Chords for Justin Hayward at ASCAP awards (Part1)
Tempo:
82.15 bpm
Chords used:
G
Em
F
C
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F]
[Em] [D]
[Em] [E] It's a pleasure to present you with [G] ESCAP's Golden Note Award.
And the inscription says, to Justin Haywood, whose songwriting, that's you, songwriting
achievements as a songwriter and an artist have earned him an enduring place in contemporary pop history.
Would you accept this award with our [Em] congratulations?
And would you say a few words [G] to us?
Oh, okay.
Thank you.
Thank you very much.
[Gm] [G]
It's kind of presidential, isn't it?
But I just want to [C] thank Roger as well, who was [G] the first one of us West Country boys
really to have a hit and an inspiration to us all, Roger.
Thank you for that and for being a warm, wonderful human being that you are.
Lovely.
I just want to say thank you as well to Marty Wild and Joyce Wild, who gave me my break
when I was 17 and let me try to upstage Marty for however long I was playing guitar for him.
But Marty, of course, is [C] really the only English rock and roller of their time who [G] wrote his
own songs and not many people know that.
But also I'd like to thank all the wives and girlfriends and partners of songwriters, only because it's
Because I suppose being with a songwriter is like living with somebody who has a kind
of secret room in their house that you can never go in.
That's what it's like in my house anyway, because I do have a room like that.
But I know what it's like.
And also I'd really like to say that God bless America, because we had our first hit in America
with a song [F] called Tuesday Afternoon.
By the way, that white shirt thing, it seemed like a good idea at the time.
When I look at it on the film now, [G] it was definitely a good idea 12 years ago, whatever it was.
But the frilly thing.
Yes.
But we had our first hit in America in 1967 with a little song called Tuesday Afternoon
and then we had a call from a promoter called Bill Graham, who asked [Ab] us to come over and
do [Em] some gigs at the Film War East in New York and the Film War West in San Francisco.
And it led to just such a marvellous adventure that's in America that's still going on to this day.
[G] And thank you very much.
And thank you very much ASCAP.
I really appreciate it.
Thank [Eb] you.
[Em] [D]
[Em] [E] It's a pleasure to present you with [G] ESCAP's Golden Note Award.
And the inscription says, to Justin Haywood, whose songwriting, that's you, songwriting
achievements as a songwriter and an artist have earned him an enduring place in contemporary pop history.
Would you accept this award with our [Em] congratulations?
And would you say a few words [G] to us?
Oh, okay.
Thank you.
Thank you very much.
[Gm] [G]
It's kind of presidential, isn't it?
But I just want to [C] thank Roger as well, who was [G] the first one of us West Country boys
really to have a hit and an inspiration to us all, Roger.
Thank you for that and for being a warm, wonderful human being that you are.
Lovely.
I just want to say thank you as well to Marty Wild and Joyce Wild, who gave me my break
when I was 17 and let me try to upstage Marty for however long I was playing guitar for him.
But Marty, of course, is [C] really the only English rock and roller of their time who [G] wrote his
own songs and not many people know that.
But also I'd like to thank all the wives and girlfriends and partners of songwriters, only because it's
Because I suppose being with a songwriter is like living with somebody who has a kind
of secret room in their house that you can never go in.
That's what it's like in my house anyway, because I do have a room like that.
But I know what it's like.
And also I'd really like to say that God bless America, because we had our first hit in America
with a song [F] called Tuesday Afternoon.
By the way, that white shirt thing, it seemed like a good idea at the time.
When I look at it on the film now, [G] it was definitely a good idea 12 years ago, whatever it was.
But the frilly thing.
Yes.
But we had our first hit in America in 1967 with a little song called Tuesday Afternoon
and then we had a call from a promoter called Bill Graham, who asked [Ab] us to come over and
do [Em] some gigs at the Film War East in New York and the Film War West in San Francisco.
And it led to just such a marvellous adventure that's in America that's still going on to this day.
[G] And thank you very much.
And thank you very much ASCAP.
I really appreciate it.
Thank [Eb] you.
Key:
G
Em
F
C
D
G
Em
F
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [F] _ _ _
[Em] _ _ _ _ _ _ _ [D] _
_ _ [Em] _ _ [E] It's a pleasure to present you with [G] ESCAP's Golden Note Award.
And the inscription says, to Justin Haywood, whose songwriting, that's you, songwriting
achievements as a songwriter and an artist have earned him an enduring place in contemporary pop history.
Would you accept this award with our [Em] congratulations?
And would you say a few words [G] to us?
Oh, okay.
Thank you.
Thank you very much. _ _ _ _ _ _
_ _ [Gm] _ _ _ _ [G] _ _
It's kind of presidential, isn't it?
But I just want to [C] thank Roger as well, who was [G] the first one of us West Country boys
really to have a hit and an inspiration to us all, Roger.
Thank you for that and for being a warm, wonderful human being that you are.
Lovely.
I just want to say thank you as well to Marty Wild and Joyce Wild, who gave me my break
when I was 17 and let me try to upstage Marty for however long I was playing guitar for him.
But Marty, of course, is [C] really the only English rock and roller of their time who [G] wrote his
own songs and not many people know that.
But also I'd like to thank all the wives and girlfriends and partners of songwriters, only because it's_
_ _ Because I suppose being with a songwriter is like living with somebody who has a kind
of secret room in their house that you can never go in.
That's what it's like in my house anyway, because I do have a room like that.
But I know what it's like.
And also I'd really like to say that God bless America, because we had our first hit in America
with a song [F] called Tuesday Afternoon.
By the way, that white shirt thing, it seemed like a good idea at the time.
When I look at it on the film now, [G] it was definitely a good idea 12 years ago, whatever it was.
But the frilly thing.
Yes. _
But we had our first hit in America in 1967 with a little song called Tuesday Afternoon
and then we had a call from a promoter called Bill Graham, who asked [Ab] us to come over and
do [Em] some gigs at the Film War East in New York and the Film War West in San Francisco.
And it led to just such a marvellous adventure that's in America that's still going on to this day.
[G] And thank you very much.
And thank you very much ASCAP.
I really appreciate it.
Thank [Eb] you. _
_ _ _ _ _ _ _ _
_ _ _ _ _ [F] _ _ _
[Em] _ _ _ _ _ _ _ [D] _
_ _ [Em] _ _ [E] It's a pleasure to present you with [G] ESCAP's Golden Note Award.
And the inscription says, to Justin Haywood, whose songwriting, that's you, songwriting
achievements as a songwriter and an artist have earned him an enduring place in contemporary pop history.
Would you accept this award with our [Em] congratulations?
And would you say a few words [G] to us?
Oh, okay.
Thank you.
Thank you very much. _ _ _ _ _ _
_ _ [Gm] _ _ _ _ [G] _ _
It's kind of presidential, isn't it?
But I just want to [C] thank Roger as well, who was [G] the first one of us West Country boys
really to have a hit and an inspiration to us all, Roger.
Thank you for that and for being a warm, wonderful human being that you are.
Lovely.
I just want to say thank you as well to Marty Wild and Joyce Wild, who gave me my break
when I was 17 and let me try to upstage Marty for however long I was playing guitar for him.
But Marty, of course, is [C] really the only English rock and roller of their time who [G] wrote his
own songs and not many people know that.
But also I'd like to thank all the wives and girlfriends and partners of songwriters, only because it's_
_ _ Because I suppose being with a songwriter is like living with somebody who has a kind
of secret room in their house that you can never go in.
That's what it's like in my house anyway, because I do have a room like that.
But I know what it's like.
And also I'd really like to say that God bless America, because we had our first hit in America
with a song [F] called Tuesday Afternoon.
By the way, that white shirt thing, it seemed like a good idea at the time.
When I look at it on the film now, [G] it was definitely a good idea 12 years ago, whatever it was.
But the frilly thing.
Yes. _
But we had our first hit in America in 1967 with a little song called Tuesday Afternoon
and then we had a call from a promoter called Bill Graham, who asked [Ab] us to come over and
do [Em] some gigs at the Film War East in New York and the Film War West in San Francisco.
And it led to just such a marvellous adventure that's in America that's still going on to this day.
[G] And thank you very much.
And thank you very much ASCAP.
I really appreciate it.
Thank [Eb] you. _