Chords for Justin Hawkins (the Darkness) Interview with Pat Carty!
Tempo:
75.925 bpm
Chords used:
G
D
F#
E
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
[C#] Right, here we go then.
Are we on?
We are on.
We're on.
Hello folks, hello everybody out there in Hoplessland.
Here I [D] am, in salubrious surroundings of the Green Room, and it is actually green.
Yeah.
Is it pastel [G] olive?
I don't know.
As per the rider.
Yeah, well, they have them all. Well, what?
[C#] How about the M&Ms, do they have the same [F#] colour?
They're all the same colour, yeah.
That's good.
Where are we?
Tell them where we are.
We're in Cork, the Cypress Avenue.
Avenue, that's right. Cypress Avenue.
I wanted to say Cypress Hill.
I'm here in case you don't recognise this man with the wet hair beside me.
Normally it's [B] much more
[D]
Fogged.
Yeah, it's more, um, washed away and [N] dried.
This is Justin Hawkins from The Darkest.
We're here on the first night of the UK Ireland Tour.
Canceled.
Canceled.
I'm excited.
Are you nervous at all?
The last gig, well the last gig was a kiss on a boat.
Yeah, I wasn't nervous enough on the boat.
Right.
It was a brilliant time, but we were like, um, [F#] we were very complacent.
We didn't [D] prepare for it very well.
We just thought, oh, I just go to the place of songs.
Yeah, that's what we thought.
And I did love being on a boat.
Apart from when we did our shows and then the driver was trying to get around tropical storms in the Caribbean.
Really putting his foot down.
Everybody was lurching like this so we had to do the ballads at a certain pace.
No, [F#] so all my hair kept going in my mouth like this when I was trying to sing.
The first thing that happened was
Did everybody know?
I think I got away with it.
I'm a professional.
Yes, I see.
Right, well look, tell us about [C#] the show.
Tell us about the first [G] half of the show.
The first half of the show is the [D] most self-indulgent thing a band can do.
It's a whole new album, top to bottom.
And we've all seen it [G] and we've all hated it.
So look, here we are.
[F#] Yeah, well, [F#m] although
We'll leave any one of them.
[G] No, because [F#] one Pat Carty said [D] it was a magneto [E] for a solo.
[D]
Magnetism proportions.
[Dm] I gave it the best review ever.
Well, let's say that five times a year.
[B] Well, I think [Em] because of your review we're justified in doing this.
In Ireland?
Yeah.
You're overestimating my
[F#m] We've retreated it.
Everyone's said so.
Ah, okay, [N] fair enough.
So, the first half of the show is the album, as you say.
It involves
Sorry, that was obscuring your voice.
It involves mandolins and guitars and keyboards and
In vast quantities.
and
all the effects.
Everyone's doing everything.
There was a bit of the [F#] Bohemian Rhapsody conundrums.
[G] The background vocals are
Some of those are triggered on a pad that has to be struck at a certain time.
So in a way it's still being played, but it's more of a keyboard thing.
And when you get to the second half then it's kind of evolved.
Yeah, the second half is going to be all the hits.
Apart from the ones that you like.
Yeah, we'll leave it at that.
But over the next three days Pat's going to be with us.
And he's going to be in charge of the set list.
[G#] For health [G] purposes I'm told.
Yes, of course.
[A] So, where are we going after this?
Tonight we're in Cork, [G] tomorrow we're in
Tomorrow it's the Limelight in Belfast.
And then on Wednesday we make a Dundum.
Which venue are we playing in Dundum?
[D] It's not the Enormo Dome, is it?
It's not the Enormo Dome.
It's not the arena.
[G] It's the one on
Not the MFI.
Which one?
An Academy.
An [A] Academy, yeah.
And it'll be the same set the whole way through.
And then after that what's the story?
Over [A#] to Britain?
Yeah, we go to
I think we're on a day off and go to Nottingham.
Rock City, which is one of the best venues you can play.
[G] A lot of stuff is
All the sort of key things that we were hoping to hit have sold out.
Just before you
I got an email saying that London's gone.
Britain?
Where are you from?
Roundhouse.
And when everyone's standing up that's quite a big show for us.
So, very pleased.
And the ones here and the ones in Ireland are completely sold out.
Are they?
Yeah.
All three of them?
I've had people knocking on the door all week.
You take a proper look.
