Chords for Jolie Holland interview (part 1)
Tempo:
134.6 bpm
Chords used:
C
Eb
E
D
Db
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Do you still have that miniature piano?
No, I don't know what happened to it.
Yeah, it's too bad.
I don't know what happened to it.
And how did you get it?
Your mom and dad bought it for you?
No, I think my step-grandfather bought it for me.
It was [E] very accidental.
I was like, [Db] oh, what can I get for her?
Very accidental.
[E] Okay.
So you did really like it?
What's that?
Well, you really liked to play on it. Yeah.
How come?
I don't know.
I was six.
Yeah.
And what was [F] the first
Do you still recall your first song you [C] wrote on it?
Yeah, I put it on as Candida.
And what's special for you to
I mean, to write on a piano and later on you went on playing other instruments, but how do you look back on it now?
[D]
Oh, it's hard to remember at all.
[Cm] I was so young.
Like, I can't really remember.
Well, when I read you learned to play songs of Syd Barrett, how come his songs?
I don't know.
[Eb] They were just very attractive to me.
He just sounds very honest.
I think he was one of the first [C] artists I ever heard that had a very bare soul in their music and it was just very beautiful for me.
Because, you know, [Eb] everybody talked about Bob Dylan [C] and I thought, oh, I should check out Bob Dylan.
[B] I listened to his stuff and I find, like, on except for his [Db] very early material, there's not a lot of real [D] bare-souled quality in his music.
He's often very defensive.
And then, you know, maybe one long song and then there's three lines in the song that are very immediate [N] sounding.
But then with Syd Barrett, there's like so much more connection, I think.
And what do you think now of his world of state he's in?
Because he doesn't make music anymore and I think he still lives with his mom or something.
I think, you know, he's [B] a
it's the choice he made.
I don't know.
I don't really, you know, I don't think I need to have an opinion about it.
I don't know.
Maybe do you still follow him or is [Eb] it just the songs?
Well, [Eb] he doesn't do anything [Gb] anymore.
I mean, he's a private person now, so there's nothing to follow.
And what other songs did you [E] listen to while growing up?
A lot of bad stuff on the radio, [C] you know.
I didn't really [D] hear music that really made me think I wanted to play music until, I [Eb] don't know, I was really [D] into the Pogues and the Smiths.
And then like Austin, there were some really great bands in Austin that were very inspiring.
[G] And, you know, but I heard those as [C] like when I was like a late teenager, so I got into that stuff.
[Db] Okay, but you did write your own material then.
Yeah.
So was it just
did you look to someone else for, I mean, inspiration or did you just do whatever came to your mind?
I just [E] did whatever I wanted.
I just, you know, I wasn't trying to copy anybody else.
I've never been trying to like follow in anybody else's footsteps.
No, I don't know what happened to it.
Yeah, it's too bad.
I don't know what happened to it.
And how did you get it?
Your mom and dad bought it for you?
No, I think my step-grandfather bought it for me.
It was [E] very accidental.
I was like, [Db] oh, what can I get for her?
Very accidental.
[E] Okay.
So you did really like it?
What's that?
Well, you really liked to play on it. Yeah.
How come?
I don't know.
I was six.
Yeah.
And what was [F] the first
Do you still recall your first song you [C] wrote on it?
Yeah, I put it on as Candida.
And what's special for you to
I mean, to write on a piano and later on you went on playing other instruments, but how do you look back on it now?
[D]
Oh, it's hard to remember at all.
[Cm] I was so young.
Like, I can't really remember.
Well, when I read you learned to play songs of Syd Barrett, how come his songs?
I don't know.
[Eb] They were just very attractive to me.
He just sounds very honest.
I think he was one of the first [C] artists I ever heard that had a very bare soul in their music and it was just very beautiful for me.
Because, you know, [Eb] everybody talked about Bob Dylan [C] and I thought, oh, I should check out Bob Dylan.
[B] I listened to his stuff and I find, like, on except for his [Db] very early material, there's not a lot of real [D] bare-souled quality in his music.
