Chords for Jonathan Richman - I Was Dancing in the Lesbian Bar + Just Because I'm Irish [October 1993]
Tempo:
120.6 bpm
Chords used:
G
F
E
C
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G]
[F#] Okay, thank you.
We're [N] always happy, we're always happy.
When my next guest is able to drop by for a visit,
in September, he made his network television debut with us
and tonight he's here to play a song
off his most recent album, I, Jonathan.
Please welcome back to the show, [F#] Jonathan Richman.
[N]
Thank you everybody.
Thank you everybody.
What I'm gonna do is tell you a song
that is a true story.
It happened to me in a bar when I was playing there
about a year and a half ago and this is what happened.
[Dm]
[E] I was dancing in a nightclub one Friday night
[A#]
and that nightclub bar was [Dm] a little uptight.
It was.
[D#] I was dancing all [F#] alone, a little self-conscious
when some kids came up and said,
Jonathan, for dancing, come with us.
[Dm] And soon I was [Am] dancing in the lesbian [Dm] bar, oh, oh.
I was dancing in [Am] the lesbian bar, oh, oh.
[A] [G]
[Am] [E] [Am]
[G]
[Am] [A]
[Am] Well, they took [G] me to the lesbian [E] bar
in the industrial zone.
They took me to dance with [A] them or dance alone.
[Dm] Well, it was all right, [Em] but in this bar,
[A] well, things were Friday night.
[Em] In the first bar, [F#] things were just all [Dm] right.
In this bar, [E] things were Friday night.
I was dancing in the lesbian [Am] bar, oh, oh.
I was [G] dancing in the lesbian bar, oh, [E] oh.
Let's try it.
[A] Get down.
I was [C#] dancing, dancing, dancing, dancing,
oh, well, it was a [E] Saturday morning.
What [F] I'm saying is that I [D#] was dancing, dancing, dancing,
[Gm] oh, my wife got found.
Well, now, that's [A#] all over [E] now.
[G] [E] All right.
Well, they took me to the lesbian [E] bar.
Way downtown, they took [G] me to check the [E] scene
and hang around.
Well, [Dm] in the first bar, things were stop and stare,
[E] but in this bar, oh, oh, things were laissez-faire.
In the first bar, things were stop and stare.
In this bar, things were laissez-faire.
I was dancing in the lesbian bar, oh, oh.
[Dm] Well, in the first bar, folks were drinking sips,
but in this bar, oh, [F#] they could shake their [Am] hips.
In the first [N] bar, they would drink and sip.
In this bar, they could shake their hips.
I was dancing in the lesbian bar, oh, oh.
I was dancing in the lesbian bar, oh, oh, oh.
Wow.
[B]
[F] Wow.
[C]
[F]
[F#] [F#] I'm here with Jonathan Richman.
[N] Very nice song.
Now, you have a real no-frills approach to your music.
So it would seem.
How many guitars, is this your only guitar,
or do you have more?
I got a couple of Japanese ones back at the ranch there.
They aren't much that you'd have to worry
about anyone stealing, if you know what I mean.
Here's the main one I got.
Yeah, it's the only one I take on the road.
Right, so you don't have a huge entourage or anything?
No, I got that, that, and that.
It's a nice system.
Yeah, thanks.
Now, I understand that you and Julia have a song.
Yeah, we do.
Would you like to hear it?
No.
Yes, of course I would.
Now, this song needs some setup.
You want me to tell her, or you set it up?
Who wants to set it up?
[B] Well, Stephen Ray came and did a guest appearance
on the show when I did that Pat segment,
the parody of the crime game.
[G#] And I met Stephen Ray,
[D#] and we had a wonderful conversation in his dressing room,
and I was quite enamored with him.
[D] And we had a [C] conversation about Irish bars [B] in New York,
and I told Jonathan about it,
and then he wrote a song about our conversation.
And now she's sorry.
And I can't sing, I'm not a singer.