And after that then it's
Is that why you've got so many people on your guest list?
Well, I've got [N] so many friends.
I'm just a popular fellow, you know.
You are.
And after that [Em] then it's To America?
To the Americas?
[N] No, I think after that
Europe.
Australia.
America.
Yeah.
I'm not
I don't know
[D] The routing is still to be [E] confirmed.
[C] That whole thing is to be confirmed.
But I know Australia's on sale and doing well.
I've seen your signage.
You're a German and I'm an [E] Australian.
Now tell us the most [C] important thing that people are going to wonder about.
Is what shampoo do I use?
No, that's not it.
What's the
The clothes that we're going to make?
Is there anything special?
Oh yeah.
The [Em] last time we saw you around you had a green thing that was kind of like a sexy [N] Saint Patrick.
Yeah.
So have you got something
Sexy Saint Patrick, I always go for that.
Sexy Saint Patrick. It's true.
Punishing the snakes.
Charizard snakes.
Punishing the Charizard snakes.
So, tell us.
What have you got this time?
This time I'm going to be like what Jesus would be like if he was in the Bee Gees.
Bee Jesus?
Bee Jesus.
That's awesome.
That's the night vision.
That's not what I've got.
Brilliant.
I stole that out of Tommy Terry.
Sorry Tommy Terry.
Yeah.
So what else?
It's yours now.
Yeah, so tell us.
What else [Am] have you got?
So Sexy Jesus.
[A] Sexy Jesus into like a second [G] half when we do the ones that you [D] like.
Even [A] more.
I like the other ones.
Even more than the [E] Greatness album.
Yeah, that's great.
Good.
[G] The second half is going to be red.
Red spangly.
Christmasy.
Nice.
You know, Sanctuary.
Sanctuary feels in the darkness.
And dyed with hair.
Not that I do, but Sanctuary gets white hair.
So, neither we know.
Anyway, we'd better [C] cut it short there.
What we're going to do over the next couple of days, I hold this to myself and Justin
and maybe some [G]
of you are going to talk, because as Justin mentioned there, Hot Press is on
this tour, going to Belfast tomorrow and then back to Dublin on Wednesday.
[C] So, stay tuned, I suppose as always.
I've been saying all the best to you.
Keep coming back.
Are we on?
We are on.
We're on.
Hello folks, hello everybody out there in Hoplessland.
Here I [D] am, in salubrious surroundings of the Green Room, and it is actually green.
Yeah.
Is it pastel [G] olive?
I don't know.
As per the rider.
Yeah, well, they have them all. Well, what?
[C#] How about the M&Ms, do they have the same [F#] colour?
They're all the same colour, yeah.
That's good.
Where are we?
Tell them where we are.
We're in Cork, the Cypress Avenue.
Avenue, that's right. Cypress Avenue.
I wanted to say Cypress Hill.
I'm here in case you don't recognise this man with the wet hair beside me.
Normally it's [B] much more
[D]
Fogged.
Yeah, it's more, um, washed away and [N] dried.
This is Justin Hawkins from The Darkest.
We're here on the first night of the UK Ireland Tour.
Canceled.
Canceled.
I'm excited.
Are you nervous at all?
The last gig, well the last gig was a kiss on a boat.
Yeah, I wasn't nervous enough on the boat.
Right.
It was a brilliant time, but we were like, um, [F#] we were very complacent.
We didn't [D] prepare for it very well.
We just thought, oh, I just go to the place of songs.
Yeah, that's what we thought.
And I did love being on a boat.
Apart from when we did our shows and then the driver was trying to get around tropical storms in the Caribbean.
Really putting his foot down.
Everybody was lurching like this so we had to do the ballads at a certain pace.
No, [F#] so all my hair kept going in my mouth like this when I was trying to sing.
The first thing that happened was
Did everybody know?
I think I got away with it.
I'm a professional.
Yes, I see.
Right, well look, tell us about [C#] the show.
Tell us about the first [G] half of the show.
The first half of the show is the [D] most self-indulgent thing a band can do.
It's a whole new album, top to bottom.
And we've all seen it [G] and we've all hated it.
So look, here we are.
[F#] Yeah, well, [F#m] although
We'll leave any one of them.
[G] No, because [F#] one Pat Carty said [D] it was a magneto [E] for a solo.
[D]
Magnetism proportions.
