Chords for Joan Baez - Sweet Sir Galahad

Tempo:
96.4 bpm
Chords used:

F#

G#m

B

D#m

C#m

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Joan Baez - Sweet Sir Galahad chords
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called Sweet Sir Galahad.
outside of the bathtub, because I'm just [C] smart enough to know that my writing is very mediocre.
[B]-in-law, who has very long hair, and he married my
after the death of her husband a few years back, Richard Fregna, whom some
remember.
And the images conjured up in this funny little song are simply that
courting, and when he did, he used to come in the middle of the night
Sweet Sir Galahad came in through the window [G#m] in the night, when the moon was in [C#m] the yard.
100%  ➙  96BPM
F#
134211112
G#m
123111114
B
12341112
D#m
13421116
C#m
13421114
F#
134211112
G#m
123111114
B
12341112
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Chords
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Let's start jamming Joan Baez - (Live At The Woodstock Music & Art Fair / 1969) We Three Together Constitute The Struggle Mountain Resistance Band chords, practice the chord sequence Abm, Dbm, Gb, Abm, B, Gb, B and Abm. Kick off your practice at a gentle 48 BPM, then escalate to the song's tempo of 97 BPM. Tune your capo to accommodate your vocal range, referencing the song's key: B Major.

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called Sweet Sir Galahad.
It's the only song that I've ever written that I sing anywhere
outside of the bathtub, _ because I'm just [C] smart enough to know that my writing is very mediocre.
But anyhow, this is about my brother [B]-in-law, who has very long hair, and he married my
sister Mimi after the death of her husband a few years back, Richard Fregna, whom some
of you remember.
_ _ _ _ [G] _ _ _
And the images conjured up in this funny little song are simply that
I watched him come courting, and when he did, he used to come in the middle of the night
through her bedroom window, feet [B] first.
_ _ Sweet Sir Galahad came in through the window [G#m] in the night, when the moon was in [C#m] the _ _ _ yard.
_ _ [F#]
Took her hand in his and [F#] shook the long hair from his neck, and he told her she'd been
[G#m] working much too _ _ hard.
[B] It was true that ever since the day her crazy man had passed away,
to the land of poets' [C#m] pride. _ _ _ _
She [F#] laughed and talked a lot with [F#] new people on the block,
but always at evening time [G#m] she _ cried.
_ _ _ [E] And here's to [D#m] the dawn [F#] of their _
_ [F#] _ days.
_ [B] La la dee dee [F#] dee dee la [G#m] la _ _
_ [D#m] _ _ _ [E] la dee dee [B] dee dee [F#] la la da. _
_ [G#m] _ _ _ _ _ _ _
[B] She moved her head a little down on the bed [G#m] until it rested _ softly on [C#m] his knee.
_ _ _ _ [F#] There she dropped her smile and there she sighed a while, told him all the sadness of
[G#m] those years that numbered three. _
[B] Well, you know, I think my fate's belated,
cause of all the hours [G#m] I waited for the day when I'd no [C#m] longer cry.
_ _ _ _ _ [F#] Get myself to work by eight, but oh, was I born too late.
Do you think I'll [G#m] fail at every single thing I try? _
_ _ [E] _ And [D#m] here's to the dawn [F#] of their _ days. _ _
_ [B] He just put his arm around her and that's the way I [G#m] found her,
eight months later to the [C#m] day.
_ _ _ _ _ [F#] Lines of a smile erased, the tear tracks upon her face, a smile that could linger, [G#m] even stay. _ _ _ _ _
_ [B] _ Sweet Sir [F#] Galahad went _ down [G#m] with his gate _ [D#m] of _ flowers, [E] the prince of [B] the hours [F#] of her _ _ [G#m] lifetime. _
_ _ _ _ [E] And _ here's [D#m] to the _ dawn [F#] of their _ _ _ days, _ of their _ [D#m] days.
_ _ _ [G#m] _ _ _ _ _ _ _ _ _ [G#] _ _
_ [F#] _ [G] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

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