Oh, [Cm] yes you are.
[F] America's about to find out.
[G] [C] I'm Irish, [Bm] he thinks that I should know
[F] every Irish bar in [G] Manhattan.
I'd leave to one or two.
[C] [F] Just because he's born in [Bm] County Clare or County Cork,
[G] where they socialize much more than they do in old New York.
[C] Just because I'm Irish,
[Em] which he says he should have guessed by [F] my name's Sweeney,
an Irish [F#] that I am,
[Fm] [F] doesn't mean I [G] know each Irish [E] bar here in [Em] Midtown New York.
[F] I'm more likely [G] to be seen in [C] Central Park.
[A] Now Julia, have you ever been to Finnegan's
on 23rd and Gramercy Park?
[G] No.
[C] [D] Julia, then there's that place, what [Am] is it?
[D] It's Deegan's [G#] over there by Columbus [A] Circle.
Have you tried that yet?
No.
[Dm] [G]
[A] Okay, now there's one right across the street
[Em] from where you work here in Rockefeller [Am] Center.
It's Scanlon's Pub.
[G] Now haven't you seen it at least?
No, I'm [Cm] sorry.
Colin, what are we going to do with her?
It's your [C] call, Jonathan, it's your call.
How long you lived in New [D] York anyway, Julia?
[C] Just because I'm [Em] Irish,
he thinks that I should know [F] every Irish bar north [G] of Soho.
[F] Just because he's born [Em] in Galway Bay,
[G] where they socialize much more than they do here in the USA.
[C] Just because I'm Irish,
[Em] which he says he should have guessed [F] by something Irish
in the way I smile,
doesn't mean I know [F#m] each Irish [E] bar here [Em] in Midtown New York.
[F] I'm more [G] likely to be [Am] seen in Central Park.
Is [B] that right?
She's [F] more likely [G] to be seen in [F] Central Park.
[C] [F]
Hey, hey, [C]
[A#] how are you?
[C] [D#] [N]
That was great.
All right, well remind me to have a conversation with you,
you can write a song around.
I would enjoy that thoroughly.
All right, well listen, thank you very much.
No?
Oh, come on, thank you.
All right.
Thank you very much, we gotta step away,
we'll be right back.
[F#] [F#]
[N] Jonathan's gonna be at the Lone Star Roadhouse
tomorrow night, so check him out.
I also wanna thank Julia Sweeney for being here.
And of course, [F#] my thanks to Rick Taylor for being here.
And special thanks always to Andy Richter,
the Max Weinberg Seven.
That's our show, have a nice weekend.
[E] [D#m] [F#] [A#]
[F#] Okay, thank you.
We're [N] always happy, we're always happy.
When my next guest is able to drop by for a visit,
in September, he made his network television debut with us
and tonight he's here to play a song
off his most recent album, I, Jonathan.
Please welcome back to the show, [F#] Jonathan Richman.
[N]
Thank you everybody.
Thank you everybody.
What I'm gonna do is tell you a song
that is a true story.
It happened to me in a bar when I was playing there
about a year and a half ago and this is what happened.
[Dm]
[E] I was dancing in a nightclub one Friday night
[A#]
and that nightclub bar was [Dm] a little uptight.
It was.
[D#] I was dancing all [F#] alone, a little self-conscious
when some kids came up and said,
Jonathan, for dancing, come with us.
[Dm] And soon I was [Am] dancing in the lesbian [Dm] bar, oh, oh.
I was dancing in [Am] the lesbian bar, oh, oh.
[A] [G]
[Am] [E] [Am]
[G]
[Am] [A]
[Am] Well, they took [G] me to the lesbian [E] bar
in the industrial zone.
They took me to dance with [A] them or dance alone.
[Dm] Well, it was all right, [Em] but in this bar,
[A] well, things were Friday night.
[Em] In the first bar, [F#] things were just all [Dm] right.
In this bar, [E] things were Friday night.
I was dancing in the lesbian [Am] bar, oh, oh.
I was [G] dancing in the lesbian bar, oh, [E] oh.
Let's try it.
[A] Get down.
I was [C#] dancing, dancing, dancing, dancing,
oh, well, it was a [E] Saturday morning.
What [F] I'm saying is that I [D#] was dancing, dancing, dancing,
[Gm] oh, my wife got found.
Well, now, that's [A#] all over [E] now.
[G] [E] All right.
Well, they took me to the lesbian [E] bar.
Way downtown, they took [G] me to check the [E] scene
and hang around.
Well, [Dm] in the first bar, things were stop and stare,
[E] but in this bar, oh, oh, things were laissez-faire.
In the first bar, things were stop and stare.
In this bar, things were laissez-faire.
I was dancing in the lesbian bar, oh, oh.
[Dm] Well, in the first bar, folks were drinking sips,
but in this bar, oh, [F#] they could shake their [Am] hips.
In the first [N] bar, they would drink and sip.
In this bar, they could shake their hips.
I was dancing in the lesbian bar, oh, oh.
I was dancing in the lesbian bar, oh, oh, oh.
Wow.
[B]
[F] Wow.
[C]
[F]
[F#] [F#] I'm here with Jonathan Richman.
[N] Very nice song.
Now, you have a real no-frills approach to your music.
So it would seem.
How many guitars, is this your only guitar,
or do you have more?
I got a couple of Japanese ones back at the ranch there.
They aren't much that you'd have to worry
about anyone stealing, if you know what I mean.
Here's the main one I got.
Yeah, it's the only one I take on the road.
Right, so you don't have a huge entourage or anything?
No, I got that, that, and that.
It's a nice system.
Yeah, thanks.
Now, I understand that you and Julia have a song.
Yeah, we do.
Would you like to hear it?
No.
Yes, of course I would.
Now, this song needs some setup.
You want me to tell her, or you set it up?
Who wants to set it up?
[B] Well, Stephen Ray came and did a guest appearance
on the show when I did that Pat segment,
the parody of the crime game.
[G#] And I met Stephen Ray,
[D#] and we had a wonderful conversation in his dressing room,
and I was quite enamored with him.
[D] And we had a [C] conversation about Irish bars [B] in New York,
and I told Jonathan about it,
and then he wrote a song about our conversation.
And now she's sorry.
And I can't sing, I'm not a singer.
Oh, [Cm] yes you are.
[F] America's about to find out.
[G] [C] I'm Irish, [Bm] he thinks that I should know
[F] every Irish bar in [G] Manhattan.
I'd leave to one or two.
[C] [F] Just because he's born in [Bm] County Clare or County Cork,
[G] where they socialize much more than they do in old New York.
[C] Just because I'm Irish,
[Em] which he says he should have guessed by [F] my name's Sweeney,
an Irish [F#] that I am,
[Fm] [F] doesn't mean I [G] know each Irish [E] bar here in [Em] Midtown New York.
[F] I'm more likely [G] to be seen in [C] Central Park.
[A] Now Julia, have you ever been to Finnegan's
on 23rd and Gramercy Park?
[G] No.
[C] [D] Julia, then there's that place, what [Am] is it?
[D] It's Deegan's [G#] over there by Columbus [A] Circle.
Have you tried that yet?
No.
[Dm] [G]
[A] Okay, now there's one right across the street
[Em] from where you work here in Rockefeller [Am] Center.
It's Scanlon's Pub.
[G] Now haven't you seen it at least?
No, I'm [Cm] sorry.
Colin, what are we going to do with her?
It's your [C] call, Jonathan, it's your call.
How long you lived in New [D] York anyway, Julia?
[C] Just because I'm [Em] Irish,
he thinks that I should know [F] every Irish bar north [G] of Soho.
[F] Just because he's born [Em] in Galway Bay,
[G] where they socialize much more than they do here in the USA.
