Chords for Konshens - Different [May 2011] D&H Remix
Tempo:
141.05 bpm
Chords used:
Am
F
Dm
A
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A] [G] You ready?
[A] [F] Come on, I'm ready.
[D] [A] Oh, it's a [F] different.
Thanks.
Put [Dm] your hands upon the [Am] wall and make me search you like a cop.
If you resist, your [Dm] rumpa get a slap.
Hands behind your [Am] back, limit your mobility.
Then me choke you [F] like police brutality.
[Dm] Pull your [Am] hair, then whisper inna your ear.
Soft but [F] clear, so everything you hear you [Dm] say.
Baby, [Am] please, can you put it in here?
Me say no, me a got [F] easier till you beg me for relief.
You [Dm] are chapter [Am] two inna the movie, second act.
Pretend like so you're [F] sick, and a me a the doc.
[Dm] What are the [Am] symptoms?
No fear, come here, victim.
Now take this to the nurse, then come back [Dm] for your shot.
Or, sit down inna me lap.
[Am] Get a box, you a the worker.
Pop off the [F] blouse, you whip.
Tear off the skirt, you [Dm] whip.
What you [Am] call that?
Performance motivation?
Or is it just [F] plain old office molestation?
[Dm] That's a [Am] meditation.
When you're in a relationship, and you don't [F] want it,
sink down [Dm] inna the ocean.
Sometime fi please a [Am] woman, you have to change the station.
And tune in to a [F] different type of [Dm] program.
Y'all dem say dem tired of the [Am] boring woman there.
So fi hold dem, you [F] a fi put it [Dm] on dem.
Grab dem and give it to them [Am] different.
Y'all fi know fi give it to them [F] different.
You give it [Dm] to her hard and [Am] long.
See, say y'all dem a bring the money [F] come.
And then she still a give you money.
Cause [Dm] you know give it to her [Am] different.
Y'all fi know fi give it to her [C] different.
She [D] say she tired of the bedroom.
[A] The bedroom. [Am] The bedroom.
[F] She [E] now a fi [D] say no living room.
[A] No living room.
[Am] It feel like a [F] tomb.
[E] She want fi go pon [D] the veranda.
[Am] The veranda.
With the neighbor.
[F] [E] So me give her [D] rid of the driveway.
[A] She now [Am] play inna Broadway.
[F] She tired [Dm] of the kissing [Am] up.
And the feeling up a city.
Backers pon the [F] rooftop.
Overlook the city.
[Dm] Lunch [Am] time.
Link her up and bust a quickie.
Arriving inna the [F] traffic.
Inna the middle of the city.
[Dm] She want fi [Am] boost up her adrenaline.
The karma sutra change [F] up.
The positions where you offering.
[Dm] But her not [Am] all the time a daggering.
Sometime you wind up inna [F] her.
She beg you fi the [Dm] armoring.
Book a [Am] flight ticket for Toto, Miami.
All when you not.
[F] Nothing fi go do inna Miami [Dm] car.
She want fuck [Am] when the plane a fly off.
And by the time the plane a [E] take off.
People think say we a get [Dm] off.
Rude boy.
Try that [Am] one yah.
With the girls them wag your head.
Empty out your [F] gun.
But left one inna the head.
[Dm] When she a do her [Am] thing.
Just rest it pon her head.
And when you feel like you a go come.
Boom.
Me say she no dead.
[Dm] [Am] No.
No.
Nobody do that one.
[Dm] Don't do that one.
[Am] Well you get the picture right?
You get the [Dm] picture.
Yah.
The girls them say them tired.
That di [Am] boring no man dem.
So fi hold dem you [F] want fi put it pon [Dm] dem.
Grab dem and give it to them [Am] different.
Grab dem and give it to them [F] different.
You give it [Dm] to her hard and [Am] long.
Feel so you a the man.
Bring the money [F] come.
You
[Dm] give it to her [Am] different.
You give it to her [C] different.
She say she tired [D] of the bedroom.
[A] The [Am] bedroom.
The bedroom.
[F] Yah.
She now want fi [D] say no living [A] room.
No living [Am] room.
It feel like a [F] tomb.
Yah.
She want fi go pon [D] the veranda.
[Am] The veranda.
With the neighbor.
[F] Yah.
[E] So me give her [D] rid of the driver.
[A] She now [Am] play in a broad day.
[B] Yah.
Yah.
Yah. Yah.
[F] [Dm] [Am]
[F]
[Dm] [Am]
[F]
[A] [F] Come on, I'm ready.
[D] [A] Oh, it's a [F] different.
Thanks.
