Chords for Justin Hayward Solo Appearance clip on Moody Blues Cruise 3-24-2013
Tempo:
82.375 bpm
Chords used:
F
G
D
E
Ab
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
And I discovered after Knights in White Saturn when all of these A&R guys were saying, and
promo guys were saying, you want to do another Knight, just like Knights in White Saturn,
it doesn't work like that.
So people [E] always come up like Wildest Dreams was another one.
We just want another Wildest Dreams.
Well, I know you're out there somewhere.
It [Dbm] was another Wildest Dreams.
It probably ended up being bigger.
They still didn't [E] recognize it when they heard it.
[N] And I think that's the problem.
So Wildest Dreams, they said, no, but you want the same thing, only [D] different.
That's not possible.
So no, [F] I don't play it for anybody else.
It completely stays with me and [Eb] Alberto.
Maybe some people in my [N] family, but even that very rarely, because I don't want their opinion.
I
You [C] know, watching and waiting
Watching and waiting holds its own, [N] Justin.
Thank you.
I love this concept of Wildest Dreams.
Finally, we get something from the Knights.
In fact, [Dm] lyrically, it wasn't that great.
[D] It didn't have the power of Knights, but thank you.
What was the inspiration for doing Wildest Dreams again?
[Bb] Thank you for the great start there.
I'll tell you what [D] was that.
It's that the
You see, I met these Bluegrass [Db] boys through David Hargit and through Ricky [F] Skaggs.
We did the stuff at Ricky [Gb] Skaggs' studio.
And [G] [Abm] they [A] didn't know me.
They just knew a songwriter.
[Gb] So they just knew me as that.
They knew my [Eb] song.
And they'd heard Broken [C] Dream.
And when I got to [Bbm] the studio, they said, listen, we'd [N] really
If you'd consider it.
We'd love to [G] do this.
I [Abm] think it would work.
And there's this young kid [B] who plays that [F] for a guitar.
You know, on his lap.
[N] And he was just brilliant.
[D] What's your favorite city?
[A] [F] My favorite city?
In the US.
[C]
[Db] [D] [E] [Ab] [D] You know, I love the US.
I love the US.
Something I dreamed about
I was a little boy.
Me and my brother, we went [G] back to that.
We were sitting looking [Ab] at that big sky.
[Eb] And I love New York.
If you've got [N] money.
If you were there, a few times we didn't have any money.
It was a nightmare.
[G] It [E] was terrible.
But my favorite places [Ab] to play are those places where
[B] They're in the kind of backwoods.
And you [F] kind of know nobody.
And you just see Moody's fans.
[N] There's nobody from the business there putting pressure on you.
I don't have to do stuff.
I kind of like out of the way places.
Where are you from?
[Ab] Oregon.
Very [Gb] special.
I [G] couldn't wait to go there.
Because I [Ab] knew it was like [Gb] California.
But moved up a bit.
Because it's very small.
And [F] the coastline of Oregon is not dissimilar to the west coast of England.
[D] It's a very romantic place.
[Ab]
[D] It's fine.
[F] Does it remind you of any of your [D] boys?
[G] [B] No, I don't.
I [N] don't consciously do that.
[Dm] [N] I start
Before a tour, I get in my car.
And I drive around.
And I just think My voice.
[Ab] About how I can be able to pull up at the [F] lights.
And I open the door.
And I'm in the car.
[N] And I see him.
And I'm like
I'm not [G] listening to anything.
I just have certain [D] vocal exercises.
I don't [Dm] know how you put more care into it.
It should be a [E] better diet.
And stuff.
You know that's the
[Gb] You're going to have to
I'm getting like Come on!
[N]
Is there a possibility of a Dustin Hayward bluegrass cruise?
[F] A bluegrass cruise?
[E] [F] A bluegrass motorboat?
[N]
Funny enough, Eagle Rock, my label,
who have been absolutely wonderful to me.
They've made no demands on me.
[Cm] They accepted the album [Fm] exactly.
We love it just [B] like that.
Not like every other label that says
You've got to [E] change this.
You've got to do that.
You can't have that.
[G] But they're really big on this.
[B] Because there's that bluegrass community
that I'm very thankful that they've accepted me.
And I'm not quite sure why.
But then the engineer [F] at Ricky Skaggs' place,
he said,
your voice just works in this stuff.
With these [Em] guys.
That's why [G] they want to work with you.
[F] It would be nice, wouldn't it?
And you'd have to exclude something.
