Chords for Joe Bonamassa at the Todd Sharp Amps
Tempo:
83.25 bpm
Chords used:
E
A
D
G
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
[D] [A]
[Am] Do that again.
[E] [Am] all the reverb.
So you can really hear the difference [E] between the EL34 and the EL60.
[D] Hey [A]
[E]
[A]
[D] [A] [E]
[Am] Do that again.
[E] [Am] all the reverb.
So you can really hear the difference [E] between the EL34 and the EL60.
[D] Hey [A]
[E]
[A]
[D] [A] [E]
100% ➙ 83BPM
E
A
D
G
Em
E
A
D
_ _ _ _ _ _ _ _
_ _ _ [D] _ _ [A] _ _
[Am] Do that again.
_ [D] That's _ _ [A] _
_ [E] _ _ _ _ [Am] all the reverb.
So you can really hear the difference [E] between the EL34 and the EL60.
Yeah. _ _
_ _ _ _ _ _ _ _
_ _ _ [D] Hey _ [A] _ _
_ _ _ _ _ _ _ [E] _
_ [A] _ _ _ _ _ _ _
[D] _ [A] _ _ _ [E] _ _ _ _
[A] _ _ _ [G] _ _ [D] _ _ _
[E] _ _ _ _ Kevin, why don't you get [Dm] back to Nashville after the [A] turn.
Put me down for one of these if you could stick it in one of those cabinets.
I don't know [Am] if I could fit that in a cabinet, but I could build another cabinet for it.
Yeah, [A] because that head, like with the reverb, is a little bit too young.
[E] Right.
Why?
Right, gotcha.
Because I [Gm] actually, I'll show you in one of those pictures, [E] the reverb tanks are shock mounted,
are floating on top of the chassis.
Yeah.
One of the greatest advantages. _ _ _ _
[C] So there's springs in there.
[F#] Right, I'm going to show you.
And that makes it long.
Right. _
[E] _ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ _ _
[E] _ _ _ [E] _ _ _ _ _
_ _ _ [A] Right.
Keep practicing that, I'll show you some more later.
Yeah.
_ [E] That's great.
Are you fucking kidding me?
That's great.
Thank you for plugging into it.
Wow.
The strings are like so light.
Like I said, just follow me for your next lesson and I'll [A] show you.
Right.
I use 11 and, something like that, I [D] use 11 and 52.
[E] _ _ _ _ _ _
[F#] To me it's ELU.
[Am] To me it's ELU.
To me it's a tetherball.
It [A] helps me.
It's very easy.
[E] _ _ Yeah, my combo box is a short, it's a, I don't put the reverb in the combo.
Right.
And the chassis are shorter.
[Em] So far I'm just making a 25. _ _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
[A] _ _ _ _ _ [B] _ _ _
[E] My _ _ _ _ _ _ _ _ _ _ _ _ friend Jason has a bunch, I think two or three of them.
[F#] Well, actually this is a newer [Bm] version.
Right.
_ [E] _ _ Got the origin.
_ [A] _ _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ [Em] So the low cut is what, [E] the_ _ _
_ _ _ _ _ _ _ _
_ _ [Gm] _ _ _ _ _ _
[A] _ _ _ _ [A#] _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ [A#] _ _ _ _ _ [G] _
_ _ [Em] _ _ _ [D] _ _ _
_ _ [C] _ _ _ _ [G] _ _
[Dm] _ _ [G] _ _ _ [E] _ _ _
[Dm] _ [E] _ _ _ _ _ _
Normally EL84s I'm not a fan of because they compress too much.
That doesn't really compress.
[Dm] _ _ _ _ [Gm] _ _ [E] Most people, a capoed bias.
_ I'm running a fixed VAC.
[Cm] _ _ _ [E] _ _ [G] _ _ _
_ _ [D] _ _ _ _ [G] _ _
_ _ [E] _ That amp is huge, Joe, that's all I'm saying. _
_ That sounds great.
What player?
