Chords for John Mayer - Jones Beach Back Stage Tour (part 1).wmv
Tempo:
97.35 bpm
Chords used:
Ab
Gb
Db
B
Bb
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
[Bm] Hello everybody!
Out there on [C] Ustream land, it's John Mayer here at Jones [Bm] Beach in Wontog,
[Ab] New York.
We are here right before soundcheck and I thought that I would take you around
a real backstage tour.
Everybody always says, hey can I come backstage, can I come backstage.
I say there's [B] nothing much backstage and then the more I think about it I realize actually
there is really cool stuff backstage and I should give you the official first ever real
tour.
[Gb] So the first thing to note is that Jones Beach was built over 600 years ago and if
you're speaking a different language put your headphones on.
There's also simulcast going.
No this is the first place I ever saw a show, Jones Beach, 1996, Dave Matthews Band and
[B] actually Dion Ferris featuring a younger David Ryan Harris playing guitar.
A little trivia
for you.
The layout of Jones Beach is a little bit different than most venues.
Come along
and we'll show you.
Because it's on the water it's a little [Ab] bit more of a run around [E] to
get where we're going.
[N]
[Eb] This way.
[B] This is my breathing apparatus.
So I have to admit I'm
not all that jaded [Bb] because the first time you walk [Ab] and see Jones Beach again, [Gb] you walk
you realize this is where the show is going to go [N] on.
[Gb] Where so many great shows go on
all the [N] time.
I have to say it's up there with Madison Square Garden and Hollywood Bowl.
And the weather's holding up.
It's going to be [Gb] beautiful.
Surrounded by water.
So let's
go walk up on stage.
Because there's water all over the back, you know, there's a
Get on the [D] stage from the front.
How everybody gets there.
[N]
[B]
Okay so now we're backstage.
[G] We're
officially now.
This is where you would not [Gb] have been able to come through.
You can come
through.
[Db] This is where you would not have been able to come through.
This is where somebody
would have said stop can I see your pass.
So now we are officially backstage.
So we're
on stage right.
[Bb] That's Guitar Land.
This is I believe some train stuff and some rowdy
stuff.
I mean [Gb] that's all rowdy [E] stuff actually.
Who's wheezing [D] here?
This [C] is Guitar World
here.
Many many options.
Far too many.
And that would be the first of a long [C] list of
luxuries in my life that I'm super thankful for because this is like a guitar shop on
wheels.
And kept [Ab] in perfect tune and order by [D] one Rene Martinez who I think is [G] sitting
there.
[N] And we'll see more of the stage later when we go out there.
So now we're going to
enter sort of the mother brain of the backstage.
This is Chad Franskowiak, [Db] runner house engineer.
A message to you Rudy.
Who's Rudy?
We're on Ustream right now.
Hi.
Streamers?
[F] Yes.
[Eb] This is Ina's room.
[Gb] So the first thing [Db] that's sort of a [Fm] unique thing is that for me the
backstage is not like Rockstar and then everybody else sort of like serving me.
It's like I
[Eb] think of the backstage like the backstage at the Tonight Show or Letterman like a talk
show sort of like television backstage where everybody's working on the same production
[F] and this is Ina.
She's not there right now but Ina does ticketing.
If you've ever been
given a ticket upgrade, Ina was responsible for that and she wrestles the big guys [N] for
the money at the end of the night.
Some roller casings.
There's no other backstage like Jones
Beach.
Most of them are pretty universal but this one is pretty unique.
So we'll go around
this way.
This is catering, a little catering hut.
[G] [Ab]
[B] [Bb] This is the heart of the tour.
This is
the production office.
This is everybody working hard on advancing [Bb] where we're going
next, [F] hotels, travel, ticket requests, [Bb] pretty much everything.
Everything [G] ends up sort of
being done here so if I [Bbm] put a request in to somebody or someone else puts a request in,
it usually ends up getting administered here.
Charging some radios.
Assistant [Bb] tour manager
down the hall.
[Gb] So yeah, for most of the day, this is where you can pop in and hang out
and pretty much I bug everybody.