[N] I don't know.
The songs come from the [Dm] heart.
Yeah.
Yes.
[C] [G] From me?
[F] From me.
[C] It took so long.
It took so long.
How much [G] longer will it be
before we can have the one?
[Em] It's [C] a one.
It's a one.
[C] [G] [B] Remember I said that I was [Ab] selfish?
She's got [Gb] to work with me.
[D] I did do a lot [F] more things
for this [D] album than did I say.
Yes.
But I didn't include them.
So it has to be stuff
that really works for me.
Thank [E] you.
Yeah.
[B] My brother died when he was 41.
So yeah.
[F] Lost him.
[G]
And [F] every mother who's lost her
little child should have a go
for their mother.
But carry on.
Do you have a sister?
[E] I have a sister.
[Bb] Did [F] he do classical music?
[Db] No, I don't think so.
Because he was
[Gb] very [Eb] close
to our music
and my [B] music
in the 60s and 70s.
And he was in the Navy actually.
[F] [Ab] Until his late 30s.
[Dbm] He did a long time in the Navy
since he was like
promo guys were saying, you want to do another Knight, just like Knights in White Saturn,
it doesn't work like that.
So people [E] always come up like Wildest Dreams was another one.
We just want another Wildest Dreams.
Well, I know you're out there somewhere.
It [Dbm] was another Wildest Dreams.
It probably ended up being bigger.
They still didn't [E] recognize it when they heard it.
[N] And I think that's the problem.
So Wildest Dreams, they said, no, but you want the same thing, only [D] different.
That's not possible.
So no, [F] I don't play it for anybody else.
It completely stays with me and [Eb] Alberto.
Maybe some people in my [N] family, but even that very rarely, because I don't want their opinion.
I
You [C] know, watching and waiting
Watching and waiting holds its own, [N] Justin.
Thank you.
I love this concept of Wildest Dreams.
Finally, we get something from the Knights.
In fact, [Dm] lyrically, it wasn't that great.
[D] It didn't have the power of Knights, but thank you.
What was the inspiration for doing Wildest Dreams again?
[Bb] Thank you for the great start there.
I'll tell you what [D] was that.
It's that the
You see, I met these Bluegrass [Db] boys through David Hargit and through Ricky [F] Skaggs.
We did the stuff at Ricky [Gb] Skaggs' studio.
And [G] [Abm] they [A] didn't know me.
They just knew a songwriter.
[Gb] So they just knew me as that.
They knew my [Eb] song.
And they'd heard Broken [C] Dream.
And when I got to [Bbm] the studio, they said, listen, we'd [N] really
If you'd consider it.
We'd love to [G] do this.
I [Abm] think it would work.
And there's this young kid [B] who plays that [F] for a guitar.
You know, on his lap.
[N] And he was just brilliant.
[D] What's your favorite city?
[A] [F] My favorite city?
In the US.
[C]
[Db] [D] [E] [Ab] [D] You know, I love the US.
I love the US.
Something I dreamed about
I was a little boy.
Me and my brother, we went [G] back to that.
We were sitting looking [Ab] at that big sky.
[Eb] And I love New York.
If you've got [N] money.
If you were there, a few times we didn't have any money.
It was a nightmare.
[G] It [E] was terrible.
But my favorite places [Ab] to play are those places where
[B] They're in the kind of backwoods.
And you [F] kind of know nobody.
And you just see Moody's fans.
[N] There's nobody from the business there putting pressure on you.
I don't have to do stuff.
I kind of like out of the way places.
Where are you from?
[Ab] Oregon.
Very [Gb] special.
I [G] couldn't wait to go there.
Because I [Ab] knew it was like [Gb] California.
But moved up a bit.
Because it's very small.
And [F] the coastline of Oregon is not dissimilar to the west coast of England.
[D] It's a very romantic place.
[Ab]
[D] It's fine.
[F] Does it remind you of any of your [D] boys?
[G] [B] No, I don't.
I [N] don't consciously do that.
[Dm] [N] I start
Before a tour, I get in my car.
And I drive around.
And I just think My voice.
[Ab] About how I can be able to pull up at the [F] lights.
And I open the door.
And I'm in the car.
[N] And I see him.
And I'm like
I'm not [G] listening to anything.
I just have certain [D] vocal exercises.
I don't [Dm] know how you put more care into it.
It should be a [E] better diet.
And stuff.
You know that's the
[Gb] You're going to have to
I'm getting like Come on!