When I get [Em] back there, let me have one of those.
I'll take the head and cabinet honestly.
It needs two 12s to work right, [D] in my opinion.
Yeah.
[E] Whatever that is.
Okay. _
That'll be fun to have.
You can do that.
_ You heard it, right?
You got that in order.
Get that on tape.
You can't back out now.
No, you gotta go.
But Todd has fixed a bunch of my amps and he [D] did a great job.
I have a [E] round-way dumbel that used to belong to Hoyt Axon.
[D] That we just hit the overdrive.
Just went_
[Em] So Todd had to [E] painstakingly take this thing apart.
Problem [G] underneath the tone stack.
It was more trouble than it was good.
Well, no, [E] it's just the filament wire [A] had somehow melted to the [Em] extent that it was almost short.
Right.
But not completely.
So it still worked.
[Bm] Yeah.
That was [E] a little_
Once we finally figured out, wow, the [C] filaments are_
The [E] insulation of the wire was melted.
_ [D] _ Yeah.
[Em] Started to pull them apart.
And I was like, oh, that's bare wires.
Right.
So [G] replacing that in a dumbbell was a trick [F#] because_
[A] _ _ [G] Bill, the choke is in a [C] little circuit board and by the [E] time he gets it all in there, [Em] you can't take it apart.
[G] Right.
It's like there's_
I'm not sure how he got it in.
[Em] You know?
[A#] It probably took him three years to get it in.
Built to be taken apart.
But [E] he charged you for five.
Yeah.
No.
Hey, man, [Em] he makes [E] a hell of a_
If you ask him, [F#] it's six.
It's probably because [E] three of my [Em] dumbbells, three combos, three of the four are not booped.
[E] Which in theory, you'd go, well, this wouldn't be that hard.
But the way he_
Like you said, the way he does stuff_
They're all a little different.
Man, they're all_
That one you brought in, [G] that's a twin.
_ [E] It's_
We're in [Em] grand form here.
Right.
I remember [E] that.
Right.
And he does his thing.
He optimizes that twin circuit to get it to sound a certain way.
_ [G] And he just was over-driving it.
Yeah.
[E] _ _
Interesting.
And you know, he's got the little triple [G] box in there.
_ _ [E] I was going to tweak on yours, [B] and I thought, oh, I better_
[E] I'm going to give it a go this tour.
And then
_ _ _ [D] _ _ [A] _ _
[Am] Do that again.
_ [D] That's _ _ [A] _
_ [E] _ _ _ _ [Am] all the reverb.
So you can really hear the difference [E] between the EL34 and the EL60.
Yeah. _ _
_ _ _ _ _ _ _ _
_ _ _ [D] Hey _ [A] _ _
_ _ _ _ _ _ _ [E] _
_ [A] _ _ _ _ _ _ _
[D] _ [A] _ _ _ [E] _ _ _ _
[A] _ _ _ [G] _ _ [D] _ _ _
[E] _ _ _ _ Kevin, why don't you get [Dm] back to Nashville after the [A] turn.
Put me down for one of these if you could stick it in one of those cabinets.
I don't know [Am] if I could fit that in a cabinet, but I could build another cabinet for it.
Yeah, [A] because that head, like with the reverb, is a little bit too young.
[E] Right.
Why?
Right, gotcha.
Because I [Gm] actually, I'll show you in one of those pictures, [E] the reverb tanks are shock mounted,
are floating on top of the chassis.
Yeah.
One of the greatest advantages. _ _ _ _
[C] So there's springs in there.
[F#] Right, I'm going to show you.
And that makes it long.
Right. _
[E] _ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ _ _
[E] _ _ _ [E] _ _ _ _ _
_ _ _ [A] Right.
Keep practicing that, I'll show you some more later.
Yeah.
_ [E] That's great.
Are you fucking kidding me?
That's great.
Thank you for plugging into it.
Wow.
The strings are like so light.
Like I said, just follow me for your next lesson and I'll [A] show you.
Right.
I use 11 and, something like that, I [D] use 11 and 52.
[E] _ _ _ _ _ _
[F#] To me it's ELU.
[Am] To me it's ELU.
To me it's a tetherball.
It [A] helps me.
It's very easy.
[E] _ _ Yeah, my combo box is a short, it's a, I don't put the reverb in the combo.
Right.
And the chassis are shorter.
[Em] So far I'm just making a 25. _ _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
[A] _ _ _ _ _ [B] _ _ _
[E] My _ _ _ _ _ _ _ _ _ _ _ _ friend Jason has a bunch, I think two or three of them.
[F#] Well, actually this is a newer [Bm] version.
Right.
_ [E] _ _ Got the origin.
_ [A] _ _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ [Em] So the low cut is what, [E] the_ _ _
_ _ _ _ _ _ _ _
_ _ [Gm] _ _ _ _ _ _
[A] _ _ _ _ [A#] _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ [A#] _ _ _ _ _ [G] _
_ _ [Em] _ _ _ [D] _ _ _
_ _ [C] _ _ _ _ [G] _ _
[Dm] _ _ [G] _ _ _ [E] _ _ _
[Dm] _ [E] _ _ _ _ _ _
Normally EL84s I'm not a fan of because they compress too much.
That doesn't really compress.
[Dm] _ _ _ _ [Gm] _ _ [E] Most people, a capoed bias.
_ I'm running a fixed VAC.
[Cm] _ _ _ [E] _ _ [G] _ _ _
_ _ [D] _ _ _ _ [G] _ _
_ _ [E] _ That amp is huge, Joe, that's all I'm saying. _
_ That sounds great.
What player?
When I get [Em] back there, let me have one of those.
I'll take the head and cabinet honestly.
It needs two 12s to work right, [D] in my opinion.
Yeah.
[E] Whatever that is.
Okay. _
That'll be fun to have.
You can do that.
_ You heard it, right?
You got that in order.
Get that on tape.
You can't back out now.
No, you gotta go.
But Todd has fixed a bunch of my amps and he [D] did a great job.
I have a [E] round-way dumbel that used to belong to Hoyt Axon.
[D] That we just hit the overdrive.
Just went_
[Em] So Todd had to [E] painstakingly take this thing apart.
Problem [G] underneath the tone stack.
It was more trouble than it was good.
Well, no, [E] it's just the filament wire [A] had somehow melted to the [Em] extent that it was almost short.
Right.
But not completely.
So it still worked.
[Bm] Yeah.
That was [E] a little_
Once we finally figured out, wow, the [C] filaments are_
The [E] insulation of the wire was melted.
_ [D] _ Yeah.
[Em] Started to pull them apart.
And I was like, oh, that's bare wires.
Right.
So [G] replacing that in a dumbbell was a trick [F#] because_
[A] _ _ [G] Bill, the choke is in a [C] little circuit board and by the [E] time he gets it all in there, [Em] you can't take it apart.
[G] Right.
It's like there's_
I'm not sure how he got it in.
[Em] You know?
[A#] It probably took him three years to get it in.
Built to be taken apart.
But [E] he charged you for five.
Yeah.
No.
Hey, man, [Em] he makes [E] a hell of a_
If you ask him, [F#] it's six.
It's probably because [E] three of my [Em] dumbbells, three combos, three of the four are not booped.
[E] Which in theory, you'd go, well, this wouldn't be that hard.
But the way he_
Like you said, the way he does stuff_
They're all a little different.
Man, they're all_
That one you brought in, [G] that's a twin.
_ [E] It's_
We're in [Em] grand form here.
Right.
I remember [E] that.
Right.
And he does his thing.
He optimizes that twin circuit to get it to sound a certain way.
_ [G] And he just was over-driving it.
Yeah.
[E] _ _
Interesting.
And you know, he's got the little triple [G] box in there.
_ _ [E] I was going to tweak on yours, [B] and I thought, oh, I better_
[E] I'm going to give it a go this tour.
And then