I'm like I just want to play and everyone else is doing
real work so they have to still sort of [F] humor whatever I want to talk about while they're
sending emails and being on the phone and stuff so I'm a nuisance most of the day, [Ab] sort
of.
[A] Ken Healy, he's shy.
Say hi to Ustream.
Hello Ustream.
This is a real [N] dressing room
tour.
This is not a get the dressing room ready, there's going to be a tour dressing
room tour.
So this is the official, legit, real deal dressing room tour.
I haven't changed
a thing about it.
These are my road cases.
Yeah, I got a lot of shoes.
This is my sort
of my traveling computer world with phones.
This is my office.
This is my little baby
office that rolls.
It's the same phone number every day.
I run a digital phone line.
I can
sit and have the same sort of settings on everything.
I just have the screen in front
of me.
This is kind of unique to the backstage.
We got the bar area.
It's fun to hang out
in before and after the show.
You've got, you know, fitness is really an easy thing
to do when you're on a summer tour.
You can run the stairs, you can run the grass over
the amphitheater and then come in and do a little bit of weight work.
[Db]
[Bm] And then [Db] this is
my sort of wardrobe [Bb] area, my closet of sorts.
This is where I just [Eb] sit and think about
what I'm going to wear.
I just sit and ruminate on what exactly I'm going to piece together
normally.
[F] [G] This is a collection of what I believe to be the finest plaids in the world.
So I'm
going to break one of these out tonight.
Maybe I'll go for this [B] tonight.
How many pop the
tags at, see?
[Ab]
And [B] that's the dressing room.
[Gm] There's not a ton to do [E] in a dressing room.
There's always a stack of things to sign.
This is sort of like a [Db] traveling lawsuit.
[E] [G] I would show you the refrigerator, but that's way too cribs.
[N]
Oh, you know what?
Let's go
upstairs.
I've seen a show here one time.
I saw Sting up from this box.
Sort of like
the VIP ticket holder box area.
It's actually a really fun, I would like to do a show from
up here.
[Db] This is where you would stand with other industry people and pretend to pay attention.
[Gb] Basically just talk about each other's work.
[Ab] The artist below.
[E]
I don't believe this was
[N] here last time, which makes me want to ask what exactly happened to cause this to get
put up.
Let's get a 3D view of this.
And this stage starts getting set up at like 9 o'clock
in the morning.
So definitely all my respect goes out to the crew for setting the stage
up.
[Db] It doesn't take as much to break it down, obviously.
[Ab] I think they've got it down to
like 90 minutes or [F] 70 minutes, somewhere in there.
But [Bm] setting up is obviously much, much
longer.
So [N] everything that seems second nature to me technologically is because these guys
sorted everything out for hours.
Out there on [C] Ustream land, it's John Mayer here at Jones [Bm] Beach in Wontog,
[Ab] New York.
We are here right before soundcheck and I thought that I would take you around
a real backstage tour.
Everybody always says, hey can I come backstage, can I come backstage.
I say there's [B] nothing much backstage and then the more I think about it I realize actually
there is really cool stuff backstage and I should give you the official first ever real
tour.
[Gb] So the first thing to note is that Jones Beach was built over 600 years ago and if
you're speaking a different language put your headphones on.
There's also simulcast going.
No this is the first place I ever saw a show, Jones Beach, 1996, Dave Matthews Band and
[B] actually Dion Ferris featuring a younger David Ryan Harris playing guitar.
A little trivia
for you.
The layout of Jones Beach is a little bit different than most venues.
Come along
and we'll show you.
Because it's on the water it's a little [Ab] bit more of a run around [E] to
get where we're going.
[N]
[Eb] This way.
[B] This is my breathing apparatus.
So I have to admit I'm
not all that jaded [Bb] because the first time you walk [Ab] and see Jones Beach again, [Gb] you walk
you realize this is where the show is going to go [N] on.
[Gb] Where so many great shows go on
all the [N] time.
I have to say it's up there with Madison Square Garden and Hollywood Bowl.
And the weather's holding up.