[N]
Is there a possibility of a Dustin Hayward bluegrass cruise?
[F] A bluegrass cruise?
[E] [F] A bluegrass motorboat?
[N]
Funny enough, Eagle Rock, my label,
who have been absolutely wonderful to me.
They've made no demands on me.
[Cm] They accepted the album [Fm] exactly.
We love it just [B] like that.
Not like every other label that says
You've got to [E] change this.
You've got to do that.
You can't have that.
[G] But they're really big on this.
[B] Because there's that bluegrass community
that I'm very thankful that they've accepted me.
And I'm not quite sure why.
But then the engineer [F] at Ricky Skaggs' place,
he said,
your voice just works in this stuff.
With these [Em] guys.
That's why [G] they want to work with you.
[F] It would be nice, wouldn't it?
And you'd have to exclude something.
[N] I don't know.
The songs come from the [Dm] heart.
Yeah.
Yes.
[C] [G] From me?
[F] From me.
[C] It took so long.
It took so long.
How much [G] longer will it be
before we can have the one?
[Em] It's [C] a one.
It's a one.
[C] [G] [B] Remember I said that I was [Ab] selfish?
She's got [Gb] to work with me.
[D] I did do a lot [F] more things
for this [D] album than did I say.
Yes.
But I didn't include them.
So it has to be stuff
that really works for me.
Thank [E] you.
Yeah.
[B] My brother died when he was 41.
So yeah.
[F] Lost him.
[G]
And [F] every mother who's lost her
little child should have a go
for their mother.
But carry on.
Do you have a sister?
[E] I have a sister.
[Bb] Did [F] he do classical music?
[Db] No, I don't think so.
Because he was
[Gb] very [Eb] close
to our music
and my [B] music
in the 60s and 70s.
And he was in the Navy actually.
[F] [Ab] Until his late 30s.
[Dbm] He did a long time in the Navy
since he was like
Key:
F
G
D
E
Ab
F
G
D
_ _ _ _ _ _ And I discovered after Knights in White Saturn when all of these A&R guys were saying, and
promo guys were saying, you want to do another Knight, just like Knights in White Saturn,
it _ doesn't work like that.
So people [E] always come up like Wildest Dreams was another one.
We just want another Wildest Dreams.
Well, I know you're out there somewhere.
It [Dbm] was another Wildest Dreams.
It probably ended up being bigger.
They still didn't [E] recognize it when they heard it.
[N] And I think that's the problem.
So Wildest Dreams, they said, no, but you want the same thing, only [D] different.
_ That's not possible.
So no, [F] I don't play it for anybody else.
It completely stays with me and [Eb] Alberto.
Maybe some people in my [N] family, but even that very rarely, because I don't want their opinion.
I_ _
You [C] know, watching and waiting_
Watching and waiting holds its own, [N] Justin.
Thank you.
I love this concept of Wildest Dreams.
Finally, we get something from the Knights.
In fact, [Dm] lyrically, it wasn't that great.
[D] It didn't have the power of Knights, but thank you.
What was the inspiration for doing Wildest Dreams again?
[Bb] Thank you for the great start there.
I'll tell you what [D] was that.
It's that the_
You see, I met these Bluegrass [Db] boys through David Hargit and through Ricky [F] Skaggs.
We did the stuff at Ricky [Gb] Skaggs' studio.
And [G] _ [Abm] they _ [A] didn't know me.
They just knew a songwriter.
[Gb] So _ they just knew me as that.
They knew my [Eb] song.
And they'd heard Broken [C] Dream.
And when I got to [Bbm] the studio, they said, listen, we'd [N] really_
If you'd consider it.
We'd love to [G] do this.
I _ [Abm] think it would work.
And there's this young kid [B] who plays that [F] for a guitar.
You know, on his lap.
[N] And he was just brilliant. _
[D] What's your favorite city?
[A] [F] My favorite city?
In the US.
[C] _ _ _ _ _
[Db] _ [D] _ _ [E] _ _ [Ab] [D] You know, I love the US.
I love the US.
Something I dreamed about_
I was a little boy.
Me and my brother, we went [G] back to that.
We were sitting looking [Ab] at that big sky.
[Eb] And I love New York.
If you've got [N] money.
If you were there, a few times we didn't have any money.
It was a nightmare.
[G] It [E] was terrible.
But my favorite places [Ab] to play are those places where_
_ _ [B] They're in the kind of backwoods.
And you [F] kind of know nobody.