He's often very defensive.
And then, you know, maybe one long song and then there's three lines in the song that are very immediate [N] sounding.
But then with Syd Barrett, there's like so much more connection, I think.
And what do you think now of his world of state he's in?
Because he doesn't make music anymore and I think he still lives with his mom or something.
I think, you know, he's [B] a
it's the choice he made.
I don't know.
I don't really, you know, I don't think I need to have an opinion about it.
I don't know.
Maybe do you still follow him or is [Eb] it just the songs?
Well, [Eb] he doesn't do anything [Gb] anymore.
I mean, he's a private person now, so there's nothing to follow.
And what other songs did you [E] listen to while growing up?
A lot of bad stuff on the radio, [C] you know.
I didn't really [D] hear music that really made me think I wanted to play music until, I [Eb] don't know, I was really [D] into the Pogues and the Smiths.
And then like Austin, there were some really great bands in Austin that were very inspiring.
[G] And, you know, but I heard those as [C] like when I was like a late teenager, so I got into that stuff.
[Db] Okay, but you did write your own material then.
Yeah.
So was it just
did you look to someone else for, I mean, inspiration or did you just do whatever came to your mind?
I just [E] did whatever I wanted.
I just, you know, I wasn't trying to copy anybody else.
I've never been trying to like follow in anybody else's footsteps.
Key:
C
Eb
E
D
Db
C
Eb
E
_ _ _ _ _ Do you still have that miniature piano?
No, I don't know what happened to it.
_ _ Yeah, it's too bad.
I don't know what happened to it.
_ And how did you get it?
Your mom and dad bought it for you?
No, I think my step-grandfather bought it for me.
It was [E] very accidental.
I was like, [Db] oh, what can I get for her?
_ Very accidental.
_ [E] Okay.
So you did really like it?
What's that?
Well, you really liked to play on it. Yeah.
_ _ How come?
_ I don't know.
I was six.
Yeah.
_ _ And what was [F] the first_
Do you still recall your first song you [C] wrote on it?
Yeah, I put it on as Candida. _
_ _ _ _ _ And what's special for you to_
I mean, to write on a piano and later on you went on playing other instruments, but _ _ how do you look back on it now?
[D] _ _
Oh, it's hard to remember at all.
[Cm] I was so young.
Like, I can't really remember. _ _ _ _ _ _ _
_ _ _ _ _ _ Well, when I read you _ _ _ _ _ _ learned to play songs of Syd Barrett, how come his songs? _ _ _ _ _ _
_ I don't know.
[Eb] They were just very attractive to me. _
He just sounds very honest.
I think he was _ _ one _ of _ the first _ _ _ _ _ [C] artists _ I ever heard _ that had a very bare soul in their music and it was just very beautiful for me.
Because, you know, [Eb] everybody talked about Bob Dylan [C] and I thought, oh, I should check out Bob Dylan.
[B] I listened to his stuff and I find, like, _ _ _ _ on except for his [Db] very early material, there's not a lot of real [D] _ _ bare-souled quality in his music.
He's often very _ _ _ _ defensive.
And then, you know, maybe one long song and then there's three lines in the song that are very _ _ _ _ _ _ _ immediate [N] sounding.
But then with Syd Barrett, there's like _ so much more _ connection, I think.
_ _ _ _ And _ _ what do you think now of his world of state he's in?
Because he doesn't make music anymore and I think he still lives with his mom or something. _
I think, _ you _ know, he's _ _ _ [B] a_ _ _
_ it's the choice he made.
I don't know.
I don't really, you know, I don't think I need to have an opinion about it. _
I don't know.
Maybe do you still _ _ follow him or is [Eb] it just the songs?
Well, [Eb] he doesn't do anything [Gb] anymore.
I mean, he's a private person now, so there's nothing to follow.
_ _ _ _ _ And what other songs did you [E] listen to while growing up?
A _ _ lot of bad stuff on the radio, [C] you know.