[C] Just because I'm Irish,
[Em] which he says he should have guessed [F] by something Irish
in the way I smile,
doesn't mean I know [F#m] each Irish [E] bar here [Em] in Midtown New York.
[F] I'm more [G] likely to be [Am] seen in Central Park.
Is [B] that right?
She's [F] more likely [G] to be seen in [F] Central Park.
[C] [F]
Hey, hey, [C]
[A#] how are you?
[C] [D#] [N]
That was great.
All right, well remind me to have a conversation with you,
you can write a song around.
I would enjoy that thoroughly.
All right, well listen, thank you very much.
No?
Oh, come on, thank you.
All right.
Thank you very much, we gotta step away,
we'll be right back.
[F#] [F#]
[N] Jonathan's gonna be at the Lone Star Roadhouse
tomorrow night, so check him out.
I also wanna thank Julia Sweeney for being here.
And of course, [F#] my thanks to Rick Taylor for being here.
And special thanks always to Andy Richter,
the Max Weinberg Seven.
That's our show, have a nice weekend.
[E] [D#m] [F#] [A#]
Key:
G
F
E
C
F#
G
F
E
_ _ _ _ _ _ [G] _ _
_ _ _ _ _ _ _ _
[F#] Okay, thank you. _ _ _ _ _
_ We're [N] always happy, we're always happy.
When my next guest is able to drop by for a visit,
in September, he made his network television debut with us
and tonight he's here to play a song
off his most recent album, I, Jonathan.
Please welcome back to the show, [F#] Jonathan Richman. _ _
_ _ _ [N] _ _ _ _ _
_ Thank you everybody.
Thank you everybody.
What I'm gonna do is tell you a song
that is a true story.
It happened to me in a bar when I was playing there
about a year and a half ago and this is what happened.
_ _ [Dm] _ _
_ _ [E] I was dancing in a nightclub one Friday night
_ [A#] _ _ _
and that nightclub bar was [Dm] a little uptight. _
_ _ It was.
[D#] I was dancing all [F#] alone, a little self-conscious
when some kids came up and said,
Jonathan, for dancing, come with us.
[Dm] _ _ And soon I was [Am] dancing in the lesbian [Dm] bar, oh, oh.
I was dancing in [Am] the lesbian bar, oh, oh. _ _ _ _
_ _ _ _ [A] _ _ [G] _ _
[Am] _ _ _ _ [E] _ _ _ [Am] _
_ _ _ _ _ _ [G] _ _
[Am] _ _ _ _ _ _ [A] _ _
[Am] _ _ Well, they took [G] me to the lesbian [E] bar
in the industrial zone.
They took me to dance with [A] them or dance alone.
[Dm] Well, _ _ it was all right, [Em] but in this bar,
[A] well, things were Friday night.
[Em] In the first bar, [F#] things were just all [Dm] right.
In this bar, [E] things were Friday night.
I was dancing in the lesbian [Am] bar, oh, oh.
I was [G] dancing in the lesbian bar, oh, [E] oh.
Let's try it.
[A] Get down.
I _ _ _ _ _ was [C#] dancing, dancing, dancing, dancing,
oh, well, it was a [E] Saturday morning.
What [F] I'm saying is that I [D#] was dancing, dancing, dancing,
[Gm] oh, my wife got found.
Well, now, that's [A#] all over [E] now.
_ [G] _ [E] All right.
_ Well, they took me to the lesbian [E] bar.
Way downtown, they took [G] me to check the [E] scene
and hang around.
Well, [Dm] in the first bar, things were stop and stare,
[E] but in this bar, oh, oh, things were laissez-faire.
In the first bar, things were stop and stare.
In this bar, things were laissez-faire.
I was dancing in the lesbian bar, oh, oh.
[Dm] Well, in the first bar, folks were drinking sips,
but in this bar, oh, [F#] they could shake their [Am] hips.
In the first [N] bar, they would drink and sip.
In this bar, they could shake their hips.