Put [Dm] your hands upon the [Am] wall and make me search you like a cop.
If you resist, your [Dm] rumpa get a slap.
Hands behind your [Am] back, limit your mobility.
Then me choke you [F] like police brutality.
[Dm] Pull your [Am] hair, then whisper inna your ear.
Soft but [F] clear, so everything you hear you [Dm] say.
Baby, [Am] please, can you put it in here?
Me say no, me a got [F] easier till you beg me for relief.
You [Dm] are chapter [Am] two inna the movie, second act.
Pretend like so you're [F] sick, and a me a the doc.
[Dm] What are the [Am] symptoms?
No fear, come here, victim.
Now take this to the nurse, then come back [Dm] for your shot.
Or, sit down inna me lap.
[Am] Get a box, you a the worker.
Pop off the [F] blouse, you whip.
Tear off the skirt, you [Dm] whip.
What you [Am] call that?
Performance motivation?
Or is it just [F] plain old office molestation?
[Dm] That's a [Am] meditation.
When you're in a relationship, and you don't [F] want it,
sink down [Dm] inna the ocean.
Sometime fi please a [Am] woman, you have to change the station.
And tune in to a [F] different type of [Dm] program.
Y'all dem say dem tired of the [Am] boring woman there.
So fi hold dem, you [F] a fi put it [Dm] on dem.
Grab dem and give it to them [Am] different.
Y'all fi know fi give it to them [F] different.
You give it [Dm] to her hard and [Am] long.
See, say y'all dem a bring the money [F] come.
And then she still a give you money.
Cause [Dm] you know give it to her [Am] different.
Y'all fi know fi give it to her [C] different.
She [D] say she tired of the bedroom.
[A] The bedroom. [Am] The bedroom.
[F] She [E] now a fi [D] say no living room.
[A] No living room.
[Am] It feel like a [F] tomb.
[E] She want fi go pon [D] the veranda.
[Am] The veranda.
With the neighbor.
[F] [E] So me give her [D] rid of the driveway.
[A] She now [Am] play inna Broadway.
[F] She tired [Dm] of the kissing [Am] up.
And the feeling up a city.
Backers pon the [F] rooftop.
Overlook the city.
[Dm] Lunch [Am] time.
Link her up and bust a quickie.
Arriving inna the [F] traffic.
Inna the middle of the city.
[Dm] She want fi [Am] boost up her adrenaline.
The karma sutra change [F] up.
The positions where you offering.
[Dm] But her not [Am] all the time a daggering.
Sometime you wind up inna [F] her.
She beg you fi the [Dm] armoring.
Book a [Am] flight ticket for Toto, Miami.
All when you not.
[F] Nothing fi go do inna Miami [Dm] car.
She want fuck [Am] when the plane a fly off.
And by the time the plane a [E] take off.
People think say we a get [Dm] off.
Rude boy.
Try that [Am] one yah.
With the girls them wag your head.
Empty out your [F] gun.
But left one inna the head.
[Dm] When she a do her [Am] thing.
Just rest it pon her head.
And when you feel like you a go come.
Boom.
Me say she no dead.
[Dm] [Am] No.
No.
Nobody do that one.
[Dm] Don't do that one.
[Am] Well you get the picture right?
You get the [Dm] picture.
Yah.
The girls them say them tired.
That di [Am] boring no man dem.
So fi hold dem you [F] want fi put it pon [Dm] dem.
Grab dem and give it to them [Am] different.
Grab dem and give it to them [F] different.
You give it [Dm] to her hard and [Am] long.
Feel so you a the man.
Bring the money [F] come.
You
[Dm] give it to her [Am] different.
You give it to her [C] different.
She say she tired [D] of the bedroom.
[A] The [Am] bedroom.
The bedroom.
[F] Yah.
She now want fi [D] say no living [A] room.
No living [Am] room.
It feel like a [F] tomb.
Yah.
She want fi go pon [D] the veranda.
[Am] The veranda.
With the neighbor.
[F] Yah.
[E] So me give her [D] rid of the driver.
[A] She now [Am] play in a broad day.
[B] Yah.
Yah.
Yah. Yah.
[F] [Dm] [Am]
[F]
[Dm] [Am]
[F]
Key:
Am
F
Dm
A
D
Am
F
Dm
_ _ _ [A] _ _ _ [G] You ready?
[A] _ _ _ [F] _ Come on, I'm ready. _
[D] _ _ _ [A] _ Oh, it's a [F] different. _
_ _ Thanks.
_ _ Put [Dm] your hands upon the [Am] wall and make me search you like a cop.
If you resist, your [Dm] rumpa get a slap.
