Chords for John Rzeznik and Daryl Hall - Iris Banter (Live From Daryl's House)‏.mp4
Tempo:
141.8 bpm
Chords used:
C#
F#
Bm
D
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C#]
[A#] This [F#m] one's four D's and [Bm] a B.
Wow.
And no E string.
No E string.
[D]
Crazy.
If I need more than two fingers to play, I don't bother.
[F#m] I really love John's style.
You can tell he's a [C#] natural musician.
Intuitive is what I'd [F#] say.
He doesn't play music [G#] from the classically trained place, but when he plays [F#] and he finds
that his tuning, he has this odd [C#] tune.
All various songs have these different tunings.
It's a way of [F#] discovery, I think.
I love it.
[Bm] Was this one of those songs that wrote [C#] itself quickly?
[G#] Yeah, unfortunately.
I wish I had a few more of those.
[B] It seems like a song that just came out.
I know, those are [C#] always the good ones.
It's really interesting how you change [B] time signatures.
[F#] Yeah, it was a big accident.
Yes, a happy one.
Iris [C#] is a really unique song.
I don't know [A#m] how to describe this, but [F#] there's a time signature changes in it that are very
[G#]
unique.
The intro [F#] before the second verse has three bars of [C#] the four, four, or the six and [A#] two,
and then the last [F#] one is just a bar of six, eight [D] that leads into the second verse.
[Bm]
[B] [G] Check it out.
The war ends [D] again, [E] like the tears that ain't [G] coming.
It's a very [C#] intricate song.
It sounds simple, but it's not.
[F#] It's very emotional and just has this sort of build, build, build, build, and it gets
really big on the end and crashes about.
[C#] It's just a very, [F#] very good song.
[A#] This [F#m] one's four D's and [Bm] a B.
Wow.
And no E string.
No E string.
[D]
Crazy.
If I need more than two fingers to play, I don't bother.
[F#m] I really love John's style.
You can tell he's a [C#] natural musician.
Intuitive is what I'd [F#] say.
He doesn't play music [G#] from the classically trained place, but when he plays [F#] and he finds
that his tuning, he has this odd [C#] tune.
All various songs have these different tunings.
It's a way of [F#] discovery, I think.
I love it.
[Bm] Was this one of those songs that wrote [C#] itself quickly?
[G#] Yeah, unfortunately.
I wish I had a few more of those.
[B] It seems like a song that just came out.
I know, those are [C#] always the good ones.
It's really interesting how you change [B] time signatures.
[F#] Yeah, it was a big accident.
Yes, a happy one.
Iris [C#] is a really unique song.
I don't know [A#m] how to describe this, but [F#] there's a time signature changes in it that are very
[G#]
unique.
The intro [F#] before the second verse has three bars of [C#] the four, four, or the six and [A#] two,
and then the last [F#] one is just a bar of six, eight [D] that leads into the second verse.
[Bm]
[B] [G] Check it out.
The war ends [D] again, [E] like the tears that ain't [G] coming.
It's a very [C#] intricate song.
It sounds simple, but it's not.
[F#] It's very emotional and just has this sort of build, build, build, build, and it gets
really big on the end and crashes about.
[C#] It's just a very, [F#] very good song.
Key:
C#
F#
Bm
D
G#
C#
F#
Bm
_ _ _ _ _ _ [C#] _ _
_ _ _ _ _ _ _ _
[A#] This [F#m] one's four D's and [Bm] a B.
Wow.
And no E string.
No E string.
[D]
Crazy.
If I need more than two fingers to play, _ I don't bother.
[F#m] I really love John's style.
You can tell he's a [C#] natural musician. _ _
Intuitive is what I'd [F#] say.
He doesn't play music [G#] from the classically trained place, _ but when he plays [F#] and he finds
that his tuning, he has this odd [C#] tune.
All various songs have these different tunings.
It's a way of [F#] discovery, I think.
I love it.
_ _ _ [Bm] Was this one of those songs that _ wrote [C#] itself quickly?
[G#] Yeah, unfortunately.
I wish I had a few more of those.
_ [B] It seems like a song that just came out.
I know, those are [C#] always the good ones.
It's really interesting how you change [B] time signatures. _ _
[F#] Yeah, it was a big accident.
_ Yes, a happy one.
Iris [C#] is a really unique song.
I _ don't know [A#m] how to describe this, but [F#] there's a time signature changes in it that are very
_ [G#] _ _
unique.
The intro [F#] before the second verse has three bars of [C#] the four, four, or the six and [A#] two,
and then the last [F#] one is just a bar of six, eight [D] that leads into the second verse.
_ [Bm] _ _
_ _ [B] _ _ [G] _ Check it out. _
The war ends [D] again, [E] like the tears that ain't [G] coming.
It's a very [C#] intricate song.
It sounds simple, but it's not.
_ _ [F#] It's very emotional and just has this sort of build, build, build, build, and it gets
really big on the end and crashes about.
[C#] It's just a very, [F#] very good song.
_ _ _ _ _ _ _ _
[A#] This [F#m] one's four D's and [Bm] a B.
Wow.
And no E string.
No E string.
[D]
Crazy.
If I need more than two fingers to play, _ I don't bother.
[F#m] I really love John's style.
You can tell he's a [C#] natural musician. _ _
Intuitive is what I'd [F#] say.
He doesn't play music [G#] from the classically trained place, _ but when he plays [F#] and he finds
that his tuning, he has this odd [C#] tune.
All various songs have these different tunings.
It's a way of [F#] discovery, I think.
I love it.
_ _ _ [Bm] Was this one of those songs that _ wrote [C#] itself quickly?
[G#] Yeah, unfortunately.
I wish I had a few more of those.
_ [B] It seems like a song that just came out.
I know, those are [C#] always the good ones.
It's really interesting how you change [B] time signatures. _ _
[F#] Yeah, it was a big accident.
_ Yes, a happy one.
Iris [C#] is a really unique song.
I _ don't know [A#m] how to describe this, but [F#] there's a time signature changes in it that are very
_ [G#] _ _
unique.
The intro [F#] before the second verse has three bars of [C#] the four, four, or the six and [A#] two,
and then the last [F#] one is just a bar of six, eight [D] that leads into the second verse.
_ [Bm] _ _
_ _ [B] _ _ [G] _ Check it out. _
The war ends [D] again, [E] like the tears that ain't [G] coming.
It's a very [C#] intricate song.
It sounds simple, but it's not.
_ _ [F#] It's very emotional and just has this sort of build, build, build, build, and it gets
really big on the end and crashes about.
[C#] It's just a very, [F#] very good song.