_ _ _ _ _ _ _ _ .
_ _ Joni Mitchell _ _ _ _ .
_ _ _ _ _ _ _ _ .
C _ _ _ _ _ _ _ _ .
_ _ _ _ _ _ _ _ .
_ No, _ _ _
Eb _ .
it's coyote
G we just come from such difference at the
C circumstance I'm up all night in the studio.
G Early on your.
_
F Russian out of rude near steel while the Sun is ascending.
C I'll just be getting home with my real
Eb career.
No comprehend.
G They just how close to the bone in the
C skin and the eyes.
And the lips you can get.
You
G still feel so
Bb alone.
And still
F feel related.
Bb like
F stations in some.
C Hit and run driver no
Eb no racing away.
G You just
C pick up a hitcher.
G prisoner of the
C white line freeway.
You _ .
_ _ _ _ _ _ _ _ .
_ _
Eb saw a farmhouse burning down.
G In the middle of nowhere in the middle of the
C night.
All right past that tragedy.
Here we
G pulled into some roadhouse
Bb lights
F where a local band was playing.
Locals were a kickin and shakin
C on the floor the next thing I know.
Eb That coyotes at my
G door.
He pins me in a corner, and it won't take
C no.
He drags me out on the dance floor
G and we're dancing close and slow
F now.
He's got a woman at home.
He's got another woman down the hall.
He seems to want
C me anyway.
Why'd you have to get so
Eb drunk.
Lead me
C on that way.
G You just
C pick up a
G hitcher.
Prisoner of the white
C lines on the freeway.
_ Looked _ _ _ _ .
_ _ _ _ _ _
Eb at coyote right in the
G face.
On the road to belgium in my old
C hometown.
He went running through the whiskers we.
G Chasing some prize
F down and a hawk was playing with him.
Coyote was jumping straight up and
C making passes.
It was a nice
Eb just like yours under your dark
G glasses.
Privately probing the public
C rooms and peeking through keyholes in number.
G where the players.
_
Bb _
F _ And their pills and powders to get
C them through this fashion, please.
No
Eb regrets coyote.
I just get off up a ways.
G You just picked up a hitcher a prisoner of the white lines.
C on the freeway _ _ _ .
Coyotes _ _ _ _ _ _ .
_ _
Eb _ in the coffee shop.
G Staring a hole in
C his scrambled eggs.
He picks up my scent on his finger.
While he's
G watching the waitresses
F late.
He's too far from the Bay of Monday.
and apples and
C eagles and tide.
the air
Eb-conditioned cubicles.
And the carbon ribbon
C rise are spelling it out.
So clear either.
He's gonna have to stand and fight.
G Or take off out of
F here.
To run away myself.
To run away and wrestle with
C my ego.
_
Eb And with this flame.
G You put her in this eskimo.
In this hitcher.
in this
C prisoner.
of the fine white lines.
G of the
C white lines.
On the free _ Free _ .
_ _ _ _ _ _ _ _ .
_ _
C _ _ _ _ _ _ .
_ _ _ _ _ _ _ _ .
_ _ _ _ _ _ _ _ .
_ _ _ _ _ _ _ _ .
_
N _ _ _ _ _ _ _ .