Hands behind your [Am] back, limit your mobility.
_ Then me choke you [F] like police brutality.
[Dm] _ Pull your [Am] hair, then whisper inna your ear.
Soft but [F] clear, so everything you hear you [Dm] say.
Baby, [Am] please, can you put it in here?
Me say no, me a got [F] easier till you beg me for relief.
You [Dm] are chapter [Am] two inna the movie, second act.
Pretend like so you're [F] sick, and a me a the doc.
[Dm] What are the [Am] symptoms?
No fear, come here, victim.
Now take this to the nurse, then come back [Dm] for your shot.
Or, sit down inna me lap.
[Am] Get a box, you a the worker.
Pop off the [F] blouse, you whip.
Tear off the skirt, you [Dm] whip.
What you [Am] call that?
Performance motivation?
Or is it just [F] plain old office molestation?
[Dm] That's a [Am] meditation.
When you're in a relationship, and you don't [F] want it,
sink down [Dm] inna the ocean.
Sometime fi please a [Am] woman, you have to change the station.
And tune in to a [F] different type of [Dm] program.
Y'all dem say dem tired of the [Am] boring woman there.
So fi hold dem, you [F] a fi put it [Dm] on dem.
Grab dem and give it to them [Am] different.
_ _ Y'all fi know fi give it to them [F] different.
You give it [Dm] to her hard and [Am] long.
See, say y'all dem a bring the money [F] come.
And then she still a give you money.
Cause [Dm] you know give it to her [Am] different.
_ _ Y'all fi know fi give it to her [C] different.
She [D] say she tired of the bedroom.
[A] The bedroom. [Am] The bedroom. _
_ _ _ [F] _ She [E] now a fi [D] say no living room.
[A] No living room.
[Am] It feel like a [F] tomb.
[E] She want fi go pon [D] the veranda.
[Am] The veranda.
With the neighbor.
_ [F] _ _ [E] So me give her [D] rid of the driveway.
[A] She now [Am] play inna Broadway.
[F] _ _ She tired [Dm] of the kissing [Am] up.
And the feeling up a city.
Backers pon the [F] rooftop.
Overlook the city.
[Dm] _ Lunch [Am] time.
Link her up and bust a quickie.
Arriving inna the [F] traffic.
Inna the middle of the city.
[Dm] She want fi [Am] boost up her adrenaline.
The karma sutra change [F] up.
The positions where you offering.
[Dm] But her not [Am] all the time a daggering.
Sometime you wind up inna [F] her.
She beg you fi the [Dm] armoring.
Book a [Am] flight ticket for Toto, Miami.
All when you not.
[F] Nothing fi go do inna Miami [Dm] car.
She want fuck [Am] when the plane a fly off.
And by the time the plane a [E] take off.
People think say we a get [Dm] off.
Rude boy.
Try that [Am] one yah.
With the girls them wag your head.
Empty out your [F] gun.
But left one inna the head.
[Dm] When she a do her [Am] thing.
Just rest it pon her head.
And when you feel like you a go come.
Boom.
Me say she no dead.
[Dm] _ _ [Am] No.
No.
Nobody do that one. _ _
_ _ _ [Dm] _ Don't do that one.
_ _ [Am] Well you get the picture right? _
You get the [Dm] picture.
Yah.
The girls them say them tired.
That di [Am] boring no man dem.
So fi hold dem you [F] want fi put it pon [Dm] dem.
Grab dem and give it to them [Am] different.
_ Grab dem and give it to them [F] different.
_ You give it [Dm] to her hard and [Am] long.
Feel so you a the man.
Bring the money [F] come.
You _ _ _
[Dm] give it to her [Am] different.
_ You give it to her [C] different.
She say she tired [D] of the bedroom.
[A] The [Am] bedroom.
The bedroom.
[F] Yah.
She now want fi [D] say no living [A] room.
No living [Am] room.
It feel like a [F] tomb.
Yah.
She want fi go pon [D] the veranda.
[Am] The veranda.
With the neighbor.
_ [F] Yah.
[E] So me give her [D] rid of the driver.
_ [A] She now [Am] play in a broad day.
[B] Yah.
Yah.
Yah. Yah.
_ _ [F] _ _ _ _ _ [Dm] _ _ _ [Am] _ _ _ _ _
_ _ _ [F] _ _ _ _ _
[Dm] _ _ _ [Am] _ _ _ _ _
_ _ _ [F] _ _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ [F] _ Come on, I'm ready. _
[D] _ _ _ [A] _ Oh, it's a [F] different. _
_ _ Thanks.