[Dm] I gave it the best review ever.
Well, let's say that five times a year.
[B] Well, I think [Em] because of your review we're justified in doing this.
In Ireland?
Yeah.
You're overestimating my
[F#m] We've retreated it.
Everyone's said so.
Ah, okay, [N] fair enough.
So, the first half of the show is the album, as you say.
It involves
Sorry, that was obscuring your voice.
It involves mandolins and guitars and keyboards and
In vast quantities.
and
all the effects.
Everyone's doing everything.
There was a bit of the [F#] Bohemian Rhapsody conundrums.
[G] The background vocals are
Some of those are triggered on a pad that has to be struck at a certain time.
So in a way it's still being played, but it's more of a keyboard thing.
And when you get to the second half then it's kind of evolved.
Yeah, the second half is going to be all the hits.
Apart from the ones that you like.
Yeah, we'll leave it at that.
But over the next three days Pat's going to be with us.
And he's going to be in charge of the set list.
[G#] For health [G] purposes I'm told.
Yes, of course.
[A] So, where are we going after this?
Tonight we're in Cork, [G] tomorrow we're in
Tomorrow it's the Limelight in Belfast.
And then on Wednesday we make a Dundum.
Which venue are we playing in Dundum?
[D] It's not the Enormo Dome, is it?
It's not the Enormo Dome.
It's not the arena.
[G] It's the one on
Not the MFI.
Which one?
An Academy.
An [A] Academy, yeah.
And it'll be the same set the whole way through.
And then after that what's the story?
Over [A#] to Britain?
Yeah, we go to
I think we're on a day off and go to Nottingham.
Rock City, which is one of the best venues you can play.
[G] A lot of stuff is
All the sort of key things that we were hoping to hit have sold out.
Just before you
I got an email saying that London's gone.
Britain?
Where are you from?
Roundhouse.
And when everyone's standing up that's quite a big show for us.
So, very pleased.
And the ones here and the ones in Ireland are completely sold out.
Are they?
Yeah.
All three of them?
I've had people knocking on the door all week.
You take a proper look.
And after that then it's
Is that why you've got so many people on your guest list?
Well, I've got [N] so many friends.
I'm just a popular fellow, you know.
You are.
And after that [Em] then it's To America?
To the Americas?
[N] No, I think after that
Europe.
Australia.
America.
Yeah.
I'm not
I don't know
[D] The routing is still to be [E] confirmed.
[C] That whole thing is to be confirmed.
But I know Australia's on sale and doing well.
I've seen your signage.
You're a German and I'm an [E] Australian.
Now tell us the most [C] important thing that people are going to wonder about.
Is what shampoo do I use?
No, that's not it.
What's the
The clothes that we're going to make?
Is there anything special?
Oh yeah.
The [Em] last time we saw you around you had a green thing that was kind of like a sexy [N] Saint Patrick.
Yeah.
So have you got something
Sexy Saint Patrick, I always go for that.
Sexy Saint Patrick. It's true.
Punishing the snakes.
Charizard snakes.
Punishing the Charizard snakes.
So, tell us.
What have you got this time?
This time I'm going to be like what Jesus would be like if he was in the Bee Gees.
Bee Jesus?
Bee Jesus.
That's awesome.
That's the night vision.
That's not what I've got.
Brilliant.
I stole that out of Tommy Terry.
Sorry Tommy Terry.
Yeah.
So what else?
It's yours now.
Yeah, so tell us.
What else [Am] have you got?
So Sexy Jesus.
[A] Sexy Jesus into like a second [G] half when we do the ones that you [D] like.
Even [A] more.
I like the other ones.
Even more than the [E] Greatness album.
Yeah, that's great.
Good.
[G] The second half is going to be red.
Red spangly.
Christmasy.
Nice.
You know, Sanctuary.
Sanctuary feels in the darkness.
And dyed with hair.
Not that I do, but Sanctuary gets white hair.
So, neither we know.
Anyway, we'd better [C] cut it short there.
What we're going to do over the next couple of days, I hold this to myself and Justin
and maybe some [G]
of you are going to talk, because as Justin mentioned there, Hot Press is on
this tour, going to Belfast tomorrow and then back to Dublin on Wednesday.
[C] So, stay tuned, I suppose as always.
I've been saying all the best to you.
Keep coming back.