I was dancing in the lesbian bar, oh, oh.
I was dancing in the lesbian bar, oh, oh, oh.
_ Wow. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [B] _ _ _ _
[F] _ _ Wow.
_ [C] _ _ _
_ _ _ _ _ _ _ [F] _
_ [F#] _ _ _ [F#] _ _ I'm here with Jonathan Richman.
[N] Very nice song.
Now, you have a real no-frills approach to your music.
So it would seem. _ _
How many guitars, is this your only guitar,
or do you have more?
I got a couple of Japanese ones back at the ranch there.
They aren't much that you'd have to worry
about anyone stealing, if you know what I mean.
Here's the main one I got.
Yeah, it's the only one I take on the road.
Right, so you don't have a huge entourage or anything?
No, I got that, that, and that.
_ It's a nice system.
Yeah, thanks.
Now, I understand _ that you and Julia have a song.
Yeah, we do.
Would you like to hear it?
No.
_ _ Yes, of course I would.
Now, this song needs some setup.
You want me to tell her, or you set it up?
Who wants to set it up?
[B] Well, Stephen Ray came and did a guest appearance
on the show when I did that Pat segment,
the parody of the crime game.
[G#] And I met Stephen Ray,
[D#] and we had a wonderful conversation in his dressing room,
and I was quite enamored with him.
[D] And we had a [C] conversation about Irish bars [B] in New York,
and I told Jonathan about it,
and then he wrote a song about our conversation.
And now she's sorry.
And I can't sing, I'm not a singer.
Oh, [Cm] yes you are.
_ [F] America's about to find out. _
[G] _ _ _ [C] _ I'm Irish, [Bm] he thinks that I should know
[F] every Irish bar in [G] Manhattan.
I'd leave to one or two.
[C] [F] Just because he's born in [Bm] County Clare or County Cork,
[G] where they socialize much more than they do in old New York.
[C] Just because I'm Irish,
[Em] which he says he should have guessed by [F] my name's Sweeney,
an Irish [F#] that I am,
[Fm] _ [F] doesn't mean I [G] know each Irish [E] bar here in [Em] Midtown New York.
[F] I'm more likely [G] to be seen in [C] Central Park.
[A] Now Julia, _ have you ever been to Finnegan's
on 23rd and Gramercy Park?
[G] No. _
[C] _ _ _ [D] Julia, _ then there's that place, what [Am] is it?
_ [D] It's Deegan's [G#] over there by Columbus [A] Circle.
Have you tried that yet?
No.
[Dm] _ _ [G] _ _
[A] Okay, now there's one right across the street
[Em] from where you work here in Rockefeller [Am] Center.
It's Scanlon's Pub.
[G] Now haven't you seen it at least?
No, I'm [Cm] sorry.
Colin, what are we going to do with her?
It's your [C] call, Jonathan, it's your call.
How long you lived in New [D] York anyway, Julia?
_ _ [C] Just because I'm [Em] Irish,
he thinks that I should know [F] every Irish bar north [G] of Soho.
_ _ [F] Just because he's born [Em] in Galway Bay,
[G] where they socialize much more than they do here in the USA.
_ [C] Just because I'm Irish,
[Em] which he says he should have guessed [F] by something Irish
in the way I smile,
_ doesn't mean I know [F#m] each Irish [E] bar here [Em] in Midtown New York.
[F] I'm more [G] likely to be [Am] seen in Central Park.
Is [B] that right?
She's [F] more likely [G] to be seen in [F] Central Park. _
[C] _ _ _ _ [F] _ _ _ _
Hey, hey, [C] _ _ _ _
[A#] how are you?
[C] _ _ _ [D#] _ _ _ [N] _
_ That was great.
_ All right, well remind me to have a conversation with you,
you can write a song around.
I would enjoy that thoroughly.
All right, well listen, thank you very much.
No?
Oh, come on, thank you.
All right.
