Chords for Joey Dee of Peppermint Twist

Tempo:
100 bpm
Chords used:

F

G

C

Bb

Ab

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Joey Dee of Peppermint Twist chords
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[F] [Cm]
[C] Well, if you got a loose dance and it go like this
[F] The mob likes things to be low-key and quiet,
and things to run smoothly.
Just give us [Bb] the money, okay?
So, there'd be [G] occasions where guys would [Ab] not give a right count
or try to rip off or [G] break off some of the [Bb] monies
that they're supposed to be [F] turning over to the mob.
I actually saw a guy hung out of a 20-story building.
I was in the office at the time, and they were holding him by the ankles.
[Bb] And they said,
[G] Are you going to sign this contract, or I'm going to let go?
[F]
Now, what would you do?
[C] You know you make me wanna
Come on [Am] now
Come [C] on now
Come on [Am] now
Come on [C] now
[Am] [C] [Am]
[C] Come on now
[G] These people can open doors for you,
[F] or they can put you in a box.
It's as simple as that.
Back in [Bb]
[Ab] the seminal days [D] of rock and roll, doo-wop music,
[Bb] [N] wherever there's money to be made, the mob's not far behind.
These guys that [G]
eventually rule [Bb] the [Bb] recording business, the doo-wop business.
[A]
[Db] Manfattita, yeah, [E] yeah, [F] yeah
[G] What Morris Levy said was [F]
done.
Morris was [Gb] a tough guy, and he had a very raspy voice,
and he'd [N] growl more than talk.
And when he
[C] was speaking to you, he got your [F] attention.
[C] [G] While the Peppermint [Bb] Twist record was [Db] released,
I was told that in [G] New Jersey, [F] Morris had his own record plant,
and they were just printing records, and they were going out by the truckloads.
[N] That's why we never got any kind of fair count of what was actually sold.
But anybody who got in the way of this money-making machine was hurt.
Some even killed.
And I know of a couple of cases [E] of [G] guys that I had done some [N] business with
that were in the recording business, in the record business,
and I [Abm] would see them [F] one day, and I know they had [B] some words [F] of disagreement,
and [G] a couple of days [Bb] later, they were dead.
When we did go [G] up into the office, I'd usually go up there by myself,
and I'd sit around, and I'd see [Bb] a bunch of characters around,
and [Gb] I knew they were mob guys, because I'm from [G] Jersey,
and [Gb] I've been around, and I came from the streets,
so I knew some of the guys, and they were always [C] nice to me.
But they were in there, and [F] they were there for business.
I knew when they were around, there was money around, [G] and they took care of business.
[Cm]
[D]
[F] [Cm] [D]
[F] Here's a guy, me, number one record in the country, Peppermint Twist.
I get a royalty check, [N] and it stated that I owed Roulette Records $8,000,
and I just couldn't get over it.
I thought I was going to become a millionaire after this happened.
Where's the royalty money?
He said, Jolly, you're going to get hurt.
Keep your mouth shut.
I'll give the mob credit [G] for one thing.
They usually, 99% of the time, give you [Gm] a warning.
[F] Don't do that.
And that's all [F] they'll say to you.
Don't do that.
Now, if you don't get it the first time, [Eb] you're definitely going to get it the second.
[Db]
[Eb]
[Ab] What [Fm] kind of love is this [Db]
that [Eb] makes me want to jump and shout?
I want to [Ab] know, what kind of [Fm] love is this [Db] that turns my [Eb] heart inside [Ab] out?
Is that itchy twitchy feeling [Fm] that I have inside [Db] something overwhelming that I just can't hide?
I want [Ab] to know, oh [C] yeah, [G] oh yeah.
I'd get in a limo with George Goldner, who became an [C] employee of Morris' [Bb] after a while,
[Ebm] having been the [G] owner of a record company himself,
and he'd drive, it'd be a couple of ladies a evening or hookers, in the back of the limo,
and we'd drive to these [Bb] towns and [F] they'd meet the DJs, they'd give them an envelope [Gb] with [C] cash in [Bb] it,
[F] give them their way with the girls that were in the car,
and go on to the next town, [G] and the next town, and the next town.
The records were played.
And, God forbid, they took the money and didn't play the records.
That's when the baseball bats came out.
If [C] you're an earner, and that's what they call you, if you're an earner, they take [A] good care of you.
[G] But make sure the count is right.
[C] Because if you don't take care of the [F] count, then they [G] take care of you.
Okay?
Simple as that.
Just like it is in the sea, the little fish get eaten by the big fish.
So let that be a lesson.
[G] [F]
[C]
[F] [C]
[G] [C]
[F] [C]
Key:  
F
134211111
G
2131
C
3211
Bb
12341111
Ab
134211114
F
134211111
G
2131
C
3211