And you just see Moody's fans.
[N] There's nobody from the business there putting pressure on you.
I don't have to do stuff.
I kind of like out of the way places.
Where are you from?
_ [Ab] Oregon.
Very [Gb] special.
I [G] couldn't wait to go there.
Because I [Ab] knew it was like [Gb] California.
But moved up a bit.
Because it's very small.
And [F] the coastline of Oregon is not dissimilar to the west coast of England.
[D] It's a very romantic place.
[Ab] _ _ _
_ _ [D] _ It's fine.
[F] Does it remind you of any of your [D] boys?
_ _ [G] _ [B] No, I don't.
I [N] _ _ don't consciously do that.
[Dm] [N] I start_
Before a tour, I get in my car.
And I drive around.
And I just think_ My voice.
[Ab] About how I can be able to pull up at the [F] lights.
And I open the door.
And I'm in the car.
[N] And I see him.
And I'm like_
_ _ I'm not [G] listening to anything.
I just have certain [D] vocal exercises.
_ I don't [Dm] know how you put more care into it.
It should be a [E] better diet.
And stuff.
You know that's the_
[Gb] You're going to have to_
I'm getting like_ Come on!
[N] _
_ _ Is there a possibility of a Dustin Hayward bluegrass cruise?
_ [F] A bluegrass cruise?
[E] _ [F] A bluegrass motorboat?
_ _ _ _ _ [N]
Funny enough, Eagle Rock, my label,
who have been absolutely wonderful to me.
They've made no demands on me.
[Cm] They accepted the album [Fm] exactly.
We love it just [B] like that.
Not like every other label that says_
You've got to [E] change this.
You've got to do that.
You can't have that. _
[G] _ But they're really big on this.
[B] Because there's that bluegrass community
that I'm very thankful that they've accepted me.
And I'm not quite sure why.
But then the engineer [F] at Ricky Skaggs' place,
he said,
your voice just works in this stuff.
With these [Em] guys.
That's why [G] they want to work with you.
[F] It would be nice, wouldn't it?
And you'd have to exclude something.
[N] I don't know.
The songs come from the [Dm] heart.
Yeah.
Yes.
[C] _ _ _ _ [G] From me?
[F] From me.
[C] _ It took so long.
It took so long.
How much [G] longer will it be
before we can have the one?
[Em] _ It's [C] a one.
It's a one.
[C] _ _ _ [G] _ _ [B] Remember I said that I was [Ab] selfish?
She's got [Gb] to work with me.
[D] I did do a lot [F] more things
for this [D] album than did I say.
Yes.
_ But I didn't include them.
So it has to be stuff
that really works for me. _ _
Thank [E] you.
_ Yeah. _ _
[B] My brother died when he was 41.
So yeah.
[F] Lost him.
[G]
And [F] every mother who's lost her
little child should have a go
for their mother.
_ But carry on.
Do you have a sister?
[E] I have a sister.
_ _ [Bb] _ _ Did [F] he do classical music?
_ _ _ [Db] No, I don't think so.
Because he was
[Gb] _ very [Eb] close
to our music
and my [B] music
in the 60s and 70s.
And he was in the Navy actually.
[F] _ [Ab] Until his late 30s.
[Dbm] He did a long time in the Navy
since he was like
promo guys were saying, you want to do another Knight, just like Knights in White Saturn,
it _ doesn't work like that.
So people [E] always come up like Wildest Dreams was another one.
We just want another Wildest Dreams.
Well, I know you're out there somewhere.
It [Dbm] was another Wildest Dreams.
It probably ended up being bigger.
They still didn't [E] recognize it when they heard it.
[N] And I think that's the problem.
So Wildest Dreams, they said, no, but you want the same thing, only [D] different.
_ That's not possible.
So no, [F] I don't play it for anybody else.
It completely stays with me and [Eb] Alberto.
Maybe some people in my [N] family, but even that very rarely, because I don't want their opinion.
I_ _
You [C] know, watching and waiting_
Watching and waiting holds its own, [N] Justin.
Thank you.
I love this concept of Wildest Dreams.
Finally, we get something from the Knights.
In fact, [Dm] lyrically, it wasn't that great.
[D] It didn't have the power of Knights, but thank you.
What was the inspiration for doing Wildest Dreams again?
[Bb] Thank you for the great start there.
I'll tell you what [D] was that.
It's that the_
You see, I met these Bluegrass [Db] boys through David Hargit and through Ricky [F] Skaggs.