_ Thank you very much, we gotta step away,
we'll be right back. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F#] _ _ _ [F#] _ _ _ _ _
_ _ _ _ [N] _ _ Jonathan's gonna be at the Lone Star Roadhouse
tomorrow night, so check him out.
I also wanna thank Julia Sweeney for being here. _ _ _ _ _
_ _ _ _ _ And of course, [F#] my thanks to Rick Taylor for being here. _ _ _ _
_ _ _ _ And special thanks always to Andy Richter,
the Max Weinberg Seven.
That's our show, have a nice weekend.
[E] _ _ [D#m] _ _ [F#] _ _ [A#] _ _
_ _ _ _ _ _ _ _
[F#] Okay, thank you. _ _ _ _ _
_ We're [N] always happy, we're always happy.
When my next guest is able to drop by for a visit,
in September, he made his network television debut with us
and tonight he's here to play a song
off his most recent album, I, Jonathan.
Please welcome back to the show, [F#] Jonathan Richman. _ _
_ _ _ [N] _ _ _ _ _
_ Thank you everybody.
Thank you everybody.
What I'm gonna do is tell you a song
that is a true story.
It happened to me in a bar when I was playing there
about a year and a half ago and this is what happened.
_ _ [Dm] _ _
_ _ [E] I was dancing in a nightclub one Friday night
_ [A#] _ _ _
and that nightclub bar was [Dm] a little uptight. _
_ _ It was.
[D#] I was dancing all [F#] alone, a little self-conscious
when some kids came up and said,
Jonathan, for dancing, come with us.
[Dm] _ _ And soon I was [Am] dancing in the lesbian [Dm] bar, oh, oh.
I was dancing in [Am] the lesbian bar, oh, oh. _ _ _ _
_ _ _ _ [A] _ _ [G] _ _
[Am] _ _ _ _ [E] _ _ _ [Am] _
_ _ _ _ _ _ [G] _ _
[Am] _ _ _ _ _ _ [A] _ _
[Am] _ _ Well, they took [G] me to the lesbian [E] bar
in the industrial zone.
They took me to dance with [A] them or dance alone.
[Dm] Well, _ _ it was all right, [Em] but in this bar,
[A] well, things were Friday night.
[Em] In the first bar, [F#] things were just all [Dm] right.
In this bar, [E] things were Friday night.
I was dancing in the lesbian [Am] bar, oh, oh.
I was [G] dancing in the lesbian bar, oh, [E] oh.
Let's try it.
[A] Get down.
I _ _ _ _ _ was [C#] dancing, dancing, dancing, dancing,
oh, well, it was a [E] Saturday morning.
What [F] I'm saying is that I [D#] was dancing, dancing, dancing,
[Gm] oh, my wife got found.
Well, now, that's [A#] all over [E] now.
_ [G] _ [E] All right.
_ Well, they took me to the lesbian [E] bar.
Way downtown, they took [G] me to check the [E] scene
and hang around.
Well, [Dm] in the first bar, things were stop and stare,
[E] but in this bar, oh, oh, things were laissez-faire.
In the first bar, things were stop and stare.
In this bar, things were laissez-faire.
I was dancing in the lesbian bar, oh, oh.
[Dm] Well, in the first bar, folks were drinking sips,
but in this bar, oh, [F#] they could shake their [Am] hips.
In the first [N] bar, they would drink and sip.
In this bar, they could shake their hips.
I was dancing in the lesbian bar, oh, oh.
I was dancing in the lesbian bar, oh, oh, oh.
_ Wow. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [B] _ _ _ _
[F] _ _ Wow.
_ [C] _ _ _
_ _ _ _ _ _ _ [F] _
_ [F#] _ _ _ [F#] _ _ I'm here with Jonathan Richman.
[N] Very nice song.
Now, you have a real no-frills approach to your music.
So it would seem. _ _
How many guitars, is this your only guitar,
or do you have more?
I got a couple of Japanese ones back at the ranch there.