It's going to be [Gb] beautiful.
Surrounded by water.
So let's
go walk up on stage.
Because there's water all over the back, you know, there's a
Get on the [D] stage from the front.
How everybody gets there.
[N]
[B]
Okay so now we're backstage.
[G] We're
officially now.
This is where you would not [Gb] have been able to come through.
You can come
through.
[Db] This is where you would not have been able to come through.
This is where somebody
would have said stop can I see your pass.
So now we are officially backstage.
So we're
on stage right.
[Bb] That's Guitar Land.
This is I believe some train stuff and some rowdy
stuff.
I mean [Gb] that's all rowdy [E] stuff actually.
Who's wheezing [D] here?
This [C] is Guitar World
here.
Many many options.
Far too many.
And that would be the first of a long [C] list of
luxuries in my life that I'm super thankful for because this is like a guitar shop on
wheels.
And kept [Ab] in perfect tune and order by [D] one Rene Martinez who I think is [G] sitting
there.
[N] And we'll see more of the stage later when we go out there.
So now we're going to
enter sort of the mother brain of the backstage.
This is Chad Franskowiak, [Db] runner house engineer.
A message to you Rudy.
Who's Rudy?
We're on Ustream right now.
Hi.
Streamers?
[F] Yes.
[Eb] This is Ina's room.
[Gb] So the first thing [Db] that's sort of a [Fm] unique thing is that for me the
backstage is not like Rockstar and then everybody else sort of like serving me.
It's like I
[Eb] think of the backstage like the backstage at the Tonight Show or Letterman like a talk
show sort of like television backstage where everybody's working on the same production
[F] and this is Ina.
She's not there right now but Ina does ticketing.
If you've ever been
given a ticket upgrade, Ina was responsible for that and she wrestles the big guys [N] for
the money at the end of the night.
Some roller casings.
There's no other backstage like Jones
Beach.
Most of them are pretty universal but this one is pretty unique.
So we'll go around
this way.
This is catering, a little catering hut.
[G] [Ab]
[B] [Bb] This is the heart of the tour.
This is
the production office.
This is everybody working hard on advancing [Bb] where we're going
next, [F] hotels, travel, ticket requests, [Bb] pretty much everything.
Everything [G] ends up sort of
being done here so if I [Bbm] put a request in to somebody or someone else puts a request in,
it usually ends up getting administered here.
Charging some radios.
Assistant [Bb] tour manager
down the hall.
[Gb] So yeah, for most of the day, this is where you can pop in and hang out
and pretty much I bug everybody.
I'm like I just want to play and everyone else is doing
real work so they have to still sort of [F] humor whatever I want to talk about while they're
sending emails and being on the phone and stuff so I'm a nuisance most of the day, [Ab] sort
of.
[A] Ken Healy, he's shy.
Say hi to Ustream.
Hello Ustream.
This is a real [N] dressing room
tour.
This is not a get the dressing room ready, there's going to be a tour dressing
room tour.
So this is the official, legit, real deal dressing room tour.
I haven't changed
a thing about it.
These are my road cases.
Yeah, I got a lot of shoes.
This is my sort
of my traveling computer world with phones.
This is my office.
This is my little baby
office that rolls.
It's the same phone number every day.
I run a digital phone line.
I can
sit and have the same sort of settings on everything.
I just have the screen in front
of me.
This is kind of unique to the backstage.
We got the bar area.
It's fun to hang out
in before and after the show.
You've got, you know, fitness is really an easy thing
to do when you're on a summer tour.
You can run the stairs, you can run the grass over
the amphitheater and then come in and do a little bit of weight work.
[Db]
[Bm] And then [Db] this is
my sort of wardrobe [Bb] area, my closet of sorts.
This is where I just [Eb] sit and think about
what I'm going to wear.
I just sit and ruminate on what exactly I'm going to piece together
normally.
[F] [G] This is a collection of what I believe to be the finest plaids in the world.
So I'm
going to break one of these out tonight.
Maybe I'll go for this [B] tonight.
How many pop the
tags at, see?