Key:
G
D
F#
E
A
G
D
F#
[C#] Right, here we go then.
Are we on?
We are on.
We're on.
Hello folks, hello everybody out there in Hoplessland.
Here I [D] am, in salubrious surroundings of the Green Room, and it is actually green.
Yeah.
Is it pastel [G] olive?
I don't know.
As per the rider.
Yeah, well, they have them all. Well, what?
[C#] How about the M&Ms, do they have the same [F#] colour?
They're all the same colour, yeah.
That's good.
Where are we?
Tell them where we are.
We're in Cork, the Cypress Avenue.
Avenue, that's right. Cypress Avenue.
I wanted to say Cypress Hill.
I'm here in case you don't recognise this man with the wet hair beside me.
Normally it's [B] much more_
[D]
Fogged.
Yeah, it's more, um, washed away and [N] dried.
This is Justin Hawkins from The Darkest.
We're here on the first night of the UK Ireland Tour.
Canceled.
Canceled.
I'm excited.
Are you nervous at all?
The last gig, well the last gig was a kiss on a boat.
Yeah, I wasn't nervous enough on the boat.
Right.
It was a brilliant time, but we were like, um, [F#] we were very complacent.
We didn't [D] prepare for it very well.
We just thought, oh, I just go to the place of songs.
Yeah, that's what we thought.
And I did love being on a boat.
Apart from when we did our shows and then the driver was trying to get around tropical storms in the Caribbean.
Really putting his foot down.
Everybody was lurching like this so we had to do the ballads at a certain pace.
No, [F#] so all my hair kept going in my mouth like this when I was trying to sing.
The first thing that happened was_
Did everybody know?
I think I got away with it.
I'm a professional.
Yes, I see.
Right, well look, tell us about [C#] the show.
Tell us about the first [G] half of the show.
The first half of the show is the [D] most self-indulgent thing a band can do.
It's a whole new album, top to bottom.
And we've all seen it [G] and we've all hated it.
So look, here we are.
[F#] Yeah, well, [F#m] although_
We'll leave any one of them.
[G] No, because [F#] one Pat Carty said [D] it was a magneto [E] for a solo.
[D] _
Magnetism proportions.
[Dm] I gave it the best review ever.
Well, let's say that five times a year.
[B] Well, I think [Em] because of your review we're justified in doing this.
In Ireland?
Yeah.
You're overestimating my_
[F#m] We've retreated it.
Everyone's said so.
Ah, okay, [N] fair enough.
So, the first half of the show is the album, as you say.
It involves_
Sorry, that was obscuring your voice.
It involves mandolins and guitars and keyboards and_
In vast quantities.
_and
all the effects.
Everyone's doing everything.
There was a bit of the [F#] Bohemian Rhapsody conundrums.
[G] The background vocals are_
Some of those are triggered on a pad that has to be struck at a certain time.
So in a way it's still being played, but it's more of a keyboard thing.
And when you get to the second half then it's kind of evolved.
Yeah, the second half is going to be all the hits.
Apart from the ones that you like.
Yeah, we'll leave it at that.
But over the next three days Pat's going to be with us.
And he's going to be in charge of the set list.
_ [G#] For health [G] purposes I'm told.
Yes, of course.
[A] So, where are we going after this?
Tonight we're in Cork, [G] tomorrow we're in_
Tomorrow it's the Limelight in Belfast.
And then on Wednesday we make a Dundum.
Which venue are we playing in Dundum? _ _ _ _
[D] It's not the Enormo Dome, is it?
It's not the Enormo Dome.
It's not the arena.
[G] It's the one on_
Not the MFI.
Which one?
_ An Academy.
An [A] Academy, yeah.
And it'll be the same set the whole way through.
And then after that what's the story?
Over [A#] to Britain?
Yeah, we go to_
I think we're on a day off and go to Nottingham.
Rock City, which is one of the best venues you can play.
[G] A lot of stuff is_
All the sort of key things that we were hoping to hit have sold out.
Just before you_
I got an email saying that London's gone.
Britain?
Where are you from?
Roundhouse.
And when everyone's standing up that's quite a big show for us.
So, very pleased.
And the ones here and the ones in Ireland are completely sold out.
Are they?
Yeah.
All three of them?
I've had people knocking on the door all week.
You take a proper look.
And after that then it's_
Is that why you've got so many people on your guest list?