_ _ _ I _ _ didn't really [D] hear music that really made me think I wanted to play music _ until, _ _ _ _ _ _ _ _ _
_ _ _ I _ _ _ _ _ _ _ [Eb] don't know, I was really [D] into the Pogues and the Smiths.
And _ _ then like Austin, there were some really great bands in Austin that were very inspiring. _ _
_ _ _ _ _ _ [G] And, you know, but I heard those as [C] like when I was like a late teenager, so I got into that stuff.
_ [Db] Okay, but you did write your own material then.
Yeah.
So was it just_
did you look to someone else for, I mean, inspiration or did you just do whatever came to your mind?
I just [E] did whatever I wanted.
I just, you know, I wasn't trying to copy anybody else.
I've never been trying to like follow in anybody else's footsteps. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
No, I don't know what happened to it.
_ _ Yeah, it's too bad.
I don't know what happened to it.
_ And how did you get it?
Your mom and dad bought it for you?
No, I think my step-grandfather bought it for me.
It was [E] very accidental.
I was like, [Db] oh, what can I get for her?
_ Very accidental.
_ [E] Okay.
So you did really like it?
What's that?
Well, you really liked to play on it. Yeah.
_ _ How come?
_ I don't know.
I was six.
Yeah.
_ _ And what was [F] the first_
Do you still recall your first song you [C] wrote on it?
Yeah, I put it on as Candida. _
_ _ _ _ _ And what's special for you to_
I mean, to write on a piano and later on you went on playing other instruments, but _ _ how do you look back on it now?
[D] _ _
Oh, it's hard to remember at all.
[Cm] I was so young.
Like, I can't really remember. _ _ _ _ _ _ _
_ _ _ _ _ _ Well, when I read you _ _ _ _ _ _ learned to play songs of Syd Barrett, how come his songs? _ _ _ _ _ _
_ I don't know.
[Eb] They were just very attractive to me. _
He just sounds very honest.
I think he was _ _ one _ of _ the first _ _ _ _ _ [C] artists _ I ever heard _ that had a very bare soul in their music and it was just very beautiful for me.
Because, you know, [Eb] everybody talked about Bob Dylan [C] and I thought, oh, I should check out Bob Dylan.
[B] I listened to his stuff and I find, like, _ _ _ _ on except for his [Db] very early material, there's not a lot of real [D] _ _ bare-souled quality in his music.
He's often very _ _ _ _ defensive.
And then, you know, maybe one long song and then there's three lines in the song that are very _ _ _ _ _ _ _ immediate [N] sounding.
But then with Syd Barrett, there's like _ so much more _ connection, I think.
_ _ _ _ And _ _ what do you think now of his world of state he's in?
Because he doesn't make music anymore and I think he still lives with his mom or something. _
I think, _ you _ know, he's _ _ _ [B] a_ _ _
_ it's the choice he made.
I don't know.
I don't really, you know, I don't think I need to have an opinion about it. _
I don't know.
Maybe do you still _ _ follow him or is [Eb] it just the songs?
Well, [Eb] he doesn't do anything [Gb] anymore.
I mean, he's a private person now, so there's nothing to follow.
_ _ _ _ _ And what other songs did you [E] listen to while growing up?
A _ _ lot of bad stuff on the radio, [C] you know.
_ _ _ I _ _ didn't really [D] hear music that really made me think I wanted to play music _ until, _ _ _ _ _ _ _ _ _
_ _ _ I _ _ _ _ _ _ _ [Eb] don't know, I was really [D] into the Pogues and the Smiths.
And _ _ then like Austin, there were some really great bands in Austin that were very inspiring. _ _
_ _ _ _ _ _ [G] And, you know, but I heard those as [C] like when I was like a late teenager, so I got into that stuff.
_ [Db] Okay, but you did write your own material then.
Yeah.
So was it just_
did you look to someone else for, I mean, inspiration or did you just do whatever came to your mind?
I just [E] did whatever I wanted.
I just, you know, I wasn't trying to copy anybody else.
I've never been trying to like follow in anybody else's footsteps. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _