Chords for Jimmy Page - Since I've Been Loving You Lick, 4:03
Tempo:
149.8 bpm
Chords used:
Cm
C
F
Ab
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
[Cm]
[Fm]
Hey Blues fans, it's Anthony from Texas Blues Alley and this [Cm] week we're taking a look at Jimmy Page.
Yes, it is Texas Blues Alley, but Texas Blues is kind of the heart, not the boundary, of
teach and I happen to like Jimmy Page a great deal.
this lick from Since I've Been Loving You.
that [E] uses a lot of [Cm] minor sounding stuff in the key of C here.
that doesn't really square with much of anything else that
[Fm]
Hey Blues fans, it's Anthony from Texas Blues Alley and this [Cm] week we're taking a look at Jimmy Page.
Yes, it is Texas Blues Alley, but Texas Blues is kind of the heart, not the boundary, of
teach and I happen to like Jimmy Page a great deal.
this lick from Since I've Been Loving You.
that [E] uses a lot of [Cm] minor sounding stuff in the key of C here.
that doesn't really square with much of anything else that
100% ➙ 150BPM
Cm
C
F
Ab
Em
Cm
C
F
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Cm] _ _ _ _ _ _ _
_ _ _ _ _ [Fm] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Hey Blues fans, it's Anthony from Texas Blues Alley and this [Cm] week we're taking a look at Jimmy Page.
Yes, it is Texas Blues Alley, but Texas Blues is kind of the heart, not the boundary, of
what I'll teach and I happen to like Jimmy Page a great deal.
So I'm going to teach this lick from Since I've Been Loving You.
It's a song that [E] uses a lot of [Cm] minor sounding stuff in the key of C here.
_ _ And this kind of lick is something that doesn't really square with much of _ anything else that
you'll learn, _ learning from the typical blues guys.
So I'm going to try and put it in terms that you'll [C] understand. _
_ _ [Cm] _ Even though we're in a minor [Em] key, that's your [Eb] box 1 shape, _ [C] _ _ [Cm] _
typically _ [D] _ _ when you're playing
a minor song you might use some stuff in box 2.
[C] _ _
_ _ _ _ _ _ _ _
Certainly he did that in that song.
When you get to box 3 [F] though, _ _ whoa, [Em] that doesn't fit at all.
That's like _ _ _ handing out balloons at a funeral right there.
_ _ Doesn't [G] really fit at all.
_ [C] _ _ _ But nonetheless, we start this lick [Bb] _ [Eb] up north of box [Em] 3, _ _ going from the 16th fret to the
15th fret of the E string.
_ Two notes to [Ab] start it off, and then you slide down into box 1.
_ _ But we hit this note right here, which is [G] not, _ _ _ [Abm] we don't usually land there for anything,
but that's because this is a minor song, and we [F] can add that in there, _ [C] _ _ [Cm] _
because there's
[Ab] some notes that fit with minor sounding [Eb] songs that we don't normally use.
So _ _ _ slide down to [F] that note, _ drop to the 10th fret of the G string, [Em] _ then walk up 8, [Bb] 9, _ 11
on the B string, [Gm] drop back to 8, _ [Abm] _ go up to 9 [E] again on B, _ [F] _ _ and then two hits on the 10th
fret of the G string. _ _ _ _ _
_ _ _ _ [Bb] _ _ _ _
_ _ And then [Ab] to finish it, jump back up to this odd note here, _ 10th fret, or 9th fret of the
B string, [Bb] _ jump to 11, pick it one more time and bend up. _ _
_ When you reach a full step bend, _ grab the [Ebm] E string at the same fret, _ _ _ _
[Ab] _ _ _ _ [D] _ and bring this
back [Cm] down, and bend [C] it up one more time. _ _ _
_ [Am] _ _ _ _ [C] And then give it [E] a little shake there for some added effect. _ _
_ [Em] One [F] last thing, _ _ _ _ _ _ _ _ as you're dragging down to this note, _ _ _ _ _ _ you can hear I'm getting a little
bit of a, _ _ _ _ kind of sounds like I'm going, _ _ _ _ _ _ _ _ _ _ _ _
_ you can accomplish that by dragging with this
finger, _ _ _ _ [Ab] and then pulling off to land on [F] that note with your index finger. _
_ _ _ _ Now it takes a little bit of practice to know when to stop, _ _ _ _ _
[B] _ but [E] that's the sound that you're
looking for, and then if you add in a little bit of dirt, [F] you _ _ _ _
_ _ _ _ [Ab] _ _ _ _
_ [D] _ _ get somewhere in the ballpark.