Well, I've got [N] so many friends.
I'm just a popular fellow, you know.
You are.
And after that [Em] then it's_ To America?
To the Americas?
[N] No, I think after that_
Europe.
Australia.
America.
Yeah.
I'm not_
I don't know_
[D] The routing is still to be [E] confirmed.
[C] That whole thing is to be confirmed.
But I know Australia's on sale and doing well.
I've seen your signage.
You're a German and I'm an [E] Australian.
Now tell us the most [C] important thing that people are going to wonder about.
Is what shampoo do I use?
No, that's not it.
What's the_
The clothes that we're going to make?
Is there anything special?
Oh yeah.
The [Em] last time we saw you around you had a green thing that was kind of like a sexy [N] Saint Patrick.
Yeah.
So have you got something_
Sexy Saint Patrick, I always go for that.
Sexy Saint Patrick. It's true.
Punishing the snakes.
Charizard snakes.
Punishing the Charizard snakes.
So, tell us.
What have you got this time?
This time I'm going to be like what Jesus would be like if he was in the Bee Gees.
Bee Jesus?
Bee Jesus.
That's awesome.
That's the night vision.
That's not what I've got.
Brilliant.
I stole that out of Tommy Terry.
Sorry Tommy Terry.
Yeah.
So what else?
It's yours now.
Yeah, so tell us.
What else [Am] have you got?
So_ Sexy Jesus.
[A] Sexy Jesus into like a second [G] half when we do the ones that you [D] like.
Even [A] more.
I like the other ones.
Even more than the [E] Greatness album.
Yeah, that's great.
Good.
[G] The second half is going to be red.
Red spangly.
Christmasy.
Nice.
You know, Sanctuary.
Sanctuary feels in the darkness.
And dyed with hair.
Not that I do, but Sanctuary gets white hair.
So, neither we know.
Anyway, we'd better [C] cut it short there.
What we're going to do over the next couple of days, I hold this to myself and Justin
and maybe some [G]
of you are going to talk, because as Justin mentioned there, Hot Press is on
this tour, going to Belfast tomorrow and then back to Dublin on Wednesday.
[C] So, stay tuned, I suppose as always.
I've been saying all the best to you.
Keep coming back.
Are we on?
We are on.
We're on.
Hello folks, hello everybody out there in Hoplessland.
Here I [D] am, in salubrious surroundings of the Green Room, and it is actually green.
Yeah.
Is it pastel [G] olive?
I don't know.
As per the rider.
Yeah, well, they have them all. Well, what?
[C#] How about the M&Ms, do they have the same [F#] colour?
They're all the same colour, yeah.
That's good.
Where are we?
Tell them where we are.
We're in Cork, the Cypress Avenue.
Avenue, that's right. Cypress Avenue.
I wanted to say Cypress Hill.
I'm here in case you don't recognise this man with the wet hair beside me.
Normally it's [B] much more_
[D]
Fogged.
Yeah, it's more, um, washed away and [N] dried.
This is Justin Hawkins from The Darkest.
We're here on the first night of the UK Ireland Tour.
Canceled.
Canceled.
I'm excited.
Are you nervous at all?
The last gig, well the last gig was a kiss on a boat.
Yeah, I wasn't nervous enough on the boat.
Right.
It was a brilliant time, but we were like, um, [F#] we were very complacent.
We didn't [D] prepare for it very well.
We just thought, oh, I just go to the place of songs.
Yeah, that's what we thought.
And I did love being on a boat.
Apart from when we did our shows and then the driver was trying to get around tropical storms in the Caribbean.
Really putting his foot down.
Everybody was lurching like this so we had to do the ballads at a certain pace.
No, [F#] so all my hair kept going in my mouth like this when I was trying to sing.
The first thing that happened was_
Did everybody know?
I think I got away with it.
I'm a professional.
Yes, I see.
Right, well look, tell us about [C#] the show.
Tell us about the first [G] half of the show.
The first half of the show is the [D] most self-indulgent thing a band can do.
It's a whole new album, top to bottom.
And we've all seen it [G] and we've all hated it.
So look, here we are.
[F#] Yeah, well, [F#m] although_
We'll leave any one of them.
[G] No, because [F#] one Pat Carty said [D] it was a magneto [E] for a solo.
[D] _
Magnetism proportions.
[Dm] I gave it the best review ever.