[Ab]
And [B] that's the dressing room.
[Gm] There's not a ton to do [E] in a dressing room.
There's always a stack of things to sign.
This is sort of like a [Db] traveling lawsuit.
[E] [G] I would show you the refrigerator, but that's way too cribs.
[N]
Oh, you know what?
Let's go
upstairs.
I've seen a show here one time.
I saw Sting up from this box.
Sort of like
the VIP ticket holder box area.
It's actually a really fun, I would like to do a show from
up here.
[Db] This is where you would stand with other industry people and pretend to pay attention.
[Gb] Basically just talk about each other's work.
[Ab] The artist below.
[E]
I don't believe this was
[N] here last time, which makes me want to ask what exactly happened to cause this to get
put up.
Let's get a 3D view of this.
And this stage starts getting set up at like 9 o'clock
in the morning.
So definitely all my respect goes out to the crew for setting the stage
up.
[Db] It doesn't take as much to break it down, obviously.
[Ab] I think they've got it down to
like 90 minutes or [F] 70 minutes, somewhere in there.
But [Bm] setting up is obviously much, much
longer.
So [N] everything that seems second nature to me technologically is because these guys
sorted everything out for hours.
Key:
Ab
Gb
Db
B
Bb
Ab
Gb
Db
_ _ _ _ _ _ _ _
[Bm] Hello everybody!
_ Out there on [C] Ustream land, it's John Mayer here at Jones [Bm] Beach in Wontog,
[Ab] New York.
_ We are here right before soundcheck and I thought that I would take you around
a real backstage tour.
Everybody always says, hey can I come backstage, can I come backstage.
I say there's [B] nothing much backstage and then the more I think about it I realize actually
there is really cool stuff backstage and I should give you the official first ever real
tour.
[Gb] So the first thing to note is that Jones Beach was built over 600 years ago and if
you're speaking a different language put your headphones on.
There's also simulcast going.
No this is the first place I ever saw a show, Jones Beach, 1996, Dave Matthews Band and
[B] actually Dion Ferris featuring a younger David Ryan Harris playing guitar.
A little trivia
for you.
The layout of Jones Beach is a little bit different than most venues.
Come along
and we'll show you.
Because it's on the water it's a little [Ab] bit more of a run around [E] to
get where we're going.
_ [N] _ _ _
_ _ [Eb] _ _ This way. _ _
[B] _ _ _ This is my breathing apparatus. _
_ _ _ _ _ _ _
So I have to admit I'm
not all that jaded [Bb] because the first time you walk [Ab] and see Jones Beach again, [Gb] you walk
you realize this is where the show is going to go [N] on.
_ [Gb] Where so many great shows go on
all the [N] time.
I have to say it's up there with Madison Square Garden and Hollywood Bowl. _
_ And the weather's holding up.
It's going to be [Gb] beautiful.
Surrounded by water.
_ _ So let's
go walk up on stage.
Because there's water all over the back, you know, there's a_ _ _ _
Get on the [D] stage from the front.
_ How everybody gets there.
_ _ [N] _ _ _ _ _ _
_ _ _ _ [B] _ _ _ _
_ _ Okay so now we're backstage.
[G] We're
officially now.
This is where you would not [Gb] have been able to come through.
You can come
through.
_ [Db] This is where you would not have been able to come through.
This is where somebody
would have said stop can I see your pass.
So now we are officially backstage. _
So we're
on stage right.
[Bb] That's Guitar Land.
_ This is I believe some train stuff and some rowdy
stuff.
I mean [Gb] that's all rowdy [E] stuff actually.
_ _ Who's wheezing [D] here?
_ _ _ _ _ This [C] is Guitar World
here.
Many many options.
Far too many.
And that would be the first of a long [C] list of
luxuries in my life that I'm super thankful for because this is like a guitar shop on
wheels.
And kept [Ab] in perfect tune and order by [D] one Rene Martinez who I think is [G] sitting
there. _ _ _ _ _ _
[N] And we'll see more of the stage later when we go out there. _ _ _ _
_ _ _ _ _ So now we're going to
enter sort of the mother brain of the backstage.