Anyway, that's just a little taste of Jimmy's playing from Since I've Been Loving You.
One of my favorite songs, just an incredible _ _ _ orchestration by the whole band, and I love
his playing in that song.
I hope that's useful to you, and until next time, thanks for watching. _ _ _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
_ [Cm] _ _ _ _ _ _ _
_ _ _ _ _ [Fm] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Hey Blues fans, it's Anthony from Texas Blues Alley and this [Cm] week we're taking a look at Jimmy Page.
Yes, it is Texas Blues Alley, but Texas Blues is kind of the heart, not the boundary, of
what I'll teach and I happen to like Jimmy Page a great deal.
So I'm going to teach this lick from Since I've Been Loving You.
It's a song that [E] uses a lot of [Cm] minor sounding stuff in the key of C here.
_ _ And this kind of lick is something that doesn't really square with much of _ anything else that
you'll learn, _ learning from the typical blues guys.
So I'm going to try and put it in terms that you'll [C] understand. _
_ _ [Cm] _ Even though we're in a minor [Em] key, that's your [Eb] box 1 shape, _ [C] _ _ [Cm] _
typically _ [D] _ _ when you're playing
a minor song you might use some stuff in box 2.
[C] _ _
_ _ _ _ _ _ _ _
Certainly he did that in that song.
When you get to box 3 [F] though, _ _ whoa, [Em] that doesn't fit at all.
That's like _ _ _ handing out balloons at a funeral right there.
_ _ Doesn't [G] really fit at all.
_ [C] _ _ _ But nonetheless, we start this lick [Bb] _ [Eb] up north of box [Em] 3, _ _ going from the 16th fret to the
15th fret of the E string.
_ Two notes to [Ab] start it off, and then you slide down into box 1.
_ _ But we hit this note right here, which is [G] not, _ _ _ [Abm] we don't usually land there for anything,
but that's because this is a minor song, and we [F] can add that in there, _ [C] _ _ [Cm] _
because there's
[Ab] some notes that fit with minor sounding [Eb] songs that we don't normally use.
So _ _ _ slide down to [F] that note, _ drop to the 10th fret of the G string, [Em] _ then walk up 8, [Bb] 9, _ 11
on the B string, [Gm] drop back to 8, _ [Abm] _ go up to 9 [E] again on B, _ [F] _ _ and then two hits on the 10th
fret of the G string. _ _ _ _ _
_ _ _ _ [Bb] _ _ _ _
_ _ And then [Ab] to finish it, jump back up to this odd note here, _ 10th fret, or 9th fret of the
B string, [Bb] _ jump to 11, pick it one more time and bend up. _ _
_ When you reach a full step bend, _ grab the [Ebm] E string at the same fret, _ _ _ _
[Ab] _ _ _ _ [D] _ and bring this
back [Cm] down, and bend [C] it up one more time. _ _ _
_ [Am] _ _ _ _ [C] And then give it [E] a little shake there for some added effect. _ _
_ [Em] One [F] last thing, _ _ _ _ _ _ _ _ as you're dragging down to this note, _ _ _ _ _ _ you can hear I'm getting a little
bit of a, _ _ _ _ kind of sounds like I'm going, _ _ _ _ _ _ _ _ _ _ _ _
_ you can accomplish that by dragging with this
finger, _ _ _ _ [Ab] and then pulling off to land on [F] that note with your index finger. _
_ _ _ _ Now it takes a little bit of practice to know when to stop, _ _ _ _ _
[B] _ but [E] that's the sound that you're
looking for, and then if you add in a little bit of dirt, [F] you _ _ _ _
_ _ _ _ [Ab] _ _ _ _
_ [D] _ _ get somewhere in the ballpark.
Anyway, that's just a little taste of Jimmy's playing from Since I've Been Loving You.
One of my favorite songs, just an incredible _ _ _ orchestration by the whole band, and I love
his playing in that song.
I hope that's useful to you, and until next time, thanks for watching. _ _ _ _
_ _ _ _ _ _ _ [N] _