Chords for Keep Your Hands to Yourself Bass Cover and Lesson Request

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[A] _ _ _ _ I got a little change in my pocket, going jingle-lang-lang.
Won't call you on the telephone, baby.
I give you a ring, [D] but each time we talk,
I get the same old thing.
[A] Always no hooky-dokey until I get a wedding ring.
[E] My honey, my baby, don't put my love upon no shelf.
She [A] said, don't give me no lines,
and keep your hands to [A] yourself.
Baby, _ _ _ _ _ _ _ _ _ _ _
_ _ _ baby, baby, why you on treat me this way?
You know I'm still your lover boy.
I still feel the same way.
That's what you [D] told me at the store.
I ain't no better guy, [A] said no hooky-dokey
until I get a wedding ring.
_ [E] _ _ Don't put my love upon no shelf.
She said, don't give me no lines,
and keep your hands to [Am] yourself.
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You [A] see, I wanted her real bad, and I was about to give in.
That's when she started talking about true love,
started talking about sin, and [D] I said,
honey, I live with you, cause of us.
_ She [A] said, no hooky-dokey until you make me your wife. _
[E] _ _ Don't put my love upon no shelf.
[B] She said, don't give me no lines,
and keep your hands to [A] yourself. _ _
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_ _ _ _ [F] Hello, and that was the requested transcription I did of the Georgia Satellite song,
Keep Your Hands to Yourself, and Dave Hewitt, or Rick Price,
was the bass player on that track,
and you can find this [B] transcription at musento.com,
under Intermediate Learning Songs.
And this song, yeah, I played this song years and years ago
when I was kind of _ an older kid playing in bars and stuff,
and it's just a [N] jam song, you know,
so if I was playing this live again, I probably would just add lib a lot,
but although saying that, I have found a couple licks in here that I like,
so I would probably try to incorporate those with my own.
But again, it's just a jam song,
so really I think the thing to watch out for is to not overplay in this one,
because it would be easy to just kind of, you know, jam away too much,
but remember, you don't want to get in the way of the singer,
and it's a big guitar song too,
so you don't let the guitar player have the spotlight,
and you kind of support him,
so that would be my attitude if I was playing in a live situation.
To match the recording, I found you really got to have a lazy feel
and keep the notes nice and long,
so it's, yeah, it's really, it's almost like late sometimes, you know,
you're just holding on to the note as long as you can until that next one,
and I've notated a couple staccatos here and there,
but even those are long, you know, they're not very short staccatos,
so again, it just kind of has this _ lazy southern rock kind of feel
that I had to, you know, try to get my head around,
and also notice too, sometimes when it goes up to the D chord,
it's not always like just a D with a major third in there,
he was playing, he plays a G natural in there sometimes too,
so it's kind of good to remember, you know,
that you don't always have to play that to major third
and always make it so happy sounding, you know,
you can kind of throw in that _ four, that sussy thing,
it's just a passing thing anyway, but yeah, it kind of darkens it up a little bit,
so _ I was glad to see that.
What I'm going to do for you, I'm going to play it again with a drum track,
we're going to take it right from, they'll be measure 15,
where the bass comes in, the original was around 120, 118 beats per minute,
I'm going to take it at 108 beats per minute,
and I'll include this drum track with the lesson _ arrangement.
Okay, thanks for watching, we'll see you at the end.
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Okay, so there you go, keep your hands to yourself by the Georgia Satellites,
and Dave Hewitt or Rick Price was the bass player on that track,
and you can find this transcription at musento.com under intermediate learning songs.
And thanks for watching, don't forget to like and subscribe,
don't forget to check out Musento, and we'll see you again next time.
Thanks, bye bye. _ _ _
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