This is Chad Franskowiak, [Db] runner house engineer.
A message to you Rudy.
Who's Rudy?
We're on Ustream right now.
Hi.
Streamers?
[F] Yes.
_ _ [Eb] This is Ina's room.
[Gb] So the first thing [Db] _ that's sort of a [Fm] unique thing is that for me the
backstage is not like Rockstar and then everybody else sort of like serving me.
It's like I
[Eb] think of the backstage like the backstage at the Tonight Show or Letterman like a talk
show sort of like television backstage where everybody's working on the same production
_ [F] and this is Ina.
She's not there right now but Ina does ticketing.
If you've ever been
given a ticket upgrade, Ina was responsible for that and she wrestles the big guys [N] for
the money at the end of the night.
_ _ Some roller casings. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ There's no other backstage like Jones
Beach.
Most of them are pretty universal but this one is pretty unique.
_ So we'll go around
this way.
This is catering, a little catering hut. _ _ _ _ _ _ _
_ _ [G] _ _ _ [Ab] _ _ _
[B] _ _ [Bb] _ _ This is the heart of the tour.
This is
the production office.
This is everybody working hard on advancing [Bb] where we're going
next, [F] hotels, travel, ticket requests, [Bb] _ pretty much everything.
Everything [G] ends up sort of
being done here so if I [Bbm] put a request in to somebody or someone else puts a request in,
it usually ends up getting administered here. _
Charging some radios.
Assistant [Bb] tour manager
down the hall. _ _
[Gb] _ _ So yeah, for most of the day, this is where you can pop in and hang out
and pretty much I bug everybody.
I'm like I just want to play and everyone else is doing
real work so they have to still sort of [F] humor whatever I want to talk about while they're
sending emails and being on the phone and stuff so I'm a nuisance most of the day, [Ab] _ sort
of. _ _ _ _ _
_ _ _ [A] _ Ken Healy, he's shy.
Say hi to Ustream.
Hello Ustream.
_ _ This is a real [N] dressing room
tour.
This is not a get the dressing room ready, there's going to be a tour dressing
room tour.
So this is the official, legit, real deal dressing room tour.
I haven't changed
a thing about it.
These are my road cases.
_ Yeah, I got a lot of shoes.
This is my sort
of my traveling computer world with phones.
This is my office.
This is my little baby
office that rolls.
_ _ _ It's the same phone number every day.
I run a digital phone line.
I can
sit and have the same sort of settings on everything.
I just have the screen in front
of me.
_ _ This is kind of unique to the backstage.
We got the bar area.
It's fun to hang out
in before and after the show.
_ You've got, _ you know, fitness is really an easy thing
to do when you're on a summer tour.
You can run the stairs, you can run the grass over
the amphitheater and then come in and do a little bit of weight work.
[Db] _ _ _
[Bm] _ _ And then [Db] _ _ this is
my sort of wardrobe [Bb] area, my closet of sorts. _
This is where I just [Eb] sit and think about
what I'm going to wear.
I just sit and ruminate _ _ on what exactly I'm going to piece together
normally.
[F] _ _ _ [G] _ This is a collection of what I believe to be the finest plaids in the world. _
So I'm
going to break one of these out tonight.
Maybe I'll go for this [B] tonight. _ _
How many pop the
tags at, see?
_ [Ab] _ _
And _ [B] that's the dressing room.
[Gm] There's not a ton to do [E] in a dressing room.
There's always a stack of things to sign.
This is sort of like a [Db] traveling lawsuit. _ _ _ _ _
[E] _ _ [G] I would show you the refrigerator, but that's way too cribs.
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ Oh, you know what?
Let's go
upstairs.
I've seen a show here one time.
I saw Sting up from this box.
Sort of like
the VIP ticket holder box area.
It's actually a really fun, I would like to do a show from
up here. _ _ _ _
[Db] _ _ _ _ This is where you would stand with other industry people and pretend to pay attention.
[Gb] Basically just talk about each other's work.
_ [Ab] The artist below.