Well, let's say that five times a year.
[B] Well, I think [Em] because of your review we're justified in doing this.
In Ireland?
Yeah.
You're overestimating my_
[F#m] We've retreated it.
Everyone's said so.
Ah, okay, [N] fair enough.
So, the first half of the show is the album, as you say.
It involves_
Sorry, that was obscuring your voice.
It involves mandolins and guitars and keyboards and_
In vast quantities.
_and
all the effects.
Everyone's doing everything.
There was a bit of the [F#] Bohemian Rhapsody conundrums.
[G] The background vocals are_
Some of those are triggered on a pad that has to be struck at a certain time.
So in a way it's still being played, but it's more of a keyboard thing.
And when you get to the second half then it's kind of evolved.
Yeah, the second half is going to be all the hits.
Apart from the ones that you like.
Yeah, we'll leave it at that.
But over the next three days Pat's going to be with us.
And he's going to be in charge of the set list.
_ [G#] For health [G] purposes I'm told.
Yes, of course.
[A] So, where are we going after this?
Tonight we're in Cork, [G] tomorrow we're in_
Tomorrow it's the Limelight in Belfast.
And then on Wednesday we make a Dundum.
Which venue are we playing in Dundum? _ _ _ _
[D] It's not the Enormo Dome, is it?
It's not the Enormo Dome.
It's not the arena.
[G] It's the one on_
Not the MFI.
Which one?
_ An Academy.
An [A] Academy, yeah.
And it'll be the same set the whole way through.
And then after that what's the story?
Over [A#] to Britain?
Yeah, we go to_
I think we're on a day off and go to Nottingham.
Rock City, which is one of the best venues you can play.
[G] A lot of stuff is_
All the sort of key things that we were hoping to hit have sold out.
Just before you_
I got an email saying that London's gone.
Britain?
Where are you from?
Roundhouse.
And when everyone's standing up that's quite a big show for us.
So, very pleased.
And the ones here and the ones in Ireland are completely sold out.
Are they?
Yeah.
All three of them?
I've had people knocking on the door all week.
You take a proper look.
And after that then it's_
Is that why you've got so many people on your guest list?
Well, I've got [N] so many friends.
I'm just a popular fellow, you know.
You are.
And after that [Em] then it's_ To America?
To the Americas?
[N] No, I think after that_
Europe.
Australia.
America.
Yeah.
I'm not_
I don't know_
[D] The routing is still to be [E] confirmed.
[C] That whole thing is to be confirmed.
But I know Australia's on sale and doing well.
I've seen your signage.
You're a German and I'm an [E] Australian.
Now tell us the most [C] important thing that people are going to wonder about.
Is what shampoo do I use?
No, that's not it.
What's the_
The clothes that we're going to make?
Is there anything special?
Oh yeah.
The [Em] last time we saw you around you had a green thing that was kind of like a sexy [N] Saint Patrick.
Yeah.
So have you got something_
Sexy Saint Patrick, I always go for that.
Sexy Saint Patrick. It's true.
Punishing the snakes.
Charizard snakes.
Punishing the Charizard snakes.
So, tell us.
What have you got this time?
This time I'm going to be like what Jesus would be like if he was in the Bee Gees.
Bee Jesus?
Bee Jesus.
That's awesome.
That's the night vision.
That's not what I've got.
Brilliant.
I stole that out of Tommy Terry.
Sorry Tommy Terry.
Yeah.
So what else?
It's yours now.
Yeah, so tell us.
What else [Am] have you got?
So_ Sexy Jesus.
[A] Sexy Jesus into like a second [G] half when we do the ones that you [D] like.
Even [A] more.
I like the other ones.
Even more than the [E] Greatness album.
Yeah, that's great.
Good.
[G] The second half is going to be red.
Red spangly.
Christmasy.
Nice.
You know, Sanctuary.
Sanctuary feels in the darkness.
And dyed with hair.
Not that I do, but Sanctuary gets white hair.
So, neither we know.
Anyway, we'd better [C] cut it short there.
What we're going to do over the next couple of days, I hold this to myself and Justin
and maybe some [G]
of you are going to talk, because as Justin mentioned there, Hot Press is on
this tour, going to Belfast tomorrow and then back to Dublin on Wednesday.
[C] So, stay tuned, I suppose as always.
I've been saying all the best to you.
Keep coming back.