They aren't much that you'd have to worry
about anyone stealing, if you know what I mean.
Here's the main one I got.
Yeah, it's the only one I take on the road.
Right, so you don't have a huge entourage or anything?
No, I got that, that, and that.
_ It's a nice system.
Yeah, thanks.
Now, I understand _ that you and Julia have a song.
Yeah, we do.
Would you like to hear it?
No.
_ _ Yes, of course I would.
Now, this song needs some setup.
You want me to tell her, or you set it up?
Who wants to set it up?
[B] Well, Stephen Ray came and did a guest appearance
on the show when I did that Pat segment,
the parody of the crime game.
[G#] And I met Stephen Ray,
[D#] and we had a wonderful conversation in his dressing room,
and I was quite enamored with him.
[D] And we had a [C] conversation about Irish bars [B] in New York,
and I told Jonathan about it,
and then he wrote a song about our conversation.
And now she's sorry.
And I can't sing, I'm not a singer.
Oh, [Cm] yes you are.
_ [F] America's about to find out. _
[G] _ _ _ [C] _ I'm Irish, [Bm] he thinks that I should know
[F] every Irish bar in [G] Manhattan.
I'd leave to one or two.
[C] [F] Just because he's born in [Bm] County Clare or County Cork,
[G] where they socialize much more than they do in old New York.
[C] Just because I'm Irish,
[Em] which he says he should have guessed by [F] my name's Sweeney,
an Irish [F#] that I am,
[Fm] _ [F] doesn't mean I [G] know each Irish [E] bar here in [Em] Midtown New York.
[F] I'm more likely [G] to be seen in [C] Central Park.
[A] Now Julia, _ have you ever been to Finnegan's
on 23rd and Gramercy Park?
[G] No. _
[C] _ _ _ [D] Julia, _ then there's that place, what [Am] is it?
_ [D] It's Deegan's [G#] over there by Columbus [A] Circle.
Have you tried that yet?
No.
[Dm] _ _ [G] _ _
[A] Okay, now there's one right across the street
[Em] from where you work here in Rockefeller [Am] Center.
It's Scanlon's Pub.
[G] Now haven't you seen it at least?
No, I'm [Cm] sorry.
Colin, what are we going to do with her?
It's your [C] call, Jonathan, it's your call.
How long you lived in New [D] York anyway, Julia?
_ _ [C] Just because I'm [Em] Irish,
he thinks that I should know [F] every Irish bar north [G] of Soho.
_ _ [F] Just because he's born [Em] in Galway Bay,
[G] where they socialize much more than they do here in the USA.
_ [C] Just because I'm Irish,
[Em] which he says he should have guessed [F] by something Irish
in the way I smile,
_ doesn't mean I know [F#m] each Irish [E] bar here [Em] in Midtown New York.
[F] I'm more [G] likely to be [Am] seen in Central Park.
Is [B] that right?
She's [F] more likely [G] to be seen in [F] Central Park. _
[C] _ _ _ _ [F] _ _ _ _
Hey, hey, [C] _ _ _ _
[A#] how are you?
[C] _ _ _ [D#] _ _ _ [N] _
_ That was great.
_ All right, well remind me to have a conversation with you,
you can write a song around.
I would enjoy that thoroughly.
All right, well listen, thank you very much.
No?
Oh, come on, thank you.
All right.
_ Thank you very much, we gotta step away,
we'll be right back. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F#] _ _ _ [F#] _ _ _ _ _
_ _ _ _ [N] _ _ Jonathan's gonna be at the Lone Star Roadhouse
tomorrow night, so check him out.
I also wanna thank Julia Sweeney for being here. _ _ _ _ _
_ _ _ _ _ And of course, [F#] my thanks to Rick Taylor for being here. _ _ _ _
_ _ _ _ And special thanks always to Andy Richter,
the Max Weinberg Seven.
That's our show, have a nice weekend.
[E] _ _ [D#m] _ _ [F#] _ _ [A#] _ _