We did the stuff at Ricky [Gb] Skaggs' studio.
And [G] _ [Abm] they _ [A] didn't know me.
They just knew a songwriter.
[Gb] So _ they just knew me as that.
They knew my [Eb] song.
And they'd heard Broken [C] Dream.
And when I got to [Bbm] the studio, they said, listen, we'd [N] really_
If you'd consider it.
We'd love to [G] do this.
I _ [Abm] think it would work.
And there's this young kid [B] who plays that [F] for a guitar.
You know, on his lap.
[N] And he was just brilliant. _
[D] What's your favorite city?
[A] [F] My favorite city?
In the US.
[C] _ _ _ _ _
[Db] _ [D] _ _ [E] _ _ [Ab] [D] You know, I love the US.
I love the US.
Something I dreamed about_
I was a little boy.
Me and my brother, we went [G] back to that.
We were sitting looking [Ab] at that big sky.
[Eb] And I love New York.
If you've got [N] money.
If you were there, a few times we didn't have any money.
It was a nightmare.
[G] It [E] was terrible.
But my favorite places [Ab] to play are those places where_
_ _ [B] They're in the kind of backwoods.
And you [F] kind of know nobody.
And you just see Moody's fans.
[N] There's nobody from the business there putting pressure on you.
I don't have to do stuff.
I kind of like out of the way places.
Where are you from?
_ [Ab] Oregon.
Very [Gb] special.
I [G] couldn't wait to go there.
Because I [Ab] knew it was like [Gb] California.
But moved up a bit.
Because it's very small.
And [F] the coastline of Oregon is not dissimilar to the west coast of England.
[D] It's a very romantic place.
[Ab] _ _ _
_ _ [D] _ It's fine.
[F] Does it remind you of any of your [D] boys?
_ _ [G] _ [B] No, I don't.
I [N] _ _ don't consciously do that.
[Dm] [N] I start_
Before a tour, I get in my car.
And I drive around.
And I just think_ My voice.
[Ab] About how I can be able to pull up at the [F] lights.
And I open the door.
And I'm in the car.
[N] And I see him.
And I'm like_
_ _ I'm not [G] listening to anything.
I just have certain [D] vocal exercises.
_ I don't [Dm] know how you put more care into it.
It should be a [E] better diet.
And stuff.
You know that's the_
[Gb] You're going to have to_
I'm getting like_ Come on!
[N] _
_ _ Is there a possibility of a Dustin Hayward bluegrass cruise?
_ [F] A bluegrass cruise?
[E] _ [F] A bluegrass motorboat?
_ _ _ _ _ [N]
Funny enough, Eagle Rock, my label,
who have been absolutely wonderful to me.
They've made no demands on me.
[Cm] They accepted the album [Fm] exactly.
We love it just [B] like that.
Not like every other label that says_
You've got to [E] change this.
You've got to do that.
You can't have that. _
[G] _ But they're really big on this.
[B] Because there's that bluegrass community
that I'm very thankful that they've accepted me.
And I'm not quite sure why.
But then the engineer [F] at Ricky Skaggs' place,
he said,
your voice just works in this stuff.
With these [Em] guys.
That's why [G] they want to work with you.
[F] It would be nice, wouldn't it?
And you'd have to exclude something.
[N] I don't know.
The songs come from the [Dm] heart.
Yeah.
Yes.
[C] _ _ _ _ [G] From me?
[F] From me.
[C] _ It took so long.
It took so long.
How much [G] longer will it be
before we can have the one?
[Em] _ It's [C] a one.
It's a one.
[C] _ _ _ [G] _ _ [B] Remember I said that I was [Ab] selfish?
She's got [Gb] to work with me.
[D] I did do a lot [F] more things
for this [D] album than did I say.
Yes.
_ But I didn't include them.
So it has to be stuff
that really works for me. _ _
Thank [E] you.
_ Yeah. _ _
[B] My brother died when he was 41.
So yeah.
[F] Lost him.
[G]
And [F] every mother who's lost her
little child should have a go
for their mother.
_ But carry on.
Do you have a sister?
[E] I have a sister.
_ _ [Bb] _ _ Did [F] he do classical music?
_ _ _ [Db] No, I don't think so.
Because he was
[Gb] _ very [Eb] close
to our music
and my [B] music
in the 60s and 70s.
And he was in the Navy actually.
[F] _ [Ab] Until his late 30s.
[Dbm] He did a long time in the Navy
since he was like