_ _ Put [Dm] your hands upon the [Am] wall and make me search you like a cop.
If you resist, your [Dm] rumpa get a slap.
Hands behind your [Am] back, limit your mobility.
_ Then me choke you [F] like police brutality.
[Dm] _ Pull your [Am] hair, then whisper inna your ear.
Soft but [F] clear, so everything you hear you [Dm] say.
Baby, [Am] please, can you put it in here?
Me say no, me a got [F] easier till you beg me for relief.
You [Dm] are chapter [Am] two inna the movie, second act.
Pretend like so you're [F] sick, and a me a the doc.
[Dm] What are the [Am] symptoms?
No fear, come here, victim.
Now take this to the nurse, then come back [Dm] for your shot.
Or, sit down inna me lap.
[Am] Get a box, you a the worker.
Pop off the [F] blouse, you whip.
Tear off the skirt, you [Dm] whip.
What you [Am] call that?
Performance motivation?
Or is it just [F] plain old office molestation?
[Dm] That's a [Am] meditation.
When you're in a relationship, and you don't [F] want it,
sink down [Dm] inna the ocean.
Sometime fi please a [Am] woman, you have to change the station.
And tune in to a [F] different type of [Dm] program.
Y'all dem say dem tired of the [Am] boring woman there.
So fi hold dem, you [F] a fi put it [Dm] on dem.
Grab dem and give it to them [Am] different.
_ _ Y'all fi know fi give it to them [F] different.
You give it [Dm] to her hard and [Am] long.
See, say y'all dem a bring the money [F] come.
And then she still a give you money.
Cause [Dm] you know give it to her [Am] different.
_ _ Y'all fi know fi give it to her [C] different.
She [D] say she tired of the bedroom.
[A] The bedroom. [Am] The bedroom. _
_ _ _ [F] _ She [E] now a fi [D] say no living room.
[A] No living room.
[Am] It feel like a [F] tomb.
[E] She want fi go pon [D] the veranda.
[Am] The veranda.
With the neighbor.
_ [F] _ _ [E] So me give her [D] rid of the driveway.
[A] She now [Am] play inna Broadway.
[F] _ _ She tired [Dm] of the kissing [Am] up.
And the feeling up a city.
Backers pon the [F] rooftop.
Overlook the city.
[Dm] _ Lunch [Am] time.
Link her up and bust a quickie.
Arriving inna the [F] traffic.
Inna the middle of the city.
[Dm] She want fi [Am] boost up her adrenaline.
The karma sutra change [F] up.
The positions where you offering.
[Dm] But her not [Am] all the time a daggering.
Sometime you wind up inna [F] her.
She beg you fi the [Dm] armoring.
Book a [Am] flight ticket for Toto, Miami.
All when you not.
[F] Nothing fi go do inna Miami [Dm] car.
She want fuck [Am] when the plane a fly off.
And by the time the plane a [E] take off.
People think say we a get [Dm] off.
Rude boy.
Try that [Am] one yah.
With the girls them wag your head.
Empty out your [F] gun.
But left one inna the head.
[Dm] When she a do her [Am] thing.
Just rest it pon her head.
And when you feel like you a go come.
Boom.
Me say she no dead.
[Dm] _ _ [Am] No.
No.
Nobody do that one. _ _
_ _ _ [Dm] _ Don't do that one.
_ _ [Am] Well you get the picture right? _
You get the [Dm] picture.
Yah.
The girls them say them tired.
That di [Am] boring no man dem.
So fi hold dem you [F] want fi put it pon [Dm] dem.
Grab dem and give it to them [Am] different.
_ Grab dem and give it to them [F] different.
_ You give it [Dm] to her hard and [Am] long.
Feel so you a the man.
Bring the money [F] come.
You _ _ _
[Dm] give it to her [Am] different.
_ You give it to her [C] different.
She say she tired [D] of the bedroom.
[A] The [Am] bedroom.
The bedroom.
[F] Yah.
She now want fi [D] say no living [A] room.
No living [Am] room.
It feel like a [F] tomb.
Yah.
She want fi go pon [D] the veranda.
[Am] The veranda.
With the neighbor.
_ [F] Yah.
[E] So me give her [D] rid of the driver.
_ [A] She now [Am] play in a broad day.
[B] Yah.
Yah.
Yah. Yah.
_ _ [F] _ _ _ _ _ [Dm] _ _ _ [Am] _ _ _ _ _
_ _ _ [F] _ _ _ _ _
[Dm] _ _ _ [Am] _ _ _ _ _
_ _ _ [F] _ _ _ _ _
_ _ _ _ _ _ _ _