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_ _ _ _ [F] _ _ _ [Cm] _
[C] _ _ _ _ _ _ Well, if you got a loose dance and it go like this_ _
[F] The mob likes things to be low-key and quiet,
and things to run smoothly.
Just give us [Bb] the money, okay?
So, there'd be [G] occasions where guys would _ [Ab] not give a right count
or try to rip off or [G] break off some of the [Bb] monies
that they're supposed to be [F] turning over to the mob.
_ I actually saw a guy hung out of a 20-story building.
I was in the office at the time, and they were holding him by the ankles.
[Bb] And they said,
[G] Are you going to sign this contract, or I'm going to let go?
_ [F] _
Now, what would you do?
[C] You know you make me wanna_
Come on [Am] now_
Come [C] on now_
Come on [Am] now_
Come on [C] now_
_ [Am] _ _ _ [C] _ _ [Am] _ _
[C] Come on now_
[G] These people can open doors for you,
[F] or they can put you in a box.
It's as simple as that.
Back in [Bb] _
_ [Ab] the seminal days [D] of rock and roll, doo-wop music,
[Bb] _ _ [N] wherever there's money to be made, the mob's not far behind.
These guys that [G] _
eventually rule [Bb] the [Bb] recording business, the doo-wop business.
[A]
[Db] Manfattita, yeah, [E] _ yeah, _ [F] yeah
_ [G] What Morris Levy said was [F]
done.
Morris was [Gb] a tough guy, and he had a very raspy voice,
and he'd [N] growl more than talk.
And when he _ _
[C] _ was speaking to you, he got your [F] attention. _
_ _ [C] _ _ _ [G] While the Peppermint [Bb] Twist record was [Db] released,
I was told that in [G] New Jersey, [F] Morris had his own record plant,
and they were just printing records, and they were going out by the truckloads.
[N] That's why we never got any kind of fair count of what was actually sold.
But anybody who got in the way of this money-making machine was hurt.
Some even killed.
And I know of a couple of cases [E] of [G] guys that I had done some [N] business with
that were in the recording business, in the record business,
and I [Abm] would see them [F] one day, and I know they had [B] some words [F] of disagreement, _
and [G] a couple of days [Bb] later, they were dead.
When we did go [G] up into the office, I'd usually go up there by myself,
and I'd sit around, and I'd see [Bb] a bunch of characters around,
and [Gb] I knew they were mob guys, because I'm from [G] Jersey,
and _ [Gb] I've been around, and I came from the streets,
so I knew some of the guys, and _ they were always [C] nice to me.
But they were in there, and [F] they were there for business.
I knew when they were around, there was money around, [G] and they took care of business.
_ [Cm] _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ [F] _ _ [Cm] _ _ _ [D] _ _
[F] Here's a guy, me, number one record in the country, Peppermint Twist.
I get a royalty check, _ [N] and it stated that I owed Roulette Records $8,000, _
_ and I just couldn't get over it.
I thought I was going to become a millionaire after this happened.
Where's the royalty money?
He said, Jolly, you're going to get hurt.
Keep your mouth shut.
I'll give the mob credit [G] for one thing. _
They usually, 99% of the time, give you [Gm] a warning.
[F] Don't do that.
_ And that's all [F] they'll say to you.
Don't do that.
Now, if you don't get it the first time, [Eb] you're definitely going to get it the second.
[Db] _
[Eb] _ _ _ _ _ _ _ _
_ [Ab] _ What [Fm] kind of love is this [Db]
that [Eb] makes me want to jump and shout?
I want to [Ab] know, what kind of [Fm] love is this [Db] that turns my [Eb] heart inside [Ab] out?
Is that itchy twitchy feeling [Fm] that I have inside [Db] something overwhelming that I just can't hide?
I want [Ab] to know, oh [C] yeah, [G] oh yeah.
I'd get in a limo with George Goldner, who became an [C] employee of Morris' [Bb] after a while,
[Ebm] having been the [G] owner of a record company himself,
and he'd drive, it'd be a couple of ladies a evening or hookers, in the back of the limo,
and we'd drive to these [Bb] towns and [F] they'd meet the DJs, they'd give them an envelope [Gb] with [C] cash in [Bb] it,
_ _ [F] give them their way with the girls that were in the car,
and go on to the next town, [G] and the next town, and the next town.
The records were played.
And, God forbid, _ they took the money and didn't play the records.
That's when the baseball bats came out.
If [C] you're an earner, and that's what they call you, if you're an earner, they take [A] good care of you.
[G] But make sure the count is right.
[C] Because if you don't take care of the [F] count, then they [G] take care of you.
Okay?
Simple as that.
Just like it is in the sea, the little fish get eaten by the big fish.
So let that be a lesson.
_ [G] _ _ _ [F] _ _ _ _
[C] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F] _ _ _ _ [C] _ _ _ _
_ [G] _ _ _ [C] _ _ _ _
_ _ _ _ _ _ _ _
_ [F] _ _ _ _ [C] _ _ _