Chords for Kim Larsen i legendarisk interview fra Eleva2eren

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_ _ _ Oh, oh, oh, mama mia _ Oh, oh, oh, mama mia
Da sa mama mia Oh, oh, oh, mama mia
_ Ay, _ _ _ _ _ yi, ya la ya _ Ay, _ _ _ yi, ya la ya
We do a little greener, you know.
And we do a green tube and do something with the music, right?
Can I do it?
We do it.
If they can try to do it, then we probably have to do something with the music.
Do you think now we have seen today how Sanne Selmussen and Anne Lene and Dodo
all take part in the green concerts?
Would you never find yourself among the names on the posters?
Never. _
You've never seen me sponsored by anyone.
I don't like that.
_ But can't you understand that now you have it very privileged?
_ I haven't always had that.
No.
No.
But can't you understand that now_
There was a time when I took a bath at the K-school.
I did that too.
_ But the way forward can be long and tight.
Yes, that's the thing with the 1000.
Isn't it?
Otherwise everyone would do it.
You mean the 1000 is fighting their way through?
Of course.
Haven't you become a bit old-fashioned?
Can't you see that there are a lot of things that you have to_
You know what?
Now I have to tell you something.
When the money boys start to take over the stage, I say stop everything.
They should be there.
You know, I have had a manager for many years who earns a lot of money from me.
Yes.
And he should be happy to do that.
And I have also had a record company for many years who earns a lot of money from me.
They should be happy to do that.
And I don't do that anymore.
Do you have money?
There is a place where it should say stop.
When the money boys come in, you know.
I have to give you an example.
Where it all came out of proportion.
We were at the Miffy festival last year.
Yes.
Luckily we were supposed to play in the tent.
_ When I passed the big stage I saw that the big pieces of fabric that were hanging out.
They were garnished with four big Tuborg bottles.
That's a big change.
And makes me a true consultant for Tuborg.
And I don't care if it's Tuborg or toilet soap or toothpaste.
I just say that these people should be able to advertise.
But not for my sake.
Kim Larsen, you can feel sometimes that you are a bit angry and grumpy.
For example when you talk about your money.
Do I make you angry?
Yes, but you seem tense.
I get nervous.
Because I'm talking to you.
Yes, yes, so you have screwed up.
You [G] win.
Can I ask you something?
You have also been angry when someone asked you about your money.
Why do you get angry about that?
[Abm] Because I think that it's not about anything else.
When politicians [G] talk on TV, it's only about money.
And people come in and say, oh, how much money have you earned?
You know.
And you don't want to hear that?
I'm just happy.
I've never been after money.
Isn't it nice to have it?
If you lack a few small things, it's good to have it.
But otherwise it's worth it.
You live like a king.
Whether you _ [N] have what you need or whether you have 40,000 billion, I'm just happy.
But I'm not happy about it.
No, you know that well.
No, because you can be a bit angry that you can just throw up.
That's nice.
You love throwing up.
You think there are too few who throw up?
No.
Then you know what?
There's a BH missing, a Paul Henningsen missing,
a Bård Henningsen missing,
a Sjerfing missing,
some of these old people who throw up all the time.
Today, you know, they're just basing it on a green T-shirt and a green shirt.
If you're trying to advertise something,
those who watched Danmark Radio an hour ago,
who are in the people's movement against the EF, _
isn't that an advertisement too?
No.
But it's not for a product.
_ It's something completely different.
I also advertise for myself when I go out to play.
I say, hey, I'm coming to the city, there's a game in me,
I'm playing at Jallov Market tonight.
Come and see me, man, I'm great.
It doesn't matter.
No.
It doesn't matter.
You are great.
I just don't want to be a special candidate for those_
_ _ those business guys.
But what about EF?
It's the first time you've gone into something so politically hard.
Is it?
Is EF_
Well, that's what you did in their show.
Yeah, that was a good one.
It's hard to get past that.
Yeah, that's right.
Yeah.
_ You're complaining.
_ _ But is EF fighting so hard that you think you're going to be on the pitch?
No, not really.
It's all connected, right?
When you see all those_
Those who want to dominate them,
_ those who want to build big business,
_ and those who make those commercials,
it's the same gang, all of them.
And I think they should have some resistance.
They shouldn't just be allowed to show off. _ _
Without us guys shouting,
Hello, move over a little so we can get in.
_ [G] And you feel that if it wasn't just_
Listen, if those guys who started EF,
once in 72,
if there were still people I could like,
_ [Abm] if there were people I had a connection to and who I trusted,
and that doesn't just apply to 72,
but even now, _ I would have a different view of it.
But I don't trust them.
I don't trust those who build big business. _
I don't trust the guys who make factories and [G] screw up the whole thing.
And that's just how it is.
Who do you trust, Kim Larsen?
_ _ _ I'm sure you're happy with that, because not many people do.
I also trust myself and my friends.
So you trust someone_
What's the point of trusting someone? _ _
I can't define it.
_ What does your faith build on?
That's a feeling, right?
Is it something about honesty?
That's the first thing.
_ The honesty of the heart.
The honesty of the heart.
_ I hope we can find that in you as long as you're around.
Because that's what people are so fond of,
with your songs and your lyrics.
You feel that honesty of the heart, right? _
_ Music is like that.
[Ab] _ _ You're going to interrupt for a moment.
_ We're serious [N] about this. _ _
What's very important about music,
is that it's a gift you've been given.
And if you misrepresent that,
for example, to a marmot,
_ the music gets angry at you and it weakens you.
So, _ the moment I weaken her,
the moment I start looking for something else than the pure goods,
she won't come to me anymore.
She won't come and whisper into my ears.
You won't do anything to make the money you're making now.
They're very, very poor.
You know what?
Listen.
If I suddenly stand there without a word,
and _ I don't have any food in my bowl,
I'll do anything.
Whatever.
But no one will call and ask if they want to sponsor me.
No.
No, they only call those who have access to the front door.
Not Green Typhoon, they don't call those who don't have access to the front door.
They don't call some band they just started with.
They call their manager and say,
we're just coming to give you a little something.
Now it's a little_
What did you want to say?
I'm sorry to interrupt,
but I was thinking,
now you're talking so nicely about music,
if we could just get a little something on the guitar now.
What is it?
I don't know if [Eb] the audience will come.
_ _ _ Quick, _
[N] _ _ _ _ _ _ _
one second.
[C] What is it?
I don't know if the audience will come. _ _
_ _ _ It's _ _ _ _ something about our [G] future, maybe.
At least a little bit.
_ [C] _ _ And many years [G] from now,
_ _ [F] it's not [C] fair to say,
[A] _ [Bb] that there may [C] not be any more Danes, _
[G] [A] in this [C] little town.
_ _ And those who speak English,
[F] say, [C] fuck it all.
_ [A] _ [Bb] For my sake, [C] they can say whatever they [G] want.
[Bm] Just that they understand [C] each [G] other.
Maybe [C] we'll disappear one day,
[Gm] when we're not [C] many anymore.
_ [G] But [D] if that's the [C] intention,
and that's what we're supposed [F] to do,
then it's [G] fine, then it's [C] cool, then it's good enough.
[F] Yes, then it's fine, [G] then it's cool, then it's good [A] enough.
And then we'll be a long way ahead.