[E] _
_ _ _ _ I don't believe this was
[N] here last time, which makes me want to ask what exactly happened to cause this to get
put up. _
_ _ _ _ _ Let's get a 3D view of this. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ And this stage starts getting set up at like 9 o'clock
in the morning.
So definitely all my respect goes out to the crew for setting the stage
up. _ _ _ _
_ _ [Db] It doesn't take as much to break it down, obviously.
[Ab] I think they've got it down to
like 90 minutes or [F] 70 minutes, somewhere in there.
But [Bm] setting up is obviously much, much
longer.
So [N] everything that seems second nature to me technologically is because these guys
sorted everything out for hours. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bm] Hello everybody!
_ Out there on [C] Ustream land, it's John Mayer here at Jones [Bm] Beach in Wontog,
[Ab] New York.
_ We are here right before soundcheck and I thought that I would take you around
a real backstage tour.
Everybody always says, hey can I come backstage, can I come backstage.
I say there's [B] nothing much backstage and then the more I think about it I realize actually
there is really cool stuff backstage and I should give you the official first ever real
tour.
[Gb] So the first thing to note is that Jones Beach was built over 600 years ago and if
you're speaking a different language put your headphones on.
There's also simulcast going.
No this is the first place I ever saw a show, Jones Beach, 1996, Dave Matthews Band and
[B] actually Dion Ferris featuring a younger David Ryan Harris playing guitar.
A little trivia
for you.
The layout of Jones Beach is a little bit different than most venues.
Come along
and we'll show you.
Because it's on the water it's a little [Ab] bit more of a run around [E] to
get where we're going.
_ [N] _ _ _
_ _ [Eb] _ _ This way. _ _
[B] _ _ _ This is my breathing apparatus. _
_ _ _ _ _ _ _
So I have to admit I'm
not all that jaded [Bb] because the first time you walk [Ab] and see Jones Beach again, [Gb] you walk
you realize this is where the show is going to go [N] on.
_ [Gb] Where so many great shows go on
all the [N] time.
I have to say it's up there with Madison Square Garden and Hollywood Bowl. _
_ And the weather's holding up.
It's going to be [Gb] beautiful.
Surrounded by water.
_ _ So let's
go walk up on stage.
Because there's water all over the back, you know, there's a_ _ _ _
Get on the [D] stage from the front.
_ How everybody gets there.
_ _ [N] _ _ _ _ _ _
_ _ _ _ [B] _ _ _ _
_ _ Okay so now we're backstage.
[G] We're
officially now.
This is where you would not [Gb] have been able to come through.
You can come
through.
_ [Db] This is where you would not have been able to come through.
This is where somebody
would have said stop can I see your pass.
So now we are officially backstage. _
So we're
on stage right.
[Bb] That's Guitar Land.
_ This is I believe some train stuff and some rowdy
stuff.
I mean [Gb] that's all rowdy [E] stuff actually.
_ _ Who's wheezing [D] here?
_ _ _ _ _ This [C] is Guitar World
here.
Many many options.
Far too many.
And that would be the first of a long [C] list of
luxuries in my life that I'm super thankful for because this is like a guitar shop on
wheels.
And kept [Ab] in perfect tune and order by [D] one Rene Martinez who I think is [G] sitting
there. _ _ _ _ _ _
[N] And we'll see more of the stage later when we go out there. _ _ _ _
_ _ _ _ _ So now we're going to
enter sort of the mother brain of the backstage.
This is Chad Franskowiak, [Db] runner house engineer.
A message to you Rudy.
Who's Rudy?
We're on Ustream right now.
Hi.
Streamers?
[F] Yes.
_ _ [Eb] This is Ina's room.
[Gb] So the first thing [Db] _ that's sort of a [Fm] unique thing is that for me the
backstage is not like Rockstar and then everybody else sort of like serving me.
It's like I
[Eb] think of the backstage like the backstage at the Tonight Show or Letterman like a talk
show sort of like television backstage where everybody's working on the same production
_ [F] and this is Ina.
She's not there right now but Ina does ticketing.
