Chords for John Rzeznik and Daryl Hall - Guitar Tuning (Live From Daryl's House)‏.mp4
Tempo:
86.55 bpm
Chords used:
G
D
C
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G] I'm going [D] [G]
[D]
[G] to [C] do that.
[G] On slide, the [D] intro has this
[F] [G] And there's this little thing, in analyzing the song, I'm like, how is he doing it?
It's not possible, [D] because it's not an open string, but he made [G] it sound like it was.
And then he came in, his tech goes, oh yeah, because that's his tuning, and he plays it.
I'm like, [D] ah.
I picked up playing the guitar [G] when I was 12.
It didn't take a lot of guitar lessons, and sort of started developing my own way of detuning
[D] the guitar and playing different tunings.
[G] I said, well, what inspired you to create these [D] tunings and find these tunings?
He goes, [G] I don't know, I just started turning the [D] knobs until it sounded like something to me.
I was [G] really influenced by Bob Mould as a guitar player, and Joni Mitchell, [D] and oh my
god, Jimmy Page.
[G] Curtis Mayfield is also a famous person who did this, and the way he describes it, when
he first played the guitar, it didn't sound like [D] anything to him.
I always admired [G] the alternate tunings that they did.
And you sit there and you try to learn those songs, and it's impossible, because you can't do it.
And then [D] someone had told me, well, [G] you know, they play in different tunings.
I had never heard of anything like that.
It's a very inventive thing.
Alter the tuning on the [D] guitar, and then to discover [G] things.
It's a way, like Darrell said, it's a [D] unique sound and a unique
[D]
[G] to [C] do that.
[G] On slide, the [D] intro has this
[F] [G] And there's this little thing, in analyzing the song, I'm like, how is he doing it?
It's not possible, [D] because it's not an open string, but he made [G] it sound like it was.
And then he came in, his tech goes, oh yeah, because that's his tuning, and he plays it.
I'm like, [D] ah.
I picked up playing the guitar [G] when I was 12.
It didn't take a lot of guitar lessons, and sort of started developing my own way of detuning
[D] the guitar and playing different tunings.
[G] I said, well, what inspired you to create these [D] tunings and find these tunings?
He goes, [G] I don't know, I just started turning the [D] knobs until it sounded like something to me.
I was [G] really influenced by Bob Mould as a guitar player, and Joni Mitchell, [D] and oh my
god, Jimmy Page.
[G] Curtis Mayfield is also a famous person who did this, and the way he describes it, when
he first played the guitar, it didn't sound like [D] anything to him.
I always admired [G] the alternate tunings that they did.
And you sit there and you try to learn those songs, and it's impossible, because you can't do it.
And then [D] someone had told me, well, [G] you know, they play in different tunings.
I had never heard of anything like that.
It's a very inventive thing.
Alter the tuning on the [D] guitar, and then to discover [G] things.
It's a way, like Darrell said, it's a [D] unique sound and a unique
Key:
G
D
C
F
G
D
C
F
_ _ _ _ [G] I'm going _ _ [D] _ _ [G] _ _
_ _ _ _ [D] _ _
[G] to _ _ [C] do that.
[G] On slide, the [D] intro has this_
[F] _ [G] And there's this little thing, in analyzing the song, I'm like, how is he doing it?
It's not possible, [D] because it's not an open string, but he made [G] it sound like it was.
And then he came in, his tech goes, oh yeah, because that's his tuning, and he plays it.
I'm like, [D] ah.
I picked up playing the guitar [G] when I was 12.
It didn't take a lot of guitar lessons, and sort of started developing my own way of detuning
[D] the guitar and playing different tunings.
[G] I said, well, what inspired you to create these [D] tunings and find these tunings?
He goes, [G] I don't know, I just started turning the [D] knobs until it sounded like something to me.
I was [G] really influenced by Bob Mould as a guitar player, and Joni Mitchell, [D] and oh my
god, Jimmy Page.
[G] Curtis Mayfield is also a famous person who did this, and the way he describes it, when
he first played the guitar, it didn't sound like [D] anything to him.
I always admired [G] the alternate tunings that they did.
And you sit there and you try to learn those songs, and it's impossible, because you can't do it.
And then [D] someone had told me, well, [G] you know, they play in different tunings.
I had never heard of anything like that.
It's a very inventive thing.
Alter the tuning on the [D] guitar, and then to discover [G] things.
It's a way, like Darrell said, it's a [D] unique sound and a unique
_ _ _ _ [D] _ _
[G] to _ _ [C] do that.
[G] On slide, the [D] intro has this_
[F] _ [G] And there's this little thing, in analyzing the song, I'm like, how is he doing it?
It's not possible, [D] because it's not an open string, but he made [G] it sound like it was.
And then he came in, his tech goes, oh yeah, because that's his tuning, and he plays it.
I'm like, [D] ah.
I picked up playing the guitar [G] when I was 12.
It didn't take a lot of guitar lessons, and sort of started developing my own way of detuning
[D] the guitar and playing different tunings.
[G] I said, well, what inspired you to create these [D] tunings and find these tunings?
He goes, [G] I don't know, I just started turning the [D] knobs until it sounded like something to me.
I was [G] really influenced by Bob Mould as a guitar player, and Joni Mitchell, [D] and oh my
god, Jimmy Page.
[G] Curtis Mayfield is also a famous person who did this, and the way he describes it, when
he first played the guitar, it didn't sound like [D] anything to him.
I always admired [G] the alternate tunings that they did.
And you sit there and you try to learn those songs, and it's impossible, because you can't do it.
And then [D] someone had told me, well, [G] you know, they play in different tunings.
I had never heard of anything like that.
It's a very inventive thing.
Alter the tuning on the [D] guitar, and then to discover [G] things.
It's a way, like Darrell said, it's a [D] unique sound and a unique