One of my favorite songs, just an incredible _ _ _ orchestration by the whole band, and I love
his playing in that song.
I hope that's useful to you, and until next time, thanks for watching. _ _ _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
_ [Cm] _ _ _ _ _ _ _
_ _ _ _ _ [Fm] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Hey Blues fans, it's Anthony from Texas Blues Alley and this [Cm] week we're taking a look at Jimmy Page.
Yes, it is Texas Blues Alley, but Texas Blues is kind of the heart, not the boundary, of
what I'll teach and I happen to like Jimmy Page a great deal.
So I'm going to teach this lick from Since I've Been Loving You.
It's a song that [E] uses a lot of [Cm] minor sounding stuff in the key of C here.
_ _ And this kind of lick is something that doesn't really square with much of _ anything else that
you'll learn, _ learning from the typical blues guys.
So I'm going to try and put it in terms that you'll [C] understand. _
_ _ [Cm] _ Even though we're in a minor [Em] key, that's your [Eb] box 1 shape, _ [C] _ _ [Cm] _
typically _ [D] _ _ when you're playing
a minor song you might use some stuff in box 2.
[C] _ _
_ _ _ _ _ _ _ _
Certainly he did that in that song.
When you get to box 3 [F] though, _ _ whoa, [Em] that doesn't fit at all.
That's like _ _ _ handing out balloons at a funeral right there.
_ _ Doesn't [G] really fit at all.
_ [C] _ _ _ But nonetheless, we start this lick [Bb] _ [Eb] up north of box [Em] 3, _ _ going from the 16th fret to the
15th fret of the E string.
_ Two notes to [Ab] start it off, and then you slide down into box 1.
_ _ But we hit this note right here, which is [G] not, _ _ _ [Abm] we don't usually land there for anything,
but that's because this is a minor song, and we [F] can add that in there, _ [C] _ _ [Cm] _
because there's
[Ab] some notes that fit with minor sounding [Eb] songs that we don't normally use.
So _ _ _ slide down to [F] that note, _ drop to the 10th fret of the G string, [Em] _ then walk up 8, [Bb] 9, _ 11
on the B string, [Gm] drop back to 8, _ [Abm] _ go up to 9 [E] again on B, _ [F] _ _ and then two hits on the 10th
fret of the G string. _ _ _ _ _
_ _ _ _ [Bb] _ _ _ _
_ _ And then [Ab] to finish it, jump back up to this odd note here, _ 10th fret, or 9th fret of the
B string, [Bb] _ jump to 11, pick it one more time and bend up. _ _
_ When you reach a full step bend, _ grab the [Ebm] E string at the same fret, _ _ _ _
[Ab] _ _ _ _ [D] _ and bring this
back [Cm] down, and bend [C] it up one more time. _ _ _
_ [Am] _ _ _ _ [C] And then give it [E] a little shake there for some added effect. _ _
_ [Em] One [F] last thing, _ _ _ _ _ _ _ _ as you're dragging down to this note, _ _ _ _ _ _ you can hear I'm getting a little
bit of a, _ _ _ _ kind of sounds like I'm going, _ _ _ _ _ _ _ _ _ _ _ _
_ you can accomplish that by dragging with this
finger, _ _ _ _ [Ab] and then pulling off to land on [F] that note with your index finger. _
_ _ _ _ Now it takes a little bit of practice to know when to stop, _ _ _ _ _
[B] _ but [E] that's the sound that you're
looking for, and then if you add in a little bit of dirt, [F] you _ _ _ _
_ _ _ _ [Ab] _ _ _ _
_ [D] _ _ get somewhere in the ballpark.
Anyway, that's just a little taste of Jimmy's playing from Since I've Been Loving You.
One of my favorite songs, just an incredible _ _ _ orchestration by the whole band, and I love
his playing in that song.
I hope that's useful to you, and until next time, thanks for watching. _ _ _ _
_ _ _ _ _ _ _ [N] _