If you've ever been
given a ticket upgrade, Ina was responsible for that and she wrestles the big guys [N] for
the money at the end of the night.
_ _ Some roller casings. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ There's no other backstage like Jones
Beach.
Most of them are pretty universal but this one is pretty unique.
_ So we'll go around
this way.
This is catering, a little catering hut. _ _ _ _ _ _ _
_ _ [G] _ _ _ [Ab] _ _ _
[B] _ _ [Bb] _ _ This is the heart of the tour.
This is
the production office.
This is everybody working hard on advancing [Bb] where we're going
next, [F] hotels, travel, ticket requests, [Bb] _ pretty much everything.
Everything [G] ends up sort of
being done here so if I [Bbm] put a request in to somebody or someone else puts a request in,
it usually ends up getting administered here. _
Charging some radios.
Assistant [Bb] tour manager
down the hall. _ _
[Gb] _ _ So yeah, for most of the day, this is where you can pop in and hang out
and pretty much I bug everybody.
I'm like I just want to play and everyone else is doing
real work so they have to still sort of [F] humor whatever I want to talk about while they're
sending emails and being on the phone and stuff so I'm a nuisance most of the day, [Ab] _ sort
of. _ _ _ _ _
_ _ _ [A] _ Ken Healy, he's shy.
Say hi to Ustream.
Hello Ustream.
_ _ This is a real [N] dressing room
tour.
This is not a get the dressing room ready, there's going to be a tour dressing
room tour.
So this is the official, legit, real deal dressing room tour.
I haven't changed
a thing about it.
These are my road cases.
_ Yeah, I got a lot of shoes.
This is my sort
of my traveling computer world with phones.
This is my office.
This is my little baby
office that rolls.
_ _ _ It's the same phone number every day.
I run a digital phone line.
I can
sit and have the same sort of settings on everything.
I just have the screen in front
of me.
_ _ This is kind of unique to the backstage.
We got the bar area.
It's fun to hang out
in before and after the show.
_ You've got, _ you know, fitness is really an easy thing
to do when you're on a summer tour.
You can run the stairs, you can run the grass over
the amphitheater and then come in and do a little bit of weight work.
[Db] _ _ _
[Bm] _ _ And then [Db] _ _ this is
my sort of wardrobe [Bb] area, my closet of sorts. _
This is where I just [Eb] sit and think about
what I'm going to wear.
I just sit and ruminate _ _ on what exactly I'm going to piece together
normally.
[F] _ _ _ [G] _ This is a collection of what I believe to be the finest plaids in the world. _
So I'm
going to break one of these out tonight.
Maybe I'll go for this [B] tonight. _ _
How many pop the
tags at, see?
_ [Ab] _ _
And _ [B] that's the dressing room.
[Gm] There's not a ton to do [E] in a dressing room.
There's always a stack of things to sign.
This is sort of like a [Db] traveling lawsuit. _ _ _ _ _
[E] _ _ [G] I would show you the refrigerator, but that's way too cribs.
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ Oh, you know what?
Let's go
upstairs.
I've seen a show here one time.
I saw Sting up from this box.
Sort of like
the VIP ticket holder box area.
It's actually a really fun, I would like to do a show from
up here. _ _ _ _
[Db] _ _ _ _ This is where you would stand with other industry people and pretend to pay attention.
[Gb] Basically just talk about each other's work.
_ [Ab] The artist below.
[E] _
_ _ _ _ I don't believe this was
[N] here last time, which makes me want to ask what exactly happened to cause this to get
put up. _
_ _ _ _ _ Let's get a 3D view of this. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ And this stage starts getting set up at like 9 o'clock
in the morning.
So definitely all my respect goes out to the crew for setting the stage
up. _ _ _ _
_ _ [Db] It doesn't take as much to break it down, obviously.
[Ab] I think they've got it down to
like 90 minutes or [F] 70 minutes, somewhere in there.
But [Bm] setting up is obviously much, much
longer.
So [N] everything that seems second nature to me technologically is because these guys
sorted everything out for hours. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _